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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DE939 it is the complementary color #C216C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DE939. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DE939 shade: #42E934, #53FB47, #64FF5A, #75FF6D and #86FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DE939. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DE939 shade: #3DE939, #2CD726, #1BC513, #0AB300 and #00A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DE939 shade: #3EE93A, #6DE93A, #9CE93A, #CCE93A and #E9D73A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DE939 shade: #3EE93A, #3AE965, #3AE994, #3AE9C4 and #3ADFE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DE939 shade matches the following richer shades: #3EE93A and #2DFB28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DE939 shade: #3EE93A, #4FD74B, #5FC65D, #70B46F and #81A281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DE939 shade: #9DE93A, #6EE93A, #3FE93A, #3AE963 and #3AE991

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DE939 shade: #19BB15, #1DE019, #3EE93A, #62ED5F and #86F184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DE939 shade: #3DE939, #3ACCE9 and #E93A86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DE939 shade: #3DE939, #3A3FE9 and #E93A3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DE939 shade: #3DE939, #3ACCE9, #E33AE9 and #E9573A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DE939 shade: #3DE939, #3A97E9, #E33AE9 and #E98C3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 76 / 9

HEX #3DE939

RGB 61 233 57

HSL 118.64, 0.8%, 0.57%

LAB 81.6, -73.58, 68.08

 

Complementary color

CMYK 2 / 89 / 0 / 22

HEX #C216C6

RGB 194 22 198

HSL 298.64, 0.8%, 0.43%

LAB 47.13, 78.33, -50.25

 

CMYK 72 / 0 / 78 / 9

HEX #42E934

RGB 66 233 52

HSL 115.36, 0.8%, 0.56%

LAB 81.67, -73.12, 69.7

 

CMYK 67 / 0 / 72 / 2

HEX #53FB47

RGB 83 251 71

HSL 116, 0.96%, 0.63%

LAB 87.62, -74.47, 69.6

 

CMYK 61 / 0 / 65 / 0

HEX #64FF5A

RGB 100 255 90

HSL 116.36, 1%, 0.68%

LAB 89.38, -70.79, 64.53

 

CMYK 54 / 0 / 57 / 0

HEX #75FF6D

RGB 117 255 109

HSL 116.71, 1%, 0.71%

LAB 90.05, -64.95, 57.5

 

CMYK 47 / 0 / 50 / 0

HEX #86FF80

RGB 134 255 128

HSL 117.17, 1%, 0.75%

LAB 90.85, -58.3, 50.01

 

CMYK 74 / 0 / 76 / 9

HEX #3DE939

RGB 61 233 57

HSL 118.64, 0.8%, 0.57%

LAB 81.6, -73.58, 68.08

 

CMYK 80 / 0 / 82 / 16

HEX #2CD726

RGB 44 215 38

HSL 117.97, 0.7%, 0.5%

LAB 75.62, -71.65, 67.76

 

CMYK 86 / 0 / 90 / 23

HEX #1BC513

RGB 27 197 19

HSL 117.3, 0.82%, 0.42%

LAB 69.62, -69.03, 66.39

 

CMYK 94 / 0 / 100 / 30

HEX #0AB300

RGB 10 179 0

HSL 116.65, 1%, 0.35%

LAB 63.59, -65.6, 63.84

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 73 / 0 / 75 / 9

HEX #3EE93A

RGB 62 233 58

HSL 118.63, 0.8%, 0.57%

LAB 81.62, -73.36, 67.79

 

CMYK 53 / 0 / 75 / 9

HEX #6DE93A

RGB 109 233 58

HSL 102.51, 0.8%, 0.57%

LAB 82.83, -63.51, 69.37

 

CMYK 33 / 0 / 75 / 9

HEX #9CE93A

RGB 156 233 58

HSL 86.4, 0.8%, 0.57%

LAB 84.82, -48.91, 71.98

 

CMYK 12 / 0 / 75 / 9

HEX #CCE93A

RGB 204 233 58

HSL 69.94, 0.8%, 0.57%

LAB 87.69, -30.77, 75.71

 

CMYK 0 / 8 / 75 / 9

HEX #E9D73A

RGB 233 215 58

HSL 53.83, 0.8%, 0.57%

LAB 85.11, -10.11, 74.13

 

CMYK 73 / 0 / 75 / 9

HEX #3EE93A

RGB 62 233 58

HSL 118.63, 0.8%, 0.57%

LAB 81.62, -73.36, 67.79

 

CMYK 75 / 0 / 57 / 9

HEX #3AE965

RGB 58 233 101

HSL 134.74, 0.8%, 0.57%

LAB 81.9, -69.74, 51.15

 

CMYK 75 / 0 / 36 / 9

HEX #3AE994

RGB 58 233 148

HSL 150.86, 0.8%, 0.57%

LAB 82.55, -62.25, 29.17

 

CMYK 75 / 0 / 16 / 9

HEX #3AE9C4

RGB 58 233 196

HSL 167.31, 0.8%, 0.57%

LAB 83.53, -51.68, 5.6

 

CMYK 75 / 4 / 0 / 9

HEX #3ADFE9

RGB 58 223 233

HSL 183.43, 0.8%, 0.57%

LAB 81.6, -37.32, -16.84

 

CMYK 73 / 0 / 75 / 9

HEX #3EE93A

RGB 62 233 58

HSL 118.63, 0.8%, 0.57%

LAB 81.62, -73.36, 67.79

 

CMYK 82 / 0 / 84 / 2

HEX #2DFB28

RGB 45 251 40

HSL 118.58, 0.96%, 0.57%

LAB 86.85, -81.69, 77.44

 

CMYK 73 / 0 / 75 / 9

HEX #3EE93A

RGB 62 233 58

HSL 118.63, 0.8%, 0.57%

LAB 81.62, -73.36, 67.79

 

CMYK 63 / 0 / 65 / 16

HEX #4FD74B

RGB 79 215 75

HSL 118.29, 0.64%, 0.57%

LAB 76.54, -63.07, 56.4

 

CMYK 52 / 0 / 53 / 22

HEX #5FC65D

RGB 95 198 93

HSL 118.86, 0.48%, 0.57%

LAB 71.97, -50.94, 43.23

 

CMYK 38 / 0 / 38 / 29

HEX #70B46F

RGB 112 180 111

HSL 119.13, 0.32%, 0.57%

LAB 67.45, -35.67, 28.58

 

CMYK 20 / 0 / 20 / 36

HEX #81A281

RGB 129 162 129

HSL 120, 0.15%, 0.57%

LAB 63.42, -18.02, 13.5

 

CMYK 33 / 0 / 75 / 9

HEX #9DE93A

RGB 157 233 58

HSL 86.06, 0.8%, 0.57%

LAB 84.87, -48.56, 72.05

 

CMYK 53 / 0 / 75 / 9

HEX #6EE93A

RGB 110 233 58

HSL 102.17, 0.8%, 0.57%

LAB 82.86, -63.24, 69.42

 

CMYK 73 / 0 / 75 / 9

HEX #3FE93A

RGB 63 233 58

HSL 118.29, 0.8%, 0.57%

LAB 81.64, -73.21, 67.81

 

CMYK 75 / 0 / 58 / 9

HEX #3AE963

RGB 58 233 99

HSL 134.06, 0.8%, 0.57%

LAB 81.88, -70, 52.02

 

CMYK 75 / 0 / 38 / 9

HEX #3AE991

RGB 58 233 145

HSL 149.83, 0.8%, 0.57%

LAB 82.5, -62.81, 30.63

 

CMYK 87 / 0 / 89 / 27

HEX #19BB15

RGB 25 187 21

HSL 118.55, 0.8%, 0.41%

LAB 66.37, -66.28, 63.23

 

CMYK 87 / 0 / 89 / 12

HEX #1DE019

RGB 29 224 25

HSL 118.79, 0.8%, 0.49%

LAB 78.25, -76.21, 72.78

 

CMYK 73 / 0 / 75 / 9

HEX #3EE93A

RGB 62 233 58

HSL 118.63, 0.8%, 0.57%

LAB 81.62, -73.36, 67.79

 

CMYK 59 / 0 / 60 / 7

HEX #62ED5F

RGB 98 237 95

HSL 118.73, 0.8%, 0.65%

LAB 83.96, -64.52, 56.41

 

CMYK 44 / 0 / 45 / 5

HEX #86F184

RGB 134 241 132

HSL 118.9, 0.8%, 0.73%

LAB 86.82, -52.2, 43.1

 

CMYK 74 / 0 / 76 / 9

HEX #3DE939

RGB 61 233 57

HSL 118.64, 0.8%, 0.57%

LAB 81.6, -73.58, 68.08

 

CMYK 75 / 12 / 0 / 9

HEX #3ACCE9

RGB 58 204 233

HSL 189.94, 0.8%, 0.57%

LAB 76.05, -28.28, -25.25

 

CMYK 0 / 75 / 42 / 9

HEX #E93A86

RGB 233 58 134

HSL 333.94, 0.8%, 0.57%

LAB 54.1, 70.71, -1.17

 

CMYK 74 / 0 / 76 / 9

HEX #3DE939

RGB 61 233 57

HSL 118.64, 0.8%, 0.57%

LAB 81.6, -73.58, 68.08

 

CMYK 75 / 73 / 0 / 9

HEX #3A3FE9

RGB 58 63 233

HSL 238.29, 0.8%, 0.57%

LAB 38.44, 53.69, -85.18

 

CMYK 0 / 75 / 73 / 9

HEX #E93A3F

RGB 233 58 63

HSL 358.29, 0.8%, 0.57%

LAB 52.63, 66, 38.97

 

CMYK 74 / 0 / 76 / 9

HEX #3DE939

RGB 61 233 57

HSL 118.64, 0.8%, 0.57%

LAB 81.6, -73.58, 68.08

 

CMYK 75 / 12 / 0 / 9

HEX #3ACCE9

RGB 58 204 233

HSL 189.94, 0.8%, 0.57%

LAB 76.05, -28.28, -25.25

 

CMYK 3 / 75 / 0 / 9

HEX #E33AE9

RGB 227 58 233

HSL 297.94, 0.8%, 0.57%

LAB 57.31, 81.91, -53.65

 

CMYK 0 / 63 / 75 / 9

HEX #E9573A

RGB 233 87 58

HSL 9.94, 0.8%, 0.57%

LAB 56.53, 54.98, 45.98

 

CMYK 74 / 0 / 76 / 9

HEX #3DE939

RGB 61 233 57

HSL 118.64, 0.8%, 0.57%

LAB 81.6, -73.58, 68.08

 

CMYK 75 / 35 / 0 / 9

HEX #3A97E9

RGB 58 151 233

HSL 208.11, 0.8%, 0.57%

LAB 60.71, 0.14, -49.13

 

CMYK 3 / 75 / 0 / 9

HEX #E33AE9

RGB 227 58 233

HSL 297.94, 0.8%, 0.57%

LAB 57.31, 81.91, -53.65

 

CMYK 0 / 40 / 75 / 9

HEX #E98C3A

RGB 233 140 58

HSL 28.11, 0.8%, 0.57%

LAB 66.81, 29.09, 56.57

 

Description

Color code: HEX #3DE939 | qconv.com Color code: HEX #3DE939 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 233 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 233 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 76 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 76% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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