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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DB6B5 it is the complementary color #C2494A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DB6B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DB6B5 shade: #42B6B0, #53C8C3, #64DAD6, #75ECE9 and #86FEFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DB6B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DB6B5 shade: #3DB6B5, #2CA4A2, #1B928F, #0A807C and #006E69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DB6B5 shade: #3DB7B6, #3DB795, #3DB774, #3DB753 and #47B73D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DB6B5 shade: #3DB7B6, #3D97B7, #3D76B7, #3D55B7 and #3D3DB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DB6B5 shade matches the following richer shades: #3DB7B6, #29CBCA, #15DFDD and #01F3F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DB6B5 shade: #3DB7B6, #51A3A3, #648F8F, #787C7C and #8C6868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DB6B5 shade: #3DB774, #3DB794, #3DB7B5, #3D99B7 and #3D78B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DB6B5 shade: #287979, #329897, #3DB7B6, #57C7C6 and #75D1D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DB6B5 shade: #3DB6B5, #533DB7 and #B7843D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DB6B5 shade: #3DB6B5, #B53DB7 and #B7B53D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DB6B5 shade: #3DB6B5, #533DB7, #B73D3F and #A1B73D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DB6B5 shade: #3DB6B5, #783DB7, #B73D3F and #7CB73D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 1 / 29

HEX #3DB6B5

RGB 61 182 181

HSL 179.5, 0.5%, 0.48%

LAB 67.86, -32.82, -9.29

 

Complementary color

CMYK 0 / 62 / 62 / 24

HEX #C2494A

RGB 194 73 74

HSL 359.5, 0.5%, 0.52%

LAB 47.92, 48.52, 25.25

 

CMYK 64 / 0 / 3 / 29

HEX #42B6B0

RGB 66 182 176

HSL 176.9, 0.47%, 0.49%

LAB 67.84, -33.44, -6.55

 

CMYK 59 / 0 / 3 / 22

HEX #53C8C3

RGB 83 200 195

HSL 177.44, 0.52%, 0.55%

LAB 74.25, -33.8, -7.39

 

CMYK 54 / 0 / 2 / 15

HEX #64DAD6

RGB 100 218 214

HSL 177.97, 0.61%, 0.62%

LAB 80.58, -34.04, -8.15

 

CMYK 50 / 0 / 1 / 7

HEX #75ECE9

RGB 117 236 233

HSL 178.49, 0.76%, 0.69%

LAB 86.83, -34.18, -8.86

 

CMYK 47 / 0 / 1 / 0

HEX #86FEFC

RGB 134 254 252

HSL 179, 0.98%, 0.76%

LAB 93.01, -34.26, -9.53

 

CMYK 66 / 0 / 1 / 29

HEX #3DB6B5

RGB 61 182 181

HSL 179.5, 0.5%, 0.48%

LAB 67.86, -32.82, -9.29

 

CMYK 73 / 0 / 1 / 36

HEX #2CA4A2

RGB 44 164 162

HSL 179, 0.58%, 0.41%

LAB 61.39, -32.1, -8.38

 

CMYK 82 / 0 / 2 / 43

HEX #1B928F

RGB 27 146 143

HSL 178.49, 0.69%, 0.34%

LAB 54.84, -31.06, -7.36

 

CMYK 92 / 0 / 3 / 50

HEX #0A807C

RGB 10 128 124

HSL 177.97, 0.86%, 0.27%

LAB 48.21, -29.58, -6.19

 

CMYK 100 / 0 / 5 / 57

HEX #006E69

RGB 0 110 105

HSL 177.27, 1%, 0.22%

LAB 41.49, -27.53, -4.83

 

CMYK 67 / 0 / 1 / 28

HEX #3DB7B6

RGB 61 183 182

HSL 179.51, 0.5%, 0.48%

LAB 68.19, -33, -9.34

 

CMYK 67 / 0 / 19 / 28

HEX #3DB795

RGB 61 183 149

HSL 163.28, 0.5%, 0.48%

LAB 67.3, -41.78, 7.53

 

CMYK 67 / 0 / 37 / 28

HEX #3DB774

RGB 61 183 116

HSL 147.05, 0.5%, 0.48%

LAB 66.61, -49.04, 24.48

 

CMYK 67 / 0 / 55 / 28

HEX #3DB753

RGB 61 183 83

HSL 130.82, 0.5%, 0.48%

LAB 66.12, -54.52, 40.75

 

CMYK 61 / 0 / 67 / 28

HEX #47B73D

RGB 71 183 61

HSL 115.08, 0.5%, 0.48%

LAB 66.17, -54.94, 50.83

 

CMYK 67 / 0 / 1 / 28

HEX #3DB7B6

RGB 61 183 182

HSL 179.51, 0.5%, 0.48%

LAB 68.19, -33, -9.34

 

CMYK 67 / 17 / 0 / 28

HEX #3D97B7

RGB 61 151 183

HSL 195.74, 0.5%, 0.48%

LAB 58.55, -16.5, -24.51

 

CMYK 67 / 36 / 0 / 28

HEX #3D76B7

RGB 61 118 183

HSL 211.97, 0.5%, 0.48%

LAB 48.72, 2.47, -39.84

 

CMYK 67 / 54 / 0 / 28

HEX #3D55B7

RGB 61 85 183

HSL 228.2, 0.5%, 0.48%

LAB 39.43, 23.39, -54.71

 

CMYK 67 / 67 / 0 / 28

HEX #3D3DB7

RGB 61 61 183

HSL 240, 0.5%, 0.48%

LAB 33.45, 38.65, -64.43

 

CMYK 67 / 0 / 1 / 28

HEX #3DB7B6

RGB 61 183 182

HSL 179.51, 0.5%, 0.48%

LAB 68.19, -33, -9.34

 

CMYK 80 / 0 / 0 / 20

HEX #29CBCA

RGB 41 203 202

HSL 179.63, 0.66%, 0.48%

LAB 74.48, -38.8, -10.93

 

CMYK 91 / 0 / 1 / 13

HEX #15DFDD

RGB 21 223 221

HSL 179.41, 0.83%, 0.48%

LAB 80.83, -43.44, -11.66

 

CMYK 100 / 0 / 1 / 5

HEX #01F3F1

RGB 1 243 241

HSL 179.5, 0.99%, 0.48%

LAB 87.22, -46.91, -12.67

 

CMYK 67 / 0 / 1 / 28

HEX #3DB7B6

RGB 61 183 182

HSL 179.51, 0.5%, 0.48%

LAB 68.19, -33, -9.34

 

CMYK 50 / 0 / 0 / 36

HEX #51A3A3

RGB 81 163 163

HSL 180, 0.34%, 0.48%

LAB 62.16, -24.85, -7.69

 

CMYK 30 / 0 / 0 / 44

HEX #648F8F

RGB 100 143 143

HSL 180, 0.18%, 0.48%

LAB 56.42, -14.6, -4.73

 

CMYK 3 / 0 / 0 / 51

HEX #787C7C

RGB 120 124 124

HSL 180, 0.02%, 0.48%

LAB 51.68, -1.49, -0.53

 

CMYK 0 / 26 / 26 / 45

HEX #8C6868

RGB 140 104 104

HSL 0, 0.15%, 0.48%

LAB 47.59, 14.43, 5.63

 

CMYK 67 / 0 / 37 / 28

HEX #3DB774

RGB 61 183 116

HSL 147.05, 0.5%, 0.48%

LAB 66.61, -49.04, 24.48

 

CMYK 67 / 0 / 19 / 28

HEX #3DB794

RGB 61 183 148

HSL 162.79, 0.5%, 0.48%

LAB 67.27, -42.02, 8.05

 

CMYK 67 / 0 / 1 / 28

HEX #3DB7B5

RGB 61 183 181

HSL 179.02, 0.5%, 0.48%

LAB 68.16, -33.29, -8.83

 

CMYK 67 / 16 / 0 / 28

HEX #3D99B7

RGB 61 153 183

HSL 194.75, 0.5%, 0.48%

LAB 59.15, -17.58, -23.58

 

CMYK 67 / 34 / 0 / 28

HEX #3D78B7

RGB 61 120 183

HSL 210.98, 0.5%, 0.48%

LAB 49.31, 1.26, -38.91

 

CMYK 67 / 0 / 0 / 53

HEX #287979

RGB 40 121 121

HSL 180, 0.5%, 0.32%

LAB 46.32, -23.76, -7.17

 

CMYK 67 / 0 / 1 / 40

HEX #329897

RGB 50 152 151

HSL 179.41, 0.5%, 0.4%

LAB 57.43, -28.7, -8.03

 

CMYK 67 / 0 / 1 / 28

HEX #3DB7B6

RGB 61 183 182

HSL 179.51, 0.5%, 0.48%

LAB 68.19, -33, -9.34

 

CMYK 56 / 0 / 1 / 22

HEX #57C7C6

RGB 87 199 198

HSL 179.46, 0.5%, 0.56%

LAB 74.16, -31.78, -9.13

 

CMYK 44 / 0 / 0 / 18

HEX #75D1D0

RGB 117 209 208

HSL 179.35, 0.5%, 0.64%

LAB 78.42, -27.62, -8.07

 

CMYK 66 / 0 / 1 / 29

HEX #3DB6B5

RGB 61 182 181

HSL 179.5, 0.5%, 0.48%

LAB 67.86, -32.82, -9.29

 

CMYK 55 / 67 / 0 / 28

HEX #533DB7

RGB 83 61 183

HSL 250.82, 0.5%, 0.48%

LAB 35.19, 42.03, -61.51

 

CMYK 0 / 28 / 67 / 28

HEX #B7843D

RGB 183 132 61

HSL 34.92, 0.5%, 0.48%

LAB 58.89, 12.35, 45

 

CMYK 66 / 0 / 1 / 29

HEX #3DB6B5

RGB 61 182 181

HSL 179.5, 0.5%, 0.48%

LAB 67.86, -32.82, -9.29

 

CMYK 1 / 67 / 0 / 28

HEX #B53DB7

RGB 181 61 183

HSL 299.02, 0.5%, 0.48%

LAB 47.73, 62.97, -40.69

 

CMYK 0 / 1 / 67 / 28

HEX #B7B53D

RGB 183 181 61

HSL 59.02, 0.5%, 0.48%

LAB 71.86, -13.97, 58.74

 

CMYK 66 / 0 / 1 / 29

HEX #3DB6B5

RGB 61 182 181

HSL 179.5, 0.5%, 0.48%

LAB 67.86, -32.82, -9.29

 

CMYK 55 / 67 / 0 / 28

HEX #533DB7

RGB 83 61 183

HSL 250.82, 0.5%, 0.48%

LAB 35.19, 42.03, -61.51

 

CMYK 0 / 67 / 66 / 28

HEX #B73D3F

RGB 183 61 63

HSL 359.02, 0.5%, 0.48%

LAB 43.89, 49.28, 26.34

 

CMYK 12 / 0 / 67 / 28

HEX #A1B73D

RGB 161 183 61

HSL 70.82, 0.5%, 0.48%

LAB 70.72, -24.25, 57.03

 

CMYK 66 / 0 / 1 / 29

HEX #3DB6B5

RGB 61 182 181

HSL 179.5, 0.5%, 0.48%

LAB 67.86, -32.82, -9.29

 

CMYK 34 / 67 / 0 / 28

HEX #783DB7

RGB 120 61 183

HSL 269.02, 0.5%, 0.48%

LAB 39.16, 49.19, -54.9

 

CMYK 0 / 67 / 66 / 28

HEX #B73D3F

RGB 183 61 63

HSL 359.02, 0.5%, 0.48%

LAB 43.89, 49.28, 26.34

 

CMYK 32 / 0 / 67 / 28

HEX #7CB73D

RGB 124 183 61

HSL 89.02, 0.5%, 0.48%

LAB 68.38, -38.76, 53.86

 

Description

Color code: HEX #3DB6B5 | qconv.com Color code: HEX #3DB6B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 182 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 182 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 1 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 1% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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