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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D8D52 it is the complementary color #C272AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D8D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D8D52 shade: #428D4D, #539F60, #64B173, #75C386 and #86D599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D8D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D8D52 shade: #3D8D52, #2C7B3F, #1B692C, #0A5719 and #004506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D8D52 shade: #3D8F53, #3E8F3D, #548F3D, #6A8F3D and #808F3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D8D52 shade: #3D8F53, #3D8F69, #3D8F7F, #3D898F and #3D738F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D8D52 shade matches the following richer shades: #3D8F53, #2D9F4B, #1CB043 and #0CC03B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D8D52 shade: #3D8F53, #4E7E5A, #5E6E62, #6F5D6A and #7F4D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D8D52 shade: #548F3D, #3F8F3D, #3D8F52, #3D8F67 and #3D8F7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D8D52 shade: #245531, #317242, #3D8F53, #4AAC63 and #63BC7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D8D52 shade: #3D8D52, #3D6A8F and #8F3D49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D8D52 shade: #3D8D52, #523D8F and #8F523D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D8D52 shade: #3D8D52, #3D6A8F, #8F3D7A and #8F623D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D8D52 shade: #3D8D52, #3D528F, #8F3D7A and #8F7A3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 42 / 45

HEX #3D8D52

RGB 61 141 82

HSL 135.75, 0.4%, 0.4%

LAB 52.57, -38.11, 24.27

 

Complementary color

CMYK 0 / 41 / 11 / 24

HEX #C272AD

RGB 194 114 173

HSL 315.75, 0.4%, 0.6%

LAB 58.53, 39.88, -17.97

 

CMYK 53 / 0 / 45 / 45

HEX #428D4D

RGB 66 141 77

HSL 128.8, 0.36%, 0.41%

LAB 52.67, -37.63, 27.16

 

CMYK 48 / 0 / 40 / 38

HEX #539F60

RGB 83 159 96

HSL 130.26, 0.31%, 0.47%

LAB 59.42, -37.53, 25.78

 

CMYK 44 / 0 / 35 / 31

HEX #64B173

RGB 100 177 115

HSL 131.69, 0.33%, 0.54%

LAB 66.05, -37.33, 24.5

 

CMYK 40 / 0 / 31 / 24

HEX #75C386

RGB 117 195 134

HSL 133.08, 0.39%, 0.61%

LAB 72.58, -37.08, 23.3

 

CMYK 37 / 0 / 28 / 16

HEX #86D599

RGB 134 213 153

HSL 134.43, 0.48%, 0.68%

LAB 79.02, -36.82, 22.19

 

CMYK 57 / 0 / 42 / 45

HEX #3D8D52

RGB 61 141 82

HSL 135.75, 0.4%, 0.4%

LAB 52.57, -38.11, 24.27

 

CMYK 64 / 0 / 49 / 52

HEX #2C7B3F

RGB 44 123 63

HSL 134.43, 0.47%, 0.33%

LAB 45.72, -37.96, 25.78

 

CMYK 74 / 0 / 58 / 59

HEX #1B692C

RGB 27 105 44

HSL 133.08, 0.59%, 0.26%

LAB 38.76, -37.4, 27.38

 

CMYK 89 / 0 / 71 / 66

HEX #0A5719

RGB 10 87 25

HSL 131.69, 0.79%, 0.19%

LAB 31.7, -35.99, 28.89

 

CMYK 100 / 0 / 91 / 73

HEX #004506

RGB 0 69 6

HSL 125.22, 1%, 0.14%

LAB 24.54, -33.11, 29.69

 

CMYK 57 / 0 / 42 / 44

HEX #3D8F53

RGB 61 143 83

HSL 136.1, 0.4%, 0.4%

LAB 53.23, -38.79, 24.6

 

CMYK 57 / 0 / 57 / 44

HEX #3E8F3D

RGB 62 143 61

HSL 119.27, 0.4%, 0.4%

LAB 52.96, -41.93, 35.82

 

CMYK 41 / 0 / 57 / 44

HEX #548F3D

RGB 84 143 61

HSL 103.17, 0.4%, 0.4%

LAB 53.89, -35.17, 37.14

 

CMYK 26 / 0 / 57 / 44

HEX #6A8F3D

RGB 106 143 61

HSL 87.07, 0.4%, 0.4%

LAB 55.12, -27.02, 38.9

 

CMYK 10 / 0 / 57 / 44

HEX #808F3D

RGB 128 143 61

HSL 70.98, 0.4%, 0.4%

LAB 56.66, -17.94, 41.06

 

CMYK 57 / 0 / 42 / 44

HEX #3D8F53

RGB 61 143 83

HSL 136.1, 0.4%, 0.4%

LAB 53.23, -38.79, 24.6

 

CMYK 57 / 0 / 27 / 44

HEX #3D8F69

RGB 61 143 105

HSL 152.2, 0.4%, 0.4%

LAB 53.66, -34.35, 12.85

 

CMYK 57 / 0 / 11 / 44

HEX #3D8F7F

RGB 61 143 127

HSL 168.29, 0.4%, 0.4%

LAB 54.21, -28.99, 1.01

 

CMYK 57 / 4 / 0 / 44

HEX #3D898F

RGB 61 137 143

HSL 184.39, 0.4%, 0.4%

LAB 52.8, -21.48, -10.32

 

CMYK 57 / 20 / 0 / 44

HEX #3D738F

RGB 61 115 143

HSL 200.49, 0.4%, 0.4%

LAB 45.96, -9.35, -20.73

 

CMYK 57 / 0 / 42 / 44

HEX #3D8F53

RGB 61 143 83

HSL 136.1, 0.4%, 0.4%

LAB 53.23, -38.79, 24.6

 

CMYK 72 / 0 / 53 / 38

HEX #2D9F4B

RGB 45 159 75

HSL 135.79, 0.56%, 0.4%

LAB 57.91, -49.87, 34.64

 

CMYK 84 / 0 / 62 / 31

HEX #1CB043

RGB 28 176 67

HSL 135.81, 0.73%, 0.4%

LAB 63.1, -59.12, 44.56

 

CMYK 94 / 0 / 69 / 25

HEX #0CC03B

RGB 12 192 59

HSL 135.67, 0.88%, 0.4%

LAB 68.09, -66.1, 53.42

 

CMYK 57 / 0 / 42 / 44

HEX #3D8F53

RGB 61 143 83

HSL 136.1, 0.4%, 0.4%

LAB 53.23, -38.79, 24.6

 

CMYK 38 / 0 / 29 / 51

HEX #4E7E5A

RGB 78 126 90

HSL 135, 0.24%, 0.4%

LAB 48.61, -24.58, 14.58

 

CMYK 15 / 0 / 11 / 57

HEX #5E6E62

RGB 94 110 98

HSL 135, 0.08%, 0.4%

LAB 44.82, -8.59, 4.68

 

CMYK 0 / 16 / 5 / 56

HEX #6F5D6A

RGB 111 93 106

HSL 316.67, 0.09%, 0.4%

LAB 41.61, 9.77, -4.68

 

CMYK 0 / 39 / 10 / 50

HEX #7F4D72

RGB 127 77 114

HSL 315.6, 0.25%, 0.4%

LAB 39.64, 27, -12.37

 

CMYK 41 / 0 / 57 / 44

HEX #548F3D

RGB 84 143 61

HSL 103.17, 0.4%, 0.4%

LAB 53.89, -35.17, 37.14

 

CMYK 56 / 0 / 57 / 44

HEX #3F8F3D

RGB 63 143 61

HSL 118.54, 0.4%, 0.4%

LAB 52.99, -41.66, 35.87

 

CMYK 57 / 0 / 43 / 44

HEX #3D8F52

RGB 61 143 82

HSL 135.37, 0.4%, 0.4%

LAB 53.22, -38.97, 25.12

 

CMYK 57 / 0 / 28 / 44

HEX #3D8F67

RGB 61 143 103

HSL 150.73, 0.4%, 0.4%

LAB 53.62, -34.8, 13.93

 

CMYK 57 / 0 / 13 / 44

HEX #3D8F7D

RGB 61 143 125

HSL 166.83, 0.4%, 0.4%

LAB 54.15, -29.51, 2.09

 

CMYK 58 / 0 / 42 / 67

HEX #245531

RGB 36 85 49

HSL 135.92, 0.4%, 0.24%

LAB 32.02, -25.69, 16.11

 

CMYK 57 / 0 / 42 / 55

HEX #317242

RGB 49 114 66

HSL 135.69, 0.4%, 0.32%

LAB 42.88, -32.28, 20.49

 

CMYK 57 / 0 / 42 / 44

HEX #3D8F53

RGB 61 143 83

HSL 136.1, 0.4%, 0.4%

LAB 53.23, -38.79, 24.6

 

CMYK 57 / 0 / 42 / 33

HEX #4AAC63

RGB 74 172 99

HSL 135.31, 0.4%, 0.48%

LAB 63.23, -44.96, 29.1

 

CMYK 47 / 0 / 35 / 26

HEX #63BC7A

RGB 99 188 122

HSL 135.51, 0.4%, 0.56%

LAB 69.49, -41.25, 25.36

 

CMYK 57 / 0 / 42 / 45

HEX #3D8D52

RGB 61 141 82

HSL 135.75, 0.4%, 0.4%

LAB 52.57, -38.11, 24.27

 

CMYK 57 / 26 / 0 / 44

HEX #3D6A8F

RGB 61 106 143

HSL 207.07, 0.4%, 0.4%

LAB 43.19, -4.03, -25.01

 

CMYK 0 / 57 / 49 / 44

HEX #8F3D49

RGB 143 61 73

HSL 351.22, 0.4%, 0.4%

LAB 37.22, 35.9, 10.07

 

CMYK 57 / 0 / 42 / 45

HEX #3D8D52

RGB 61 141 82

HSL 135.75, 0.4%, 0.4%

LAB 52.57, -38.11, 24.27

 

CMYK 43 / 57 / 0 / 44

HEX #523D8F

RGB 82 61 143

HSL 255.37, 0.4%, 0.4%

LAB 32.07, 29.69, -42.51

 

CMYK 0 / 43 / 57 / 44

HEX #8F523D

RGB 143 82 61

HSL 15.37, 0.4%, 0.4%

LAB 41.55, 23.26, 23.24

 

CMYK 57 / 0 / 42 / 45

HEX #3D8D52

RGB 61 141 82

HSL 135.75, 0.4%, 0.4%

LAB 52.57, -38.11, 24.27

 

CMYK 57 / 26 / 0 / 44

HEX #3D6A8F

RGB 61 106 143

HSL 207.07, 0.4%, 0.4%

LAB 43.19, -4.03, -25.01

 

CMYK 0 / 57 / 15 / 44

HEX #8F3D7A

RGB 143 61 122

HSL 315.37, 0.4%, 0.4%

LAB 38.87, 42.48, -18.3

 

CMYK 0 / 31 / 57 / 44

HEX #8F623D

RGB 143 98 61

HSL 27.07, 0.4%, 0.4%

LAB 45.51, 13.99, 28.21

 

CMYK 57 / 0 / 42 / 45

HEX #3D8D52

RGB 61 141 82

HSL 135.75, 0.4%, 0.4%

LAB 52.57, -38.11, 24.27

 

CMYK 57 / 43 / 0 / 44

HEX #3D528F

RGB 61 82 143

HSL 224.63, 0.4%, 0.4%

LAB 36, 11.1, -36.31

 

CMYK 0 / 57 / 15 / 44

HEX #8F3D7A

RGB 143 61 122

HSL 315.37, 0.4%, 0.4%

LAB 38.87, 42.48, -18.3

 

CMYK 0 / 15 / 57 / 44

HEX #8F7A3D

RGB 143 122 61

HSL 44.63, 0.4%, 0.4%

LAB 51.95, 0.15, 35.95

 

Description

Color code: HEX #3D8D52 | qconv.com Color code: HEX #3D8D52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 141 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 141 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 42 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 42% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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