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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E23E5 it is the complementary color #C1DC1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E23E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E23E5 shade: #4323E0, #5435F3, #6547FF, #7659FF and #876BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E23E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E23E5 shade: #3E23E5, #2D11D2, #1C00BF, #0B00AC and #000099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E23E5 shade: #3F24E5, #7324E5, #A724E5, #DB24E5 and #E524BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E23E5 shade: #3F24E5 and #2424E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E23E5 shade matches the following richer shades: #3F24E5 and #3110F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E23E5 shade: #3F24E5, #4D38D1, #5B4CBE, #6A5FAA and #787396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E23E5 shade: #2471E5, #243EE5, #3E24E5, #7124E5 and #A524E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E23E5 shade: #2713A4, #3018C8, #3F24E5, #5F49EA and #806EEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E23E5 shade: #3E23E5, #E524A5 and #57E524

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E23E5 shade: #3E23E5, #E53E24 and #24E53E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E23E5 shade: #3E23E5, #E524A5, #CCE524 and #24E564

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E23E5 shade: #3E23E5, #E5246B, #CCE524 and #24E59E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 85 / 0 / 10

HEX #3E23E5

RGB 62 35 229

HSL 248.35, 0.79%, 0.52%

LAB 33.74, 65.83, -90.69

 

Complementary color

CMYK 12 / 0 / 88 / 14

HEX #C1DC1A

RGB 193 220 26

HSL 68.35, 0.79%, 0.48%

LAB 83.23, -30.18, 79.25

 

CMYK 70 / 84 / 0 / 12

HEX #4323E0

RGB 67 35 224

HSL 250.16, 0.75%, 0.51%

LAB 33.51, 64.77, -88.19

 

CMYK 65 / 78 / 0 / 5

HEX #5435F3

RGB 84 53 243

HSL 249.79, 0.89%, 0.58%

LAB 39.42, 63.93, -89.18

 

CMYK 60 / 72 / 0 / 0

HEX #6547FF

RGB 101 71 255

HSL 249.78, 1%, 0.64%

LAB 44.93, 60.56, -86.76

 

CMYK 54 / 65 / 0 / 0

HEX #7659FF

RGB 118 89 255

HSL 250.48, 1%, 0.67%

LAB 49.76, 53.53, -78.8

 

CMYK 47 / 58 / 0 / 0

HEX #876BFF

RGB 135 107 255

HSL 251.35, 1%, 0.71%

LAB 54.96, 46.64, -70.28

 

CMYK 73 / 85 / 0 / 10

HEX #3E23E5

RGB 62 35 229

HSL 248.35, 0.79%, 0.52%

LAB 33.74, 65.83, -90.69

 

CMYK 79 / 92 / 0 / 18

HEX #2D11D2

RGB 45 17 210

HSL 248.7, 0.85%, 0.45%

LAB 28.41, 65.63, -88.64

 

CMYK 85 / 100 / 0 / 25

HEX #1C00BF

RGB 28 0 191

HSL 248.8, 1%, 0.37%

LAB 23.7, 64, -85.38

 

CMYK 94 / 100 / 0 / 33

HEX #0B00AC

RGB 11 0 172

HSL 243.84, 1%, 0.34%

LAB 20.24, 59.05, -79.81

 

CMYK 100 / 100 / 0 / 40

HEX #000099

RGB 0 0 153

HSL 240, 1%, 0.3%

LAB 16.99, 54.09, -73.67

 

CMYK 72 / 84 / 0 / 10

HEX #3F24E5

RGB 63 36 229

HSL 248.39, 0.79%, 0.52%

LAB 33.93, 65.51, -90.37

 

CMYK 50 / 84 / 0 / 10

HEX #7324E5

RGB 115 36 229

HSL 264.56, 0.79%, 0.52%

LAB 38.84, 69.91, -82.1

 

CMYK 27 / 84 / 0 / 10

HEX #A724E5

RGB 167 36 229

HSL 280.73, 0.79%, 0.52%

LAB 45.82, 76.64, -70.39

 

CMYK 4 / 84 / 0 / 10

HEX #DB24E5

RGB 219 36 229

HSL 296.89, 0.79%, 0.52%

LAB 54, 85.01, -56.75

 

CMYK 0 / 84 / 18 / 10

HEX #E524BB

RGB 229 36 187

HSL 313.06, 0.79%, 0.52%

LAB 53.5, 81.01, -33.39

 

CMYK 72 / 84 / 0 / 10

HEX #3F24E5

RGB 63 36 229

HSL 248.39, 0.79%, 0.52%

LAB 33.93, 65.51, -90.37

 

CMYK 84 / 84 / 0 / 10

HEX #2424E5

RGB 36 36 229

HSL 240, 0.79%, 0.52%

LAB 32.47, 64.27, -92.85

 

CMYK 72 / 84 / 0 / 10

HEX #3F24E5

RGB 63 36 229

HSL 248.39, 0.79%, 0.52%

LAB 33.93, 65.51, -90.37

 

CMYK 80 / 94 / 0 / 2

HEX #3110F9

RGB 49 16 249

HSL 248.5, 0.95%, 0.52%

LAB 33.7, 75.82, -102.13

 

CMYK 72 / 84 / 0 / 10

HEX #3F24E5

RGB 63 36 229

HSL 248.39, 0.79%, 0.52%

LAB 33.93, 65.51, -90.37

 

CMYK 63 / 73 / 0 / 18

HEX #4D38D1

RGB 77 56 209

HSL 248.24, 0.62%, 0.52%

LAB 36, 51.83, -75.41

 

CMYK 52 / 60 / 0 / 25

HEX #5B4CBE

RGB 91 76 190

HSL 247.89, 0.47%, 0.52%

LAB 39.77, 36.81, -58.16

 

CMYK 38 / 44 / 0 / 33

HEX #6A5FAA

RGB 106 95 170

HSL 248.8, 0.31%, 0.52%

LAB 44.45, 22.76, -38.84

 

CMYK 20 / 23 / 0 / 41

HEX #787396

RGB 120 115 150

HSL 248.57, 0.14%, 0.52%

LAB 50.05, 9.62, -18.26

 

CMYK 84 / 51 / 0 / 10

HEX #2471E5

RGB 36 113 229

HSL 216.06, 0.79%, 0.52%

LAB 49.3, 19.71, -65.19

 

CMYK 84 / 73 / 0 / 10

HEX #243EE5

RGB 36 62 229

HSL 231.92, 0.79%, 0.52%

LAB 36.89, 51.48, -85.51

 

CMYK 73 / 84 / 0 / 10

HEX #3E24E5

RGB 62 36 229

HSL 248.08, 0.79%, 0.52%

LAB 33.86, 65.45, -90.48

 

CMYK 51 / 84 / 0 / 10

HEX #7124E5

RGB 113 36 229

HSL 263.94, 0.79%, 0.52%

LAB 38.6, 69.69, -82.49

 

CMYK 28 / 84 / 0 / 10

HEX #A524E5

RGB 165 36 229

HSL 280.1, 0.79%, 0.52%

LAB 45.52, 76.35, -70.88

 

CMYK 76 / 88 / 0 / 36

HEX #2713A4

RGB 39 19 164

HSL 248.28, 0.79%, 0.36%

LAB 22.22, 52.26, -71.63

 

CMYK 76 / 88 / 0 / 22

HEX #3018C8

RGB 48 24 200

HSL 248.18, 0.79%, 0.44%

LAB 27.98, 61.04, -83.51

 

CMYK 72 / 84 / 0 / 10

HEX #3F24E5

RGB 63 36 229

HSL 248.39, 0.79%, 0.52%

LAB 33.93, 65.51, -90.37

 

CMYK 59 / 69 / 0 / 8

HEX #5F49EA

RGB 95 73 234

HSL 248.2, 0.79%, 0.6%

LAB 42.97, 52.59, -78.21

 

CMYK 46 / 54 / 0 / 7

HEX #806EEE

RGB 128 110 238

HSL 248.44, 0.79%, 0.68%

LAB 53.94, 38.65, -62.52

 

CMYK 73 / 85 / 0 / 10

HEX #3E23E5

RGB 62 35 229

HSL 248.35, 0.79%, 0.52%

LAB 33.74, 65.83, -90.69

 

CMYK 0 / 84 / 28 / 10

HEX #E524A5

RGB 229 36 165

HSL 319.9, 0.79%, 0.52%

LAB 52.55, 78.4, -21.99

 

CMYK 62 / 0 / 84 / 10

HEX #57E524

RGB 87 229 36

HSL 104.15, 0.79%, 0.52%

LAB 80.85, -68.63, 73.26

 

CMYK 73 / 85 / 0 / 10

HEX #3E23E5

RGB 62 35 229

HSL 248.35, 0.79%, 0.52%

LAB 33.74, 65.83, -90.69

 

CMYK 0 / 73 / 84 / 10

HEX #E53E24

RGB 229 62 36

HSL 8.08, 0.79%, 0.52%

LAB 52.1, 62.64, 52.26

 

CMYK 84 / 0 / 73 / 10

HEX #24E53E

RGB 36 229 62

HSL 128.08, 0.79%, 0.52%

LAB 80.05, -75.01, 64.76

 

CMYK 73 / 85 / 0 / 10

HEX #3E23E5

RGB 62 35 229

HSL 248.35, 0.79%, 0.52%

LAB 33.74, 65.83, -90.69

 

CMYK 0 / 84 / 28 / 10

HEX #E524A5

RGB 229 36 165

HSL 319.9, 0.79%, 0.52%

LAB 52.55, 78.4, -21.99

 

CMYK 11 / 0 / 84 / 10

HEX #CCE524

RGB 204 229 36

HSL 67.77, 0.79%, 0.52%

LAB 86.51, -29.67, 80.36

 

CMYK 84 / 0 / 56 / 10

HEX #24E564

RGB 36 229 100

HSL 139.9, 0.79%, 0.52%

LAB 80.37, -71.03, 49.71

 

CMYK 73 / 85 / 0 / 10

HEX #3E23E5

RGB 62 35 229

HSL 248.35, 0.79%, 0.52%

LAB 33.74, 65.83, -90.69

 

CMYK 0 / 84 / 53 / 10

HEX #E5246B

RGB 229 36 107

HSL 337.93, 0.79%, 0.52%

LAB 50.67, 73.06, 10.07

 

CMYK 11 / 0 / 84 / 10

HEX #CCE524

RGB 204 229 36

HSL 67.77, 0.79%, 0.52%

LAB 86.51, -29.67, 80.36

 

CMYK 84 / 0 / 31 / 10

HEX #24E59E

RGB 36 229 158

HSL 157.93, 0.79%, 0.52%

LAB 81.23, -60.98, 22.19

 

Description

Color code: HEX #3E23E5 | qconv.com Color code: HEX #3E23E5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 35 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 35 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 85 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 85% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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