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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DC05D it is the complementary color #C23FA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DC05D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DC05D shade: #42C058, #53D26B, #64E47E, #75F691 and #86FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DC05D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DC05D shade: #3DC05D, #2CAE4A, #1B9C37, #0A8A24 and #007811

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DC05D shade: #3DC25E, #41C23D, #64C23D, #88C23D and #ACC23D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DC05D shade: #3DC25E, #3DC281, #3DC2A5, #3DBBC2 and #3D97C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DC05D shade matches the following richer shades: #3DC25E, #29D653 and #14EB49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DC05D shade: #3DC25E, #52AD68, #669973, #7B847D and #906F88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DC05D shade: #65C23D, #42C23D, #3DC25C, #3DC280 and #3DC2A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DC05D shade: #29833F, #33A24E, #3DC25E, #5DCC78 and #7CD692

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DC05D shade: #3DC05D, #3D88C2 and #C23D53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DC05D shade: #3DC05D, #5C3DC2 and #C25C3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DC05D shade: #3DC05D, #3D88C2, #C23DA3 and #C2773D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DC05D shade: #3DC05D, #3D61C2, #C23DA3 and #C29E3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 52 / 25

HEX #3DC05D

RGB 61 192 93

HSL 134.66, 0.52%, 0.5%

LAB 69.1, -56.36, 39.5

 

Complementary color

CMYK 0 / 68 / 16 / 24

HEX #C23FA2

RGB 194 63 162

HSL 314.66, 0.52%, 0.5%

LAB 49.05, 62.11, -26.11

 

CMYK 66 / 0 / 54 / 25

HEX #42C058

RGB 66 192 88

HSL 130.48, 0.5%, 0.51%

LAB 69.16, -56.12, 42.03

 

CMYK 60 / 0 / 49 / 18

HEX #53D26B

RGB 83 210 107

HSL 131.34, 0.59%, 0.57%

LAB 75.45, -56.53, 40.62

 

CMYK 56 / 0 / 45 / 11

HEX #64E47E

RGB 100 228 126

HSL 132.19, 0.7%, 0.64%

LAB 81.68, -56.71, 39.25

 

CMYK 52 / 0 / 41 / 4

HEX #75F691

RGB 117 246 145

HSL 133.02, 0.88%, 0.71%

LAB 87.84, -56.74, 37.93

 

CMYK 47 / 0 / 36 / 0

HEX #86FFA4

RGB 134 255 164

HSL 134.88, 1%, 0.76%

LAB 91.36, -53.04, 33.23

 

CMYK 68 / 0 / 52 / 25

HEX #3DC05D

RGB 61 192 93

HSL 134.66, 0.52%, 0.5%

LAB 69.1, -56.36, 39.5

 

CMYK 75 / 0 / 57 / 32

HEX #2CAE4A

RGB 44 174 74

HSL 133.85, 0.6%, 0.43%

LAB 62.76, -55.53, 40.98

 

CMYK 83 / 0 / 65 / 39

HEX #1B9C37

RGB 27 156 55

HSL 133.02, 0.7%, 0.36%

LAB 56.37, -54.14, 42.38

 

CMYK 93 / 0 / 74 / 46

HEX #0A8A24

RGB 10 138 36

HSL 132.19, 0.86%, 0.29%

LAB 49.94, -51.92, 43.47

 

CMYK 100 / 0 / 86 / 53

HEX #007811

RGB 0 120 17

HSL 128.5, 1%, 0.24%

LAB 43.47, -48.58, 43.7

 

CMYK 69 / 0 / 52 / 24

HEX #3DC25E

RGB 61 194 94

HSL 134.89, 0.52%, 0.5%

LAB 69.74, -56.94, 39.8

 

CMYK 66 / 0 / 69 / 24

HEX #41C23D

RGB 65 194 61

HSL 118.2, 0.52%, 0.5%

LAB 69.5, -60.09, 54.36

 

CMYK 48 / 0 / 69 / 24

HEX #64C23D

RGB 100 194 61

HSL 102.41, 0.52%, 0.5%

LAB 70.61, -51.33, 55.87

 

CMYK 30 / 0 / 69 / 24

HEX #88C23D

RGB 136 194 61

HSL 86.17, 0.52%, 0.5%

LAB 72.33, -39.22, 58.19

 

CMYK 11 / 0 / 69 / 24

HEX #ACC23D

RGB 172 194 61

HSL 69.92, 0.52%, 0.5%

LAB 74.63, -25.08, 61.28

 

CMYK 69 / 0 / 52 / 24

HEX #3DC25E

RGB 61 194 94

HSL 134.89, 0.52%, 0.5%

LAB 69.74, -56.94, 39.8

 

CMYK 69 / 0 / 34 / 24

HEX #3DC281

RGB 61 194 129

HSL 150.68, 0.52%, 0.5%

LAB 70.29, -50.81, 22.53

 

CMYK 69 / 0 / 15 / 24

HEX #3DC2A5

RGB 61 194 165

HSL 166.92, 0.52%, 0.5%

LAB 71.07, -42.59, 4.21

 

CMYK 69 / 4 / 0 / 24

HEX #3DBBC2

RGB 61 187 194

HSL 183.16, 0.52%, 0.5%

LAB 69.77, -31.44, -13.58

 

CMYK 69 / 22 / 0 / 24

HEX #3D97C2

RGB 61 151 194

HSL 199.4, 0.52%, 0.5%

LAB 58.99, -12.9, -30.04

 

CMYK 69 / 0 / 52 / 24

HEX #3DC25E

RGB 61 194 94

HSL 134.89, 0.52%, 0.5%

LAB 69.74, -56.94, 39.8

 

CMYK 81 / 0 / 61 / 16

HEX #29D653

RGB 41 214 83

HSL 134.57, 0.68%, 0.5%

LAB 75.57, -67.96, 51.72

 

CMYK 91 / 0 / 69 / 8

HEX #14EB49

RGB 20 235 73

HSL 134.79, 0.84%, 0.5%

LAB 81.86, -76.91, 62.65

 

CMYK 69 / 0 / 52 / 24

HEX #3DC25E

RGB 61 194 94

HSL 134.89, 0.52%, 0.5%

LAB 69.74, -56.94, 39.8

 

CMYK 53 / 0 / 40 / 32

HEX #52AD68

RGB 82 173 104

HSL 134.51, 0.36%, 0.5%

LAB 63.9, -42.51, 27.38

 

CMYK 33 / 0 / 25 / 40

HEX #669973

RGB 102 153 115

HSL 135.29, 0.2%, 0.5%

LAB 58.83, -25.32, 14.67

 

CMYK 7 / 0 / 5 / 48

HEX #7B847D

RGB 123 132 125

HSL 133.33, 0.04%, 0.5%

LAB 54.23, -4.73, 2.63

 

CMYK 0 / 23 / 6 / 44

HEX #906F88

RGB 144 111 136

HSL 314.55, 0.13%, 0.5%

LAB 50.78, 17.44, -8.69

 

CMYK 48 / 0 / 69 / 24

HEX #65C23D

RGB 101 194 61

HSL 101.95, 0.52%, 0.5%

LAB 70.65, -51.03, 55.93

 

CMYK 66 / 0 / 69 / 24

HEX #42C23D

RGB 66 194 61

HSL 117.74, 0.52%, 0.5%

LAB 69.53, -59.89, 54.39

 

CMYK 69 / 0 / 53 / 24

HEX #3DC25C

RGB 61 194 92

HSL 133.98, 0.52%, 0.5%

LAB 69.72, -57.22, 40.75

 

CMYK 69 / 0 / 34 / 24

HEX #3DC280

RGB 61 194 128

HSL 150.23, 0.52%, 0.5%

LAB 70.27, -51.01, 23.03

 

CMYK 69 / 0 / 16 / 24

HEX #3DC2A3

RGB 61 194 163

HSL 166.02, 0.52%, 0.5%

LAB 71.02, -43.09, 5.23

 

CMYK 69 / 0 / 52 / 49

HEX #29833F

RGB 41 131 63

HSL 134.67, 0.52%, 0.34%

LAB 48.34, -41.85, 29.04

 

CMYK 69 / 0 / 52 / 36

HEX #33A24E

RGB 51 162 78

HSL 134.59, 0.52%, 0.42%

LAB 59.06, -49.43, 34.57

 

CMYK 69 / 0 / 52 / 24

HEX #3DC25E

RGB 61 194 94

HSL 134.89, 0.52%, 0.5%

LAB 69.74, -56.94, 39.8

 

CMYK 54 / 0 / 41 / 20

HEX #5DCC78

RGB 93 204 120

HSL 134.59, 0.52%, 0.58%

LAB 74.11, -49.87, 32.46

 

CMYK 42 / 0 / 32 / 16

HEX #7CD692

RGB 124 214 146

HSL 134.67, 0.52%, 0.66%

LAB 78.73, -41.43, 25.38

 

CMYK 68 / 0 / 52 / 25

HEX #3DC05D

RGB 61 192 93

HSL 134.66, 0.52%, 0.5%

LAB 69.1, -56.36, 39.5

 

CMYK 69 / 30 / 0 / 24

HEX #3D88C2

RGB 61 136 194

HSL 206.17, 0.52%, 0.5%

LAB 54.55, -4.4, -36.97

 

CMYK 0 / 69 / 57 / 24

HEX #C23D53

RGB 194 61 83

HSL 350.08, 0.52%, 0.5%

LAB 46.22, 54.2, 17.59

 

CMYK 68 / 0 / 52 / 25

HEX #3DC05D

RGB 61 192 93

HSL 134.66, 0.52%, 0.5%

LAB 69.1, -56.36, 39.5

 

CMYK 53 / 69 / 0 / 24

HEX #5C3DC2

RGB 92 61 194

HSL 253.98, 0.52%, 0.5%

LAB 36.94, 46.83, -65.09

 

CMYK 0 / 53 / 69 / 24

HEX #C25C3D

RGB 194 92 61

HSL 13.98, 0.52%, 0.5%

LAB 51.22, 38.6, 36.74

 

CMYK 68 / 0 / 52 / 25

HEX #3DC05D

RGB 61 192 93

HSL 134.66, 0.52%, 0.5%

LAB 69.1, -56.36, 39.5

 

CMYK 69 / 30 / 0 / 24

HEX #3D88C2

RGB 61 136 194

HSL 206.17, 0.52%, 0.5%

LAB 54.55, -4.4, -36.97

 

CMYK 0 / 69 / 16 / 24

HEX #C23DA3

RGB 194 61 163

HSL 313.98, 0.52%, 0.5%

LAB 48.82, 63.01, -27.05

 

CMYK 0 / 39 / 69 / 24

HEX #C2773D

RGB 194 119 61

HSL 26.17, 0.52%, 0.5%

LAB 57.08, 24.27, 43.37

 

CMYK 68 / 0 / 52 / 25

HEX #3DC05D

RGB 61 192 93

HSL 134.66, 0.52%, 0.5%

LAB 69.1, -56.36, 39.5

 

CMYK 69 / 50 / 0 / 24

HEX #3D61C2

RGB 61 97 194

HSL 223.76, 0.52%, 0.5%

LAB 43.41, 19.62, -54.68

 

CMYK 0 / 69 / 16 / 24

HEX #C23DA3

RGB 194 61 163

HSL 313.98, 0.52%, 0.5%

LAB 48.82, 63.01, -27.05

 

CMYK 0 / 19 / 69 / 24

HEX #C29E3D

RGB 194 158 61

HSL 43.76, 0.52%, 0.5%

LAB 66.72, 2.92, 53.75

 

Description

Color code: HEX #3DC05D | qconv.com Color code: HEX #3DC05D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 192 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 192 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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