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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DAA42 it is the complementary color #C255BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DAA42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DAA42 shade: #42AA3D, #53BC50, #64CE63, #75E076 and #86F289

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DAA42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DAA42 shade: #3DAA42, #2C982F, #1B861C, #0A7409 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DAA42 shade: #3DA942, #55A93D, #72A93D, #8FA93D and #A9A53D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DAA42 shade: #3DA942, #3DA95F, #3DA97C, #3DA999 and #3D9BA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DAA42 shade matches the following richer shades: #3DA942, #2ABB31, #18CE20 and #05E00F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DAA42 shade: #3DA942, #4F9653, #628463, #757174 and #875E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DAA42 shade: #73A93D, #56A93D, #3DA940, #3DA95D and #3DA97A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DAA42 shade: #276C2A, #328A36, #3DA942, #4FC054 and #6DCB72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DAA42 shade: #3DAA42, #3D90A9 and #A93D64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DAA42 shade: #3DAA42, #403DA9 and #A9403D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DAA42 shade: #3DAA42, #3D90A9, #A93DA5 and #A9563D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DAA42 shade: #3DAA42, #3D6FA9, #A93DA5 and #A9763D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 61 / 33

HEX #3DAA42

RGB 61 170 66

HSL 122.75, 0.47%, 0.45%

LAB 61.77, -51.95, 43.67

 

Complementary color

CMYK 0 / 56 / 3 / 24

HEX #C255BD

RGB 194 85 189

HSL 302.75, 0.47%, 0.55%

LAB 53.64, 57.11, -34.73

 

CMYK 61 / 0 / 64 / 33

HEX #42AA3D

RGB 66 170 61

HSL 117.25, 0.47%, 0.45%

LAB 61.86, -51.37, 46.07

 

CMYK 56 / 0 / 57 / 26

HEX #53BC50

RGB 83 188 80

HSL 118.33, 0.45%, 0.53%

LAB 68.3, -51.8, 44.92

 

CMYK 51 / 0 / 52 / 19

HEX #64CE63

RGB 100 206 99

HSL 119.44, 0.52%, 0.6%

LAB 74.67, -51.98, 43.66

 

CMYK 48 / 0 / 47 / 12

HEX #75E076

RGB 117 224 118

HSL 120.56, 0.63%, 0.67%

LAB 80.96, -52, 42.39

 

CMYK 45 / 0 / 43 / 5

HEX #86F289

RGB 134 242 137

HSL 121.67, 0.81%, 0.74%

LAB 87.18, -51.91, 41.13

 

CMYK 64 / 0 / 61 / 33

HEX #3DAA42

RGB 61 170 66

HSL 122.75, 0.47%, 0.45%

LAB 61.77, -51.95, 43.67

 

CMYK 71 / 0 / 69 / 40

HEX #2C982F

RGB 44 152 47

HSL 121.67, 0.55%, 0.38%

LAB 55.27, -51.07, 44.75

 

CMYK 80 / 0 / 79 / 47

HEX #1B861C

RGB 27 134 28

HSL 120.56, 0.66%, 0.32%

LAB 48.72, -49.5, 45.28

 

CMYK 91 / 0 / 92 / 55

HEX #0A7409

RGB 10 116 9

HSL 119.44, 0.86%, 0.25%

LAB 42.12, -46.87, 44.54

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 64 / 0 / 61 / 34

HEX #3DA942

RGB 61 169 66

HSL 122.78, 0.47%, 0.45%

LAB 61.45, -51.59, 43.3

 

CMYK 50 / 0 / 64 / 34

HEX #55A93D

RGB 85 169 61

HSL 106.67, 0.47%, 0.45%

LAB 62.21, -45.89, 46.63

 

CMYK 33 / 0 / 64 / 34

HEX #72A93D

RGB 114 169 61

HSL 90.56, 0.47%, 0.45%

LAB 63.58, -36.17, 48.54

 

CMYK 15 / 0 / 64 / 34

HEX #8FA93D

RGB 143 169 61

HSL 74.44, 0.47%, 0.45%

LAB 65.4, -24.8, 51.03

 

CMYK 0 / 2 / 64 / 34

HEX #A9A53D

RGB 169 165 61

HSL 57.78, 0.47%, 0.45%

LAB 66.28, -11.73, 52.57

 

CMYK 64 / 0 / 61 / 34

HEX #3DA942

RGB 61 169 66

HSL 122.78, 0.47%, 0.45%

LAB 61.45, -51.59, 43.3

 

CMYK 64 / 0 / 44 / 34

HEX #3DA95F

RGB 61 169 95

HSL 138.89, 0.47%, 0.45%

LAB 61.82, -47.36, 29.31

 

CMYK 64 / 0 / 27 / 34

HEX #3DA97C

RGB 61 169 124

HSL 155, 0.47%, 0.45%

LAB 62.36, -41.6, 14.33

 

CMYK 64 / 0 / 9 / 34

HEX #3DA999

RGB 61 169 153

HSL 171.11, 0.47%, 0.45%

LAB 63.07, -34.46, -0.81

 

CMYK 64 / 8 / 0 / 34

HEX #3D9BA9

RGB 61 155 169

HSL 187.78, 0.47%, 0.45%

LAB 59.25, -23.01, -15.51

 

CMYK 64 / 0 / 61 / 34

HEX #3DA942

RGB 61 169 66

HSL 122.78, 0.47%, 0.45%

LAB 61.45, -51.59, 43.3

 

CMYK 78 / 0 / 74 / 27

HEX #2ABB31

RGB 42 187 49

HSL 122.9, 0.63%, 0.45%

LAB 66.71, -62.75, 55.85

 

CMYK 88 / 0 / 84 / 19

HEX #18CE20

RGB 24 206 32

HSL 122.64, 0.79%, 0.45%

LAB 72.52, -71.3, 66.33

 

CMYK 98 / 0 / 93 / 12

HEX #05E00F

RGB 5 224 15

HSL 122.74, 0.96%, 0.45%

LAB 78.1, -77.7, 74.03

 

CMYK 64 / 0 / 61 / 34

HEX #3DA942

RGB 61 169 66

HSL 122.78, 0.47%, 0.45%

LAB 61.45, -51.59, 43.3

 

CMYK 47 / 0 / 45 / 41

HEX #4F9653

RGB 79 150 83

HSL 123.38, 0.31%, 0.45%

LAB 56.19, -36.86, 28.55

 

CMYK 26 / 0 / 25 / 48

HEX #628463

RGB 98 132 99

HSL 121.76, 0.15%, 0.45%

LAB 51.84, -18.99, 14.02

 

CMYK 0 / 3 / 1 / 54

HEX #757174

RGB 117 113 116

HSL 315, 0.02%, 0.45%

LAB 48.07, 2.14, -1.12

 

CMYK 0 / 30 / 1 / 47

HEX #875E85

RGB 135 94 133

HSL 302.93, 0.18%, 0.45%

LAB 45.43, 23.56, -15.06

 

CMYK 32 / 0 / 64 / 34

HEX #73A93D

RGB 115 169 61

HSL 90, 0.47%, 0.45%

LAB 63.64, -35.8, 48.61

 

CMYK 49 / 0 / 64 / 34

HEX #56A93D

RGB 86 169 61

HSL 106.11, 0.47%, 0.45%

LAB 62.25, -45.59, 46.69

 

CMYK 64 / 0 / 62 / 34

HEX #3DA940

RGB 61 169 64

HSL 121.67, 0.47%, 0.45%

LAB 61.43, -51.82, 44.2

 

CMYK 64 / 0 / 45 / 34

HEX #3DA95D

RGB 61 169 93

HSL 137.78, 0.47%, 0.45%

LAB 61.79, -47.7, 30.32

 

CMYK 64 / 0 / 28 / 34

HEX #3DA97A

RGB 61 169 122

HSL 153.89, 0.47%, 0.45%

LAB 62.32, -42.04, 15.37

 

CMYK 64 / 0 / 61 / 58

HEX #276C2A

RGB 39 108 42

HSL 122.61, 0.47%, 0.29%

LAB 40.12, -36.21, 30.12

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 64 / 0 / 61 / 34

HEX #3DA942

RGB 61 169 66

HSL 122.78, 0.47%, 0.45%

LAB 61.45, -51.59, 43.3

 

CMYK 59 / 0 / 56 / 25

HEX #4FC054

RGB 79 192 84

HSL 122.65, 0.47%, 0.53%

LAB 69.47, -53.81, 44.39

 

CMYK 46 / 0 / 44 / 20

HEX #6DCB72

RGB 109 203 114

HSL 123.19, 0.47%, 0.61%

LAB 74.3, -46.18, 35.88

 

CMYK 64 / 0 / 61 / 33

HEX #3DAA42

RGB 61 170 66

HSL 122.75, 0.47%, 0.45%

LAB 61.77, -51.95, 43.67

 

CMYK 64 / 15 / 0 / 34

HEX #3D90A9

RGB 61 144 169

HSL 193.89, 0.47%, 0.45%

LAB 55.89, -17.21, -20.62

 

CMYK 0 / 64 / 41 / 34

HEX #A93D64

RGB 169 61 100

HSL 338.33, 0.47%, 0.45%

LAB 42.3, 47.75, 0.94

 

CMYK 64 / 0 / 61 / 33

HEX #3DAA42

RGB 61 170 66

HSL 122.75, 0.47%, 0.45%

LAB 61.77, -51.95, 43.67

 

CMYK 62 / 64 / 0 / 34

HEX #403DA9

RGB 64 61 169

HSL 241.67, 0.47%, 0.45%

LAB 32.46, 34.36, -57.71

 

CMYK 0 / 62 / 64 / 34

HEX #A9403D

RGB 169 64 61

HSL 1.67, 0.47%, 0.45%

LAB 41.91, 42.96, 24.53

 

CMYK 64 / 0 / 61 / 33

HEX #3DAA42

RGB 61 170 66

HSL 122.75, 0.47%, 0.45%

LAB 61.77, -51.95, 43.67

 

CMYK 64 / 15 / 0 / 34

HEX #3D90A9

RGB 61 144 169

HSL 193.89, 0.47%, 0.45%

LAB 55.89, -17.21, -20.62

 

CMYK 0 / 64 / 2 / 34

HEX #A93DA5

RGB 169 61 165

HSL 302.22, 0.47%, 0.45%

LAB 44.93, 56.99, -34.63

 

CMYK 0 / 49 / 64 / 34

HEX #A9563D

RGB 169 86 61

HSL 13.89, 0.47%, 0.45%

LAB 46.21, 31.85, 29.87

 

CMYK 64 / 0 / 61 / 33

HEX #3DAA42

RGB 61 170 66

HSL 122.75, 0.47%, 0.45%

LAB 61.77, -51.95, 43.67

 

CMYK 64 / 34 / 0 / 34

HEX #3D6FA9

RGB 61 111 169

HSL 212.22, 0.47%, 0.45%

LAB 45.94, 1.83, -36.08

 

CMYK 0 / 64 / 2 / 34

HEX #A93DA5

RGB 169 61 165

HSL 302.22, 0.47%, 0.45%

LAB 44.93, 56.99, -34.63

 

CMYK 0 / 30 / 64 / 34

HEX #A9763D

RGB 169 118 61

HSL 31.67, 0.47%, 0.45%

LAB 53.74, 14.04, 38.76

 

Description

Color code: HEX #3DAA42 | qconv.com Color code: HEX #3DAA42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 170 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 170 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 61 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 61% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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