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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DB943 it is the complementary color #C246BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DB943. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DB943 shade: #42B93E, #53CB51, #64DD64, #75EF77 and #86FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DB943. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DB943 shade: #3DB943, #2CA730, #1B951D, #0A830A and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DB943 shade: #3DB843, #58B83D, #79B83D, #9AB83D and #B8B43D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DB943 shade: #3DB843, #3DB864, #3DB885, #3DB8A6 and #3DA8B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DB943 shade matches the following richer shades: #3DB843, #29CB31, #16DF1F and #02F30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DB943 shade: #3DB843, #51A455, #659067, #797C79 and #8C688B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DB943 shade: #7AB83D, #5AB83D, #3DB841, #3DB862 and #3DB883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DB943 shade: #297A2C, #339938, #3DB843, #57C75C and #76D17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DB943 shade: #3DB943, #3D9BB8 and #B83D6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DB943 shade: #3DB943, #413DB8 and #B8413D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DB943 shade: #3DB943, #3D9BB8, #B83DB4 and #B85A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DB943 shade: #3DB943, #3D76B8, #B83DB4 and #B87E3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 64 / 27

HEX #3DB943

RGB 61 185 67

HSL 122.9, 0.5%, 0.48%

LAB 66.59, -57.19, 48.67

 

Complementary color

CMYK 0 / 64 / 3 / 24

HEX #C246BC

RGB 194 70 188

HSL 302.9, 0.5%, 0.52%

LAB 51.24, 63.39, -37.92

 

CMYK 64 / 0 / 66 / 27

HEX #42B93E

RGB 66 185 62

HSL 118.05, 0.5%, 0.48%

LAB 66.68, -56.68, 50.93

 

CMYK 59 / 0 / 60 / 20

HEX #53CB51

RGB 83 203 81

HSL 119.02, 0.54%, 0.56%

LAB 72.99, -57.3, 49.89

 

CMYK 55 / 0 / 55 / 13

HEX #64DD64

RGB 100 221 100

HSL 120, 0.64%, 0.63%

LAB 79.24, -57.63, 48.69

 

CMYK 51 / 0 / 50 / 6

HEX #75EF77

RGB 117 239 119

HSL 120.98, 0.79%, 0.7%

LAB 85.43, -57.76, 47.44

 

CMYK 47 / 0 / 46 / 0

HEX #86FF8A

RGB 134 255 138

HSL 121.98, 1%, 0.76%

LAB 90.97, -56.98, 45.45

 

CMYK 67 / 0 / 64 / 27

HEX #3DB943

RGB 61 185 67

HSL 122.9, 0.5%, 0.48%

LAB 66.59, -57.19, 48.67

 

CMYK 74 / 0 / 71 / 35

HEX #2CA730

RGB 44 167 48

HSL 121.95, 0.58%, 0.41%

LAB 60.24, -56.08, 49.59

 

CMYK 82 / 0 / 81 / 42

HEX #1B951D

RGB 27 149 29

HSL 120.98, 0.69%, 0.35%

LAB 53.83, -54.27, 49.89

 

CMYK 92 / 0 / 92 / 49

HEX #0A830A

RGB 10 131 10

HSL 120, 0.86%, 0.28%

LAB 47.39, -51.44, 48.89

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 67 / 0 / 64 / 28

HEX #3DB843

RGB 61 184 67

HSL 122.93, 0.5%, 0.48%

LAB 66.27, -56.85, 48.31

 

CMYK 52 / 0 / 67 / 28

HEX #58B83D

RGB 88 184 61

HSL 106.83, 0.5%, 0.48%

LAB 67.05, -50.93, 51.94

 

CMYK 34 / 0 / 67 / 28

HEX #79B83D

RGB 121 184 61

HSL 90.73, 0.5%, 0.48%

LAB 68.52, -40.29, 53.96

 

CMYK 16 / 0 / 67 / 28

HEX #9AB83D

RGB 154 184 61

HSL 74.63, 0.5%, 0.48%

LAB 70.52, -27.6, 56.66

 

CMYK 0 / 2 / 67 / 28

HEX #B8B43D

RGB 184 180 61

HSL 58.05, 0.5%, 0.48%

LAB 71.67, -13.03, 58.57

 

CMYK 67 / 0 / 64 / 28

HEX #3DB843

RGB 61 184 67

HSL 122.93, 0.5%, 0.48%

LAB 66.27, -56.85, 48.31

 

CMYK 67 / 0 / 46 / 28

HEX #3DB864

RGB 61 184 100

HSL 139.02, 0.5%, 0.48%

LAB 66.67, -52.31, 32.93

 

CMYK 67 / 0 / 28 / 28

HEX #3DB885

RGB 61 184 133

HSL 155.12, 0.5%, 0.48%

LAB 67.25, -45.92, 16.21

 

CMYK 67 / 0 / 10 / 28

HEX #3DB8A6

RGB 61 184 166

HSL 171.22, 0.5%, 0.48%

LAB 68.04, -37.88, -0.75

 

CMYK 67 / 9 / 0 / 28

HEX #3DA8B8

RGB 61 168 184

HSL 187.8, 0.5%, 0.48%

LAB 63.72, -25.07, -17.18

 

CMYK 67 / 0 / 64 / 28

HEX #3DB843

RGB 61 184 67

HSL 122.93, 0.5%, 0.48%

LAB 66.27, -56.85, 48.31

 

CMYK 80 / 0 / 76 / 20

HEX #29CB31

RGB 41 203 49

HSL 122.96, 0.66%, 0.48%

LAB 71.83, -67.79, 60.95

 

CMYK 90 / 0 / 86 / 13

HEX #16DF1F

RGB 22 223 31

HSL 122.69, 0.82%, 0.48%

LAB 77.9, -76.2, 71.32

 

CMYK 99 / 0 / 95 / 5

HEX #02F30D

RGB 2 243 13

HSL 122.74, 0.98%, 0.48%

LAB 84.04, -82.84, 79.15

 

CMYK 67 / 0 / 64 / 28

HEX #3DB843

RGB 61 184 67

HSL 122.93, 0.5%, 0.48%

LAB 66.27, -56.85, 48.31

 

CMYK 51 / 0 / 48 / 36

HEX #51A455

RGB 81 164 85

HSL 122.89, 0.34%, 0.48%

LAB 60.74, -42.03, 33.28

 

CMYK 30 / 0 / 28 / 44

HEX #659067

RGB 101 144 103

HSL 122.79, 0.18%, 0.48%

LAB 55.78, -23.39, 17.2

 

CMYK 2 / 0 / 2 / 51

HEX #797C79

RGB 121 124 121

HSL 120, 0.01%, 0.48%

LAB 51.68, -1.73, 1.24

 

CMYK 0 / 26 / 1 / 45

HEX #8C688B

RGB 140 104 139

HSL 301.67, 0.15%, 0.48%

LAB 48.69, 20.67, -13.65

 

CMYK 34 / 0 / 67 / 28

HEX #7AB83D

RGB 122 184 61

HSL 90.24, 0.5%, 0.48%

LAB 68.57, -39.93, 54.03

 

CMYK 51 / 0 / 67 / 28

HEX #5AB83D

RGB 90 184 61

HSL 105.85, 0.5%, 0.48%

LAB 67.12, -50.36, 52.05

 

CMYK 67 / 0 / 65 / 28

HEX #3DB841

RGB 61 184 65

HSL 121.95, 0.5%, 0.48%

LAB 66.26, -57.06, 49.16

 

CMYK 67 / 0 / 47 / 28

HEX #3DB862

RGB 61 184 98

HSL 138.05, 0.5%, 0.48%

LAB 66.64, -52.64, 33.92

 

CMYK 67 / 0 / 29 / 28

HEX #3DB883

RGB 61 184 131

HSL 154.15, 0.5%, 0.48%

LAB 67.21, -46.36, 17.23

 

CMYK 66 / 0 / 64 / 52

HEX #297A2C

RGB 41 122 44

HSL 122.22, 0.5%, 0.32%

LAB 45.04, -41.03, 34.81

 

CMYK 67 / 0 / 63 / 40

HEX #339938

RGB 51 153 56

HSL 122.94, 0.5%, 0.4%

LAB 55.86, -49.05, 41.48

 

CMYK 67 / 0 / 64 / 28

HEX #3DB843

RGB 61 184 67

HSL 122.93, 0.5%, 0.48%

LAB 66.27, -56.85, 48.31

 

CMYK 56 / 0 / 54 / 22

HEX #57C75C

RGB 87 199 92

HSL 122.68, 0.5%, 0.56%

LAB 71.99, -53.51, 43.67

 

CMYK 44 / 0 / 42 / 18

HEX #76D17A

RGB 118 209 122

HSL 122.64, 0.5%, 0.64%

LAB 76.59, -44.92, 34.85

 

CMYK 67 / 0 / 64 / 27

HEX #3DB943

RGB 61 185 67

HSL 122.9, 0.5%, 0.48%

LAB 66.59, -57.19, 48.67

 

CMYK 67 / 16 / 0 / 28

HEX #3D9BB8

RGB 61 155 184

HSL 194.15, 0.5%, 0.48%

LAB 59.79, -18.33, -23.16

 

CMYK 0 / 67 / 42 / 28

HEX #B83D6A

RGB 184 61 106

HSL 338.05, 0.5%, 0.48%

LAB 45.04, 53.1, 1.53

 

CMYK 67 / 0 / 64 / 27

HEX #3DB943

RGB 61 185 67

HSL 122.9, 0.5%, 0.48%

LAB 66.59, -57.19, 48.67

 

CMYK 65 / 67 / 0 / 28

HEX #413DB8

RGB 65 61 184

HSL 241.95, 0.5%, 0.48%

LAB 33.82, 39.53, -64.41

 

CMYK 0 / 65 / 67 / 28

HEX #B8413D

RGB 184 65 61

HSL 1.95, 0.5%, 0.48%

LAB 44.67, 47.79, 28.54

 

CMYK 67 / 0 / 64 / 27

HEX #3DB943

RGB 61 185 67

HSL 122.9, 0.5%, 0.48%

LAB 66.59, -57.19, 48.67

 

CMYK 67 / 16 / 0 / 28

HEX #3D9BB8

RGB 61 155 184

HSL 194.15, 0.5%, 0.48%

LAB 59.79, -18.33, -23.16

 

CMYK 0 / 67 / 2 / 28

HEX #B83DB4

RGB 184 61 180

HSL 301.95, 0.5%, 0.48%

LAB 48.04, 63.18, -38.42

 

CMYK 0 / 51 / 67 / 28

HEX #B85A3D

RGB 184 90 61

HSL 14.15, 0.5%, 0.48%

LAB 49.3, 35.72, 34.11

 

CMYK 67 / 0 / 64 / 27

HEX #3DB943

RGB 61 185 67

HSL 122.9, 0.5%, 0.48%

LAB 66.59, -57.19, 48.67

 

CMYK 67 / 36 / 0 / 28

HEX #3D76B8

RGB 61 118 184

HSL 212.2, 0.5%, 0.48%

LAB 48.77, 2.82, -40.34

 

CMYK 0 / 67 / 2 / 28

HEX #B83DB4

RGB 184 61 180

HSL 301.95, 0.5%, 0.48%

LAB 48.04, 63.18, -38.42

 

CMYK 0 / 32 / 67 / 28

HEX #B87E3D

RGB 184 126 61

HSL 31.71, 0.5%, 0.48%

LAB 57.51, 16.12, 43.51

 

Description

Color code: HEX #3DB943 | qconv.com Color code: HEX #3DB943 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 185 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 185 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 64 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 64% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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