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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DB221 it is the complementary color #C24DDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DB221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DB221 shade: #42B21C, #53C42F, #64D642, #75E855 and #86FA68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DB221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DB221 shade: #3DB221, #2CA00E, #1B8E00, #0A7C00 and #006A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DB221 shade: #3CB120, #63B120, #8AB120, #B1B020 and #B18920

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DB221 shade: #3CB120, #20B12B, #20B152, #20B179 and #20B1A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DB221 shade matches the following richer shades: #3CB120 and #32C20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DB221 shade: #3CB120, #47A031, #518F42, #5B7E53 and #666D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DB221 shade: #8AB120, #64B120, #3DB120, #20B12A and #20B151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DB221 shade: #246B14, #308E1A, #3CB120, #48D427 and #64DD46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DB221 shade: #3DB221, #20B1B1 and #B12077

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DB221 shade: #3DB221, #203DB1 and #B1203D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DB221 shade: #3DB221, #20B1B1, #9420B1 and #B12020

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DB221 shade: #3DB221, #2085B1, #9420B1 and #B14C20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 81 / 30

HEX #3DB221

RGB 61 178 33

HSL 108.41, 0.69%, 0.41%

LAB 64.11, -57.56, 58.61

 

Complementary color

CMYK 13 / 65 / 0 / 13

HEX #C24DDE

RGB 194 77 222

HSL 288.41, 0.69%, 0.59%

LAB 54.08, 66.55, -52.89

 

CMYK 63 / 0 / 84 / 30

HEX #42B21C

RGB 66 178 28

HSL 104.8, 0.73%, 0.4%

LAB 64.23, -56.69, 60.1

 

CMYK 58 / 0 / 76 / 23

HEX #53C42F

RGB 83 196 47

HSL 105.5, 0.61%, 0.48%

LAB 70.54, -57.79, 60.66

 

CMYK 53 / 0 / 69 / 16

HEX #64D642

RGB 100 214 66

HSL 106.22, 0.64%, 0.55%

LAB 76.8, -58.48, 60.42

 

CMYK 50 / 0 / 63 / 9

HEX #75E855

RGB 117 232 85

HSL 106.94, 0.76%, 0.62%

LAB 82.99, -58.9, 59.71

 

CMYK 46 / 0 / 58 / 2

HEX #86FA68

RGB 134 250 104

HSL 107.67, 0.94%, 0.69%

LAB 89.13, -59.12, 58.77

 

CMYK 66 / 0 / 81 / 30

HEX #3DB221

RGB 61 178 33

HSL 108.41, 0.69%, 0.41%

LAB 64.11, -57.56, 58.61

 

CMYK 73 / 0 / 91 / 37

HEX #2CA00E

RGB 44 160 14

HSL 107.67, 0.84%, 0.34%

LAB 57.76, -55.84, 57.23

 

CMYK 81 / 0 / 100 / 44

HEX #1B8E00

RGB 27 142 0

HSL 108.59, 1%, 0.28%

LAB 51.36, -53.31, 54.12

 

CMYK 92 / 0 / 100 / 51

HEX #0A7C00

RGB 10 124 0

HSL 115.16, 1%, 0.24%

LAB 44.91, -49.7, 48.88

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 66 / 0 / 82 / 31

HEX #3CB120

RGB 60 177 32

HSL 108.41, 0.69%, 0.41%

LAB 63.76, -57.49, 58.56

 

CMYK 44 / 0 / 82 / 31

HEX #63B120

RGB 99 177 32

HSL 92.28, 0.69%, 0.41%

LAB 65.12, -46.78, 60.3

 

CMYK 22 / 0 / 82 / 31

HEX #8AB120

RGB 138 177 32

HSL 76.14, 0.69%, 0.41%

LAB 67.24, -32.3, 63

 

CMYK 0 / 1 / 82 / 31

HEX #B1B020

RGB 177 176 32

HSL 59.59, 0.69%, 0.41%

LAB 69.83, -15.29, 66.37

 

CMYK 0 / 23 / 82 / 31

HEX #B18920

RGB 177 137 32

HSL 43.45, 0.69%, 0.41%

LAB 59.29, 5.52, 57.23

 

CMYK 66 / 0 / 82 / 31

HEX #3CB120

RGB 60 177 32

HSL 108.41, 0.69%, 0.41%

LAB 63.76, -57.49, 58.56

 

CMYK 82 / 0 / 76 / 31

HEX #20B12B

RGB 32 177 43

HSL 124.55, 0.69%, 0.41%

LAB 63.28, -61.38, 54.47

 

CMYK 82 / 0 / 54 / 31

HEX #20B152

RGB 32 177 82

HSL 140.69, 0.69%, 0.41%

LAB 63.64, -56.99, 38.1

 

CMYK 82 / 0 / 32 / 31

HEX #20B179

RGB 32 177 121

HSL 156.83, 0.69%, 0.41%

LAB 64.27, -49.73, 18.52

 

CMYK 82 / 0 / 10 / 31

HEX #20B1A0

RGB 32 177 160

HSL 172.97, 0.69%, 0.41%

LAB 65.19, -39.92, -1.66

 

CMYK 66 / 0 / 82 / 31

HEX #3CB120

RGB 60 177 32

HSL 108.41, 0.69%, 0.41%

LAB 63.76, -57.49, 58.56

 

CMYK 74 / 0 / 92 / 24

HEX #32C20F

RGB 50 194 15

HSL 108.27, 0.86%, 0.41%

LAB 68.97, -65.44, 66.58

 

CMYK 66 / 0 / 82 / 31

HEX #3CB120

RGB 60 177 32

HSL 108.41, 0.69%, 0.41%

LAB 63.76, -57.49, 58.56

 

CMYK 56 / 0 / 69 / 37

HEX #47A031

RGB 71 160 49

HSL 108.11, 0.53%, 0.41%

LAB 58.7, -47.5, 47.8

 

CMYK 43 / 0 / 54 / 44

HEX #518F42

RGB 81 143 66

HSL 108.31, 0.37%, 0.41%

LAB 53.8, -35.56, 34.5

 

CMYK 28 / 0 / 34 / 51

HEX #5B7E53

RGB 91 126 83

HSL 108.84, 0.21%, 0.41%

LAB 49.22, -21.29, 19.55

 

CMYK 6 / 0 / 8 / 57

HEX #666D64

RGB 102 109 100

HSL 106.67, 0.04%, 0.41%

LAB 45.2, -4.53, 4.1

 

CMYK 22 / 0 / 82 / 31

HEX #8AB120

RGB 138 177 32

HSL 76.14, 0.69%, 0.41%

LAB 67.24, -32.3, 63

 

CMYK 44 / 0 / 82 / 31

HEX #64B120

RGB 100 177 32

HSL 91.86, 0.69%, 0.41%

LAB 65.17, -46.45, 60.36

 

CMYK 66 / 0 / 82 / 31

HEX #3DB120

RGB 61 177 32

HSL 108, 0.69%, 0.41%

LAB 63.79, -57.27, 58.59

 

CMYK 82 / 0 / 76 / 31

HEX #20B12A

RGB 32 177 42

HSL 124.14, 0.69%, 0.41%

LAB 63.28, -61.46, 54.81

 

CMYK 82 / 0 / 54 / 31

HEX #20B151

RGB 32 177 81

HSL 140.28, 0.69%, 0.41%

LAB 63.63, -57.14, 38.58

 

CMYK 66 / 0 / 81 / 58

HEX #246B14

RGB 36 107 20

HSL 108.97, 0.69%, 0.25%

LAB 39.48, -38.83, 39.18

 

CMYK 66 / 0 / 82 / 44

HEX #308E1A

RGB 48 142 26

HSL 108.62, 0.69%, 0.33%

LAB 51.89, -48.4, 49.14

 

CMYK 66 / 0 / 82 / 31

HEX #3CB120

RGB 60 177 32

HSL 108.41, 0.69%, 0.41%

LAB 63.76, -57.49, 58.56

 

CMYK 66 / 0 / 82 / 17

HEX #48D427

RGB 72 212 39

HSL 108.55, 0.69%, 0.49%

LAB 75.21, -66.16, 67.32

 

CMYK 55 / 0 / 68 / 13

HEX #64DD46

RGB 100 221 70

HSL 108.08, 0.69%, 0.57%

LAB 78.96, -60.7, 61.16

 

CMYK 66 / 0 / 81 / 30

HEX #3DB221

RGB 61 178 33

HSL 108.41, 0.69%, 0.41%

LAB 64.11, -57.56, 58.61

 

CMYK 82 / 0 / 0 / 31

HEX #20B1B1

RGB 32 177 177

HSL 180, 0.69%, 0.41%

LAB 65.69, -34.98, -10.37

 

CMYK 0 / 82 / 33 / 31

HEX #B12077

RGB 177 32 119

HSL 324, 0.69%, 0.41%

LAB 40.75, 62.26, -13.03

 

CMYK 66 / 0 / 81 / 30

HEX #3DB221

RGB 61 178 33

HSL 108.41, 0.69%, 0.41%

LAB 64.11, -57.56, 58.61

 

CMYK 82 / 66 / 0 / 31

HEX #203DB1

RGB 32 61 177

HSL 228, 0.69%, 0.41%

LAB 31.39, 33.34, -64.31

 

CMYK 0 / 82 / 66 / 31

HEX #B1203D

RGB 177 32 61

HSL 348, 0.69%, 0.41%

LAB 39.1, 57.35, 21.26

 

CMYK 66 / 0 / 81 / 30

HEX #3DB221

RGB 61 178 33

HSL 108.41, 0.69%, 0.41%

LAB 64.11, -57.56, 58.61

 

CMYK 82 / 0 / 0 / 31

HEX #20B1B1

RGB 32 177 177

HSL 180, 0.69%, 0.41%

LAB 65.69, -34.98, -10.37

 

CMYK 16 / 82 / 0 / 31

HEX #9420B1

RGB 148 32 177

HSL 288, 0.69%, 0.41%

LAB 38.73, 64.75, -51.84

 

CMYK 0 / 82 / 82 / 31

HEX #B12020

RGB 177 32 32

HSL 0, 0.69%, 0.41%

LAB 38.7, 56.12, 38.28

 

CMYK 66 / 0 / 81 / 30

HEX #3DB221

RGB 61 178 33

HSL 108.41, 0.69%, 0.41%

LAB 64.11, -57.56, 58.61

 

CMYK 82 / 25 / 0 / 31

HEX #2085B1

RGB 32 133 177

HSL 198.21, 0.69%, 0.41%

LAB 52.13, -12.38, -31.09

 

CMYK 16 / 82 / 0 / 31

HEX #9420B1

RGB 148 32 177

HSL 288, 0.69%, 0.41%

LAB 38.73, 64.75, -51.84

 

CMYK 0 / 57 / 82 / 31

HEX #B14C20

RGB 177 76 32

HSL 18.21, 0.69%, 0.41%

LAB 45.11, 38.76, 44.4

 

Description

Color code: HEX #3DB221 | qconv.com Color code: HEX #3DB221 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 178 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 178 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 81 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 81% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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