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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DF72B it is the complementary color #C208D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DF72B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DF72B shade: #42F726, #53FF39, #64FF4C, #75FF5F and #86FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DF72B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DF72B shade: #3DF72B, #2CE518, #1BD305, #0AC100 and #00AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DF72B shade: #3DF72B, #74F72B, #ABF72B, #E2F72B and #F7D52B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DF72B shade: #3DF72B, #2BF750, #2BF787, #2BF7BE and #2BF7F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DF72B shade matches the following richer shades: #3DF72B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DF72B shade: #3DF72B, #4CE63D, #5BD44F, #69C261 and #78B072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DF72B shade: #ADF72B, #76F72B, #40F72B, #2BF74D and #2BF784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DF72B shade: #18C907, #1DF109, #3DF72B, #62F953 and #86FA7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DF72B shade: #3DF72B, #2BE3F7 and #F72B91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DF72B shade: #3DF72B, #2B40F7 and #F72B40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DF72B shade: #3DF72B, #2BE3F7, #E32BF7 and #F7402B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DF72B shade: #3DF72B, #2BA6F7, #E32BF7 and #F77D2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

Complementary color

CMYK 8 / 96 / 0 / 17

HEX #C208D4

RGB 194 8 212

HSL 294.71, 0.93%, 0.43%

LAB 47.49, 82.03, -57.76

 

CMYK 73 / 0 / 85 / 3

HEX #42F726

RGB 66 247 38

HSL 111.96, 0.93%, 0.56%

LAB 85.92, -78.01, 77.15

 

CMYK 67 / 0 / 78 / 0

HEX #53FF39

RGB 83 255 57

HSL 112.12, 1%, 0.61%

LAB 88.76, -76.65, 75.13

 

CMYK 61 / 0 / 70 / 0

HEX #64FF4C

RGB 100 255 76

HSL 111.96, 1%, 0.65%

LAB 89.28, -71.97, 69.68

 

CMYK 54 / 0 / 63 / 0

HEX #75FF5F

RGB 117 255 95

HSL 111.75, 1%, 0.69%

LAB 89.92, -66.38, 63.27

 

CMYK 47 / 0 / 55 / 0

HEX #86FF72

RGB 134 255 114

HSL 111.49, 1%, 0.72%

LAB 90.69, -59.97, 56.2

 

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

CMYK 81 / 0 / 90 / 10

HEX #2CE518

RGB 44 229 24

HSL 114.15, 0.81%, 0.5%

LAB 79.98, -76.23, 74.48

 

CMYK 87 / 0 / 98 / 17

HEX #1BD305

RGB 27 211 5

HSL 113.59, 0.95%, 0.42%

LAB 74.08, -73.25, 71.79

 

CMYK 95 / 0 / 100 / 24

HEX #0AC100

RGB 10 193 0

HSL 116.89, 1%, 0.38%

LAB 68.17, -69.46, 67.51

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

CMYK 53 / 0 / 83 / 3

HEX #74F72B

RGB 116 247 43

HSL 98.53, 0.93%, 0.57%

LAB 87.2, -67.33, 77.66

 

CMYK 31 / 0 / 83 / 3

HEX #ABF72B

RGB 171 247 43

HSL 82.35, 0.93%, 0.57%

LAB 89.56, -50.05, 80.65

 

CMYK 9 / 0 / 83 / 3

HEX #E2F72B

RGB 226 247 43

HSL 66.18, 0.93%, 0.57%

LAB 92.96, -28.98, 84.9

 

CMYK 0 / 14 / 83 / 3

HEX #F7D52B

RGB 247 213 43

HSL 50, 0.93%, 0.57%

LAB 85.77, -3.68, 79.52

 

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

CMYK 83 / 0 / 68 / 3

HEX #2BF750

RGB 43 247 80

HSL 130.88, 0.93%, 0.57%

LAB 85.81, -78.08, 64.25

 

CMYK 83 / 0 / 45 / 3

HEX #2BF787

RGB 43 247 135

HSL 147.06, 0.93%, 0.57%

LAB 86.4, -71, 40.64

 

CMYK 83 / 0 / 23 / 3

HEX #2BF7BE

RGB 43 247 190

HSL 163.24, 0.93%, 0.57%

LAB 87.36, -60.07, 14.18

 

CMYK 83 / 0 / 1 / 3

HEX #2BF7F5

RGB 43 247 245

HSL 179.41, 0.93%, 0.57%

LAB 88.75, -45.89, -12.45

 

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

CMYK 67 / 0 / 73 / 10

HEX #4CE63D

RGB 76 230 61

HSL 114.67, 0.77%, 0.57%

LAB 81, -69.83, 66.27

 

CMYK 57 / 0 / 63 / 17

HEX #5BD44F

RGB 91 212 79

HSL 114.59, 0.61%, 0.57%

LAB 75.99, -58.88, 54.22

 

CMYK 46 / 0 / 50 / 24

HEX #69C261

RGB 105 194 97

HSL 115.05, 0.44%, 0.57%

LAB 71.18, -45.98, 40.41

 

CMYK 32 / 0 / 35 / 31

HEX #78B072

RGB 120 176 114

HSL 114.19, 0.28%, 0.57%

LAB 66.72, -30.69, 26.1

 

CMYK 30 / 0 / 83 / 3

HEX #ADF72B

RGB 173 247 43

HSL 81.76, 0.93%, 0.57%

LAB 89.66, -49.33, 80.78

 

CMYK 52 / 0 / 83 / 3

HEX #76F72B

RGB 118 247 43

HSL 97.94, 0.93%, 0.57%

LAB 87.26, -66.8, 77.74

 

CMYK 74 / 0 / 83 / 3

HEX #40F72B

RGB 64 247 43

HSL 113.82, 0.93%, 0.57%

LAB 85.9, -78.09, 76

 

CMYK 83 / 0 / 69 / 3

HEX #2BF74D

RGB 43 247 77

HSL 130, 0.93%, 0.57%

LAB 85.79, -78.35, 65.36

 

CMYK 83 / 0 / 47 / 3

HEX #2BF784

RGB 43 247 132

HSL 146.18, 0.93%, 0.57%

LAB 86.36, -71.49, 42.04

 

CMYK 88 / 0 / 97 / 21

HEX #18C907

RGB 24 201 7

HSL 114.74, 0.93%, 0.41%

LAB 70.86, -70.68, 68.95

 

CMYK 88 / 0 / 96 / 5

HEX #1DF109

RGB 29 241 9

HSL 114.83, 0.93%, 0.49%

LAB 83.54, -81.19, 79.14

 

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

CMYK 61 / 0 / 67 / 2

HEX #62F953

RGB 98 249 83

HSL 114.58, 0.93%, 0.65%

LAB 87.47, -69.83, 65.19

 

CMYK 46 / 0 / 51 / 2

HEX #86FA7B

RGB 134 250 123

HSL 114.8, 0.93%, 0.73%

LAB 89.33, -56.98, 50.49

 

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

CMYK 83 / 8 / 0 / 3

HEX #2BE3F7

RGB 43 227 247

HSL 185.88, 0.93%, 0.57%

LAB 83, -36.3, -22.15

 

CMYK 0 / 83 / 41 / 3

HEX #F72B91

RGB 247 43 145

HSL 330, 0.93%, 0.57%

LAB 55.63, 79.01, -5.17

 

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

CMYK 83 / 74 / 0 / 3

HEX #2B40F7

RGB 43 64 247

HSL 233.82, 0.93%, 0.57%

LAB 39.4, 56.68, -91.52

 

CMYK 0 / 83 / 74 / 3

HEX #F72B40

RGB 247 43 64

HSL 353.82, 0.93%, 0.57%

LAB 53.89, 73.9, 40.55

 

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

CMYK 83 / 8 / 0 / 3

HEX #2BE3F7

RGB 43 227 247

HSL 185.88, 0.93%, 0.57%

LAB 83, -36.3, -22.15

 

CMYK 8 / 83 / 0 / 3

HEX #E32BF7

RGB 227 43 247

HSL 294.12, 0.93%, 0.57%

LAB 56.85, 87.79, -62.21

 

CMYK 0 / 74 / 83 / 3

HEX #F7402B

RGB 247 64 43

HSL 6.18, 0.93%, 0.57%

LAB 55.7, 67.59, 53.45

 

CMYK 75 / 0 / 83 / 3

HEX #3DF72B

RGB 61 247 43

HSL 114.71, 0.93%, 0.57%

LAB 85.85, -78.52, 75.94

 

CMYK 83 / 33 / 0 / 3

HEX #2BA6F7

RGB 43 166 247

HSL 203.82, 0.93%, 0.57%

LAB 65.36, -4.96, -49.49

 

CMYK 8 / 83 / 0 / 3

HEX #E32BF7

RGB 227 43 247

HSL 294.12, 0.93%, 0.57%

LAB 56.85, 87.79, -62.21

 

CMYK 0 / 49 / 83 / 3

HEX #F77D2B

RGB 247 125 43

HSL 24.12, 0.93%, 0.57%

LAB 65.45, 41.85, 62.12

 

Description

Color code: HEX #3DF72B | qconv.com Color code: HEX #3DF72B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 247 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 247 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 83 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 83% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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