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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E2A8B it is the complementary color #C1D574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E2A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E2A8B shade: #432A86, #543C99, #654EAC, #7660BF and #8772D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E2A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E2A8B shade: #3E2A8B, #2D1878, #1C0665, #0B0052 and #00003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E2A8B shade: #3D2989, #572989, #712989, #892988 and #89296E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E2A8B shade: #3D2989 and #292989

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E2A8B shade matches the following richer shades: #3D2989, #341B98 and #2C0CA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E2A8B shade: #3D2989, #45377B, #4E466D, #56545E and #5F6350

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E2A8B shade: #294989, #292F89, #3C2989, #562989 and #702989

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E2A8B shade: #21164A, #2F206A, #3D2989, #4B33A9 and #5B3FC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E2A8B shade: #3E2A8B, #892963 and #3C8929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E2A8B shade: #3E2A8B, #893C29 and #29893C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E2A8B shade: #3E2A8B, #892963, #768929 and #298950

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E2A8B shade: #3E2A8B, #892946, #768929 and #29896D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 70 / 0 / 45

HEX #3E2A8B

RGB 62 42 139

HSL 252.37, 0.54%, 0.35%

LAB 25.39, 35.79, -50.95

 

Complementary color

CMYK 9 / 0 / 46 / 16

HEX #C1D574

RGB 193 213 116

HSL 72.37, 0.54%, 0.65%

LAB 81.94, -21.4, 45.48

 

CMYK 50 / 69 / 0 / 47

HEX #432A86

RGB 67 42 134

HSL 256.3, 0.52%, 0.35%

LAB 25.47, 35.17, -47.68

 

CMYK 45 / 61 / 0 / 40

HEX #543C99

RGB 84 60 153

HSL 255.48, 0.44%, 0.42%

LAB 32.74, 33.75, -47.53

 

CMYK 41 / 55 / 0 / 33

HEX #654EAC

RGB 101 78 172

HSL 254.68, 0.38%, 0.49%

LAB 39.91, 32.42, -47.29

 

CMYK 38 / 50 / 0 / 25

HEX #7660BF

RGB 118 96 191

HSL 253.89, 0.43%, 0.56%

LAB 46.95, 31.23, -47.06

 

CMYK 36 / 46 / 0 / 18

HEX #8772D2

RGB 135 114 210

HSL 253.13, 0.52%, 0.64%

LAB 53.86, 30.17, -46.86

 

CMYK 55 / 70 / 0 / 45

HEX #3E2A8B

RGB 62 42 139

HSL 252.37, 0.54%, 0.35%

LAB 25.39, 35.79, -50.95

 

CMYK 63 / 80 / 0 / 53

HEX #2D1878

RGB 45 24 120

HSL 253.13, 0.67%, 0.28%

LAB 18.22, 37.3, -50.79

 

CMYK 72 / 94 / 0 / 60

HEX #1C0665

RGB 28 6 101

HSL 253.89, 0.89%, 0.21%

LAB 11.39, 38.04, -49.75

 

CMYK 87 / 100 / 0 / 68

HEX #0B0052

RGB 11 0 82

HSL 248.05, 1%, 0.16%

LAB 6.15, 34.3, -45.68

 

CMYK 100 / 100 / 0 / 75

HEX #00003F

RGB 0 0 63

HSL 240, 1%, 0.12%

LAB 3.24, 22.73, -37.1

 

CMYK 55 / 70 / 0 / 46

HEX #3D2989

RGB 61 41 137

HSL 252.5, 0.54%, 0.35%

LAB 24.9, 35.58, -50.51

 

CMYK 36 / 70 / 0 / 46

HEX #572989

RGB 87 41 137

HSL 268.75, 0.54%, 0.35%

LAB 27.89, 40.69, -45.51

 

CMYK 18 / 70 / 0 / 46

HEX #712989

RGB 113 41 137

HSL 285, 0.54%, 0.35%

LAB 31.58, 46.55, -39.37

 

CMYK 0 / 70 / 1 / 46

HEX #892988

RGB 137 41 136

HSL 300.63, 0.54%, 0.35%

LAB 35.36, 52.09, -32.5

 

CMYK 0 / 70 / 20 / 46

HEX #89296E

RGB 137 41 110

HSL 316.88, 0.54%, 0.35%

LAB 34.05, 47.87, -18.3

 

CMYK 55 / 70 / 0 / 46

HEX #3D2989

RGB 61 41 137

HSL 252.5, 0.54%, 0.35%

LAB 24.9, 35.58, -50.51

 

CMYK 70 / 70 / 0 / 46

HEX #292989

RGB 41 41 137

HSL 240, 0.54%, 0.35%

LAB 23.21, 32.49, -53.34

 

CMYK 55 / 70 / 0 / 46

HEX #3D2989

RGB 61 41 137

HSL 252.5, 0.54%, 0.35%

LAB 24.9, 35.58, -50.51

 

CMYK 66 / 82 / 0 / 40

HEX #341B98

RGB 52 27 152

HSL 252, 0.7%, 0.35%

LAB 22.93, 46.41, -63.08

 

CMYK 73 / 93 / 0 / 35

HEX #2C0CA6

RGB 44 12 166

HSL 252.47, 0.87%, 0.35%

LAB 22.13, 55.25, -72.99

 

CMYK 55 / 70 / 0 / 46

HEX #3D2989

RGB 61 41 137

HSL 252.5, 0.54%, 0.35%

LAB 24.9, 35.58, -50.51

 

CMYK 44 / 55 / 0 / 52

HEX #45377B

RGB 69 55 123

HSL 252.35, 0.38%, 0.35%

LAB 27.92, 24.15, -36.81

 

CMYK 28 / 36 / 0 / 57

HEX #4E466D

RGB 78 70 109

HSL 252.31, 0.22%, 0.35%

LAB 32.04, 12.88, -21.4

 

CMYK 9 / 11 / 0 / 63

HEX #56545E

RGB 86 84 94

HSL 252, 0.06%, 0.35%

LAB 36.23, 3.02, -5.51

 

CMYK 4 / 0 / 19 / 61

HEX #5F6350

RGB 95 99 80

HSL 72.63, 0.11%, 0.35%

LAB 41.11, -5.29, 10.29

 

CMYK 70 / 47 / 0 / 46

HEX #294989

RGB 41 73 137

HSL 220, 0.54%, 0.35%

LAB 31.9, 10.91, -39.24

 

CMYK 70 / 66 / 0 / 46

HEX #292F89

RGB 41 47 137

HSL 236.25, 0.54%, 0.35%

LAB 24.67, 28.59, -50.95

 

CMYK 56 / 70 / 0 / 46

HEX #3C2989

RGB 60 41 137

HSL 251.88, 0.54%, 0.35%

LAB 24.8, 35.4, -50.68

 

CMYK 37 / 70 / 0 / 46

HEX #562989

RGB 86 41 137

HSL 268.13, 0.54%, 0.35%

LAB 27.77, 40.48, -45.73

 

CMYK 18 / 70 / 0 / 46

HEX #702989

RGB 112 41 137

HSL 284.38, 0.54%, 0.35%

LAB 31.43, 46.32, -39.63

 

CMYK 55 / 70 / 0 / 71

HEX #21164A

RGB 33 22 74

HSL 252.69, 0.54%, 0.19%

LAB 11.9, 21.15, -30.59

 

CMYK 56 / 70 / 0 / 58

HEX #2F206A

RGB 47 32 106

HSL 252.16, 0.54%, 0.27%

LAB 18.71, 28.44, -40.93

 

CMYK 55 / 70 / 0 / 46

HEX #3D2989

RGB 61 41 137

HSL 252.5, 0.54%, 0.35%

LAB 24.9, 35.58, -50.51

 

CMYK 56 / 70 / 0 / 34

HEX #4B33A9

RGB 75 51 169

HSL 252.2, 0.54%, 0.43%

LAB 31.18, 42.11, -59.77

 

CMYK 54 / 68 / 0 / 22

HEX #5B3FC6

RGB 91 63 198

HSL 252.44, 0.54%, 0.51%

LAB 37.58, 46.74, -66.38

 

CMYK 55 / 70 / 0 / 45

HEX #3E2A8B

RGB 62 42 139

HSL 252.37, 0.54%, 0.35%

LAB 25.39, 35.79, -50.95

 

CMYK 0 / 70 / 28 / 46

HEX #892963

RGB 137 41 99

HSL 323.75, 0.54%, 0.35%

LAB 33.57, 46.3, -12.01

 

CMYK 56 / 0 / 70 / 46

HEX #3C8929

RGB 60 137 41

HSL 108.13, 0.54%, 0.35%

LAB 50.7, -42.31, 42.55

 

CMYK 55 / 70 / 0 / 45

HEX #3E2A8B

RGB 62 42 139

HSL 252.37, 0.54%, 0.35%

LAB 25.39, 35.79, -50.95

 

CMYK 0 / 56 / 70 / 46

HEX #893C29

RGB 137 60 41

HSL 11.88, 0.54%, 0.35%

LAB 35.42, 31.49, 27.39

 

CMYK 70 / 0 / 56 / 46

HEX #29893C

RGB 41 137 60

HSL 131.88, 0.54%, 0.35%

LAB 50.32, -44.62, 33.03

 

CMYK 55 / 70 / 0 / 45

HEX #3E2A8B

RGB 62 42 139

HSL 252.37, 0.54%, 0.35%

LAB 25.39, 35.79, -50.95

 

CMYK 0 / 70 / 28 / 46

HEX #892963

RGB 137 41 99

HSL 323.75, 0.54%, 0.35%

LAB 33.57, 46.3, -12.01

 

CMYK 14 / 0 / 70 / 46

HEX #768929

RGB 118 137 41

HSL 71.88, 0.54%, 0.35%

LAB 53.92, -20.7, 46.9

 

CMYK 70 / 0 / 42 / 46

HEX #298950

RGB 41 137 80

HSL 144.38, 0.54%, 0.35%

LAB 50.62, -41.24, 22.71

 

CMYK 55 / 70 / 0 / 45

HEX #3E2A8B

RGB 62 42 139

HSL 252.37, 0.54%, 0.35%

LAB 25.39, 35.79, -50.95

 

CMYK 0 / 70 / 49 / 46

HEX #892946

RGB 137 41 70

HSL 341.88, 0.54%, 0.35%

LAB 32.58, 42.91, 5.32

 

CMYK 14 / 0 / 70 / 46

HEX #768929

RGB 118 137 41

HSL 71.88, 0.54%, 0.35%

LAB 53.92, -20.7, 46.9

 

CMYK 70 / 0 / 20 / 46

HEX #29896D

RGB 41 137 109

HSL 162.5, 0.54%, 0.35%

LAB 51.23, -34.7, 7.05

 

Description

Color code: HEX #3E2A8B | qconv.com Color code: HEX #3E2A8B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 42 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 42 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 70 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 70% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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