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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DC913 it is the complementary color #C236EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DC913. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DC913 shade: #42C90E, #53DB21, #64ED34, #75FF47 and #86FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DC913. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DC913 shade: #3DC913, #2CB700, #1BA500, #0A9300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DC913 shade: #3DC913, #6EC913, #9FC913, #C9C113 and #C99013

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DC913 shade: #3DC913, #13C91A, #13C94B, #13C97C and #13C9AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DC913 shade matches the following richer shades: #3DC913 and #33DA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DC913 shade: #3DC913, #46B724, #50A536, #599348 and #63825A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DC913 shade: #9EC913, #6EC913, #3DC913, #13C919 and #13C949

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DC913 shade: #267D0C, #31A30F, #3DC913, #4BEA1B and #68ED41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DC913 shade: #3DC913, #13C9C3 and #C91386

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DC913 shade: #3DC913, #133DC9 and #C9133D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DC913 shade: #3DC913, #13C9C3, #9E13C9 and #C91319

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DC913 shade: #3DC913, #1398C9, #9E13C9 and #C94313

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

Complementary color

CMYK 18 / 77 / 0 / 7

HEX #C236EC

RGB 194 54 236

HSL 286.15, 0.83%, 0.57%

LAB 52.02, 77.42, -64.1

 

CMYK 67 / 0 / 93 / 21

HEX #42C90E

RGB 66 201 14

HSL 103.32, 0.87%, 0.42%

LAB 71.53, -64.75, 68.99

 

CMYK 62 / 0 / 85 / 14

HEX #53DB21

RGB 83 219 33

HSL 103.87, 0.74%, 0.49%

LAB 77.65, -66.37, 71.05

 

CMYK 58 / 0 / 78 / 7

HEX #64ED34

RGB 100 237 52

HSL 104.43, 0.84%, 0.57%

LAB 83.72, -67.52, 71.94

 

CMYK 54 / 0 / 72 / 0

HEX #75FF47

RGB 117 255 71

HSL 105, 1%, 0.64%

LAB 89.75, -68.33, 72.04

 

CMYK 47 / 0 / 65 / 0

HEX #86FF5A

RGB 134 255 90

HSL 104, 1%, 0.68%

LAB 90.47, -62.32, 66.04

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 76 / 0 / 100 / 28

HEX #2CB700

RGB 44 183 0

HSL 105.57, 1%, 0.36%

LAB 65.28, -63.36, 65.35

 

CMYK 84 / 0 / 100 / 35

HEX #1BA500

RGB 27 165 0

HSL 110.18, 1%, 0.32%

LAB 59.11, -60.26, 60.31

 

CMYK 93 / 0 / 100 / 42

HEX #0A9300

RGB 10 147 0

HSL 115.92, 1%, 0.29%

LAB 52.87, -56.51, 55.26

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 45 / 0 / 91 / 21

HEX #6EC913

RGB 110 201 19

HSL 90, 0.83%, 0.43%

LAB 72.98, -53.1, 70.06

 

CMYK 21 / 0 / 91 / 21

HEX #9FC913

RGB 159 201 19

HSL 73.85, 0.83%, 0.43%

LAB 75.57, -35.29, 73.25

 

CMYK 0 / 4 / 91 / 21

HEX #C9C113

RGB 201 193 19

HSL 57.36, 0.83%, 0.43%

LAB 76.44, -13.79, 75.25

 

CMYK 0 / 28 / 91 / 21

HEX #C99013

RGB 201 144 19

HSL 41.21, 0.83%, 0.43%

LAB 63.68, 12.1, 65.43

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 91 / 0 / 87 / 21

HEX #13C91A

RGB 19 201 26

HSL 122.31, 0.83%, 0.43%

LAB 70.86, -70.5, 66.15

 

CMYK 91 / 0 / 63 / 21

HEX #13C94B

RGB 19 201 75

HSL 138.46, 0.83%, 0.43%

LAB 71.16, -66.73, 50.15

 

CMYK 91 / 0 / 38 / 21

HEX #13C97C

RGB 19 201 124

HSL 154.62, 0.83%, 0.43%

LAB 71.8, -58.99, 27.09

 

CMYK 91 / 0 / 14 / 21

HEX #13C9AD

RGB 19 201 173

HSL 170.77, 0.83%, 0.43%

LAB 72.85, -47.52, 2.36

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 77 / 0 / 100 / 15

HEX #33DA01

RGB 51 218 1

HSL 106.18, 0.99%, 0.43%

LAB 76.59, -72.68, 74.32

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 62 / 0 / 80 / 28

HEX #46B724

RGB 70 183 36

HSL 106.12, 0.67%, 0.43%

LAB 65.98, -57.07, 59.58

 

CMYK 52 / 0 / 67 / 35

HEX #50A536

RGB 80 165 54

HSL 105.95, 0.51%, 0.43%

LAB 60.68, -46.44, 47.93

 

CMYK 39 / 0 / 51 / 42

HEX #599348

RGB 89 147 72

HSL 106.4, 0.34%, 0.43%

LAB 55.54, -33.9, 33.63

 

CMYK 24 / 0 / 31 / 49

HEX #63825A

RGB 99 130 90

HSL 106.5, 0.18%, 0.43%

LAB 51.1, -19.19, 18.18

 

CMYK 21 / 0 / 91 / 21

HEX #9EC913

RGB 158 201 19

HSL 74.18, 0.83%, 0.43%

LAB 75.51, -35.69, 73.17

 

CMYK 45 / 0 / 91 / 21

HEX #6EC913

RGB 110 201 19

HSL 90, 0.83%, 0.43%

LAB 72.98, -53.1, 70.06

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 91 / 0 / 88 / 21

HEX #13C919

RGB 19 201 25

HSL 121.98, 0.83%, 0.43%

LAB 70.86, -70.54, 66.34

 

CMYK 91 / 0 / 64 / 21

HEX #13C949

RGB 19 201 73

HSL 137.8, 0.83%, 0.43%

LAB 71.14, -66.96, 50.99

 

CMYK 70 / 0 / 90 / 51

HEX #267D0C

RGB 38 125 12

HSL 106.19, 0.82%, 0.27%

LAB 45.78, -45.36, 47.26

 

CMYK 70 / 0 / 91 / 36

HEX #31A30F

RGB 49 163 15

HSL 106.22, 0.83%, 0.35%

LAB 58.86, -55.84, 58.04

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 68 / 0 / 88 / 8

HEX #4BEA1B

RGB 75 234 27

HSL 106.09, 0.83%, 0.51%

LAB 82.07, -72.98, 75.97

 

CMYK 56 / 0 / 73 / 7

HEX #68ED41

RGB 104 237 65

HSL 106.4, 0.83%, 0.59%

LAB 83.91, -65.74, 68.09

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 91 / 0 / 3 / 21

HEX #13C9C3

RGB 19 201 195

HSL 178.02, 0.83%, 0.43%

LAB 73.45, -41.36, -8.69

 

CMYK 0 / 91 / 33 / 21

HEX #C91386

RGB 201 19 134

HSL 322.09, 0.83%, 0.43%

LAB 45.09, 71.83, -15.26

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 91 / 70 / 0 / 21

HEX #133DC9

RGB 19 61 201

HSL 226.15, 0.83%, 0.43%

LAB 33.34, 41.48, -75.26

 

CMYK 0 / 91 / 70 / 21

HEX #C9133D

RGB 201 19 61

HSL 346.15, 0.83%, 0.43%

LAB 43.09, 66.34, 27.33

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 91 / 0 / 3 / 21

HEX #13C9C3

RGB 19 201 195

HSL 178.02, 0.83%, 0.43%

LAB 73.45, -41.36, -8.69

 

CMYK 21 / 91 / 0 / 21

HEX #9E13C9

RGB 158 19 201

HSL 285.82, 0.83%, 0.43%

LAB 41.14, 73.54, -61.97

 

CMYK 0 / 91 / 88 / 21

HEX #C91319

RGB 201 19 25

HSL 358.02, 0.83%, 0.43%

LAB 42.69, 65.2, 47.31

 

CMYK 70 / 0 / 91 / 21

HEX #3DC913

RGB 61 201 19

HSL 106.15, 0.83%, 0.43%

LAB 71.43, -65.59, 68.13

 

CMYK 91 / 24 / 0 / 21

HEX #1398C9

RGB 19 152 201

HSL 196.15, 0.83%, 0.43%

LAB 58.8, -15.23, -34.34

 

CMYK 21 / 91 / 0 / 21

HEX #9E13C9

RGB 158 19 201

HSL 285.82, 0.83%, 0.43%

LAB 41.14, 73.54, -61.97

 

CMYK 0 / 67 / 91 / 21

HEX #C94313

RGB 201 67 19

HSL 15.82, 0.83%, 0.43%

LAB 47.6, 51.33, 53.45

 

Description

Color code: HEX #3DC913 | qconv.com Color code: HEX #3DC913 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 201 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 201 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 91 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 91% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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