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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DB9BA it is the complementary color #C24645. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DB9BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DB9BA shade: #42B9B5, #53CBC8, #64DDDB, #75EFEE and #86FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DB9BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DB9BA shade: #3DB9BA, #2CA7A7, #1B9594, #0A8381 and #00716E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DB9BA shade: #3CB8B9, #3C96B9, #3C74B9, #3C53B9 and #473CB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DB9BA shade: #3CB8B9, #3C96B9, #3C74B9, #3C53B9 and #3C3CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DB9BA shade matches the following richer shades: #3CB8B9, #28CBCD, #14DFE0 and #01F2F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DB9BA shade: #3CB8B9, #50A4A5, #649191, #777D7D and #8B6A6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DB9BA shade: #3CB976, #3CB998, #3CB9B9, #3C98B9 and #3C76B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DB9BA shade: #287A7B, #32999A, #3CB8B9, #56C7C8 and #75D1D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DB9BA shade: #3DB9BA, #553CB9 and #B9873C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DB9BA shade: #3DB9BA, #B93CB9 and #B9B93C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DB9BA shade: #3DB9BA, #553CB9, #B93C3C and #A0B93C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DB9BA shade: #3DB9BA, #7A3CB9, #B93C3C and #7AB93C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 1 / 0 / 27

HEX #3DB9BA

RGB 61 185 186

HSL 180.48, 0.51%, 0.48%

LAB 68.92, -32.81, -10.46

 

Complementary color

CMYK 0 / 64 / 64 / 24

HEX #C24645

RGB 194 70 69

HSL 0.48, 0.51%, 0.52%

LAB 47.34, 49.52, 27.48

 

CMYK 64 / 0 / 2 / 27

HEX #42B9B5

RGB 66 185 181

HSL 177.98, 0.47%, 0.49%

LAB 68.89, -33.47, -7.74

 

CMYK 59 / 0 / 1 / 20

HEX #53CBC8

RGB 83 203 200

HSL 178.5, 0.54%, 0.56%

LAB 75.28, -33.87, -8.56

 

CMYK 55 / 0 / 1 / 13

HEX #64DDDB

RGB 100 221 219

HSL 179.01, 0.64%, 0.63%

LAB 81.59, -34.14, -9.31

 

CMYK 51 / 0 / 0 / 6

HEX #75EFEE

RGB 117 239 238

HSL 179.51, 0.79%, 0.7%

LAB 87.82, -34.31, -10.01

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 67 / 1 / 0 / 27

HEX #3DB9BA

RGB 61 185 186

HSL 180.48, 0.51%, 0.48%

LAB 68.92, -32.81, -10.46

 

CMYK 74 / 0 / 0 / 35

HEX #2CA7A7

RGB 44 167 167

HSL 180, 0.58%, 0.41%

LAB 62.48, -32.05, -9.57

 

CMYK 82 / 0 / 1 / 42

HEX #1B9594

RGB 27 149 148

HSL 179.51, 0.69%, 0.35%

LAB 55.95, -30.97, -8.57

 

CMYK 92 / 0 / 2 / 49

HEX #0A8381

RGB 10 131 129

HSL 179.01, 0.86%, 0.28%

LAB 49.35, -29.45, -7.42

 

CMYK 100 / 0 / 3 / 56

HEX #00716E

RGB 0 113 110

HSL 178.41, 1%, 0.22%

LAB 42.67, -27.37, -6.1

 

CMYK 68 / 1 / 0 / 27

HEX #3CB8B9

RGB 60 184 185

HSL 180.48, 0.51%, 0.48%

LAB 68.57, -32.76, -10.44

 

CMYK 68 / 19 / 0 / 27

HEX #3C96B9

RGB 60 150 185

HSL 196.8, 0.51%, 0.48%

LAB 58.3, -15.47, -26.03

 

CMYK 68 / 37 / 0 / 27

HEX #3C74B9

RGB 60 116 185

HSL 213.12, 0.51%, 0.48%

LAB 48.2, 4.24, -41.82

 

CMYK 68 / 55 / 0 / 27

HEX #3C53B9

RGB 60 83 185

HSL 228.96, 0.51%, 0.48%

LAB 38.98, 25.24, -56.6

 

CMYK 62 / 68 / 0 / 27

HEX #473CB9

RGB 71 60 185

HSL 245.28, 0.51%, 0.48%

LAB 34.14, 41.32, -64.46

 

CMYK 68 / 1 / 0 / 27

HEX #3CB8B9

RGB 60 184 185

HSL 180.48, 0.51%, 0.48%

LAB 68.57, -32.76, -10.44

 

CMYK 68 / 19 / 0 / 27

HEX #3C96B9

RGB 60 150 185

HSL 196.8, 0.51%, 0.48%

LAB 58.3, -15.47, -26.03

 

CMYK 68 / 37 / 0 / 27

HEX #3C74B9

RGB 60 116 185

HSL 213.12, 0.51%, 0.48%

LAB 48.2, 4.24, -41.82

 

CMYK 68 / 55 / 0 / 27

HEX #3C53B9

RGB 60 83 185

HSL 228.96, 0.51%, 0.48%

LAB 38.98, 25.24, -56.6

 

CMYK 68 / 68 / 0 / 27

HEX #3C3CB9

RGB 60 60 185

HSL 240, 0.51%, 0.48%

LAB 33.34, 39.8, -65.8

 

CMYK 68 / 1 / 0 / 27

HEX #3CB8B9

RGB 60 184 185

HSL 180.48, 0.51%, 0.48%

LAB 68.57, -32.76, -10.44

 

CMYK 80 / 1 / 0 / 20

HEX #28CBCD

RGB 40 203 205

HSL 180.73, 0.67%, 0.48%

LAB 74.55, -38.01, -12.44

 

CMYK 91 / 0 / 0 / 12

HEX #14DFE0

RGB 20 223 224

HSL 180.29, 0.84%, 0.48%

LAB 80.91, -42.61, -13.13

 

CMYK 100 / 1 / 0 / 4

HEX #01F2F4

RGB 1 242 244

HSL 180.49, 0.99%, 0.48%

LAB 87.02, -45.61, -14.54

 

CMYK 68 / 1 / 0 / 27

HEX #3CB8B9

RGB 60 184 185

HSL 180.48, 0.51%, 0.48%

LAB 68.57, -32.76, -10.44

 

CMYK 52 / 1 / 0 / 35

HEX #50A4A5

RGB 80 164 165

HSL 180.71, 0.35%, 0.48%

LAB 62.48, -25.03, -8.33

 

CMYK 31 / 0 / 0 / 43

HEX #649191

RGB 100 145 145

HSL 180, 0.18%, 0.48%

LAB 57.08, -15.19, -4.91

 

CMYK 5 / 0 / 0 / 51

HEX #777D7D

RGB 119 125 125

HSL 180, 0.02%, 0.48%

LAB 51.92, -2.23, -0.78

HEX #777D7D

CMYK 0 / 24 / 24 / 45

HEX #8B6A6A

RGB 139 106 106

HSL 0, 0.13%, 0.48%

LAB 48.05, 13.16, 5.09

HEX #8B6A6A

CMYK 68 / 0 / 36 / 27

HEX #3CB976

RGB 60 185 118

HSL 147.84, 0.51%, 0.48%

LAB 67.25, -49.62, 24.27

 

CMYK 68 / 0 / 18 / 27

HEX #3CB998

RGB 60 185 152

HSL 164.16, 0.51%, 0.48%

LAB 67.97, -42.08, 6.84

 

CMYK 68 / 0 / 0 / 27

HEX #3CB9B9

RGB 60 185 185

HSL 180, 0.51%, 0.48%

LAB 68.87, -33.24, -9.99

 

CMYK 68 / 18 / 0 / 27

HEX #3C98B9

RGB 60 152 185

HSL 195.84, 0.51%, 0.48%

LAB 58.9, -16.56, -25.1

 

CMYK 68 / 36 / 0 / 27

HEX #3C76B9

RGB 60 118 185

HSL 212.16, 0.51%, 0.48%

LAB 48.79, 3.01, -40.9

 

CMYK 67 / 1 / 0 / 52

HEX #287A7B

RGB 40 122 123

HSL 180.72, 0.51%, 0.32%

LAB 46.71, -23.66, -7.77

 

CMYK 68 / 1 / 0 / 40

HEX #32999A

RGB 50 153 154

HSL 180.58, 0.51%, 0.4%

LAB 57.84, -28.31, -9.13

 

CMYK 68 / 1 / 0 / 27

HEX #3CB8B9

RGB 60 184 185

HSL 180.48, 0.51%, 0.48%

LAB 68.57, -32.76, -10.44

 

CMYK 57 / 0 / 0 / 22

HEX #56C7C8

RGB 86 199 200

HSL 180.53, 0.51%, 0.56%

LAB 74.19, -31.43, -10.17

 

CMYK 44 / 0 / 0 / 18

HEX #75D1D2

RGB 117 209 210

HSL 180.65, 0.51%, 0.64%

LAB 78.48, -27.11, -9.05

 

CMYK 67 / 1 / 0 / 27

HEX #3DB9BA

RGB 61 185 186

HSL 180.48, 0.51%, 0.48%

LAB 68.92, -32.81, -10.46

 

CMYK 54 / 68 / 0 / 27

HEX #553CB9

RGB 85 60 185

HSL 252, 0.51%, 0.48%

LAB 35.33, 43.54, -62.46

 

CMYK 0 / 27 / 68 / 27

HEX #B9873C

RGB 185 135 60

HSL 36, 0.51%, 0.48%

LAB 59.86, 11.5, 46.61

 

CMYK 67 / 1 / 0 / 27

HEX #3DB9BA

RGB 61 185 186

HSL 180.48, 0.51%, 0.48%

LAB 68.92, -32.81, -10.46

 

CMYK 0 / 68 / 0 / 27

HEX #B93CB9

RGB 185 60 185

HSL 300, 0.51%, 0.48%

LAB 48.32, 64.62, -40.88

 

CMYK 0 / 0 / 68 / 27

HEX #B9B93C

RGB 185 185 60

HSL 60, 0.51%, 0.48%

LAB 73.11, -15.22, 60.46

 

CMYK 67 / 1 / 0 / 27

HEX #3DB9BA

RGB 61 185 186

HSL 180.48, 0.51%, 0.48%

LAB 68.92, -32.81, -10.46

 

CMYK 54 / 68 / 0 / 27

HEX #553CB9

RGB 85 60 185

HSL 252, 0.51%, 0.48%

LAB 35.33, 43.54, -62.46

 

CMYK 0 / 68 / 68 / 27

HEX #B93C3C

RGB 185 60 60

HSL 0, 0.51%, 0.48%

LAB 44.05, 50.19, 28.41

 

CMYK 14 / 0 / 68 / 27

HEX #A0B93C

RGB 160 185 60

HSL 72, 0.51%, 0.48%

LAB 71.21, -25.7, 57.91

 

CMYK 67 / 1 / 0 / 27

HEX #3DB9BA

RGB 61 185 186

HSL 180.48, 0.51%, 0.48%

LAB 68.92, -32.81, -10.46

 

CMYK 34 / 68 / 0 / 27

HEX #7A3CB9

RGB 122 60 185

HSL 269.76, 0.51%, 0.48%

LAB 39.36, 50.6, -55.72

 

CMYK 0 / 68 / 68 / 27

HEX #B93C3C

RGB 185 60 60

HSL 0, 0.51%, 0.48%

LAB 44.05, 50.19, 28.41

 

CMYK 34 / 0 / 68 / 27

HEX #7AB93C

RGB 122 185 60

HSL 90.24, 0.51%, 0.48%

LAB 68.87, -40.45, 54.75

 

Description

Color code: HEX #3DB9BA | qconv.com Color code: HEX #3DB9BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 185 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 185 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 1 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 1% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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