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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E2365 it is the complementary color #C1DC9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E2365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E2365 shade: #432360, #543573, #654786, #765999 and #876BAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E2365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E2365 shade: #3E2365, #2D1152, #1C003F, #0B002C and #000019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E2365 shade: #3F2367, #512367, #632367, #672358 and #672346

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E2365 shade: #3F2367, #2D2367 and #232367

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E2365 shade matches the following richer shades: #3F2367, #3D1872, #3B0D7D and #390288

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E2365 shade: #3F2367, #412E5B, #433950, #454545 and #47503A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E2365 shade: #232C67, #2C2367, #3E2367, #502367 and #622367

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E2365 shade: #190E29, #2C1948, #3F2367, #522E85 and #6438A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E2365 shade: #3E2365, #67233E and #236723

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E2365 shade: #3E2365, #673E23 and #23673E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E2365 shade: #3E2365, #67233E, #4C6723 and #23674C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E2365 shade: #3E2365, #67232A, #4C6723 and #236760

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 65 / 0 / 60

HEX #3E2365

RGB 62 35 101

HSL 264.55, 0.49%, 0.27%

LAB 20.7, 28.38, -34.35

 

Complementary color

CMYK 12 / 0 / 30 / 14

HEX #C1DC9A

RGB 193 220 154

HSL 84.55, 0.49%, 0.73%

LAB 84.41, -20.18, 29.55

 

CMYK 30 / 64 / 0 / 62

HEX #432360

RGB 67 35 96

HSL 271.48, 0.47%, 0.26%

LAB 20.98, 28.29, -30.58

 

CMYK 27 / 54 / 0 / 55

HEX #543573

RGB 84 53 115

HSL 270, 0.37%, 0.33%

LAB 28.56, 27.27, -30.63

 

CMYK 25 / 47 / 0 / 47

HEX #654786

RGB 101 71 134

HSL 268.57, 0.31%, 0.4%

LAB 35.97, 26.27, -30.63

 

CMYK 23 / 42 / 0 / 40

HEX #765999

RGB 118 89 153

HSL 267.19, 0.26%, 0.47%

LAB 43.21, 25.37, -30.64

 

CMYK 22 / 38 / 0 / 33

HEX #876BAC

RGB 135 107 172

HSL 265.85, 0.28%, 0.55%

LAB 50.27, 24.56, -30.67

 

CMYK 39 / 65 / 0 / 60

HEX #3E2365

RGB 62 35 101

HSL 264.55, 0.49%, 0.27%

LAB 20.7, 28.38, -34.35

 

CMYK 45 / 79 / 0 / 68

HEX #2D1152

RGB 45 17 82

HSL 265.85, 0.66%, 0.19%

LAB 13.03, 29.38, -34.19

 

CMYK 56 / 100 / 0 / 75

HEX #1C003F

RGB 28 0 63

HSL 266.67, 1%, 0.12%

LAB 5.47, 29.31, -33.37

 

CMYK 75 / 100 / 0 / 83

HEX #0B002C

RGB 11 0 44

HSL 255, 1%, 0.09%

LAB 2.29, 14.43, -24.55

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 39 / 66 / 0 / 60

HEX #3F2367

RGB 63 35 103

HSL 264.71, 0.49%, 0.27%

LAB 20.97, 29.21, -35.21

 

CMYK 21 / 66 / 0 / 60

HEX #512367

RGB 81 35 103

HSL 280.59, 0.49%, 0.27%

LAB 23.44, 33.86, -31.11

 

CMYK 4 / 66 / 0 / 60

HEX #632367

RGB 99 35 103

HSL 296.47, 0.49%, 0.27%

LAB 26.26, 38.75, -26.46

 

CMYK 0 / 66 / 15 / 60

HEX #672358

RGB 103 35 88

HSL 313.24, 0.49%, 0.27%

LAB 26.13, 37.13, -16.8

 

CMYK 0 / 66 / 32 / 60

HEX #672346

RGB 103 35 70

HSL 329.12, 0.49%, 0.27%

LAB 25.34, 34.33, -6

 

CMYK 39 / 66 / 0 / 60

HEX #3F2367

RGB 63 35 103

HSL 264.71, 0.49%, 0.27%

LAB 20.97, 29.21, -35.21

 

CMYK 56 / 66 / 0 / 60

HEX #2D2367

RGB 45 35 103

HSL 248.82, 0.49%, 0.27%

LAB 18.97, 25.08, -38.55

 

CMYK 66 / 66 / 0 / 60

HEX #232367

RGB 35 35 103

HSL 240, 0.49%, 0.27%

LAB 18.09, 23.15, -40.02

 

CMYK 39 / 66 / 0 / 60

HEX #3F2367

RGB 63 35 103

HSL 264.71, 0.49%, 0.27%

LAB 20.97, 29.21, -35.21

 

CMYK 46 / 79 / 0 / 55

HEX #3D1872

RGB 61 24 114

HSL 264.67, 0.65%, 0.27%

LAB 19.48, 37.97, -44.8

 

CMYK 53 / 90 / 0 / 51

HEX #3B0D7D

RGB 59 13 125

HSL 264.64, 0.81%, 0.27%

LAB 18.79, 45.16, -52.99

 

CMYK 58 / 99 / 0 / 47

HEX #390288

RGB 57 2 136

HSL 264.63, 0.97%, 0.27%

LAB 18.76, 50.93, -60.01

 

CMYK 39 / 66 / 0 / 60

HEX #3F2367

RGB 63 35 103

HSL 264.71, 0.49%, 0.27%

LAB 20.97, 29.21, -35.21

 

CMYK 29 / 49 / 0 / 64

HEX #412E5B

RGB 65 46 91

HSL 265.33, 0.33%, 0.27%

LAB 23.11, 19.33, -23.9

 

CMYK 16 / 29 / 0 / 69

HEX #433950

RGB 67 57 80

HSL 266.09, 0.17%, 0.27%

LAB 25.86, 9.7, -12.36

 

CMYK 0 / 0 / 0 / 73

HEX #454545

RGB 69 69 69

HSL 0, 0%, 0.27%

LAB 29.29, 0, -0

 

CMYK 11 / 0 / 28 / 69

HEX #47503A

RGB 71 80 58

HSL 84.55, 0.16%, 0.27%

LAB 32.66, -8.14, 11.81

 

CMYK 66 / 57 / 0 / 60

HEX #232C67

RGB 35 44 103

HSL 232.06, 0.49%, 0.27%

LAB 20.59, 16.82, -35.96

 

CMYK 57 / 66 / 0 / 60

HEX #2C2367

RGB 44 35 103

HSL 247.94, 0.49%, 0.27%

LAB 18.87, 24.87, -38.71

 

CMYK 40 / 66 / 0 / 60

HEX #3E2367

RGB 62 35 103

HSL 263.82, 0.49%, 0.27%

LAB 20.85, 28.96, -35.42

 

CMYK 22 / 66 / 0 / 60

HEX #502367

RGB 80 35 103

HSL 279.71, 0.49%, 0.27%

LAB 23.29, 33.59, -31.35

 

CMYK 5 / 66 / 0 / 60

HEX #622367

RGB 98 35 103

HSL 295.59, 0.49%, 0.27%

LAB 26.09, 38.47, -26.73

 

CMYK 39 / 66 / 0 / 84

HEX #190E29

RGB 25 14 41

HSL 264.44, 0.49%, 0.11%

LAB 6.15, 12.54, -16.11

 

CMYK 39 / 65 / 0 / 72

HEX #2C1948

RGB 44 25 72

HSL 264.26, 0.48%, 0.19%

LAB 13.82, 21.27, -26.04

 

CMYK 39 / 66 / 0 / 60

HEX #3F2367

RGB 63 35 103

HSL 264.71, 0.49%, 0.27%

LAB 20.97, 29.21, -35.21

 

CMYK 38 / 65 / 0 / 48

HEX #522E85

RGB 82 46 133

HSL 264.83, 0.49%, 0.35%

LAB 27.96, 35.78, -42.95

 

CMYK 39 / 66 / 0 / 36

HEX #6438A4

RGB 100 56 164

HSL 264.44, 0.49%, 0.43%

LAB 34.43, 42.66, -51.35

 

CMYK 39 / 65 / 0 / 60

HEX #3E2365

RGB 62 35 101

HSL 264.55, 0.49%, 0.27%

LAB 20.7, 28.38, -34.35

 

CMYK 0 / 66 / 40 / 60

HEX #67233E

RGB 103 35 62

HSL 336.18, 0.49%, 0.27%

LAB 25.06, 33.26, -1.03

 

CMYK 66 / 0 / 66 / 60

HEX #236723

RGB 35 103 35

HSL 120, 0.49%, 0.27%

LAB 38.16, -36.08, 31.36

 

CMYK 39 / 65 / 0 / 60

HEX #3E2365

RGB 62 35 101

HSL 264.55, 0.49%, 0.27%

LAB 20.7, 28.38, -34.35

 

CMYK 0 / 40 / 66 / 60

HEX #673E23

RGB 103 62 35

HSL 23.82, 0.49%, 0.27%

LAB 30.52, 15.07, 23.87

 

CMYK 66 / 0 / 40 / 60

HEX #23673E

RGB 35 103 62

HSL 143.82, 0.49%, 0.27%

LAB 38.56, -31.62, 17.01

 

CMYK 39 / 65 / 0 / 60

HEX #3E2365

RGB 62 35 101

HSL 264.55, 0.49%, 0.27%

LAB 20.7, 28.38, -34.35

 

CMYK 0 / 66 / 40 / 60

HEX #67233E

RGB 103 35 62

HSL 336.18, 0.49%, 0.27%

LAB 25.06, 33.26, -1.03

 

CMYK 26 / 0 / 66 / 60

HEX #4C6723

RGB 76 103 35

HSL 83.82, 0.49%, 0.27%

LAB 40.18, -21.8, 34.16

 

CMYK 66 / 0 / 26 / 60

HEX #23674C

RGB 35 103 76

HSL 156.18, 0.49%, 0.27%

LAB 38.86, -28.43, 9.05

 

CMYK 39 / 65 / 0 / 60

HEX #3E2365

RGB 62 35 101

HSL 264.55, 0.49%, 0.27%

LAB 20.7, 28.38, -34.35

 

CMYK 0 / 66 / 59 / 60

HEX #67232A

RGB 103 35 42

HSL 353.82, 0.49%, 0.27%

LAB 24.49, 31.12, 11.76

 

CMYK 26 / 0 / 66 / 60

HEX #4C6723

RGB 76 103 35

HSL 83.82, 0.49%, 0.27%

LAB 40.18, -21.8, 34.16

 

CMYK 66 / 0 / 7 / 60

HEX #236760

RGB 35 103 96

HSL 173.82, 0.49%, 0.27%

LAB 39.42, -22.94, -2.35

 

Description

Color code: HEX #3E2365 | qconv.com Color code: HEX #3E2365 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 35 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 35 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 65 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 65% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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