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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DA1DB it is the complementary color #C25E24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DA1DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3DA1DB: #42A1D6, #53B3E9, #64C5FC, #75D7FF and #86E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DA1DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3DA1DB: #3DA1DB, #2C8FC8, #1B7DB5, #0A6BA2 and #00598F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 26 / 0 / 14

HEX #3DA1DB

RGB 61 161 219

HSL 202.03, 0.69%, 0.55%

LAB 63.01, -10.03, -37.76

 

Complementary color

CMYK 0 / 52 / 81 / 24

HEX #C25E24

RGB 194 94 36

HSL 22.03, 0.69%, 0.45%

LAB 51.38, 36.48, 49.41

 

CMYK 69 / 25 / 0 / 16

HEX #42A1D6

RGB 66 161 214

HSL 201.49, 0.64%, 0.55%

LAB 62.93, -11.01, -35.09

 

CMYK 64 / 23 / 0 / 9

HEX #53B3E9

RGB 83 179 233

HSL 201.6, 0.77%, 0.62%

LAB 69.44, -11.98, -35.38

 

CMYK 60 / 22 / 0 / 1

HEX #64C5FC

RGB 100 197 252

HSL 201.71, 0.96%, 0.69%

LAB 75.87, -12.76, -35.64

 

CMYK 54 / 16 / 0 / 0

HEX #75D7FF

RGB 117 215 255

HSL 197.39, 1%, 0.73%

LAB 81.62, -18, -28.33

 

CMYK 47 / 9 / 0 / 0

HEX #86E9FF

RGB 134 233 255

HSL 190.91, 1%, 0.76%

LAB 87.27, -23.45, -19.68

 

CMYK 72 / 26 / 0 / 14

HEX #3DA1DB

RGB 61 161 219

HSL 202.03, 0.69%, 0.55%

LAB 63.01, -10.03, -37.76

 

CMYK 78 / 29 / 0 / 22

HEX #2C8FC8

RGB 44 143 200

HSL 201.92, 0.64%, 0.48%

LAB 56.44, -8.59, -37.44

 

CMYK 85 / 31 / 0 / 29

HEX #1B7DB5

RGB 27 125 181

HSL 201.82, 0.74%, 0.41%

LAB 49.78, -6.74, -37.07

 

CMYK 94 / 34 / 0 / 36

HEX #0A6BA2

RGB 10 107 162

HSL 201.71, 0.88%, 0.34%

LAB 43.05, -4.34, -36.62

 

CMYK 100 / 38 / 0 / 44

HEX #00598F

RGB 0 89 143

HSL 202.66, 1%, 0.28%

LAB 36.23, -1.27, -36.06

 

CMYK 72 / 26 / 0 / 14

HEX #3DA1DB

RGB 61 161 219

HSL 202.03, 0.69%, 0.55%

LAB 63.01, -10.03, -37.76

 

CMYK 72 / 39 / 0 / 14

HEX #3D86DB

RGB 61 134 219

HSL 212.28, 0.69%, 0.55%

LAB 55.23, 5.6, -50.01

 

CMYK 72 / 51 / 0 / 14

HEX #3D6CDB

RGB 61 108 219

HSL 222.15, 0.69%, 0.55%

LAB 48.05, 21.69, -61.53

 

CMYK 72 / 63 / 0 / 14

HEX #3D52DB

RGB 61 82 219

HSL 232.03, 0.69%, 0.55%

LAB 41.44, 38.09, -72.28

 

CMYK 70 / 72 / 0 / 14

HEX #423DDB

RGB 66 61 219

HSL 241.9, 0.69%, 0.55%

LAB 37.13, 51.03, -79.34

 

CMYK 72 / 26 / 0 / 14

HEX #3DA1DB

RGB 61 161 219

HSL 202.03, 0.69%, 0.55%

LAB 63.01, -10.03, -37.76

 

CMYK 73 / 27 / 0 / 94

HEX #040B0F

RGB 4 11 15

HSL 201.82, 0.58%, 0.04%

LAB 2.71, -1.18, -2.43

 

CMYK 73 / 26 / 0 / 74

HEX #123142

RGB 18 49 66

HSL 201.25, 0.57%, 0.16%

LAB 18.88, -5.07, -14.05

 

CMYK 72 / 26 / 0 / 54

HEX #215675

RGB 33 86 117

HSL 202.14, 0.56%, 0.29%

LAB 34.53, -6.56, -22.75

 

CMYK 72 / 26 / 0 / 34

HEX #2F7CA8

RGB 47 124 168

HSL 201.82, 0.56%, 0.42%

LAB 49.31, -8.64, -30.25

 

CMYK 72 / 26 / 0 / 14

HEX #3DA1DB

RGB 61 161 219

HSL 202.03, 0.69%, 0.55%

LAB 63.01, -10.03, -37.76

 

CMYK 32 / 72 / 0 / 14

HEX #963DDB

RGB 150 61 219

HSL 273.8, 0.69%, 0.55%

LAB 45.55, 63.53, -65.24

 

CMYK 0 / 2 / 72 / 14

HEX #DBD63D

RGB 219 214 61

HSL 58.1, 0.69%, 0.55%

LAB 83.7, -15.36, 71.39

 

CMYK 72 / 26 / 0 / 14

HEX #3DA1DB

RGB 61 161 219

HSL 202.03, 0.69%, 0.55%

LAB 63.01, -10.03, -37.76

 

CMYK 0 / 72 / 26 / 14

HEX #DB3DA1

RGB 219 61 161

HSL 322.03, 0.69%, 0.55%

LAB 52.92, 69.06, -19.22

 

CMYK 26 / 0 / 72 / 14

HEX #A1DB3D

RGB 161 219 61

HSL 82.03, 0.69%, 0.55%

LAB 81.06, -40.96, 67.45

 

CMYK 72 / 26 / 0 / 14

HEX #3DA1DB

RGB 61 161 219

HSL 202.03, 0.69%, 0.55%

LAB 63.01, -10.03, -37.76

 

CMYK 32 / 72 / 0 / 14

HEX #963DDB

RGB 150 61 219

HSL 273.8, 0.69%, 0.55%

LAB 45.55, 63.53, -65.24

 

CMYK 0 / 46 / 72 / 14

HEX #DB773D

RGB 219 119 61

HSL 22.03, 0.69%, 0.55%

LAB 60.42, 34.55, 47.98

 

CMYK 41 / 0 / 72 / 14

HEX #81DB3D

RGB 129 219 61

HSL 94.18, 0.69%, 0.55%

LAB 79.42, -52.15, 65.28

 

CMYK 72 / 26 / 0 / 14

HEX #3DA1DB

RGB 61 161 219

HSL 202.03, 0.69%, 0.55%

LAB 63.01, -10.03, -37.76

 

CMYK 10 / 72 / 0 / 14

HEX #C63DDB

RGB 198 61 219

HSL 292.03, 0.69%, 0.55%

LAB 52.35, 72.9, -53.92

 

CMYK 0 / 46 / 72 / 14

HEX #DB773D

RGB 219 119 61

HSL 22.03, 0.69%, 0.55%

LAB 60.42, 34.55, 47.98

 

CMYK 63 / 0 / 72 / 14

HEX #52DB3D

RGB 82 219 61

HSL 112.03, 0.69%, 0.55%

LAB 77.75, -64.99, 63.05

 

Description

Color code: HEX #3DA1DB | qconv.com Color code: HEX #3DA1DB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 161 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 161 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 26 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 26% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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