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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E2B92 it is the complementary color #C1D46D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E2B92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E2B92 shade: #432B8D, #543DA0, #654FB3, #7661C6 and #8773D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E2B92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E2B92 shade: #3E2B92, #2D197F, #1C076C, #0B0059 and #000046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E2B92 shade: #3E2B91, #5A2B91, #752B91, #912B91 and #912B76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E2B92 shade: #3E2B91 and #2B2B91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E2B92 shade matches the following richer shades: #3E2B91, #351CA1 and #2B0DB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E2B92 shade: #3E2B91, #483B82, #514A73, #5B5964 and #656854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E2B92 shade: #2B4F91, #2B3491, #3E2B91, #592B91 and #742B91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E2B92 shade: #231852, #312272, #3E2B91, #4C35B1 and #5F47C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E2B92 shade: #3E2B92, #912B6A and #41912B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E2B92 shade: #3E2B92, #913E2B and #2B913E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E2B92 shade: #3E2B92, #912B6A, #7F912B and #2B9152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E2B92 shade: #3E2B92, #912B4C, #7F912B and #2B9171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 71 / 0 / 43

HEX #3E2B92

RGB 62 43 146

HSL 251.07, 0.54%, 0.37%

LAB 26.24, 37.42, -53.91

 

Complementary color

CMYK 9 / 0 / 49 / 17

HEX #C1D46D

RGB 193 212 109

HSL 71.07, 0.54%, 0.63%

LAB 81.58, -21.62, 48.42

 

CMYK 52 / 70 / 0 / 45

HEX #432B8D

RGB 67 43 141

HSL 254.69, 0.53%, 0.36%

LAB 26.29, 36.73, -50.72

 

CMYK 48 / 62 / 0 / 37

HEX #543DA0

RGB 84 61 160

HSL 253.94, 0.45%, 0.43%

LAB 33.48, 35.24, -50.56

 

CMYK 44 / 56 / 0 / 30

HEX #654FB3

RGB 101 79 179

HSL 253.2, 0.4%, 0.51%

LAB 40.59, 33.85, -50.32

 

CMYK 40 / 51 / 0 / 22

HEX #7661C6

RGB 118 97 198

HSL 252.48, 0.47%, 0.58%

LAB 47.6, 32.59, -50.07

 

CMYK 38 / 47 / 0 / 15

HEX #8773D9

RGB 135 115 217

HSL 251.76, 0.57%, 0.65%

LAB 54.47, 31.48, -49.84

 

CMYK 58 / 71 / 0 / 43

HEX #3E2B92

RGB 62 43 146

HSL 251.07, 0.54%, 0.37%

LAB 26.24, 37.42, -53.91

 

CMYK 65 / 80 / 0 / 50

HEX #2D197F

RGB 45 25 127

HSL 251.76, 0.67%, 0.3%

LAB 19.16, 38.98, -53.7

 

CMYK 74 / 94 / 0 / 58

HEX #1C076C

RGB 28 7 108

HSL 252.48, 0.88%, 0.23%

LAB 12.49, 39.68, -52.54

 

CMYK 88 / 100 / 0 / 65

HEX #0B0059

RGB 11 0 89

HSL 247.42, 1%, 0.17%

LAB 7.16, 36.85, -48.78

 

CMYK 100 / 100 / 0 / 73

HEX #000046

RGB 0 0 70

HSL 240, 1%, 0.14%

LAB 3.99, 27.1, -40.87

 

CMYK 57 / 70 / 0 / 43

HEX #3E2B91

RGB 62 43 145

HSL 251.18, 0.54%, 0.37%

LAB 26.15, 37.1, -53.44

 

CMYK 38 / 70 / 0 / 43

HEX #5A2B91

RGB 90 43 145

HSL 267.65, 0.54%, 0.37%

LAB 29.28, 42.39, -48.21

 

CMYK 19 / 70 / 0 / 43

HEX #752B91

RGB 117 43 145

HSL 283.53, 0.54%, 0.37%

LAB 33.04, 48.29, -41.94

 

CMYK 0 / 70 / 0 / 43

HEX #912B91

RGB 145 43 145

HSL 300, 0.54%, 0.37%

LAB 37.47, 54.81, -34.62

 

CMYK 0 / 70 / 19 / 43

HEX #912B76

RGB 145 43 118

HSL 315.88, 0.54%, 0.37%

LAB 36.09, 50.46, -20.06

 

CMYK 57 / 70 / 0 / 43

HEX #3E2B91

RGB 62 43 145

HSL 251.18, 0.54%, 0.37%

LAB 26.15, 37.1, -53.44

 

CMYK 70 / 70 / 0 / 43

HEX #2B2B91

RGB 43 43 145

HSL 240, 0.54%, 0.37%

LAB 24.59, 34.32, -56.04

 

CMYK 57 / 70 / 0 / 43

HEX #3E2B91

RGB 62 43 145

HSL 251.18, 0.54%, 0.37%

LAB 26.15, 37.1, -53.44

 

CMYK 67 / 83 / 0 / 37

HEX #351CA1

RGB 53 28 161

HSL 251.28, 0.7%, 0.37%

LAB 24.2, 48.72, -66.49

 

CMYK 76 / 93 / 0 / 31

HEX #2B0DB0

RGB 43 13 176

HSL 251.04, 0.86%, 0.37%

LAB 23.46, 57.62, -76.81

 

CMYK 57 / 70 / 0 / 43

HEX #3E2B91

RGB 62 43 145

HSL 251.18, 0.54%, 0.37%

LAB 26.15, 37.1, -53.44

 

CMYK 45 / 55 / 0 / 49

HEX #483B82

RGB 72 59 130

HSL 250.99, 0.38%, 0.37%

LAB 29.71, 24.51, -38.31

 

CMYK 30 / 36 / 0 / 55

HEX #514A73

RGB 81 74 115

HSL 250.24, 0.22%, 0.37%

LAB 33.74, 12.96, -22.5

 

CMYK 9 / 11 / 0 / 61

HEX #5B5964

RGB 91 89 100

HSL 250.91, 0.06%, 0.37%

LAB 38.36, 3.21, -6.03

 

CMYK 3 / 0 / 19 / 59

HEX #656854

RGB 101 104 84

HSL 69, 0.11%, 0.37%

LAB 43.22, -5.02, 10.9

 

CMYK 70 / 46 / 0 / 43

HEX #2B4F91

RGB 43 79 145

HSL 218.82, 0.54%, 0.37%

LAB 34.29, 10.29, -40.31

 

CMYK 70 / 64 / 0 / 43

HEX #2B3491

RGB 43 52 145

HSL 234.71, 0.54%, 0.37%

LAB 26.77, 28.5, -52.47

 

CMYK 57 / 70 / 0 / 43

HEX #3E2B91

RGB 62 43 145

HSL 251.18, 0.54%, 0.37%

LAB 26.15, 37.1, -53.44

 

CMYK 39 / 70 / 0 / 43

HEX #592B91

RGB 89 43 145

HSL 267.06, 0.54%, 0.37%

LAB 29.15, 42.18, -48.42

 

CMYK 20 / 70 / 0 / 43

HEX #742B91

RGB 116 43 145

HSL 282.94, 0.54%, 0.37%

LAB 32.89, 48.06, -42.19

 

CMYK 57 / 71 / 0 / 68

HEX #231852

RGB 35 24 82

HSL 251.38, 0.55%, 0.21%

LAB 13.35, 23.03, -33.72

 

CMYK 57 / 70 / 0 / 55

HEX #312272

RGB 49 34 114

HSL 251.25, 0.54%, 0.29%

LAB 20.09, 30.22, -43.85

 

CMYK 57 / 70 / 0 / 43

HEX #3E2B91

RGB 62 43 145

HSL 251.18, 0.54%, 0.37%

LAB 26.15, 37.1, -53.44

 

CMYK 57 / 70 / 0 / 31

HEX #4C35B1

RGB 76 53 177

HSL 251.13, 0.54%, 0.45%

LAB 32.39, 43.59, -62.57

 

CMYK 53 / 65 / 0 / 22

HEX #5F47C8

RGB 95 71 200

HSL 251.16, 0.54%, 0.53%

LAB 39.76, 43.53, -63.97

 

CMYK 58 / 71 / 0 / 43

HEX #3E2B92

RGB 62 43 146

HSL 251.07, 0.54%, 0.37%

LAB 26.24, 37.42, -53.91

 

CMYK 0 / 70 / 27 / 43

HEX #912B6A

RGB 145 43 106

HSL 322.94, 0.54%, 0.37%

LAB 35.57, 48.76, -13.29

 

CMYK 55 / 0 / 70 / 43

HEX #41912B

RGB 65 145 43

HSL 107.06, 0.54%, 0.37%

LAB 53.55, -43.87, 44.77

 

CMYK 58 / 71 / 0 / 43

HEX #3E2B92

RGB 62 43 146

HSL 251.07, 0.54%, 0.37%

LAB 26.24, 37.42, -53.91

 

CMYK 0 / 57 / 70 / 43

HEX #913E2B

RGB 145 62 43

HSL 11.18, 0.54%, 0.37%

LAB 37.19, 33.77, 28.62

 

CMYK 70 / 0 / 57 / 43

HEX #2B913E

RGB 43 145 62

HSL 131.18, 0.54%, 0.37%

LAB 53.07, -46.95, 35.32

 

CMYK 58 / 71 / 0 / 43

HEX #3E2B92

RGB 62 43 146

HSL 251.07, 0.54%, 0.37%

LAB 26.24, 37.42, -53.91

 

CMYK 0 / 70 / 27 / 43

HEX #912B6A

RGB 145 43 106

HSL 322.94, 0.54%, 0.37%

LAB 35.57, 48.76, -13.29

 

CMYK 12 / 0 / 70 / 43

HEX #7F912B

RGB 127 145 43

HSL 70.59, 0.54%, 0.37%

LAB 57.01, -20.76, 49.44

 

CMYK 70 / 0 / 43 / 43

HEX #2B9152

RGB 43 145 82

HSL 142.94, 0.54%, 0.37%

LAB 53.36, -43.7, 25.2

 

CMYK 58 / 71 / 0 / 43

HEX #3E2B92

RGB 62 43 146

HSL 251.07, 0.54%, 0.37%

LAB 26.24, 37.42, -53.91

 

CMYK 0 / 70 / 48 / 43

HEX #912B4C

RGB 145 43 76

HSL 340.59, 0.54%, 0.37%

LAB 34.54, 45.25, 4.41

 

CMYK 12 / 0 / 70 / 43

HEX #7F912B

RGB 127 145 43

HSL 70.59, 0.54%, 0.37%

LAB 57.01, -20.76, 49.44

 

CMYK 70 / 0 / 22 / 43

HEX #2B9171

RGB 43 145 113

HSL 161.18, 0.54%, 0.37%

LAB 53.98, -36.94, 8.66

 

Description

Color code: HEX #3E2B92 | qconv.com Color code: HEX #3E2B92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 43 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 43 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 71 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 71% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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