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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DD333 it is the complementary color #C22CCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DD333. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DD333 shade: #42D32E, #53E541, #64F754, #75FF67 and #86FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DD333. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DD333 shade: #3DD333, #2CC120, #1BAF0D, #0A9D00 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DD333 shade: #3BD331, #67D331, #93D331, #BED331 and #D3BC31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DD333 shade: #3BD331, #31D352, #31D37E, #31D3AA and #31D1D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DD333 shade matches the following richer shades: #3BD331, #29E71D and #18FC08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DD333 shade: #3BD331, #4DBF45, #5EAB59, #70976D and #828282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DD333 shade: #92D331, #67D331, #3CD331, #31D351 and #31D37D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DD333 shade: #26931F, #2FB526, #3BD331, #5BDA53 and #7CE275

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DD333 shade: #3DD333, #31BED3 and #D3317D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DD333 shade: #3DD333, #313CD3 and #D3313C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DD333 shade: #3DD333, #31BED3, #C831D3 and #D34631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DD333 shade: #3DD333, #318DD3, #C831D3 and #D37731

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 76 / 17

HEX #3DD333

RGB 61 211 51

HSL 116.25, 0.65%, 0.51%

LAB 74.71, -67.19, 63.25

 

Complementary color

CMYK 5 / 78 / 0 / 20

HEX #C22CCC

RGB 194 44 204

HSL 296.25, 0.65%, 0.49%

LAB 49.04, 74.74, -50.66

 

CMYK 69 / 0 / 78 / 17

HEX #42D32E

RGB 66 211 46

HSL 112.73, 0.65%, 0.5%

LAB 74.79, -66.62, 64.92

 

CMYK 64 / 0 / 72 / 10

HEX #53E541

RGB 83 229 65

HSL 113.41, 0.76%, 0.58%

LAB 80.88, -67.81, 64.83

 

CMYK 60 / 0 / 66 / 3

HEX #64F754

RGB 100 247 84

HSL 114.11, 0.91%, 0.65%

LAB 86.93, -68.62, 64.24

 

CMYK 54 / 0 / 60 / 0

HEX #75FF67

RGB 117 255 103

HSL 114.47, 1%, 0.7%

LAB 89.99, -65.59, 60.02

 

CMYK 47 / 0 / 52 / 0

HEX #86FF7A

RGB 134 255 122

HSL 114.59, 1%, 0.74%

LAB 90.78, -59.04, 52.7

 

CMYK 71 / 0 / 76 / 17

HEX #3DD333

RGB 61 211 51

HSL 116.25, 0.65%, 0.51%

LAB 74.71, -67.19, 63.25

 

CMYK 77 / 0 / 83 / 24

HEX #2CC120

RGB 44 193 32

HSL 115.53, 0.72%, 0.44%

LAB 68.59, -65.4, 62.86

 

CMYK 85 / 0 / 93 / 31

HEX #1BAF0D

RGB 27 175 13

HSL 114.81, 0.86%, 0.37%

LAB 62.44, -62.87, 61.25

 

CMYK 94 / 0 / 100 / 38

HEX #0A9D00

RGB 10 157 0

HSL 116.18, 1%, 0.31%

LAB 56.27, -59.4, 57.97

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 72 / 0 / 77 / 17

HEX #3BD331

RGB 59 211 49

HSL 116.3, 0.65%, 0.51%

LAB 74.66, -67.66, 63.82

 

CMYK 51 / 0 / 77 / 17

HEX #67D331

RGB 103 211 49

HSL 100, 0.65%, 0.51%

LAB 75.88, -57.73, 65.42

 

CMYK 30 / 0 / 77 / 17

HEX #93D331

RGB 147 211 49

HSL 83.7, 0.65%, 0.51%

LAB 77.88, -43.3, 68.03

 

CMYK 10 / 0 / 77 / 17

HEX #BED331

RGB 190 211 49

HSL 67.78, 0.65%, 0.51%

LAB 80.6, -26.46, 71.53

 

CMYK 0 / 11 / 77 / 17

HEX #D3BC31

RGB 211 188 49

HSL 51.48, 0.65%, 0.51%

LAB 76.09, -6.09, 68.03

 

CMYK 72 / 0 / 77 / 17

HEX #3BD331

RGB 59 211 49

HSL 116.3, 0.65%, 0.51%

LAB 74.66, -67.66, 63.82

 

CMYK 77 / 0 / 61 / 17

HEX #31D352

RGB 49 211 82

HSL 132.22, 0.65%, 0.51%

LAB 74.73, -66.16, 51.24

 

CMYK 77 / 0 / 40 / 17

HEX #31D37E

RGB 49 211 126

HSL 148.52, 0.65%, 0.51%

LAB 75.29, -59.53, 30.75

 

CMYK 77 / 0 / 19 / 17

HEX #31D3AA

RGB 49 211 170

HSL 164.81, 0.65%, 0.51%

LAB 76.16, -50.06, 8.79

 

CMYK 77 / 1 / 0 / 17

HEX #31D1D3

RGB 49 209 211

HSL 180.74, 0.65%, 0.51%

LAB 76.65, -38.19, -12.52

 

CMYK 72 / 0 / 77 / 17

HEX #3BD331

RGB 59 211 49

HSL 116.3, 0.65%, 0.51%

LAB 74.66, -67.66, 63.82

 

CMYK 82 / 0 / 87 / 9

HEX #29E71D

RGB 41 231 29

HSL 116.44, 0.81%, 0.51%

LAB 80.58, -76.95, 74.12

 

CMYK 90 / 0 / 97 / 1

HEX #18FC08

RGB 24 252 8

HSL 116.07, 0.98%, 0.51%

LAB 86.91, -84.43, 81.95

 

CMYK 72 / 0 / 77 / 17

HEX #3BD331

RGB 59 211 49

HSL 116.3, 0.65%, 0.51%

LAB 74.66, -67.66, 63.82

 

CMYK 60 / 0 / 64 / 25

HEX #4DBF45

RGB 77 191 69

HSL 116.07, 0.49%, 0.51%

LAB 68.95, -55.63, 50.54

 

CMYK 45 / 0 / 48 / 33

HEX #5EAB59

RGB 94 171 89

HSL 116.34, 0.33%, 0.51%

LAB 63.53, -40.62, 34.83

 

CMYK 26 / 0 / 28 / 41

HEX #70976D

RGB 112 151 109

HSL 115.71, 0.17%, 0.51%

LAB 58.68, -21.99, 17.91

 

CMYK 0 / 0 / 0 / 49

HEX #828282

RGB 130 130 130

HSL 0, 0%, 0.51%

LAB 54.37, 0, -0.01

 

CMYK 31 / 0 / 77 / 17

HEX #92D331

RGB 146 211 49

HSL 84.07, 0.65%, 0.51%

LAB 77.83, -43.67, 67.96

 

CMYK 51 / 0 / 77 / 17

HEX #67D331

RGB 103 211 49

HSL 100, 0.65%, 0.51%

LAB 75.88, -57.73, 65.42

 

CMYK 72 / 0 / 77 / 17

HEX #3CD331

RGB 60 211 49

HSL 115.93, 0.65%, 0.51%

LAB 74.68, -67.49, 63.85

 

CMYK 77 / 0 / 62 / 17

HEX #31D351

RGB 49 211 81

HSL 131.85, 0.65%, 0.51%

LAB 74.72, -66.27, 51.66

 

CMYK 77 / 0 / 41 / 17

HEX #31D37D

RGB 49 211 125

HSL 148.15, 0.65%, 0.51%

LAB 75.28, -59.71, 31.24

 

CMYK 74 / 0 / 79 / 42

HEX #26931F

RGB 38 147 31

HSL 116.38, 0.65%, 0.35%

LAB 53.36, -51.81, 48.85

 

CMYK 74 / 0 / 79 / 29

HEX #2FB526

RGB 47 181 38

HSL 116.22, 0.65%, 0.43%

LAB 64.8, -60.89, 57.67

 

CMYK 72 / 0 / 77 / 17

HEX #3BD331

RGB 59 211 49

HSL 116.3, 0.65%, 0.51%

LAB 74.66, -67.66, 63.82

 

CMYK 58 / 0 / 62 / 15

HEX #5BDA53

RGB 91 218 83

HSL 116.44, 0.65%, 0.59%

LAB 77.87, -60.63, 54.62

 

CMYK 45 / 0 / 48 / 11

HEX #7CE275

RGB 124 226 117

HSL 116.15, 0.65%, 0.67%

LAB 81.82, -50.98, 44

 

CMYK 71 / 0 / 76 / 17

HEX #3DD333

RGB 61 211 51

HSL 116.25, 0.65%, 0.51%

LAB 74.71, -67.19, 63.25

 

CMYK 77 / 10 / 0 / 17

HEX #31BED3

RGB 49 190 211

HSL 187.78, 0.65%, 0.51%

LAB 71, -29.2, -21.05

 

CMYK 0 / 77 / 41 / 17

HEX #D3317D

RGB 211 49 125

HSL 331.85, 0.65%, 0.51%

LAB 48.92, 66.8, -3.84

 

CMYK 71 / 0 / 76 / 17

HEX #3DD333

RGB 61 211 51

HSL 116.25, 0.65%, 0.51%

LAB 74.71, -67.19, 63.25

 

CMYK 77 / 72 / 0 / 17

HEX #313CD3

RGB 49 60 211

HSL 235.93, 0.65%, 0.51%

LAB 35.18, 47.43, -77.99

 

CMYK 0 / 77 / 72 / 17

HEX #D3313C

RGB 211 49 60

HSL 355.93, 0.65%, 0.51%

LAB 47.46, 62.22, 33.65

 

CMYK 71 / 0 / 76 / 17

HEX #3DD333

RGB 61 211 51

HSL 116.25, 0.65%, 0.51%

LAB 74.71, -67.19, 63.25

 

CMYK 77 / 10 / 0 / 17

HEX #31BED3

RGB 49 190 211

HSL 187.78, 0.65%, 0.51%

LAB 71, -29.2, -21.05

 

CMYK 5 / 77 / 0 / 17

HEX #C831D3

RGB 200 49 211

HSL 295.93, 0.65%, 0.51%

LAB 50.9, 75.67, -51.67

 

CMYK 0 / 67 / 77 / 17

HEX #D34631

RGB 211 70 49

HSL 7.78, 0.65%, 0.51%

LAB 50.04, 54.3, 42.69

 

CMYK 71 / 0 / 76 / 17

HEX #3DD333

RGB 61 211 51

HSL 116.25, 0.65%, 0.51%

LAB 74.71, -67.19, 63.25

 

CMYK 77 / 33 / 0 / 17

HEX #318DD3

RGB 49 141 211

HSL 205.93, 0.65%, 0.51%

LAB 56.49, -2.94, -43.55

 

CMYK 5 / 77 / 0 / 17

HEX #C831D3

RGB 200 49 211

HSL 295.93, 0.65%, 0.51%

LAB 50.9, 75.67, -51.67

 

CMYK 0 / 44 / 77 / 17

HEX #D37731

RGB 211 119 49

HSL 25.93, 0.65%, 0.51%

LAB 59.22, 30.77, 52.02

 

Description

Color code: HEX #3DD333 | qconv.com Color code: HEX #3DD333 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 211 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 211 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 76 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 76% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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