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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E2CB6 it is the complementary color #C1D349. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E2CB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E2CB6 shade: #432CB1, #543EC4, #6550D7, #7662EA and #8774FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E2CB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E2CB6 shade: #3E2CB6, #2D1AA3, #1C0890, #0B007D and #00006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E2CB6 shade: #3D2BB4, #622BB4, #872BB4, #AC2BB4 and #B42B98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E2CB6 shade: #3D2BB4 and #2B2BB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E2CB6 shade matches the following richer shades: #3D2BB4, #3019C6 and #2207D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E2CB6 shade: #3D2BB4, #4B3DA2, #585090, #65627E and #73746C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E2CB6 shade: #2B64B4, #2B40B4, #3B2BB4, #602BB4 and #842BB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E2CB6 shade: #261B72, #322393, #3D2BB4, #4D3ACF and #6B5BD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E2CB6 shade: #3E2CB6, #B42B89 and #52B42B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E2CB6 shade: #3E2CB6, #B43B2B and #2BB43B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E2CB6 shade: #3E2CB6, #B42B89, #A4B42B and #2BB457

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E2CB6 shade: #3E2CB6, #B42B60, #A4B42B and #2BB480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 76 / 0 / 29

HEX #3E2CB6

RGB 62 44 182

HSL 247.83, 0.61%, 0.44%

LAB 29.92, 48.16, -69.65

 

Complementary color

CMYK 9 / 0 / 65 / 17

HEX #C1D349

RGB 193 211 73

HSL 67.83, 0.61%, 0.56%

LAB 80.96, -24, 63.6

 

CMYK 62 / 75 / 0 / 31

HEX #432CB1

RGB 67 44 177

HSL 250.38, 0.6%, 0.43%

LAB 29.83, 47.21, -66.79

 

CMYK 57 / 68 / 0 / 23

HEX #543EC4

RGB 84 62 196

HSL 249.85, 0.53%, 0.51%

LAB 36.58, 45.58, -66.87

 

CMYK 53 / 63 / 0 / 16

HEX #6550D7

RGB 101 80 215

HSL 249.33, 0.63%, 0.58%

LAB 43.38, 43.93, -66.72

 

CMYK 50 / 58 / 0 / 8

HEX #7662EA

RGB 118 98 234

HSL 248.82, 0.76%, 0.65%

LAB 50.13, 42.38, -66.46

 

CMYK 47 / 54 / 0 / 1

HEX #8774FD

RGB 135 116 253

HSL 248.32, 0.97%, 0.72%

LAB 56.81, 40.96, -66.18

 

CMYK 66 / 76 / 0 / 29

HEX #3E2CB6

RGB 62 44 182

HSL 247.83, 0.61%, 0.44%

LAB 29.92, 48.16, -69.65

 

CMYK 72 / 84 / 0 / 36

HEX #2D1AA3

RGB 45 26 163

HSL 248.32, 0.72%, 0.37%

LAB 23.48, 49.54, -68.92

 

CMYK 81 / 94 / 0 / 44

HEX #1C0890

RGB 28 8 144

HSL 248.82, 0.89%, 0.3%

LAB 17.62, 49.65, -67

 

CMYK 91 / 100 / 0 / 51

HEX #0B007D

RGB 11 0 125

HSL 245.28, 1%, 0.25%

LAB 12.93, 46.85, -62.85

 

CMYK 100 / 100 / 0 / 58

HEX #00006A

RGB 0 0 106

HSL 240, 1%, 0.21%

LAB 9.33, 41.52, -56.55

 

CMYK 66 / 76 / 0 / 29

HEX #3D2BB4

RGB 61 43 180

HSL 247.88, 0.61%, 0.44%

LAB 29.45, 47.95, -69.23

 

CMYK 46 / 76 / 0 / 29

HEX #622BB4

RGB 98 43 180

HSL 264.09, 0.61%, 0.44%

LAB 33.18, 52.96, -62.97

 

CMYK 25 / 76 / 0 / 29

HEX #872BB4

RGB 135 43 180

HSL 280.29, 0.61%, 0.44%

LAB 38.15, 59.42, -54.65

 

CMYK 4 / 76 / 0 / 29

HEX #AC2BB4

RGB 172 43 180

HSL 296.5, 0.61%, 0.44%

LAB 43.94, 66.71, -45.05

 

CMYK 0 / 76 / 16 / 29

HEX #B42B98

RGB 180 43 152

HSL 312.26, 0.61%, 0.44%

LAB 43.8, 64.12, -28.49

 

CMYK 66 / 76 / 0 / 29

HEX #3D2BB4

RGB 61 43 180

HSL 247.88, 0.61%, 0.44%

LAB 29.45, 47.95, -69.23

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB4

RGB 43 43 180

HSL 240, 0.61%, 0.44%

LAB 28.21, 46.25, -71.32

 

CMYK 66 / 76 / 0 / 29

HEX #3D2BB4

RGB 61 43 180

HSL 247.88, 0.61%, 0.44%

LAB 29.45, 47.95, -69.23

 

CMYK 76 / 87 / 0 / 22

HEX #3019C6

RGB 48 25 198

HSL 247.98, 0.78%, 0.44%

LAB 27.85, 60.15, -82.56

 

CMYK 84 / 97 / 0 / 15

HEX #2207D8

RGB 34 7 216

HSL 247.75, 0.94%, 0.44%

LAB 27.98, 68.9, -92.86

 

CMYK 66 / 76 / 0 / 29

HEX #3D2BB4

RGB 61 43 180

HSL 247.88, 0.61%, 0.44%

LAB 29.45, 47.95, -69.23

 

CMYK 54 / 62 / 0 / 36

HEX #4B3DA2

RGB 75 61 162

HSL 248.32, 0.45%, 0.44%

LAB 32.79, 34.03, -52.92

 

CMYK 39 / 44 / 0 / 44

HEX #585090

RGB 88 80 144

HSL 247.5, 0.29%, 0.44%

LAB 37.53, 19.6, -34.37

 

CMYK 20 / 22 / 0 / 51

HEX #65627E

RGB 101 98 126

HSL 246.43, 0.13%, 0.44%

LAB 42.78, 7.53, -15.19

 

CMYK 1 / 0 / 7 / 55

HEX #73746C

RGB 115 116 108

HSL 67.5, 0.04%, 0.44%

LAB 48.53, -1.96, 4.28

 

CMYK 76 / 44 / 0 / 29

HEX #2B64B4

RGB 43 100 180

HSL 215.04, 0.61%, 0.44%

LAB 42.65, 9.95, -47.8

 

CMYK 76 / 64 / 0 / 29

HEX #2B40B4

RGB 43 64 180

HSL 230.8, 0.61%, 0.44%

LAB 32.87, 33.53, -63.66

 

CMYK 67 / 76 / 0 / 29

HEX #3B2BB4

RGB 59 43 180

HSL 247.01, 0.61%, 0.44%

LAB 29.29, 47.73, -69.5

 

CMYK 47 / 76 / 0 / 29

HEX #602BB4

RGB 96 43 180

HSL 263.21, 0.61%, 0.44%

LAB 32.94, 52.64, -63.37

 

CMYK 27 / 76 / 0 / 29

HEX #842BB4

RGB 132 43 180

HSL 278.98, 0.61%, 0.44%

LAB 37.71, 58.85, -55.38

 

CMYK 67 / 76 / 0 / 55

HEX #261B72

RGB 38 27 114

HSL 247.59, 0.62%, 0.28%

LAB 17.51, 32.73, -48.12

 

CMYK 66 / 76 / 0 / 42

HEX #322393

RGB 50 35 147

HSL 248.04, 0.62%, 0.36%

LAB 23.63, 40.58, -58.85

 

CMYK 66 / 76 / 0 / 29

HEX #3D2BB4

RGB 61 43 180

HSL 247.88, 0.61%, 0.44%

LAB 29.45, 47.95, -69.23

 

CMYK 63 / 72 / 0 / 19

HEX #4D3ACF

RGB 77 58 207

HSL 247.65, 0.61%, 0.52%

LAB 36.19, 50.16, -73.94

 

CMYK 50 / 58 / 0 / 16

HEX #6B5BD7

RGB 107 91 215

HSL 247.74, 0.61%, 0.6%

LAB 46.33, 38.65, -61.9

 

CMYK 66 / 76 / 0 / 29

HEX #3E2CB6

RGB 62 44 182

HSL 247.83, 0.61%, 0.44%

LAB 29.92, 48.16, -69.65

 

CMYK 0 / 76 / 24 / 29

HEX #B42B89

RGB 180 43 137

HSL 318.83, 0.61%, 0.44%

LAB 43.12, 62.09, -20.45

 

CMYK 54 / 0 / 76 / 29

HEX #52B42B

RGB 82 180 43

HSL 102.92, 0.61%, 0.44%

LAB 65.44, -52.49, 57.01

 

CMYK 66 / 76 / 0 / 29

HEX #3E2CB6

RGB 62 44 182

HSL 247.83, 0.61%, 0.44%

LAB 29.92, 48.16, -69.65

 

CMYK 0 / 67 / 76 / 29

HEX #B43B2B

RGB 180 59 43

HSL 7.01, 0.61%, 0.44%

LAB 42.77, 48.09, 36.56

 

CMYK 76 / 0 / 67 / 29

HEX #2BB43B

RGB 43 180 59

HSL 127.01, 0.61%, 0.44%

LAB 64.54, -59.46, 49.71

 

CMYK 66 / 76 / 0 / 29

HEX #3E2CB6

RGB 62 44 182

HSL 247.83, 0.61%, 0.44%

LAB 29.92, 48.16, -69.65

 

CMYK 0 / 76 / 24 / 29

HEX #B42B89

RGB 180 43 137

HSL 318.83, 0.61%, 0.44%

LAB 43.12, 62.09, -20.45

 

CMYK 9 / 0 / 76 / 29

HEX #A4B42B

RGB 164 180 43

HSL 67.01, 0.61%, 0.44%

LAB 69.97, -22.49, 62.91

 

CMYK 76 / 0 / 52 / 29

HEX #2BB457

RGB 43 180 87

HSL 139.27, 0.61%, 0.44%

LAB 64.84, -55.9, 37.14

 

CMYK 66 / 76 / 0 / 29

HEX #3E2CB6

RGB 62 44 182

HSL 247.83, 0.61%, 0.44%

LAB 29.92, 48.16, -69.65

 

CMYK 0 / 76 / 47 / 29

HEX #B42B60

RGB 180 43 96

HSL 336.79, 0.61%, 0.44%

LAB 41.65, 57.56, 2.75

 

CMYK 9 / 0 / 76 / 29

HEX #A4B42B

RGB 164 180 43

HSL 67.01, 0.61%, 0.44%

LAB 69.97, -22.49, 62.91

 

CMYK 76 / 0 / 29 / 29

HEX #2BB480

RGB 43 180 128

HSL 157.23, 0.61%, 0.44%

LAB 65.53, -48.11, 16.47

 

Description

Color code: HEX #3E2CB6 | qconv.com Color code: HEX #3E2CB6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 44 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 44 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 76 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 76% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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