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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D9BDB it is the complementary color #C26424. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D9BDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D9BDB shade: #429BD6, #53ADE9, #64BFFC, #75D1FF and #86E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D9BDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D9BDB shade: #3D9BDB, #2C89C8, #1B77B5, #0A65A2 and #00538F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D9BDB shade: #3D9BDB, #3D70DB, #3D45DB, #5E3DDB and #893DDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D9BDB shade: #3D9BDB, #3D70DB, #3D45DB and #3D3DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D9BDB shade matches the following richer shades: #3D9BDB and #2A9EED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D9BDB shade: #3D9BDB, #4F97C8, #6294B6, #7490A3 and #878D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D9BDB shade: #3DDBC6, #3DC6DB, #3D9CDB, #3D71DB and #3D47DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D9BDB shade: #1E6FA7, #2587CA, #3D9BDB, #5FADE1 and #82BFE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D9BDB shade: #3D9BDB, #9C3DDB and #DBDB3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D9BDB shade: #3D9BDB, #DB3D9C and #9CDB3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D9BDB shade: #3D9BDB, #9C3DDB, #DB7C3D and #7CDB3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D9BDB shade: #3D9BDB, #CB3DDB, #DB7C3D and #4CDB3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

Complementary color

CMYK 0 / 48 / 81 / 24

HEX #C26424

RGB 194 100 36

HSL 24.3, 0.69%, 0.45%

LAB 52.63, 33.36, 50.56

 

CMYK 69 / 28 / 0 / 16

HEX #429BD6

RGB 66 155 214

HSL 203.92, 0.64%, 0.55%

LAB 61.18, -7.67, -37.82

 

CMYK 64 / 26 / 0 / 9

HEX #53ADE9

RGB 83 173 233

HSL 204, 0.77%, 0.62%

LAB 67.73, -8.72, -38.04

 

CMYK 60 / 24 / 0 / 1

HEX #64BFFC

RGB 100 191 252

HSL 204.08, 0.96%, 0.69%

LAB 74.19, -9.56, -38.25

 

CMYK 54 / 18 / 0 / 0

HEX #75D1FF

RGB 117 209 255

HSL 200, 1%, 0.73%

LAB 79.96, -14.91, -30.89

 

CMYK 47 / 11 / 0 / 0

HEX #86E3FF

RGB 134 227 255

HSL 193.88, 1%, 0.76%

LAB 85.62, -20.47, -22.18

 

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

CMYK 78 / 32 / 0 / 22

HEX #2C89C8

RGB 44 137 200

HSL 204.23, 0.64%, 0.48%

LAB 54.65, -5.13, -40.24

 

CMYK 85 / 34 / 0 / 29

HEX #1B77B5

RGB 27 119 181

HSL 204.16, 0.74%, 0.41%

LAB 47.96, -3.17, -39.95

 

CMYK 94 / 38 / 0 / 36

HEX #0A65A2

RGB 10 101 162

HSL 204.08, 0.88%, 0.34%

LAB 41.19, -0.63, -39.57

 

CMYK 100 / 42 / 0 / 44

HEX #00538F

RGB 0 83 143

HSL 205.17, 1%, 0.28%

LAB 34.33, 2.63, -39.08

 

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

CMYK 72 / 49 / 0 / 14

HEX #3D70DB

RGB 61 112 219

HSL 220.63, 0.69%, 0.55%

LAB 49.12, 19.17, -59.8

 

CMYK 72 / 68 / 0 / 14

HEX #3D45DB

RGB 61 69 219

HSL 236.96, 0.69%, 0.55%

LAB 38.49, 45.97, -77.12

 

CMYK 57 / 72 / 0 / 14

HEX #5E3DDB

RGB 94 61 219

HSL 252.53, 0.69%, 0.55%

LAB 39.3, 54.37, -75.7

 

CMYK 37 / 72 / 0 / 14

HEX #893DDB

RGB 137 61 219

HSL 268.86, 0.69%, 0.55%

LAB 43.9, 61.18, -67.98

 

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

CMYK 72 / 49 / 0 / 14

HEX #3D70DB

RGB 61 112 219

HSL 220.63, 0.69%, 0.55%

LAB 49.12, 19.17, -59.8

 

CMYK 72 / 68 / 0 / 14

HEX #3D45DB

RGB 61 69 219

HSL 236.96, 0.69%, 0.55%

LAB 38.49, 45.97, -77.12

 

CMYK 72 / 72 / 0 / 14

HEX #3D3DDB

RGB 61 61 219

HSL 240, 0.69%, 0.55%

LAB 36.83, 50.55, -79.86

 

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

CMYK 82 / 33 / 0 / 7

HEX #2A9EED

RGB 42 158 237

HSL 204.31, 0.84%, 0.55%

LAB 62.56, -4.08, -48.43

 

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

CMYK 61 / 25 / 0 / 22

HEX #4F97C8

RGB 79 151 200

HSL 204.3, 0.52%, 0.55%

LAB 59.86, -7.83, -32.02

 

CMYK 46 / 19 / 0 / 29

HEX #6294B6

RGB 98 148 182

HSL 204.29, 0.37%, 0.55%

LAB 59.12, -7.44, -22.94

 

CMYK 29 / 12 / 0 / 36

HEX #7490A3

RGB 116 144 163

HSL 204.26, 0.2%, 0.55%

LAB 58.32, -5.27, -13.25

 

CMYK 7 / 3 / 0 / 43

HEX #878D91

RGB 135 141 145

HSL 204, 0.04%, 0.55%

LAB 58.27, -1.36, -2.89

 

CMYK 72 / 0 / 10 / 14

HEX #3DDBC6

RGB 61 219 198

HSL 172.03, 0.69%, 0.55%

LAB 79.46, -44.92, -1.37

 

CMYK 72 / 10 / 0 / 14

HEX #3DC6DB

RGB 61 198 219

HSL 187.97, 0.69%, 0.55%

LAB 73.87, -29.29, -21.02

 

CMYK 72 / 29 / 0 / 14

HEX #3D9CDB

RGB 61 156 219

HSL 203.92, 0.69%, 0.55%

LAB 61.55, -7.23, -40.03

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 72 / 68 / 0 / 14

HEX #3D47DB

RGB 61 71 219

HSL 236.2, 0.69%, 0.55%

LAB 38.92, 44.79, -76.41

 

CMYK 82 / 34 / 0 / 35

HEX #1E6FA7

RGB 30 111 167

HSL 204.53, 0.7%, 0.39%

LAB 44.85, -3.39, -36.7

 

CMYK 82 / 33 / 0 / 21

HEX #2587CA

RGB 37 135 202

HSL 204.36, 0.69%, 0.47%

LAB 54.01, -3.95, -42.4

 

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

CMYK 58 / 23 / 0 / 12

HEX #5FADE1

RGB 95 173 225

HSL 204, 0.68%, 0.63%

LAB 67.84, -9.06, -33.46

 

CMYK 44 / 18 / 0 / 9

HEX #82BFE8

RGB 130 191 232

HSL 204.12, 0.69%, 0.71%

LAB 74.72, -8.98, -26.54

 

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

CMYK 29 / 72 / 0 / 14

HEX #9C3DDB

RGB 156 61 219

HSL 276.08, 0.69%, 0.55%

LAB 46.34, 64.65, -63.92

 

CMYK 0 / 0 / 72 / 14

HEX #DBDB3D

RGB 219 219 61

HSL 60, 0.69%, 0.55%

LAB 85.03, -17.83, 72.65

 

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

CMYK 0 / 72 / 29 / 14

HEX #DB3D9C

RGB 219 61 156

HSL 323.92, 0.69%, 0.55%

LAB 52.73, 68.46, -16.55

 

CMYK 29 / 0 / 72 / 14

HEX #9CDB3D

RGB 156 219 61

HSL 83.92, 0.69%, 0.55%

LAB 80.78, -42.81, 67.08

 

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

CMYK 29 / 72 / 0 / 14

HEX #9C3DDB

RGB 156 61 219

HSL 276.08, 0.69%, 0.55%

LAB 46.34, 64.65, -63.92

 

CMYK 0 / 43 / 72 / 14

HEX #DB7C3D

RGB 219 124 61

HSL 23.92, 0.69%, 0.55%

LAB 61.49, 31.93, 49.13

 

CMYK 43 / 0 / 72 / 14

HEX #7CDB3D

RGB 124 219 61

HSL 96.08, 0.69%, 0.55%

LAB 79.21, -53.75, 64.99

 

CMYK 72 / 29 / 0 / 14

HEX #3D9BDB

RGB 61 155 219

HSL 204.3, 0.69%, 0.55%

LAB 61.26, -6.67, -40.49

 

CMYK 7 / 72 / 0 / 14

HEX #CB3DDB

RGB 203 61 219

HSL 293.92, 0.69%, 0.55%

LAB 53.11, 73.92, -52.66

 

CMYK 0 / 43 / 72 / 14

HEX #DB7C3D

RGB 219 124 61

HSL 23.92, 0.69%, 0.55%

LAB 61.49, 31.93, 49.13

 

CMYK 65 / 0 / 72 / 14

HEX #4CDB3D

RGB 76 219 61

HSL 114.3, 0.69%, 0.55%

LAB 77.6, -66.25, 62.85

 

Description

Color code: HEX #3D9BDB | qconv.com Color code: HEX #3D9BDB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 155 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 155 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 29 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 29% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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