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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DA730 it is the complementary color #C258CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DA730. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DA730 shade: #42A72B, #53B93E, #64CB51, #75DD64 and #86EF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DA730. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DA730 shade: #3DA730, #2C951D, #1B830A, #0A7100 and #005F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DA730 shade: #3DA630, #5DA630, #7DA630, #9CA630 and #A69030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DA730 shade: #3DA630, #30A643, #30A663, #30A683 and #30A6A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DA730 shade matches the following richer shades: #3DA630, #30B71F and #22C90E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DA730 shade: #3DA630, #4B9542, #588353, #667264 and #736176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DA730 shade: #7DA630, #5DA630, #3EA630, #30A642 and #30A661

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DA730 shade: #26661E, #318627, #3DA630, #49C63A and #67CF5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DA730 shade: #3DA730, #309CA6 and #A6306D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DA730 shade: #3DA730, #303EA6 and #A6303E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DA730 shade: #3DA730, #309CA6, #9830A6 and #A63A30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DA730 shade: #3DA730, #3079A6, #9830A6 and #A65D30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 71 / 35

HEX #3DA730

RGB 61 167 48

HSL 113.45, 0.55%, 0.42%

LAB 60.64, -52.7, 50.14

 

Complementary color

CMYK 6 / 57 / 0 / 19

HEX #C258CF

RGB 194 88 207

HSL 293.45, 0.55%, 0.58%

LAB 55.02, 58.94, -42.88

 

CMYK 60 / 0 / 74 / 35

HEX #42A72B

RGB 66 167 43

HSL 108.87, 0.59%, 0.41%

LAB 60.76, -51.91, 52.19

 

CMYK 55 / 0 / 66 / 27

HEX #53B93E

RGB 83 185 62

HSL 109.76, 0.5%, 0.48%

LAB 67.19, -52.58, 51.63

 

CMYK 51 / 0 / 60 / 20

HEX #64CB51

RGB 100 203 81

HSL 110.66, 0.54%, 0.56%

LAB 73.56, -52.94, 50.69

 

CMYK 47 / 0 / 55 / 13

HEX #75DD64

RGB 117 221 100

HSL 111.57, 0.64%, 0.63%

LAB 79.85, -53.09, 49.57

 

CMYK 44 / 0 / 50 / 6

HEX #86EF77

RGB 134 239 119

HSL 112.5, 0.79%, 0.7%

LAB 86.07, -53.1, 48.38

 

CMYK 63 / 0 / 71 / 35

HEX #3DA730

RGB 61 167 48

HSL 113.45, 0.55%, 0.42%

LAB 60.64, -52.7, 50.14

 

CMYK 70 / 0 / 81 / 42

HEX #2C951D

RGB 44 149 29

HSL 112.5, 0.67%, 0.35%

LAB 54.15, -51.5, 50.31

 

CMYK 79 / 0 / 92 / 49

HEX #1B830A

RGB 27 131 10

HSL 111.57, 0.86%, 0.28%

LAB 47.61, -49.5, 49.16

 

CMYK 91 / 0 / 100 / 56

HEX #0A7100

RGB 10 113 0

HSL 114.69, 1%, 0.22%

LAB 41.02, -46.34, 45.76

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 63 / 0 / 71 / 35

HEX #3DA630

RGB 61 166 48

HSL 113.39, 0.55%, 0.42%

LAB 60.32, -52.34, 49.8

 

CMYK 44 / 0 / 71 / 35

HEX #5DA630

RGB 93 166 48

HSL 97.12, 0.55%, 0.42%

LAB 61.49, -43.3, 51.38

 

CMYK 25 / 0 / 71 / 35

HEX #7DA630

RGB 125 166 48

HSL 80.85, 0.55%, 0.42%

LAB 63.22, -31.56, 53.69

 

CMYK 6 / 0 / 71 / 35

HEX #9CA630

RGB 156 166 48

HSL 65.08, 0.55%, 0.42%

LAB 65.4, -18.64, 56.59

 

CMYK 0 / 13 / 71 / 35

HEX #A69030

RGB 166 144 48

HSL 48.81, 0.55%, 0.42%

LAB 60.13, -2.6, 51.64

 

CMYK 63 / 0 / 71 / 35

HEX #3DA630

RGB 61 166 48

HSL 113.39, 0.55%, 0.42%

LAB 60.32, -52.34, 49.8

 

CMYK 71 / 0 / 60 / 35

HEX #30A643

RGB 48 166 67

HSL 129.66, 0.55%, 0.42%

LAB 60.16, -52.98, 41.27

 

CMYK 71 / 0 / 40 / 35

HEX #30A663

RGB 48 166 99

HSL 145.93, 0.55%, 0.42%

LAB 60.61, -47.89, 25.53

 

CMYK 71 / 0 / 21 / 35

HEX #30A683

RGB 48 166 131

HSL 162.2, 0.55%, 0.42%

LAB 61.25, -40.89, 8.84

 

CMYK 71 / 0 / 2 / 35

HEX #30A6A2

RGB 48 166 162

HSL 177.97, 0.55%, 0.42%

LAB 62.09, -32.53, -7.33

 

CMYK 63 / 0 / 71 / 35

HEX #3DA630

RGB 61 166 48

HSL 113.39, 0.55%, 0.42%

LAB 60.32, -52.34, 49.8

 

CMYK 74 / 0 / 83 / 28

HEX #30B71F

RGB 48 183 31

HSL 113.29, 0.71%, 0.42%

LAB 65.43, -61.76, 60.26

 

CMYK 83 / 0 / 93 / 21

HEX #22C90E

RGB 34 201 14

HSL 113.58, 0.87%, 0.42%

LAB 70.97, -69.63, 68.29

 

CMYK 63 / 0 / 71 / 35

HEX #3DA630

RGB 61 166 48

HSL 113.39, 0.55%, 0.42%

LAB 60.32, -52.34, 49.8

 

CMYK 50 / 0 / 56 / 42

HEX #4B9542

RGB 75 149 66

HSL 113.49, 0.39%, 0.42%

LAB 55.47, -40.07, 36.43

 

CMYK 33 / 0 / 37 / 49

HEX #588353

RGB 88 131 83

HSL 113.75, 0.22%, 0.42%

LAB 50.61, -24.93, 21.37

 

CMYK 11 / 0 / 12 / 55

HEX #667264

RGB 102 114 100

HSL 111.43, 0.07%, 0.42%

LAB 46.68, -7.41, 6.24

 

CMYK 3 / 18 / 0 / 54

HEX #736176

RGB 115 97 118

HSL 291.43, 0.1%, 0.42%

LAB 43.51, 11.36, -9.11

 

CMYK 25 / 0 / 71 / 35

HEX #7DA630

RGB 125 166 48

HSL 80.85, 0.55%, 0.42%

LAB 63.22, -31.56, 53.69

 

CMYK 44 / 0 / 71 / 35

HEX #5DA630

RGB 93 166 48

HSL 97.12, 0.55%, 0.42%

LAB 61.49, -43.3, 51.38

 

CMYK 63 / 0 / 71 / 35

HEX #3EA630

RGB 62 166 48

HSL 112.88, 0.55%, 0.42%

LAB 60.35, -52.11, 49.84

 

CMYK 71 / 0 / 60 / 35

HEX #30A642

RGB 48 166 66

HSL 129.15, 0.55%, 0.42%

LAB 60.15, -53.1, 41.73

 

CMYK 71 / 0 / 42 / 35

HEX #30A661

RGB 48 166 97

HSL 144.92, 0.55%, 0.42%

LAB 60.57, -48.27, 26.56

 

CMYK 63 / 0 / 71 / 60

HEX #26661E

RGB 38 102 30

HSL 113.33, 0.55%, 0.26%

LAB 37.86, -35.47, 33.44

 

CMYK 63 / 0 / 71 / 47

HEX #318627

RGB 49 134 39

HSL 113.68, 0.55%, 0.34%

LAB 49.31, -44.24, 41.81

 

CMYK 63 / 0 / 71 / 35

HEX #3DA630

RGB 61 166 48

HSL 113.39, 0.55%, 0.42%

LAB 60.32, -52.34, 49.8

 

CMYK 63 / 0 / 71 / 22

HEX #49C63A

RGB 73 198 58

HSL 113.57, 0.55%, 0.5%

LAB 70.95, -60.04, 57.1

 

CMYK 50 / 0 / 57 / 19

HEX #67CF5A

RGB 103 207 90

HSL 113.33, 0.55%, 0.58%

LAB 74.98, -52.67, 48.29

 

CMYK 63 / 0 / 71 / 35

HEX #3DA730

RGB 61 167 48

HSL 113.45, 0.55%, 0.42%

LAB 60.64, -52.7, 50.14

 

CMYK 71 / 6 / 0 / 35

HEX #309CA6

RGB 48 156 166

HSL 185.08, 0.55%, 0.42%

LAB 59.12, -26.45, -14.04

 

CMYK 0 / 71 / 34 / 35

HEX #A6306D

RGB 166 48 109

HSL 328.98, 0.55%, 0.42%

LAB 40.12, 53.21, -7.94

 

CMYK 63 / 0 / 71 / 35

HEX #3DA730

RGB 61 167 48

HSL 113.45, 0.55%, 0.42%

LAB 60.64, -52.7, 50.14

 

CMYK 71 / 63 / 0 / 35

HEX #303EA6

RGB 48 62 166

HSL 232.88, 0.55%, 0.42%

LAB 31.41, 30.3, -57.67

 

CMYK 0 / 71 / 63 / 35

HEX #A6303E

RGB 166 48 62

HSL 352.88, 0.55%, 0.42%

LAB 38.84, 48.87, 19.89

 

CMYK 63 / 0 / 71 / 35

HEX #3DA730

RGB 61 167 48

HSL 113.45, 0.55%, 0.42%

LAB 60.64, -52.7, 50.14

 

CMYK 71 / 6 / 0 / 35

HEX #309CA6

RGB 48 156 166

HSL 185.08, 0.55%, 0.42%

LAB 59.12, -26.45, -14.04

 

CMYK 8 / 71 / 0 / 35

HEX #9830A6

RGB 152 48 166

HSL 292.88, 0.55%, 0.42%

LAB 40.48, 58.29, -42.44

 

CMYK 0 / 65 / 71 / 35

HEX #A63A30

RGB 166 58 48

HSL 5.08, 0.55%, 0.42%

LAB 40.16, 43.86, 30.06

 

CMYK 63 / 0 / 71 / 35

HEX #3DA730

RGB 61 167 48

HSL 113.45, 0.55%, 0.42%

LAB 60.64, -52.7, 50.14

 

CMYK 71 / 27 / 0 / 35

HEX #3079A6

RGB 48 121 166

HSL 202.88, 0.55%, 0.42%

LAB 48.33, -7.45, -30.61

 

CMYK 8 / 71 / 0 / 35

HEX #9830A6

RGB 152 48 166

HSL 292.88, 0.55%, 0.42%

LAB 40.48, 58.29, -42.44

 

CMYK 0 / 44 / 71 / 35

HEX #A65D30

RGB 166 93 48

HSL 22.88, 0.55%, 0.42%

LAB 47.17, 25.97, 38.02

 

Description

Color code: HEX #3DA730 | qconv.com Color code: HEX #3DA730 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 167 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 167 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 71 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 71% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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