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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D9756 it is the complementary color #C268A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D9756. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D9756 shade: #429751, #53A964, #64BB77, #75CD8A and #86DF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D9756. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D9756 shade: #3D9756, #2C8543, #1B7330, #0A611D and #004F0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D9756 shade: #3E9857, #3E983F, #56983E, #6E983E and #86983E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D9756 shade: #3E9857, #3E986F, #3E9888, #3E9098 and #3E7898

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D9756 shade matches the following richer shades: #3E9857, #2DA94F, #1BBB48 and #0ACC40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D9756 shade: #3E9857, #4F875F, #617567, #72646E and #835376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D9756 shade: #56983E, #3E983E, #3E9856, #3E986E and #3E9886

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D9756 shade: #265D36, #327B46, #3E9857, #4AB568 and #68C180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D9756 shade: #3D9756, #3E6E98 and #983E4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D9756 shade: #3D9756, #563E98 and #98563E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D9756 shade: #3D9756, #3E6E98, #983E80 and #98683E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D9756 shade: #3D9756, #3E5398, #983E80 and #98833E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 43 / 41

HEX #3D9756

RGB 61 151 86

HSL 136.67, 0.42%, 0.42%

LAB 55.88, -41.64, 26.41

 

Complementary color

CMYK 0 / 46 / 13 / 24

HEX #C268A9

RGB 194 104 169

HSL 316.67, 0.42%, 0.58%

LAB 56.32, 44.45, -19.03

 

CMYK 56 / 0 / 46 / 41

HEX #429751

RGB 66 151 81

HSL 130.59, 0.39%, 0.43%

LAB 55.97, -41.24, 29.24

 

CMYK 51 / 0 / 41 / 34

HEX #53A964

RGB 83 169 100

HSL 131.86, 0.34%, 0.49%

LAB 62.62, -41.22, 27.84

 

CMYK 47 / 0 / 36 / 27

HEX #64BB77

RGB 100 187 119

HSL 133.1, 0.39%, 0.56%

LAB 69.17, -41.07, 26.53

 

CMYK 43 / 0 / 33 / 20

HEX #75CD8A

RGB 117 205 138

HSL 134.32, 0.47%, 0.63%

LAB 75.62, -40.85, 25.31

 

CMYK 40 / 0 / 30 / 13

HEX #86DF9D

RGB 134 223 157

HSL 135.51, 0.58%, 0.7%

LAB 81.99, -40.61, 24.17

 

CMYK 60 / 0 / 43 / 41

HEX #3D9756

RGB 61 151 86

HSL 136.67, 0.42%, 0.42%

LAB 55.88, -41.64, 26.41

 

CMYK 67 / 0 / 50 / 48

HEX #2C8543

RGB 44 133 67

HSL 135.51, 0.5%, 0.35%

LAB 49.15, -41.37, 27.94

 

CMYK 77 / 0 / 58 / 55

HEX #1B7330

RGB 27 115 48

HSL 134.32, 0.62%, 0.28%

LAB 42.32, -40.64, 29.54

 

CMYK 90 / 0 / 70 / 62

HEX #0A611D

RGB 10 97 29

HSL 133.1, 0.81%, 0.21%

LAB 35.41, -39.08, 31.05

 

CMYK 100 / 0 / 87 / 69

HEX #004F0A

RGB 0 79 10

HSL 127.59, 1%, 0.15%

LAB 28.42, -36.1, 31.82

 

CMYK 59 / 0 / 43 / 40

HEX #3E9857

RGB 62 152 87

HSL 136.67, 0.42%, 0.42%

LAB 56.26, -41.64, 26.36

 

CMYK 59 / 0 / 59 / 40

HEX #3E983F

RGB 62 152 63

HSL 120.67, 0.42%, 0.42%

LAB 55.93, -45.27, 38.33

 

CMYK 43 / 0 / 59 / 40

HEX #56983E

RGB 86 152 62

HSL 104, 0.42%, 0.42%

LAB 56.86, -38.36, 40.15

 

CMYK 28 / 0 / 59 / 40

HEX #6E983E

RGB 110 152 62

HSL 88, 0.42%, 0.42%

LAB 58.15, -29.7, 41.96

 

CMYK 12 / 0 / 59 / 40

HEX #86983E

RGB 134 152 62

HSL 72, 0.42%, 0.42%

LAB 59.77, -19.94, 44.23

 

CMYK 59 / 0 / 43 / 40

HEX #3E9857

RGB 62 152 87

HSL 136.67, 0.42%, 0.42%

LAB 56.26, -41.64, 26.36

 

CMYK 59 / 0 / 27 / 40

HEX #3E986F

RGB 62 152 111

HSL 152.67, 0.42%, 0.42%

LAB 56.71, -36.85, 13.71

 

CMYK 59 / 0 / 11 / 40

HEX #3E9888

RGB 62 152 136

HSL 169.33, 0.42%, 0.42%

LAB 57.33, -30.75, 0.41

 

CMYK 59 / 5 / 0 / 40

HEX #3E9098

RGB 62 144 152

HSL 185.33, 0.42%, 0.42%

LAB 55.32, -22.26, -11.74

 

CMYK 59 / 21 / 0 / 40

HEX #3E7898

RGB 62 120 152

HSL 201.33, 0.42%, 0.42%

LAB 47.91, -9.11, -23.03

 

CMYK 59 / 0 / 43 / 40

HEX #3E9857

RGB 62 152 87

HSL 136.67, 0.42%, 0.42%

LAB 56.26, -41.64, 26.36

 

CMYK 73 / 0 / 53 / 34

HEX #2DA94F

RGB 45 169 79

HSL 136.45, 0.58%, 0.42%

LAB 61.22, -52.9, 36.69

 

CMYK 86 / 0 / 61 / 27

HEX #1BBB48

RGB 27 187 72

HSL 136.88, 0.75%, 0.42%

LAB 66.7, -62.13, 46.43

 

CMYK 95 / 0 / 69 / 20

HEX #0ACC40

RGB 10 204 64

HSL 136.7, 0.91%, 0.42%

LAB 71.97, -69.24, 55.59

 

CMYK 59 / 0 / 43 / 40

HEX #3E9857

RGB 62 152 87

HSL 136.67, 0.42%, 0.42%

LAB 56.26, -41.64, 26.36

 

CMYK 41 / 0 / 30 / 47

HEX #4F875F

RGB 79 135 95

HSL 137.14, 0.26%, 0.42%

LAB 51.63, -27.74, 15.86

 

CMYK 17 / 0 / 12 / 54

HEX #617567

RGB 97 117 103

HSL 138, 0.09%, 0.42%

LAB 47.29, -10.4, 5.28

 

CMYK 0 / 12 / 4 / 55

HEX #72646E

RGB 114 100 110

HSL 317.14, 0.07%, 0.42%

LAB 43.97, 7.51, -3.58

 

CMYK 0 / 37 / 10 / 49

HEX #835376

RGB 131 83 118

HSL 316.25, 0.22%, 0.42%

LAB 41.72, 25.68, -11.63

 

CMYK 43 / 0 / 59 / 40

HEX #56983E

RGB 86 152 62

HSL 104, 0.42%, 0.42%

LAB 56.86, -38.36, 40.15

 

CMYK 59 / 0 / 59 / 40

HEX #3E983E

RGB 62 152 62

HSL 120, 0.42%, 0.42%

LAB 55.92, -45.39, 38.8

 

CMYK 59 / 0 / 43 / 40

HEX #3E9856

RGB 62 152 86

HSL 136, 0.42%, 0.42%

LAB 56.24, -41.81, 26.88

 

CMYK 59 / 0 / 28 / 40

HEX #3E986E

RGB 62 152 110

HSL 152, 0.42%, 0.42%

LAB 56.69, -37.07, 14.24

 

CMYK 59 / 0 / 12 / 40

HEX #3E9886

RGB 62 152 134

HSL 168, 0.42%, 0.42%

LAB 57.27, -31.28, 1.47

 

CMYK 59 / 0 / 42 / 64

HEX #265D36

RGB 38 93 54

HSL 137.45, 0.42%, 0.26%

LAB 35.02, -27.93, 17.07

 

CMYK 59 / 0 / 43 / 52

HEX #327B46

RGB 50 123 70

HSL 136.44, 0.42%, 0.34%

LAB 46.02, -35.27, 22.33

 

CMYK 59 / 0 / 43 / 40

HEX #3E9857

RGB 62 152 87

HSL 136.67, 0.42%, 0.42%

LAB 56.26, -41.64, 26.36

 

CMYK 59 / 0 / 43 / 29

HEX #4AB568

RGB 74 181 104

HSL 136.82, 0.42%, 0.5%

LAB 66.14, -47.77, 30.25

 

CMYK 46 / 0 / 34 / 24

HEX #68C180

RGB 104 193 128

HSL 136.18, 0.42%, 0.58%

LAB 71.31, -40.99, 24.67

 

CMYK 60 / 0 / 43 / 41

HEX #3D9756

RGB 61 151 86

HSL 136.67, 0.42%, 0.42%

LAB 55.88, -41.64, 26.41

 

CMYK 59 / 28 / 0 / 40

HEX #3E6E98

RGB 62 110 152

HSL 208, 0.42%, 0.42%

LAB 44.86, -3.21, -27.76

 

CMYK 0 / 59 / 51 / 40

HEX #983E4A

RGB 152 62 74

HSL 352, 0.42%, 0.42%

LAB 38.92, 38.8, 12.03

 

CMYK 60 / 0 / 43 / 41

HEX #3D9756

RGB 61 151 86

HSL 136.67, 0.42%, 0.42%

LAB 55.88, -41.64, 26.41

 

CMYK 43 / 59 / 0 / 40

HEX #563E98

RGB 86 62 152

HSL 256, 0.42%, 0.42%

LAB 33.33, 32.7, -45.95

 

CMYK 0 / 43 / 59 / 40

HEX #98563E

RGB 152 86 62

HSL 16, 0.42%, 0.42%

LAB 43.77, 24.89, 25.72

 

CMYK 60 / 0 / 43 / 41

HEX #3D9756

RGB 61 151 86

HSL 136.67, 0.42%, 0.42%

LAB 55.88, -41.64, 26.41

 

CMYK 59 / 28 / 0 / 40

HEX #3E6E98

RGB 62 110 152

HSL 208, 0.42%, 0.42%

LAB 44.86, -3.21, -27.76

 

CMYK 0 / 59 / 16 / 40

HEX #983E80

RGB 152 62 128

HSL 316, 0.42%, 0.42%

LAB 40.7, 45.72, -19.06

 

CMYK 0 / 32 / 59 / 40

HEX #98683E

RGB 152 104 62

HSL 28, 0.42%, 0.42%

LAB 48.16, 14.59, 31.14

 

CMYK 60 / 0 / 43 / 41

HEX #3D9756

RGB 61 151 86

HSL 136.67, 0.42%, 0.42%

LAB 55.88, -41.64, 26.41

 

CMYK 59 / 45 / 0 / 40

HEX #3E5398

RGB 62 83 152

HSL 226, 0.42%, 0.42%

LAB 36.89, 13.82, -40.34

 

CMYK 0 / 59 / 16 / 40

HEX #983E80

RGB 152 62 128

HSL 316, 0.42%, 0.42%

LAB 40.7, 45.72, -19.06

 

CMYK 0 / 14 / 59 / 40

HEX #98833E

RGB 152 131 62

HSL 46, 0.42%, 0.42%

LAB 55.33, -0.79, 39.61

 

Description

Color code: HEX #3D9756 | qconv.com Color code: HEX #3D9756 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 151 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 151 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 43 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 43% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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