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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E02B5 it is the complementary color #C1FD4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E02B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E02B5 shade: #4302B0, #5414C3, #6526D6, #7638E9 and #874AFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E02B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E02B5 shade: #3E02B5, #2D00A2, #1C008F, #0B007C and #000069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E02B5 shade: #3E02B6, #6F02B6, #9F02B6, #B6029C and #B6026B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E02B5 shade: #3E02B6, #0E02B6 and #0202B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E02B5 shade matches the following richer shades: #3E02B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E02B5 shade: #3E02B6, #4311A7, #482098, #4D2E89 and #523D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E02B5 shade: #0226B6, #0E02B6, #3E02B6, #6E02B6 and #9E02B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E02B5 shade: #220164, #30018D, #3E02B6, #4C02DF and #5E0EFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E02B5 shade: #3E02B5, #B60256 and #0EB602

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E02B5 shade: #3E02B5, #B63E02 and #02B63E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E02B5 shade: #3E02B5, #B60256, #7AB602 and #02B662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E02B5 shade: #3E02B5, #B60220, #7AB602 and #02B698

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 99 / 0 / 29

HEX #3E02B5

RGB 62 2 181

HSL 260.11, 0.98%, 0.36%

LAB 24.96, 62.19, -77.26

 

Complementary color

CMYK 24 / 0 / 71 / 1

HEX #C1FD4A

RGB 193 253 74

HSL 80.11, 0.98%, 0.64%

LAB 92.61, -43.19, 75.02

 

CMYK 62 / 99 / 0 / 31

HEX #4302B0

RGB 67 2 176

HSL 262.41, 0.98%, 0.35%

LAB 24.86, 61.26, -74.42

 

CMYK 57 / 90 / 0 / 24

HEX #5414C3

RGB 84 20 195

HSL 261.94, 0.81%, 0.42%

LAB 30.22, 63.3, -76.77

 

CMYK 53 / 82 / 0 / 16

HEX #6526D6

RGB 101 38 214

HSL 261.48, 0.7%, 0.49%

LAB 36, 64.04, -78.23

 

CMYK 49 / 76 / 0 / 9

HEX #7638E9

RGB 118 56 233

HSL 261.02, 0.8%, 0.57%

LAB 42.1, 63.81, -78.99

 

CMYK 46 / 71 / 0 / 1

HEX #874AFC

RGB 135 74 252

HSL 260.56, 0.97%, 0.64%

LAB 48.36, 63.08, -79.35

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B5

RGB 62 2 181

HSL 260.11, 0.98%, 0.36%

LAB 24.96, 62.19, -77.26

 

CMYK 72 / 100 / 0 / 36

HEX #2D00A2

RGB 45 0 162

HSL 256.67, 1%, 0.32%

LAB 20.7, 57.26, -72.93

 

CMYK 80 / 100 / 0 / 44

HEX #1C008F

RGB 28 0 143

HSL 251.75, 1%, 0.28%

LAB 16.65, 51.91, -67.99

 

CMYK 91 / 100 / 0 / 51

HEX #0B007C

RGB 11 0 124

HSL 245.32, 1%, 0.24%

LAB 12.77, 46.58, -62.47

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B6

RGB 62 2 182

HSL 260, 0.98%, 0.36%

LAB 25.09, 62.43, -77.64

 

CMYK 39 / 99 / 0 / 29

HEX #6F02B6

RGB 111 2 182

HSL 276.33, 0.98%, 0.36%

LAB 31.35, 66.24, -67.09

 

CMYK 13 / 99 / 0 / 29

HEX #9F02B6

RGB 159 2 182

HSL 292.33, 0.98%, 0.36%

LAB 39.23, 72.46, -53.91

 

CMYK 0 / 99 / 14 / 29

HEX #B6029C

RGB 182 2 156

HSL 308.67, 0.98%, 0.36%

LAB 41.83, 72.44, -33.97

 

CMYK 0 / 99 / 41 / 29

HEX #B6026B

RGB 182 2 107

HSL 325, 0.98%, 0.36%

LAB 39.66, 66.91, -7.06

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B6

RGB 62 2 182

HSL 260, 0.98%, 0.36%

LAB 25.09, 62.43, -77.64

 

CMYK 92 / 99 / 0 / 29

HEX #0E02B6

RGB 14 2 182

HSL 244, 0.98%, 0.36%

LAB 22, 61.1, -82.89

 

CMYK 99 / 99 / 0 / 29

HEX #0202B6

RGB 2 2 182

HSL 240, 0.98%, 0.36%

LAB 21.7, 61, -83.38

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B6

RGB 62 2 182

HSL 260, 0.98%, 0.36%

LAB 25.09, 62.43, -77.64

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B6

RGB 62 2 182

HSL 260, 0.98%, 0.36%

LAB 25.09, 62.43, -77.64

 

CMYK 60 / 90 / 0 / 35

HEX #4311A7

RGB 67 17 167

HSL 260, 0.82%, 0.36%

LAB 24.9, 55.66, -68.92

 

CMYK 53 / 79 / 0 / 40

HEX #482098

RGB 72 32 152

HSL 260, 0.65%, 0.36%

LAB 25.8, 46.52, -58.28

 

CMYK 44 / 66 / 0 / 46

HEX #4D2E89

RGB 77 46 137

HSL 260.44, 0.5%, 0.36%

LAB 27.68, 35.8, -45.92

 

CMYK 33 / 50 / 0 / 52

HEX #523D7A

RGB 82 61 122

HSL 260.66, 0.33%, 0.36%

LAB 30.73, 23.59, -31.62

 

CMYK 99 / 79 / 0 / 29

HEX #0226B6

RGB 2 38 182

HSL 228, 0.98%, 0.36%

LAB 26.09, 47.84, -76.07

 

CMYK 92 / 99 / 0 / 29

HEX #0E02B6

RGB 14 2 182

HSL 244, 0.98%, 0.36%

LAB 22, 61.1, -82.89

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B6

RGB 62 2 182

HSL 260, 0.98%, 0.36%

LAB 25.09, 62.43, -77.64

 

CMYK 40 / 99 / 0 / 29

HEX #6E02B6

RGB 110 2 182

HSL 276, 0.98%, 0.36%

LAB 31.2, 66.13, -67.35

 

CMYK 13 / 99 / 0 / 29

HEX #9E02B6

RGB 158 2 182

HSL 292, 0.98%, 0.36%

LAB 39.05, 72.31, -54.2

 

CMYK 66 / 99 / 0 / 61

HEX #220164

RGB 34 1 100

HSL 260, 0.98%, 0.2%

LAB 11.15, 40.48, -49.47

 

CMYK 66 / 99 / 0 / 45

HEX #30018D

RGB 48 1 141

HSL 260.14, 0.99%, 0.28%

LAB 18.25, 51.89, -64.04

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B6

RGB 62 2 182

HSL 260, 0.98%, 0.36%

LAB 25.09, 62.43, -77.64

 

CMYK 66 / 99 / 0 / 13

HEX #4C02DF

RGB 76 2 223

HSL 260.09, 0.98%, 0.44%

LAB 31.6, 72.76, -90.79

 

CMYK 63 / 94 / 0 / 1

HEX #5E0EFD

RGB 94 14 253

HSL 260.08, 0.98%, 0.52%

LAB 37.45, 78.91, -98.02

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B5

RGB 62 2 181

HSL 260.11, 0.98%, 0.36%

LAB 24.96, 62.19, -77.26

 

CMYK 0 / 99 / 53 / 29

HEX #B60256

RGB 182 2 86

HSL 332, 0.98%, 0.36%

LAB 39, 65.16, 5.34

 

CMYK 92 / 0 / 99 / 29

HEX #0EB602

RGB 14 182 2

HSL 116, 0.98%, 0.36%

LAB 64.61, -66.17, 64.41

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B5

RGB 62 2 181

HSL 260.11, 0.98%, 0.36%

LAB 24.96, 62.19, -77.26

 

CMYK 0 / 66 / 99 / 29

HEX #B63E02

RGB 182 62 2

HSL 20, 0.98%, 0.36%

LAB 43.35, 46.56, 54.02

 

CMYK 99 / 0 / 66 / 29

HEX #02B63E

RGB 2 182 62

HSL 140, 0.98%, 0.36%

LAB 64.82, -63.24, 48.64

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B5

RGB 62 2 181

HSL 260.11, 0.98%, 0.36%

LAB 24.96, 62.19, -77.26

 

CMYK 0 / 99 / 53 / 29

HEX #B60256

RGB 182 2 86

HSL 332, 0.98%, 0.36%

LAB 39, 65.16, 5.34

 

CMYK 33 / 0 / 99 / 29

HEX #7AB602

RGB 122 182 2

HSL 80, 0.98%, 0.36%

LAB 67.72, -41.52, 68.2

 

CMYK 99 / 0 / 46 / 29

HEX #02B662

RGB 2 182 98

HSL 152, 0.98%, 0.36%

LAB 65.24, -58.04, 31.98

 

CMYK 66 / 99 / 0 / 29

HEX #3E02B5

RGB 62 2 181

HSL 260.11, 0.98%, 0.36%

LAB 24.96, 62.19, -77.26

 

CMYK 0 / 99 / 82 / 29

HEX #B60220

RGB 182 2 32

HSL 350, 0.98%, 0.36%

LAB 38.01, 62.47, 37.97

 

CMYK 33 / 0 / 99 / 29

HEX #7AB602

RGB 122 182 2

HSL 80, 0.98%, 0.36%

LAB 67.72, -41.52, 68.2

 

CMYK 99 / 0 / 16 / 29

HEX #02B698

RGB 2 182 152

HSL 170, 0.98%, 0.36%

LAB 66.32, -45.88, 4.37

 

Description

Color code: HEX #3E02B5 | qconv.com Color code: HEX #3E02B5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 2 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 2 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 99 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 99% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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