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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D9E3C it is the complementary color #C261C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D9E3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D9E3C shade: #429E37, #53B04A, #64C25D, #75D470 and #86E683

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D9E3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D9E3C shade: #3D9E3C, #2C8C29, #1B7A16, #0A6803 and #005600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D9E3C shade: #3D9E3C, #579E3C, #729E3C, #8D9E3C and #9E963C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D9E3C shade: #3D9E3C, #3C9E55, #3C9E70, #3C9E8B and #3C989E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D9E3C shade matches the following richer shades: #3D9E3C, #2BB02A, #1AC218 and #09D407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D9E3C shade: #3D9E3C, #4E8D4E, #607B5F, #716971 and #825883

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D9E3C shade: #729E3C, #589E3C, #3D9E3C, #3C9E54 and #3C9E6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D9E3C shade: #266325, #318130, #3D9E3C, #4BBA4A and #69C568

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D9E3C shade: #3D9E3C, #3C8C9E and #9E3C65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D9E3C shade: #3D9E3C, #3C3D9E and #9E3C3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D9E3C shade: #3D9E3C, #3C8C9E, #9D3C9E and #9E4E3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D9E3C shade: #3D9E3C, #3C6F9E, #9D3C9E and #9E6C3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

Complementary color

CMYK 1 / 50 / 0 / 24

HEX #C261C3

RGB 194 97 195

HSL 299.39, 0.45%, 0.57%

LAB 56.05, 52.46, -34.42

 

CMYK 58 / 0 / 65 / 38

HEX #429E37

RGB 66 158 55

HSL 113.59, 0.48%, 0.42%

LAB 57.93, -47.49, 44.36

 

CMYK 53 / 0 / 58 / 31

HEX #53B04A

RGB 83 176 74

HSL 114.71, 0.41%, 0.49%

LAB 64.47, -47.84, 43.25

 

CMYK 48 / 0 / 52 / 24

HEX #64C25D

RGB 100 194 93

HSL 115.84, 0.45%, 0.56%

LAB 70.93, -47.95, 42.01

 

CMYK 45 / 0 / 47 / 17

HEX #75D470

RGB 117 212 112

HSL 117, 0.54%, 0.64%

LAB 77.3, -47.92, 40.74

 

CMYK 42 / 0 / 43 / 10

HEX #86E683

RGB 134 230 131

HSL 118.18, 0.66%, 0.71%

LAB 83.6, -47.79, 39.5

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 69 / 0 / 71 / 45

HEX #2C8C29

RGB 44 140 41

HSL 118.18, 0.55%, 0.35%

LAB 51.21, -47.4, 42.94

 

CMYK 78 / 0 / 82 / 52

HEX #1B7A16

RGB 27 122 22

HSL 117, 0.69%, 0.28%

LAB 44.53, -45.92, 43.27

 

CMYK 90 / 0 / 97 / 59

HEX #0A6803

RGB 10 104 3

HSL 115.84, 0.94%, 0.21%

LAB 37.79, -43.37, 42.34

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 45 / 0 / 62 / 38

HEX #579E3C

RGB 87 158 60

HSL 103.47, 0.45%, 0.43%

LAB 58.79, -40.83, 43.3

 

CMYK 28 / 0 / 62 / 38

HEX #729E3C

RGB 114 158 60

HSL 86.94, 0.45%, 0.43%

LAB 60.21, -31.19, 45.27

 

CMYK 11 / 0 / 62 / 38

HEX #8D9E3C

RGB 141 158 60

HSL 70.41, 0.45%, 0.43%

LAB 62.03, -20.21, 47.79

 

CMYK 0 / 5 / 62 / 38

HEX #9E963C

RGB 158 150 60

HSL 55.1, 0.45%, 0.43%

LAB 61.14, -8.67, 47.22

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 62 / 0 / 46 / 38

HEX #3C9E55

RGB 60 158 85

HSL 135.31, 0.45%, 0.43%

LAB 58.1, -44.9, 29.8

 

CMYK 62 / 0 / 29 / 38

HEX #3C9E70

RGB 60 158 112

HSL 151.84, 0.45%, 0.43%

LAB 58.59, -39.7, 15.74

 

CMYK 62 / 0 / 12 / 38

HEX #3C9E8B

RGB 60 158 139

HSL 168.37, 0.45%, 0.43%

LAB 59.23, -33.2, 1.47

 

CMYK 62 / 4 / 0 / 38

HEX #3C989E

RGB 60 152 158

HSL 183.67, 0.45%, 0.43%

LAB 57.93, -24.96, -11.25

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 76 / 0 / 76 / 31

HEX #2BB02A

RGB 43 176 42

HSL 119.55, 0.61%, 0.43%

LAB 63.12, -59.66, 54.71

 

CMYK 87 / 0 / 88 / 24

HEX #1AC218

RGB 26 194 24

HSL 119.29, 0.78%, 0.43%

LAB 68.66, -68.09, 64.64

 

CMYK 96 / 0 / 97 / 17

HEX #09D407

RGB 9 212 7

HSL 119.41, 0.94%, 0.43%

LAB 74.29, -74.51, 71.72

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 45 / 0 / 45 / 45

HEX #4E8D4E

RGB 78 141 78

HSL 120, 0.29%, 0.43%

LAB 53.19, -33.91, 27.39

 

CMYK 22 / 0 / 23 / 52

HEX #607B5F

RGB 96 123 95

HSL 117.86, 0.13%, 0.43%

LAB 48.86, -15.68, 12.18

 

CMYK 0 / 7 / 0 / 56

HEX #716971

RGB 113 105 113

HSL 300, 0.04%, 0.43%

LAB 45.37, 4.74, -3.34

 

CMYK 1 / 33 / 0 / 49

HEX #825883

RGB 130 88 131

HSL 298.6, 0.2%, 0.43%

LAB 43.31, 24.93, -17.15

 

CMYK 28 / 0 / 62 / 38

HEX #729E3C

RGB 114 158 60

HSL 86.94, 0.45%, 0.43%

LAB 60.21, -31.19, 45.27

 

CMYK 44 / 0 / 62 / 38

HEX #589E3C

RGB 88 158 60

HSL 102.86, 0.45%, 0.43%

LAB 58.84, -40.5, 43.36

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 62 / 0 / 47 / 38

HEX #3C9E54

RGB 60 158 84

HSL 134.69, 0.45%, 0.43%

LAB 58.09, -45.06, 30.3

 

CMYK 62 / 0 / 30 / 38

HEX #3C9E6F

RGB 60 158 111

HSL 151.22, 0.45%, 0.43%

LAB 58.57, -39.92, 16.27

 

CMYK 62 / 0 / 63 / 61

HEX #266325

RGB 38 99 37

HSL 119.03, 0.46%, 0.27%

LAB 36.87, -33.4, 28.91

 

CMYK 62 / 0 / 63 / 49

HEX #318130

RGB 49 129 48

HSL 119.26, 0.46%, 0.35%

LAB 47.71, -41.35, 35.98

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 60 / 0 / 60 / 27

HEX #4BBA4A

RGB 75 186 74

HSL 119.46, 0.45%, 0.51%

LAB 67.36, -53.72, 46.52

 

CMYK 47 / 0 / 47 / 23

HEX #69C568

RGB 105 197 104

HSL 119.35, 0.44%, 0.59%

LAB 72.19, -46.27, 38.19

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 62 / 11 / 0 / 38

HEX #3C8C9E

RGB 60 140 158

HSL 191.02, 0.45%, 0.43%

LAB 54.22, -18.71, -16.85

 

CMYK 0 / 62 / 36 / 38

HEX #9E3C65

RGB 158 60 101

HSL 334.9, 0.45%, 0.43%

LAB 40.31, 44.75, -2.81

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 62 / 61 / 0 / 38

HEX #3C3D9E

RGB 60 61 158

HSL 239.39, 0.45%, 0.43%

LAB 31.27, 29.94, -53.04

 

CMYK 0 / 62 / 61 / 38

HEX #9E3C3D

RGB 158 60 61

HSL 359.39, 0.45%, 0.43%

LAB 39.31, 40.87, 20.83

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 62 / 11 / 0 / 38

HEX #3C8C9E

RGB 60 140 158

HSL 191.02, 0.45%, 0.43%

LAB 54.22, -18.71, -16.85

 

CMYK 1 / 62 / 0 / 38

HEX #9D3C9E

RGB 157 60 158

HSL 299.39, 0.45%, 0.43%

LAB 42.56, 53.12, -34.3

 

CMYK 0 / 51 / 62 / 38

HEX #9E4E3C

RGB 158 78 60

HSL 11.02, 0.45%, 0.43%

LAB 42.83, 31.63, 25.91

 

CMYK 61 / 0 / 62 / 38

HEX #3D9E3C

RGB 61 158 60

HSL 119.39, 0.45%, 0.43%

LAB 57.82, -48.19, 41.93

 

CMYK 62 / 30 / 0 / 38

HEX #3C6F9E

RGB 60 111 158

HSL 208.78, 0.45%, 0.43%

LAB 45.36, -2.18, -30.54

 

CMYK 1 / 62 / 0 / 38

HEX #9D3C9E

RGB 157 60 158

HSL 299.39, 0.45%, 0.43%

LAB 42.56, 53.12, -34.3

 

CMYK 0 / 32 / 62 / 38

HEX #9E6C3C

RGB 158 108 60

HSL 29.39, 0.45%, 0.43%

LAB 49.88, 14.79, 34.47

 

Description

Color code: HEX #3D9E3C | qconv.com Color code: HEX #3D9E3C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 158 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 158 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 62 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 62% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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