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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D97EF it is the complementary color #C26810. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D97EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D97EF shade: #4297EA, #53A9FD, #64BBFF, #75CDFF and #86DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D97EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D97EF shade: #3D97EF, #2C85DC, #1B73C9, #0A61B6 and #004FA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D97EF shade: #3E97EF, #3E68EF, #443EEF, #733EEF and #A33EEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D97EF shade: #3E97EF, #3E68EF and #3E3EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D97EF shade matches the following richer shades: #3E97EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D97EF shade: #3E97EF, #4E97DE, #5F97CD, #7097BD and #8197AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D97EF shade: #3EEFE6, #3EC9EF, #3E99EF, #3E6AEF and #413EEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D97EF shade: #106ECA, #1783EC, #3E97EF, #64ACF2 and #8AC0F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D97EF shade: #3D97EF, #B73EEF and #E1EF3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D97EF shade: #3D97EF, #EF3E99 and #99EF3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D97EF shade: #3D97EF, #B73EEF, #EF933E and #76EF3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D97EF shade: #3D97EF, #EC3EEF, #EF933E and #41EF3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 37 / 0 / 6

HEX #3D97EF

RGB 61 151 239

HSL 209.66, 0.85%, 0.59%

LAB 61.1, 2.63, -51.82

 

Complementary color

CMYK 0 / 46 / 92 / 24

HEX #C26810

RGB 194 104 16

HSL 29.66, 0.85%, 0.41%

LAB 53.39, 30.76, 58.03

 

CMYK 72 / 35 / 0 / 8

HEX #4297EA

RGB 66 151 234

HSL 209.64, 0.8%, 0.59%

LAB 60.99, 1.51, -49.23

 

CMYK 67 / 33 / 0 / 1

HEX #53A9FD

RGB 83 169 253

HSL 209.65, 0.98%, 0.66%

LAB 67.51, 0.09, -49.29

 

CMYK 61 / 27 / 0 / 0

HEX #64BBFF

RGB 100 187 255

HSL 206.32, 1%, 0.7%

LAB 73.2, -6.46, -41.4

 

CMYK 54 / 20 / 0 / 0

HEX #75CDFF

RGB 117 205 255

HSL 201.74, 1%, 0.73%

LAB 78.85, -12.83, -32.59

 

CMYK 47 / 13 / 0 / 0

HEX #86DFFF

RGB 134 223 255

HSL 195.87, 1%, 0.76%

LAB 84.52, -18.46, -23.85

 

CMYK 74 / 37 / 0 / 6

HEX #3D97EF

RGB 61 151 239

HSL 209.66, 0.85%, 0.59%

LAB 61.1, 2.63, -51.82

 

CMYK 80 / 40 / 0 / 14

HEX #2C85DC

RGB 44 133 220

HSL 209.66, 0.72%, 0.52%

LAB 54.53, 4.58, -51.72

 

CMYK 87 / 43 / 0 / 21

HEX #1B73C9

RGB 27 115 201

HSL 209.66, 0.76%, 0.45%

LAB 47.89, 7, -51.57

 

CMYK 95 / 47 / 0 / 29

HEX #0A61B6

RGB 10 97 182

HSL 209.65, 0.9%, 0.38%

LAB 41.2, 10.01, -51.33

 

CMYK 100 / 52 / 0 / 36

HEX #004FA3

RGB 0 79 163

HSL 210.92, 1%, 0.32%

LAB 34.47, 13.74, -50.95

 

CMYK 74 / 37 / 0 / 6

HEX #3E97EF

RGB 62 151 239

HSL 209.83, 0.85%, 0.59%

LAB 61.12, 2.75, -51.78

 

CMYK 74 / 56 / 0 / 6

HEX #3E68EF

RGB 62 104 239

HSL 225.76, 0.85%, 0.59%

LAB 48.46, 31.55, -72.14

 

CMYK 72 / 74 / 0 / 6

HEX #443EEF

RGB 68 62 239

HSL 242.03, 0.85%, 0.59%

LAB 39.42, 56.95, -86.94

 

CMYK 52 / 74 / 0 / 6

HEX #733EEF

RGB 115 62 239

HSL 257.97, 0.85%, 0.59%

LAB 43.24, 62.29, -80.52

 

CMYK 32 / 74 / 0 / 6

HEX #A33EEF

RGB 163 62 239

HSL 274.24, 0.85%, 0.59%

LAB 48.84, 69.82, -71.14

 

CMYK 74 / 37 / 0 / 6

HEX #3E97EF

RGB 62 151 239

HSL 209.83, 0.85%, 0.59%

LAB 61.12, 2.75, -51.78

 

CMYK 74 / 56 / 0 / 6

HEX #3E68EF

RGB 62 104 239

HSL 225.76, 0.85%, 0.59%

LAB 48.46, 31.55, -72.14

 

CMYK 74 / 74 / 0 / 6

HEX #3E3EEF

RGB 62 62 239

HSL 240, 0.85%, 0.59%

LAB 39.07, 56.45, -87.53

 

CMYK 74 / 37 / 0 / 6

HEX #3E97EF

RGB 62 151 239

HSL 209.83, 0.85%, 0.59%

LAB 61.12, 2.75, -51.78

 

CMYK 74 / 37 / 0 / 6

HEX #3E97EF

RGB 62 151 239

HSL 209.83, 0.85%, 0.59%

LAB 61.12, 2.75, -51.78

 

CMYK 65 / 32 / 0 / 13

HEX #4E97DE

RGB 78 151 222

HSL 209.58, 0.69%, 0.59%

LAB 60.81, -0.79, -42.84

 

CMYK 54 / 26 / 0 / 20

HEX #5F97CD

RGB 95 151 205

HSL 209.45, 0.52%, 0.59%

LAB 60.76, -2.96, -33.37

 

CMYK 41 / 20 / 0 / 26

HEX #7097BD

RGB 112 151 189

HSL 209.61, 0.37%, 0.59%

LAB 61, -3.5, -23.94

 

CMYK 25 / 12 / 0 / 33

HEX #8197AC

RGB 129 151 172

HSL 209.3, 0.21%, 0.59%

LAB 61.46, -2.93, -13.55

 

CMYK 74 / 0 / 4 / 6

HEX #3EEFE6

RGB 62 239 230

HSL 176.95, 0.85%, 0.59%

LAB 86.24, -44.93, -8.31

 

CMYK 74 / 16 / 0 / 6

HEX #3EC9EF

RGB 62 201 239

HSL 192.88, 0.85%, 0.59%

LAB 75.47, -24.46, -29.36

 

CMYK 74 / 36 / 0 / 6

HEX #3E99EF

RGB 62 153 239

HSL 209.15, 0.85%, 0.59%

LAB 61.69, 1.58, -50.88

 

CMYK 74 / 56 / 0 / 6

HEX #3E6AEF

RGB 62 106 239

HSL 225.08, 0.85%, 0.59%

LAB 48.96, 30.3, -71.32

 

CMYK 73 / 74 / 0 / 6

HEX #413EEF

RGB 65 62 239

HSL 241.02, 0.85%, 0.59%

LAB 39.24, 56.69, -87.25

 

CMYK 92 / 46 / 0 / 21

HEX #106ECA

RGB 16 110 202

HSL 209.68, 0.85%, 0.43%

LAB 46.35, 9.91, -54.64

 

CMYK 90 / 44 / 0 / 7

HEX #1783EC

RGB 23 131 236

HSL 209.58, 0.85%, 0.51%

LAB 54.52, 10.33, -60.7

 

CMYK 74 / 37 / 0 / 6

HEX #3E97EF

RGB 62 151 239

HSL 209.83, 0.85%, 0.59%

LAB 61.12, 2.75, -51.78

 

CMYK 59 / 29 / 0 / 5

HEX #64ACF2

RGB 100 172 242

HSL 209.58, 0.85%, 0.67%

LAB 68.48, -2.25, -41.74

 

CMYK 44 / 22 / 0 / 4

HEX #8AC0F6

RGB 138 192 246

HSL 210, 0.86%, 0.75%

LAB 75.92, -3.74, -32.21

 

CMYK 74 / 37 / 0 / 6

HEX #3D97EF

RGB 61 151 239

HSL 209.66, 0.85%, 0.59%

LAB 61.1, 2.63, -51.82

 

CMYK 23 / 74 / 0 / 6

HEX #B73EEF

RGB 183 62 239

HSL 281.02, 0.85%, 0.59%

LAB 51.55, 73.37, -66.63

 

CMYK 6 / 0 / 74 / 6

HEX #E1EF3E

RGB 225 239 62

HSL 64.75, 0.85%, 0.59%

LAB 90.82, -24.97, 77.93

 

CMYK 74 / 37 / 0 / 6

HEX #3D97EF

RGB 61 151 239

HSL 209.66, 0.85%, 0.59%

LAB 61.1, 2.63, -51.82

 

CMYK 0 / 74 / 36 / 6

HEX #EF3E99

RGB 239 62 153

HSL 329.15, 0.85%, 0.59%

LAB 56.18, 72.91, -9.23

 

CMYK 36 / 0 / 74 / 6

HEX #99EF3E

RGB 153 239 62

HSL 89.15, 0.85%, 0.59%

LAB 86.43, -52.18, 72.22

 

CMYK 74 / 37 / 0 / 6

HEX #3D97EF

RGB 61 151 239

HSL 209.66, 0.85%, 0.59%

LAB 61.1, 2.63, -51.82

 

CMYK 23 / 74 / 0 / 6

HEX #B73EEF

RGB 183 62 239

HSL 281.02, 0.85%, 0.59%

LAB 51.55, 73.37, -66.63

 

CMYK 0 / 38 / 74 / 6

HEX #EF933E

RGB 239 147 62

HSL 28.81, 0.85%, 0.59%

LAB 69.16, 28.04, 57.43

 

CMYK 51 / 0 / 74 / 6

HEX #76EF3E

RGB 118 239 62

HSL 101.02, 0.85%, 0.59%

LAB 84.96, -62.98, 70.28

 

CMYK 74 / 37 / 0 / 6

HEX #3D97EF

RGB 61 151 239

HSL 209.66, 0.85%, 0.59%

LAB 61.1, 2.63, -51.82

 

CMYK 1 / 74 / 0 / 6

HEX #EC3EEF

RGB 236 62 239

HSL 298.98, 0.85%, 0.59%

LAB 59.44, 83.47, -53.53

 

CMYK 0 / 38 / 74 / 6

HEX #EF933E

RGB 239 147 62

HSL 28.81, 0.85%, 0.59%

LAB 69.16, 28.04, 57.43

 

CMYK 73 / 0 / 74 / 6

HEX #41EF3E

RGB 65 239 62

HSL 118.98, 0.85%, 0.59%

LAB 83.55, -74.45, 68.41

 

Description

Color code: HEX #3D97EF | qconv.com Color code: HEX #3D97EF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 151 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 151 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 37 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 37% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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