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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DDF32 it is the complementary color #C220CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DDF32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DDF32 shade: #42DF2D, #53F140, #64FF53, #75FF66 and #86FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DDF32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DDF32 shade: #3DDF32, #2CCD1F, #1BBB0C, #0AA900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DDF32 shade: #3FDF34, #6DDF34, #9BDF34, #CADF34 and #DFC734

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DDF32 shade: #3FDF34, #34DF57, #34DF86, #34DFB4 and #34DDDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DDF32 shade matches the following richer shades: #3FDF34 and #2EF221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DDF32 shade: #3FDF34, #50CC47, #60B95A, #71A66D and #819380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DDF32 shade: #9BDF34, #6DDF34, #3FDF34, #34DF56 and #34DF84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DDF32 shade: #23A71A, #2ACB20, #3FDF34, #61E558 and #83EA7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DDF32 shade: #3DDF32, #34C8DF and #DF3484

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DDF32 shade: #3DDF32, #343FDF and #DF343F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DDF32 shade: #3DDF32, #34C8DF, #D434DF and #DF4B34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DDF32 shade: #3DDF32, #3495DF, #D434DF and #DF7E34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 78 / 13

HEX #3DDF32

RGB 61 223 50

HSL 116.18, 0.73%, 0.54%

LAB 78.46, -70.98, 67.19

 

Complementary color

CMYK 5 / 84 / 0 / 20

HEX #C220CD

RGB 194 32 205

HSL 296.18, 0.73%, 0.46%

LAB 48.15, 77.69, -52.68

 

CMYK 70 / 0 / 80 / 13

HEX #42DF2D

RGB 66 223 45

HSL 112.92, 0.74%, 0.53%

LAB 78.53, -70.45, 68.74

 

CMYK 66 / 0 / 73 / 5

HEX #53F140

RGB 83 241 64

HSL 113.56, 0.86%, 0.6%

LAB 84.55, -71.8, 68.87

 

CMYK 61 / 0 / 67 / 0

HEX #64FF53

RGB 100 255 83

HSL 114.07, 1%, 0.66%

LAB 89.32, -71.41, 67.17

 

CMYK 54 / 0 / 60 / 0

HEX #75FF66

RGB 117 255 102

HSL 114.12, 1%, 0.7%

LAB 89.98, -65.69, 60.43

 

CMYK 47 / 0 / 53 / 0

HEX #86FF79

RGB 134 255 121

HSL 114.18, 1%, 0.74%

LAB 90.77, -59.16, 53.14

 

CMYK 73 / 0 / 78 / 13

HEX #3DDF32

RGB 61 223 50

HSL 116.18, 0.73%, 0.54%

LAB 78.46, -70.98, 67.19

 

CMYK 79 / 0 / 85 / 20

HEX #2CCD1F

RGB 44 205 31

HSL 115.52, 0.74%, 0.46%

LAB 72.43, -69.04, 66.56

 

CMYK 86 / 0 / 94 / 27

HEX #1BBB0C

RGB 27 187 12

HSL 114.86, 0.88%, 0.39%

LAB 66.37, -66.37, 64.68

 

CMYK 94 / 0 / 100 / 34

HEX #0AA900

RGB 10 169 0

HSL 116.45, 1%, 0.33%

LAB 60.28, -62.8, 61.19

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 51 / 0 / 77 / 13

HEX #6DDF34

RGB 109 223 52

HSL 100, 0.73%, 0.54%

LAB 79.77, -60.27, 68.29

 

CMYK 30 / 0 / 77 / 13

HEX #9BDF34

RGB 155 223 52

HSL 83.86, 0.73%, 0.54%

LAB 81.83, -45.37, 70.98

 

CMYK 9 / 0 / 77 / 13

HEX #CADF34

RGB 202 223 52

HSL 67.37, 0.73%, 0.54%

LAB 84.78, -27.14, 74.78

 

CMYK 0 / 11 / 77 / 13

HEX #DFC734

RGB 223 199 52

HSL 51.58, 0.73%, 0.54%

LAB 80.06, -6.48, 71.09

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 77 / 0 / 61 / 13

HEX #34DF57

RGB 52 223 87

HSL 132.28, 0.73%, 0.54%

LAB 78.57, -69.03, 53.45

 

CMYK 77 / 0 / 40 / 13

HEX #34DF86

RGB 52 223 134

HSL 148.77, 0.73%, 0.54%

LAB 79.17, -62, 31.78

 

CMYK 77 / 0 / 19 / 13

HEX #34DFB4

RGB 52 223 180

HSL 164.91, 0.73%, 0.54%

LAB 80.07, -52.18, 9.06

 

CMYK 77 / 1 / 0 / 13

HEX #34DDDF

RGB 52 221 223

HSL 180.7, 0.73%, 0.54%

LAB 80.61, -39.89, -13.01

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 81 / 0 / 86 / 5

HEX #2EF221

RGB 46 242 33

HSL 116.27, 0.89%, 0.54%

LAB 84.07, -79.36, 76.42

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 61 / 0 / 65 / 20

HEX #50CC47

RGB 80 204 71

HSL 115.94, 0.57%, 0.54%

LAB 73.12, -59.4, 54.32

 

CMYK 48 / 0 / 51 / 27

HEX #60B95A

RGB 96 185 90

HSL 116.21, 0.4%, 0.54%

LAB 67.96, -45.8, 39.83

 

CMYK 32 / 0 / 34 / 35

HEX #71A66D

RGB 113 166 109

HSL 115.79, 0.24%, 0.54%

LAB 63.25, -29.09, 24.1

 

CMYK 12 / 0 / 13 / 42

HEX #819380

RGB 129 147 128

HSL 116.84, 0.08%, 0.54%

LAB 59.06, -10.24, 7.9

 

CMYK 30 / 0 / 77 / 13

HEX #9BDF34

RGB 155 223 52

HSL 83.86, 0.73%, 0.54%

LAB 81.83, -45.37, 70.98

 

CMYK 51 / 0 / 77 / 13

HEX #6DDF34

RGB 109 223 52

HSL 100, 0.73%, 0.54%

LAB 79.77, -60.27, 68.29

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 77 / 0 / 61 / 13

HEX #34DF56

RGB 52 223 86

HSL 131.93, 0.73%, 0.54%

LAB 78.57, -69.14, 53.88

 

CMYK 77 / 0 / 41 / 13

HEX #34DF84

RGB 52 223 132

HSL 148.07, 0.73%, 0.54%

LAB 79.14, -62.36, 32.75

 

CMYK 79 / 0 / 84 / 35

HEX #23A71A

RGB 35 167 26

HSL 116.17, 0.73%, 0.38%

LAB 59.95, -59, 56.48

 

CMYK 79 / 0 / 84 / 20

HEX #2ACB20

RGB 42 203 32

HSL 116.49, 0.73%, 0.46%

LAB 71.76, -68.66, 65.72

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 58 / 0 / 62 / 10

HEX #61E558

RGB 97 229 88

HSL 116.17, 0.73%, 0.62%

LAB 81.45, -62.64, 56.55

 

CMYK 44 / 0 / 47 / 8

HEX #83EA7B

RGB 131 234 123

HSL 115.68, 0.73%, 0.7%

LAB 84.54, -51.43, 44.55

 

CMYK 73 / 0 / 78 / 13

HEX #3DDF32

RGB 61 223 50

HSL 116.18, 0.73%, 0.54%

LAB 78.46, -70.98, 67.19

 

CMYK 77 / 10 / 0 / 13

HEX #34C8DF

RGB 52 200 223

HSL 188.07, 0.73%, 0.54%

LAB 74.42, -30.05, -22.35

 

CMYK 0 / 77 / 41 / 13

HEX #DF3484

RGB 223 52 132

HSL 331.93, 0.73%, 0.54%

LAB 51.62, 69.7, -3.83

 

CMYK 73 / 0 / 78 / 13

HEX #3DDF32

RGB 61 223 50

HSL 116.18, 0.73%, 0.54%

LAB 78.46, -70.98, 67.19

 

CMYK 77 / 72 / 0 / 13

HEX #343FDF

RGB 52 63 223

HSL 236.14, 0.73%, 0.54%

LAB 37.14, 49.95, -81.65

 

CMYK 0 / 77 / 72 / 13

HEX #DF343F

RGB 223 52 63

HSL 356.14, 0.73%, 0.54%

LAB 50.1, 64.93, 35.57

 

CMYK 73 / 0 / 78 / 13

HEX #3DDF32

RGB 61 223 50

HSL 116.18, 0.73%, 0.54%

LAB 78.46, -70.98, 67.19

 

CMYK 77 / 10 / 0 / 13

HEX #34C8DF

RGB 52 200 223

HSL 188.07, 0.73%, 0.54%

LAB 74.42, -30.05, -22.35

 

CMYK 5 / 77 / 0 / 13

HEX #D434DF

RGB 212 52 223

HSL 296.14, 0.73%, 0.54%

LAB 53.79, 79.09, -53.76

 

CMYK 0 / 66 / 77 / 13

HEX #DF4B34

RGB 223 75 52

HSL 8.07, 0.73%, 0.54%

LAB 52.91, 56.38, 44.77

 

CMYK 73 / 0 / 78 / 13

HEX #3DDF32

RGB 61 223 50

HSL 116.18, 0.73%, 0.54%

LAB 78.46, -70.98, 67.19

 

CMYK 77 / 33 / 0 / 13

HEX #3495DF

RGB 52 149 223

HSL 205.96, 0.73%, 0.54%

LAB 59.48, -2.95, -45.53

 

CMYK 5 / 77 / 0 / 13

HEX #D434DF

RGB 212 52 223

HSL 296.14, 0.73%, 0.54%

LAB 53.79, 79.09, -53.76

 

CMYK 0 / 43 / 77 / 13

HEX #DF7E34

RGB 223 126 52

HSL 25.96, 0.73%, 0.54%

LAB 62.39, 32.11, 54.37

 

Description

Color code: HEX #3DDF32 | qconv.com Color code: HEX #3DDF32 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 223 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 223 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 78 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 78% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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