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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DA7A8 it is the complementary color #C25857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DA7A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DA7A8 shade: #42A7A3, #53B9B6, #64CBC9, #75DDDC and #86EFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DA7A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DA7A8 shade: #3DA7A8, #2C9595, #1B8382, #0A716F and #005F5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DA7A8 shade: #3DA8A9, #3D8BA9, #3D6EA9, #3D50A9 and #463DA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DA7A8 shade: #3DA8A9, #3D8BA9, #3D6EA9, #3D50A9 and #3D3DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DA7A8 shade matches the following richer shades: #3DA8A9, #2ABABB, #18CCCE and #05DEE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DA7A8 shade: #3DA8A9, #4F9596, #628384, #757171 and #875F5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DA7A8 shade: #3DA96F, #3DA98C, #3DA9A9, #3D8CA9 and #3D6FA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DA7A8 shade: #276B6C, #328A8A, #3DA8A9, #4FBFC0 and #6DCACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DA7A8 shade: #3DA7A8, #523DA9 and #A97E3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DA7A8 shade: #3DA7A8, #A93DA9 and #A9A93D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DA7A8 shade: #3DA7A8, #523DA9, #A93D3D and #93A93D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DA7A8 shade: #3DA7A8, #733DA9, #A93D3D and #73A93D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 1 / 0 / 34

HEX #3DA7A8

RGB 61 167 168

HSL 180.56, 0.47%, 0.45%

LAB 62.89, -29.33, -9.47

 

Complementary color

CMYK 0 / 55 / 55 / 24

HEX #C25857

RGB 194 88 87

HSL 0.56, 0.47%, 0.55%

LAB 50.85, 42.4, 21.37

 

CMYK 60 / 0 / 2 / 35

HEX #42A7A3

RGB 66 167 163

HSL 177.62, 0.43%, 0.46%

LAB 62.88, -29.88, -6.67

 

CMYK 55 / 0 / 2 / 27

HEX #53B9B6

RGB 83 185 182

HSL 178.24, 0.42%, 0.53%

LAB 69.41, -30.15, -7.47

 

CMYK 51 / 0 / 1 / 20

HEX #64CBC9

RGB 100 203 201

HSL 178.83, 0.5%, 0.59%

LAB 75.85, -30.3, -8.2

 

CMYK 47 / 0 / 0 / 13

HEX #75DDDC

RGB 117 221 220

HSL 179.42, 0.6%, 0.66%

LAB 82.2, -30.38, -8.87

 

CMYK 44 / 0 / 0 / 6

HEX #86EFEF

RGB 134 239 239

HSL 180, 0.77%, 0.73%

LAB 88.46, -30.42, -9.51

 

CMYK 64 / 1 / 0 / 34

HEX #3DA7A8

RGB 61 167 168

HSL 180.56, 0.47%, 0.45%

LAB 62.89, -29.33, -9.47

 

CMYK 70 / 0 / 0 / 42

HEX #2C9595

RGB 44 149 149

HSL 180, 0.54%, 0.38%

LAB 56.29, -28.71, -8.61

 

CMYK 79 / 0 / 1 / 49

HEX #1B8382

RGB 27 131 130

HSL 179.42, 0.66%, 0.31%

LAB 49.59, -27.79, -7.63

 

CMYK 91 / 0 / 2 / 56

HEX #0A716F

RGB 10 113 111

HSL 178.83, 0.84%, 0.24%

LAB 42.8, -26.39, -6.5

 

CMYK 100 / 0 / 3 / 63

HEX #005F5C

RGB 0 95 92

HSL 178.11, 1%, 0.19%

LAB 35.9, -24.36, -5.15

 

CMYK 64 / 1 / 0 / 34

HEX #3DA8A9

RGB 61 168 169

HSL 180.56, 0.47%, 0.45%

LAB 63.23, -29.53, -9.53

 

CMYK 64 / 18 / 0 / 34

HEX #3D8BA9

RGB 61 139 169

HSL 196.67, 0.47%, 0.45%

LAB 54.37, -14.49, -22.96

 

CMYK 64 / 35 / 0 / 34

HEX #3D6EA9

RGB 61 110 169

HSL 212.78, 0.47%, 0.45%

LAB 45.65, 2.44, -36.55

 

CMYK 64 / 53 / 0 / 34

HEX #3D50A9

RGB 61 80 169

HSL 229.44, 0.47%, 0.45%

LAB 37.1, 21.62, -50.18

 

CMYK 59 / 64 / 0 / 34

HEX #463DA9

RGB 70 61 169

HSL 245, 0.47%, 0.45%

LAB 32.93, 35.37, -56.93

 

CMYK 64 / 1 / 0 / 34

HEX #3DA8A9

RGB 61 168 169

HSL 180.56, 0.47%, 0.45%

LAB 63.23, -29.53, -9.53

 

CMYK 64 / 18 / 0 / 34

HEX #3D8BA9

RGB 61 139 169

HSL 196.67, 0.47%, 0.45%

LAB 54.37, -14.49, -22.96

 

CMYK 64 / 35 / 0 / 34

HEX #3D6EA9

RGB 61 110 169

HSL 212.78, 0.47%, 0.45%

LAB 45.65, 2.44, -36.55

 

CMYK 64 / 53 / 0 / 34

HEX #3D50A9

RGB 61 80 169

HSL 229.44, 0.47%, 0.45%

LAB 37.1, 21.62, -50.18

 

CMYK 64 / 64 / 0 / 34

HEX #3D3DA9

RGB 61 61 169

HSL 240, 0.47%, 0.45%

LAB 32.24, 33.88, -58.07

 

CMYK 64 / 1 / 0 / 34

HEX #3DA8A9

RGB 61 168 169

HSL 180.56, 0.47%, 0.45%

LAB 63.23, -29.53, -9.53

 

CMYK 78 / 1 / 0 / 27

HEX #2ABABB

RGB 42 186 187

HSL 180.41, 0.63%, 0.45%

LAB 68.89, -35.29, -11.09

 

CMYK 88 / 1 / 0 / 19

HEX #18CCCE

RGB 24 204 206

HSL 180.66, 0.79%, 0.45%

LAB 74.72, -39.23, -12.74

 

CMYK 98 / 1 / 0 / 12

HEX #05DEE0

RGB 5 222 224

HSL 180.55, 0.96%, 0.45%

LAB 80.55, -42.59, -13.68

 

CMYK 64 / 1 / 0 / 34

HEX #3DA8A9

RGB 61 168 169

HSL 180.56, 0.47%, 0.45%

LAB 63.23, -29.53, -9.53

 

CMYK 47 / 1 / 0 / 41

HEX #4F9596

RGB 79 149 150

HSL 180.85, 0.31%, 0.45%

LAB 57.42, -21.7, -7.37

 

CMYK 26 / 1 / 0 / 48

HEX #628384

RGB 98 131 132

HSL 181.76, 0.15%, 0.45%

LAB 52.39, -11.34, -4.34

 

CMYK 0 / 3 / 3 / 54

HEX #757171

RGB 117 113 113

HSL 0, 0.02%, 0.45%

LAB 47.99, 1.54, 0.54

 

CMYK 0 / 30 / 30 / 47

HEX #875F5E

RGB 135 95 94

HSL 1.46, 0.18%, 0.45%

LAB 44.44, 16.17, 7.08

 

CMYK 64 / 0 / 34 / 34

HEX #3DA96F

RGB 61 169 111

HSL 147.78, 0.47%, 0.45%

LAB 62.1, -44.36, 21.1

 

CMYK 64 / 0 / 17 / 34

HEX #3DA98C

RGB 61 169 140

HSL 163.89, 0.47%, 0.45%

LAB 62.73, -37.81, 5.96

 

CMYK 64 / 0 / 0 / 34

HEX #3DA9A9

RGB 61 169 169

HSL 180, 0.47%, 0.45%

LAB 63.53, -30.01, -9.07

 

CMYK 64 / 17 / 0 / 34

HEX #3D8CA9

RGB 61 140 169

HSL 196.11, 0.47%, 0.45%

LAB 54.67, -15.04, -22.49

 

CMYK 64 / 34 / 0 / 34

HEX #3D6FA9

RGB 61 111 169

HSL 212.22, 0.47%, 0.45%

LAB 45.94, 1.83, -36.08

 

CMYK 64 / 1 / 0 / 58

HEX #276B6C

RGB 39 107 108

HSL 180.87, 0.47%, 0.29%

LAB 41.26, -20.62, -6.91

 

CMYK 64 / 0 / 0 / 46

HEX #328A8A

RGB 50 138 138

HSL 180, 0.47%, 0.37%

LAB 52.61, -25.58, -7.74

 

CMYK 64 / 1 / 0 / 34

HEX #3DA8A9

RGB 61 168 169

HSL 180.56, 0.47%, 0.45%

LAB 63.23, -29.53, -9.53

 

CMYK 59 / 1 / 0 / 25

HEX #4FBFC0

RGB 79 191 192

HSL 180.53, 0.47%, 0.53%

LAB 71.37, -31.06, -10.04

 

CMYK 46 / 0 / 0 / 20

HEX #6DCACB

RGB 109 202 203

HSL 180.64, 0.47%, 0.61%

LAB 75.95, -27.32, -9.09

 

CMYK 64 / 1 / 0 / 34

HEX #3DA7A8

RGB 61 167 168

HSL 180.56, 0.47%, 0.45%

LAB 62.89, -29.33, -9.47

 

CMYK 51 / 64 / 0 / 34

HEX #523DA9

RGB 82 61 169

HSL 251.67, 0.47%, 0.45%

LAB 33.97, 37.57, -55.18

 

CMYK 0 / 25 / 64 / 34

HEX #A97E3D

RGB 169 126 61

HSL 36.11, 0.47%, 0.45%

LAB 55.78, 9.53, 41.09

 

CMYK 64 / 1 / 0 / 34

HEX #3DA7A8

RGB 61 167 168

HSL 180.56, 0.47%, 0.45%

LAB 62.89, -29.33, -9.47

 

CMYK 0 / 64 / 0 / 34

HEX #A93DA9

RGB 169 61 169

HSL 300, 0.47%, 0.45%

LAB 45.13, 57.67, -36.67

 

CMYK 0 / 0 / 64 / 34

HEX #A9A93D

RGB 169 169 61

HSL 60, 0.47%, 0.45%

LAB 67.39, -13.81, 53.75

 

CMYK 64 / 1 / 0 / 34

HEX #3DA7A8

RGB 61 167 168

HSL 180.56, 0.47%, 0.45%

LAB 62.89, -29.33, -9.47

 

CMYK 51 / 64 / 0 / 34

HEX #523DA9

RGB 82 61 169

HSL 251.67, 0.47%, 0.45%

LAB 33.97, 37.57, -55.18

 

CMYK 0 / 64 / 64 / 34

HEX #A93D3D

RGB 169 61 61

HSL 0, 0.47%, 0.45%

LAB 41.39, 44.33, 23.88

 

CMYK 13 / 0 / 64 / 34

HEX #93A93D

RGB 147 169 61

HSL 72.22, 0.47%, 0.45%

LAB 65.68, -23.14, 51.42

 

CMYK 64 / 1 / 0 / 34

HEX #3DA7A8

RGB 61 167 168

HSL 180.56, 0.47%, 0.45%

LAB 62.89, -29.33, -9.47

 

CMYK 32 / 64 / 0 / 34

HEX #733DA9

RGB 115 61 169

HSL 270, 0.47%, 0.45%

LAB 37.57, 44.61, -49.19

 

CMYK 0 / 64 / 64 / 34

HEX #A93D3D

RGB 169 61 61

HSL 0, 0.47%, 0.45%

LAB 41.39, 44.33, 23.88

 

CMYK 32 / 0 / 64 / 34

HEX #73A93D

RGB 115 169 61

HSL 90, 0.47%, 0.45%

LAB 63.64, -35.8, 48.61

 

Description

Color code: HEX #3DA7A8 | qconv.com Color code: HEX #3DA7A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 167 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 167 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 1 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 1% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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