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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DF237 it is the complementary color #C20DC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DF237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DF237 shade: #42F232, #53FF45, #64FF58, #75FF6B and #86FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DF237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DF237 shade: #3DF237, #2CE024, #1BCE11, #0ABC00 and #00AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DF237 shade: #3CF236, #6FF236, #A1F236, #D4F236 and #F2DD36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DF237 shade: #3CF236, #36F262, #36F295, #36F2C8 and #36E9F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DF237 shade matches the following richer shades: #3CF236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DF237 shade: #3CF236, #4CE147, #5CCF58, #6CBE6A and #7DAD7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DF237 shade: #A0F236, #6EF236, #3CF236, #36F262 and #36F294

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DF237 shade: #13C80D, #16EF0F, #3CF236, #61F55C and #87F783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DF237 shade: #3DF237, #36D3F2 and #F23687

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DF237 shade: #3DF237, #363CF2 and #F2363C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DF237 shade: #3DF237, #36D3F2, #EC36F2 and #F25536

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DF237 shade: #3DF237, #369AF2, #EC36F2 and #F28E36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 77 / 5

HEX #3DF237

RGB 61 242 55

HSL 118.07, 0.88%, 0.58%

LAB 84.37, -76.41, 71.37

 

Complementary color

CMYK 3 / 94 / 0 / 22

HEX #C20DC8

RGB 194 13 200

HSL 298.07, 0.88%, 0.42%

LAB 46.88, 79.74, -51.82

 

CMYK 73 / 0 / 79 / 5

HEX #42F232

RGB 66 242 50

HSL 115, 0.88%, 0.57%

LAB 84.43, -75.96, 72.88

 

CMYK 67 / 0 / 73 / 0

HEX #53FF45

RGB 83 255 69

HSL 115.48, 1%, 0.64%

LAB 88.82, -75.88, 71.49

 

CMYK 61 / 0 / 65 / 0

HEX #64FF58

RGB 100 255 88

HSL 115.69, 1%, 0.67%

LAB 89.36, -70.97, 65.3

 

CMYK 54 / 0 / 58 / 0

HEX #75FF6B

RGB 117 255 107

HSL 115.95, 1%, 0.71%

LAB 90.03, -65.17, 58.35

 

CMYK 47 / 0 / 51 / 0

HEX #86FF7E

RGB 134 255 126

HSL 116.28, 1%, 0.75%

LAB 90.82, -58.55, 50.91

 

CMYK 75 / 0 / 77 / 5

HEX #3DF237

RGB 61 242 55

HSL 118.07, 0.88%, 0.58%

LAB 84.37, -76.41, 71.37

 

CMYK 80 / 0 / 84 / 12

HEX #2CE024

RGB 44 224 36

HSL 117.45, 0.75%, 0.51%

LAB 78.45, -74.35, 70.8

 

CMYK 87 / 0 / 92 / 19

HEX #1BCE11

RGB 27 206 17

HSL 116.83, 0.85%, 0.44%

LAB 72.51, -71.62, 69.14

 

CMYK 95 / 0 / 100 / 26

HEX #0ABC00

RGB 10 188 0

HSL 116.81, 1%, 0.37%

LAB 66.54, -68.08, 66.21

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 75 / 0 / 78 / 5

HEX #3CF236

RGB 60 242 54

HSL 118.09, 0.88%, 0.58%

LAB 84.35, -76.61, 71.64

 

CMYK 54 / 0 / 78 / 5

HEX #6FF236

RGB 111 242 54

HSL 101.81, 0.88%, 0.58%

LAB 85.58, -66.38, 73.25

 

CMYK 33 / 0 / 78 / 5

HEX #A1F236

RGB 161 242 54

HSL 85.85, 0.88%, 0.58%

LAB 87.65, -51.07, 75.93

 

CMYK 12 / 0 / 78 / 5

HEX #D4F236

RGB 212 242 54

HSL 69.57, 0.88%, 0.58%

LAB 90.67, -31.91, 79.8

 

CMYK 0 / 9 / 78 / 5

HEX #F2DD36

RGB 242 221 54

HSL 53.3, 0.88%, 0.58%

LAB 87.42, -9.48, 77.75

 

CMYK 75 / 0 / 78 / 5

HEX #3CF236

RGB 60 242 54

HSL 118.09, 0.88%, 0.58%

LAB 84.35, -76.61, 71.64

 

CMYK 78 / 0 / 60 / 5

HEX #36F262

RGB 54 242 98

HSL 134.04, 0.88%, 0.58%

LAB 84.57, -73.49, 55.57

 

CMYK 78 / 0 / 38 / 5

HEX #36F295

RGB 54 242 149

HSL 150.32, 0.88%, 0.58%

LAB 85.23, -65.75, 32.23

 

CMYK 78 / 0 / 17 / 5

HEX #36F2C8

RGB 54 242 200

HSL 166.6, 0.88%, 0.58%

LAB 86.24, -54.76, 7.39

 

CMYK 78 / 4 / 0 / 5

HEX #36E9F2

RGB 54 233 242

HSL 182.87, 0.88%, 0.58%

LAB 84.73, -39.66, -16.89

 

CMYK 75 / 0 / 78 / 5

HEX #3CF236

RGB 60 242 54

HSL 118.09, 0.88%, 0.58%

LAB 84.35, -76.61, 71.64

 

CMYK 75 / 0 / 78 / 5

HEX #3CF236

RGB 60 242 54

HSL 118.09, 0.88%, 0.58%

LAB 84.35, -76.61, 71.64

 

CMYK 66 / 0 / 68 / 12

HEX #4CE147

RGB 76 225 71

HSL 118.05, 0.72%, 0.58%

LAB 79.52, -67.41, 61.17

 

CMYK 56 / 0 / 57 / 19

HEX #5CCF58

RGB 92 207 88

HSL 117.98, 0.55%, 0.58%

LAB 74.58, -55.8, 48.64

 

CMYK 43 / 0 / 44 / 25

HEX #6CBE6A

RGB 108 190 106

HSL 118.57, 0.39%, 0.58%

LAB 70.21, -42.13, 34.72

 

CMYK 28 / 0 / 29 / 32

HEX #7DAD7B

RGB 125 173 123

HSL 117.6, 0.23%, 0.58%

LAB 66.27, -26.04, 20.7

 

CMYK 34 / 0 / 78 / 5

HEX #A0F236

RGB 160 242 54

HSL 86.17, 0.88%, 0.58%

LAB 87.6, -51.42, 75.87

 

CMYK 55 / 0 / 78 / 5

HEX #6EF236

RGB 110 242 54

HSL 102.13, 0.88%, 0.58%

LAB 85.55, -66.64, 73.2

 

CMYK 75 / 0 / 78 / 5

HEX #3CF236

RGB 60 242 54

HSL 118.09, 0.88%, 0.58%

LAB 84.35, -76.61, 71.64

 

CMYK 78 / 0 / 60 / 5

HEX #36F262

RGB 54 242 98

HSL 134.04, 0.88%, 0.58%

LAB 84.57, -73.49, 55.57

 

CMYK 78 / 0 / 39 / 5

HEX #36F294

RGB 54 242 148

HSL 150, 0.88%, 0.58%

LAB 85.21, -65.93, 32.71

 

CMYK 91 / 0 / 94 / 22

HEX #13C80D

RGB 19 200 13

HSL 118.07, 0.88%, 0.42%

LAB 70.51, -70.63, 67.98

 

CMYK 91 / 0 / 94 / 6

HEX #16EF0F

RGB 22 239 15

HSL 118.13, 0.88%, 0.5%

LAB 82.88, -80.99, 78.02

 

CMYK 75 / 0 / 78 / 5

HEX #3CF236

RGB 60 242 54

HSL 118.09, 0.88%, 0.58%

LAB 84.35, -76.61, 71.64

 

CMYK 60 / 0 / 62 / 4

HEX #61F55C

RGB 97 245 92

HSL 118.04, 0.88%, 0.66%

LAB 86.31, -67.84, 60.33

 

CMYK 45 / 0 / 47 / 3

HEX #87F783

RGB 135 247 131

HSL 117.93, 0.88%, 0.74%

LAB 88.6, -54.48, 45.82

 

CMYK 75 / 0 / 77 / 5

HEX #3DF237

RGB 61 242 55

HSL 118.07, 0.88%, 0.58%

LAB 84.37, -76.41, 71.37

 

CMYK 78 / 13 / 0 / 5

HEX #36D3F2

RGB 54 211 242

HSL 189.89, 0.88%, 0.58%

LAB 78.34, -29.31, -26.59

 

CMYK 0 / 78 / 44 / 5

HEX #F23687

RGB 242 54 135

HSL 334.15, 0.88%, 0.58%

LAB 55.34, 74.26, 0.24

 

CMYK 75 / 0 / 77 / 5

HEX #3DF237

RGB 61 242 55

HSL 118.07, 0.88%, 0.58%

LAB 84.37, -76.41, 71.37

 

CMYK 78 / 75 / 0 / 5

HEX #363CF2

RGB 54 60 242

HSL 238.09, 0.88%, 0.58%

LAB 38.6, 57.86, -90.03

 

CMYK 0 / 78 / 75 / 5

HEX #F2363C

RGB 242 54 60

HSL 358.09, 0.88%, 0.58%

LAB 53.86, 69.64, 42.49

 

CMYK 75 / 0 / 77 / 5

HEX #3DF237

RGB 61 242 55

HSL 118.07, 0.88%, 0.58%

LAB 84.37, -76.41, 71.37

 

CMYK 78 / 13 / 0 / 5

HEX #36D3F2

RGB 54 211 242

HSL 189.89, 0.88%, 0.58%

LAB 78.34, -29.31, -26.59

 

CMYK 2 / 78 / 0 / 5

HEX #EC36F2

RGB 236 54 242

HSL 298.09, 0.88%, 0.58%

LAB 58.86, 86.08, -56.12

 

CMYK 0 / 65 / 78 / 5

HEX #F25536

RGB 242 85 54

HSL 9.89, 0.88%, 0.58%

LAB 57.69, 58.7, 49.69

 

CMYK 75 / 0 / 77 / 5

HEX #3DF237

RGB 61 242 55

HSL 118.07, 0.88%, 0.58%

LAB 84.37, -76.41, 71.37

 

CMYK 78 / 36 / 0 / 5

HEX #369AF2

RGB 54 154 242

HSL 208.09, 0.88%, 0.58%

LAB 61.92, 1.16, -52.18

 

CMYK 2 / 78 / 0 / 5

HEX #EC36F2

RGB 236 54 242

HSL 298.09, 0.88%, 0.58%

LAB 58.86, 86.08, -56.12

 

CMYK 0 / 41 / 78 / 5

HEX #F28E36

RGB 242 142 54

HSL 28.09, 0.88%, 0.58%

LAB 68.38, 31.56, 60.19

 

Description

Color code: HEX #3DF237 | qconv.com Color code: HEX #3DF237 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 242 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 242 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 77 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 77% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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