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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DFCEC it is the complementary color #C20313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DFCEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DFCEC shade: #42FCE7, #53FFFA, #64FFFF, #75FFFF and #86FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DFCEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DFCEC shade: #3DFCEC, #2CEAD9, #1BD8C6, #0AC6B3 and #00B4A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DFCEC shade: #3BFCEC, #3BFCB8, #3BFC84, #3BFC50 and #5AFC3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DFCEC shade: #3BFCEC, #3BD8FC, #3BA4FC, #3B70FC and #3B3CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DFCEC shade matches the following richer shades: #3BFCEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DFCEC shade: #3BFCEC, #4BECDE, #5BDCD1, #6BCCC4 and #7BBCB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DFCEC shade: #3BFC82, #3BFCB5, #3BFCE9, #3BDCFC and #3BA8FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DFCEC shade: #03E1CF, #12FBE8, #3BFCEC, #64FDF0 and #8CFDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DFCEC shade: #3DFCEC, #4E3BFC and #FC9C3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DFCEC shade: #3DFCEC, #E93BFC and #FCE93B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DFCEC shade: #3DFCEC, #4E3BFC, #FC3B4E and #E9FC3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DFCEC shade: #3DFCEC, #883BFC, #FC3B4E and #AFFC3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 6 / 1

HEX #3DFCEC

RGB 61 252 236

HSL 174.97, 0.97%, 0.61%

LAB 90.17, -49.01, -5.63

 

Complementary color

CMYK 0 / 98 / 90 / 24

HEX #C20313

RGB 194 3 19

HSL 354.97, 0.97%, 0.39%

LAB 40.54, 65.12, 47.79

 

CMYK 74 / 0 / 8 / 1

HEX #42FCE7

RGB 66 252 231

HSL 173.23, 0.97%, 0.62%

LAB 90.11, -49.81, -3.1

 

CMYK 67 / 0 / 2 / 0

HEX #53FFFA

RGB 83 255 250

HSL 178.26, 1%, 0.66%

LAB 91.8, -44.05, -10.44

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 76 / 0 / 6 / 1

HEX #3DFCEC

RGB 61 252 236

HSL 174.97, 0.97%, 0.61%

LAB 90.17, -49.01, -5.63

 

CMYK 81 / 0 / 7 / 8

HEX #2CEAD9

RGB 44 234 217

HSL 174.63, 0.82%, 0.55%

LAB 84.17, -47.97, -4.56

 

CMYK 88 / 0 / 8 / 15

HEX #1BD8C6

RGB 27 216 198

HSL 174.29, 0.78%, 0.48%

LAB 78.12, -46.64, -3.38

 

CMYK 95 / 0 / 10 / 22

HEX #0AC6B3

RGB 10 198 179

HSL 173.94, 0.9%, 0.41%

LAB 72.03, -44.96, -2.09

 

CMYK 100 / 0 / 11 / 29

HEX #00B4A0

RGB 0 180 160

HSL 173.33, 1%, 0.35%

LAB 65.89, -42.91, -0.67

 

CMYK 77 / 0 / 6 / 1

HEX #3BFCEC

RGB 59 252 236

HSL 175.03, 0.97%, 0.61%

LAB 90.14, -49.21, -5.68

 

CMYK 77 / 0 / 27 / 1

HEX #3BFCB8

RGB 59 252 184

HSL 158.86, 0.97%, 0.61%

LAB 88.93, -61.81, 19.49

 

CMYK 77 / 0 / 48 / 1

HEX #3BFC84

RGB 59 252 132

HSL 142.69, 0.97%, 0.61%

LAB 88.07, -71.48, 44.26

 

CMYK 77 / 0 / 68 / 1

HEX #3BFC50

RGB 59 252 80

HSL 126.53, 0.97%, 0.61%

LAB 87.55, -77.79, 66.16

 

CMYK 64 / 0 / 77 / 1

HEX #5AFC3B

RGB 90 252 59

HSL 110.36, 0.97%, 0.61%

LAB 88.02, -74.25, 73.9

 

CMYK 77 / 0 / 6 / 1

HEX #3BFCEC

RGB 59 252 236

HSL 175.03, 0.97%, 0.61%

LAB 90.14, -49.21, -5.68

 

CMYK 77 / 14 / 0 / 1

HEX #3BD8FC

RGB 59 216 252

HSL 191.19, 0.97%, 0.61%

LAB 80.22, -28.15, -29.03

 

CMYK 77 / 35 / 0 / 1

HEX #3BA4FC

RGB 59 164 252

HSL 207.36, 0.97%, 0.61%

LAB 65.36, -0.54, -52.18

 

CMYK 77 / 56 / 0 / 1

HEX #3B70FC

RGB 59 112 252

HSL 223.52, 0.97%, 0.61%

LAB 51.32, 30.9, -74.73

 

CMYK 77 / 76 / 0 / 1

HEX #3B3CFC

RGB 59 60 252

HSL 239.69, 0.97%, 0.61%

LAB 39.9, 61.28, -93.48

 

CMYK 77 / 0 / 6 / 1

HEX #3BFCEC

RGB 59 252 236

HSL 175.03, 0.97%, 0.61%

LAB 90.14, -49.21, -5.68

 

CMYK 77 / 0 / 6 / 1

HEX #3BFCEC

RGB 59 252 236

HSL 175.03, 0.97%, 0.61%

LAB 90.14, -49.21, -5.68

 

CMYK 68 / 0 / 6 / 7

HEX #4BECDE

RGB 75 236 222

HSL 174.78, 0.81%, 0.61%

LAB 85.38, -44.2, -5.34

 

CMYK 59 / 0 / 5 / 14

HEX #5BDCD1

RGB 91 220 209

HSL 174.88, 0.65%, 0.61%

LAB 80.75, -37.95, -5.26

 

CMYK 48 / 0 / 4 / 20

HEX #6BCCC4

RGB 107 204 196

HSL 175.05, 0.49%, 0.61%

LAB 76.25, -30.52, -4.87

 

CMYK 35 / 0 / 3 / 26

HEX #7BBCB6

RGB 123 188 182

HSL 174.46, 0.33%, 0.61%

LAB 71.93, -22.01, -3.56

 

CMYK 77 / 0 / 48 / 1

HEX #3BFC82

RGB 59 252 130

HSL 142.07, 0.97%, 0.61%

LAB 88.05, -71.78, 45.18

 

CMYK 77 / 0 / 28 / 1

HEX #3BFCB5

RGB 59 252 181

HSL 157.93, 0.97%, 0.61%

LAB 88.87, -62.45, 20.94

 

CMYK 77 / 0 / 8 / 1

HEX #3BFCE9

RGB 59 252 233

HSL 174.09, 0.97%, 0.61%

LAB 90.06, -50, -4.23

 

CMYK 77 / 13 / 0 / 1

HEX #3BDCFC

RGB 59 220 252

HSL 189.95, 0.97%, 0.61%

LAB 81.37, -30.1, -27.26

 

CMYK 77 / 33 / 0 / 1

HEX #3BA8FC

RGB 59 168 252

HSL 206.11, 0.97%, 0.61%

LAB 66.49, -2.81, -50.4

 

CMYK 99 / 0 / 8 / 12

HEX #03E1CF

RGB 3 225 207

HSL 175.14, 0.97%, 0.45%

LAB 80.95, -48.8, -4.04

 

CMYK 93 / 0 / 8 / 2

HEX #12FBE8

RGB 18 251 232

HSL 175.11, 0.97%, 0.53%

LAB 89.37, -52.41, -4.77

 

CMYK 77 / 0 / 6 / 1

HEX #3BFCEC

RGB 59 252 236

HSL 175.03, 0.97%, 0.61%

LAB 90.14, -49.21, -5.68

 

CMYK 60 / 0 / 5 / 1

HEX #64FDF0

RGB 100 253 240

HSL 174.9, 0.97%, 0.69%

LAB 91.35, -43.27, -5.88

 

CMYK 45 / 0 / 4 / 1

HEX #8CFDF4

RGB 140 253 244

HSL 175.22, 0.97%, 0.77%

LAB 92.73, -34.42, -5.76

 

CMYK 76 / 0 / 6 / 1

HEX #3DFCEC

RGB 61 252 236

HSL 174.97, 0.97%, 0.61%

LAB 90.17, -49.01, -5.63

 

CMYK 69 / 77 / 0 / 1

HEX #4E3BFC

RGB 78 59 252

HSL 245.91, 0.97%, 0.61%

LAB 40.86, 63.2, -91.86

 

CMYK 0 / 38 / 77 / 1

HEX #FC9C3B

RGB 252 156 59

HSL 30.16, 0.97%, 0.61%

LAB 72.75, 28.53, 62.79

 

CMYK 76 / 0 / 6 / 1

HEX #3DFCEC

RGB 61 252 236

HSL 174.97, 0.97%, 0.61%

LAB 90.17, -49.01, -5.63

 

CMYK 8 / 77 / 0 / 1

HEX #E93BFC

RGB 233 59 252

HSL 294.09, 0.97%, 0.61%

LAB 59.42, 85.8, -60.83

 

CMYK 0 / 8 / 77 / 1

HEX #FCE93B

RGB 252 233 59

HSL 54.09, 0.97%, 0.61%

LAB 91.36, -11.09, 80.13

 

CMYK 76 / 0 / 6 / 1

HEX #3DFCEC

RGB 61 252 236

HSL 174.97, 0.97%, 0.61%

LAB 90.17, -49.01, -5.63

 

CMYK 69 / 77 / 0 / 1

HEX #4E3BFC

RGB 78 59 252

HSL 245.91, 0.97%, 0.61%

LAB 40.86, 63.2, -91.86

 

CMYK 0 / 77 / 69 / 1

HEX #FC3B4E

RGB 252 59 78

HSL 354.09, 0.97%, 0.61%

LAB 56.46, 71.76, 35.79

 

CMYK 8 / 0 / 77 / 1

HEX #E9FC3B

RGB 233 252 59

HSL 65.91, 0.97%, 0.61%

LAB 94.85, -27.98, 82.72

 

CMYK 76 / 0 / 6 / 1

HEX #3DFCEC

RGB 61 252 236

HSL 174.97, 0.97%, 0.61%

LAB 90.17, -49.01, -5.63

 

CMYK 46 / 77 / 0 / 1

HEX #883BFC

RGB 136 59 252

HSL 263.94, 0.97%, 0.61%

LAB 46.16, 69.77, -82.93

 

CMYK 0 / 77 / 69 / 1

HEX #FC3B4E

RGB 252 59 78

HSL 354.09, 0.97%, 0.61%

LAB 56.46, 71.76, 35.79

 

CMYK 31 / 0 / 77 / 1

HEX #AFFC3B

RGB 175 252 59

HSL 83.94, 0.97%, 0.61%

LAB 91.26, -50.05, 78.11

 

Description

Color code: HEX #3DFCEC | qconv.com Color code: HEX #3DFCEC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 252 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 252 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 6 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 6% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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