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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D866C it is the complementary color #C27993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D866C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D866C shade: #428667, #53987A, #64AA8D, #75BCA0 and #86CEB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D866C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D866C shade: #3D866C, #2C7459, #1B6246, #0A5033 and #003E20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D866C shade: #3D856B, #3D8558, #3D8545, #49853D and #5C853D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D866C shade: #3D856B, #3D857F, #3D7885, #3D6485 and #3D5185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D866C shade matches the following richer shades: #3D856B, #2D9470, #1EA474 and #0EB479

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D866C shade: #3D856B, #4D7567, #5C6562, #6C565E and #7C4659

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D866C shade: #3D8544, #3D8557, #3D856A, #3D857E and #3D7985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D866C shade: #234C3E, #306854, #3D856B, #4AA182 and #5FB597

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D866C shade: #3D866C, #3D4985 and #854E3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D866C shade: #3D866C, #6A3D85 and #856A3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D866C shade: #3D866C, #3D4985, #853D57 and #85793D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D866C shade: #3D866C, #473D85, #853D57 and #7B853D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 19 / 47

HEX #3D866C

RGB 61 134 108

HSL 158.63, 0.37%, 0.38%

LAB 50.83, -29.43, 7.15

 

Complementary color

CMYK 0 / 38 / 24 / 24

HEX #C27993

RGB 194 121 147

HSL 338.63, 0.37%, 0.62%

LAB 59.21, 31.99, -1.98

 

CMYK 51 / 0 / 23 / 47

HEX #428667

RGB 66 134 103

HSL 152.65, 0.34%, 0.39%

LAB 50.91, -29.33, 10.17

 

CMYK 45 / 0 / 20 / 40

HEX #53987A

RGB 83 152 122

HSL 153.91, 0.29%, 0.46%

LAB 57.75, -29.13, 9.08

 

CMYK 41 / 0 / 17 / 33

HEX #64AA8D

RGB 100 170 141

HSL 155.14, 0.29%, 0.53%

LAB 64.47, -28.91, 8.09

 

CMYK 38 / 0 / 15 / 26

HEX #75BCA0

RGB 117 188 160

HSL 156.34, 0.35%, 0.6%

LAB 71.07, -28.68, 7.18

 

CMYK 35 / 0 / 13 / 19

HEX #86CEB3

RGB 134 206 179

HSL 157.5, 0.42%, 0.67%

LAB 77.56, -28.45, 6.33

 

CMYK 54 / 0 / 19 / 47

HEX #3D866C

RGB 61 134 108

HSL 158.63, 0.37%, 0.38%

LAB 50.83, -29.43, 7.15

 

CMYK 62 / 0 / 23 / 55

HEX #2C7459

RGB 44 116 89

HSL 157.5, 0.45%, 0.31%

LAB 43.87, -29.42, 8.34

 

CMYK 72 / 0 / 29 / 62

HEX #1B6246

RGB 27 98 70

HSL 156.34, 0.57%, 0.25%

LAB 36.76, -29.17, 9.73

 

CMYK 88 / 0 / 36 / 69

HEX #0A5033

RGB 10 80 51

HSL 155.14, 0.78%, 0.18%

LAB 29.52, -28.41, 11.39

 

CMYK 100 / 0 / 48 / 76

HEX #003E20

RGB 0 62 32

HSL 150.97, 1%, 0.12%

LAB 22.12, -26.67, 13.43

 

CMYK 54 / 0 / 20 / 48

HEX #3D856B

RGB 61 133 107

HSL 158.33, 0.37%, 0.38%

LAB 50.49, -29.19, 7.23

 

CMYK 54 / 0 / 34 / 48

HEX #3D8558

RGB 61 133 88

HSL 142.5, 0.37%, 0.38%

LAB 50.06, -33.41, 17.58

 

CMYK 54 / 0 / 48 / 48

HEX #3D8545

RGB 61 133 69

HSL 126.67, 0.37%, 0.38%

LAB 49.73, -36.86, 27.72

 

CMYK 45 / 0 / 54 / 48

HEX #49853D

RGB 73 133 61

HSL 110, 0.37%, 0.38%

LAB 50.13, -34.37, 32.55

 

CMYK 31 / 0 / 54 / 48

HEX #5C853D

RGB 92 133 61

HSL 94.17, 0.37%, 0.38%

LAB 51.14, -27.59, 34

 

CMYK 54 / 0 / 20 / 48

HEX #3D856B

RGB 61 133 107

HSL 158.33, 0.37%, 0.38%

LAB 50.49, -29.19, 7.23

 

CMYK 54 / 0 / 5 / 48

HEX #3D857F

RGB 61 133 127

HSL 175, 0.37%, 0.38%

LAB 51.04, -23.99, -3.63

 

CMYK 54 / 10 / 0 / 48

HEX #3D7885

RGB 61 120 133

HSL 190.83, 0.37%, 0.38%

LAB 47.13, -15.33, -13.01

 

CMYK 54 / 25 / 0 / 48

HEX #3D6485

RGB 61 100 133

HSL 207.5, 0.37%, 0.38%

LAB 40.9, -3.7, -22.55

 

CMYK 54 / 39 / 0 / 48

HEX #3D5185

RGB 61 81 133

HSL 223.33, 0.37%, 0.38%

LAB 35.14, 8.3, -31.56

 

CMYK 54 / 0 / 20 / 48

HEX #3D856B

RGB 61 133 107

HSL 158.33, 0.37%, 0.38%

LAB 50.49, -29.19, 7.23

 

CMYK 70 / 0 / 24 / 42

HEX #2D9470

RGB 45 148 112

HSL 159.03, 0.53%, 0.38%

LAB 54.98, -38.18, 10.65

 

CMYK 82 / 0 / 29 / 36

HEX #1EA474

RGB 30 164 116

HSL 158.51, 0.69%, 0.38%

LAB 59.97, -45.94, 15.33

 

CMYK 92 / 0 / 33 / 29

HEX #0EB479

RGB 14 180 121

HSL 158.67, 0.86%, 0.38%

LAB 65.05, -52.21, 19.57

 

CMYK 54 / 0 / 20 / 48

HEX #3D856B

RGB 61 133 107

HSL 158.33, 0.37%, 0.38%

LAB 50.49, -29.19, 7.23

 

CMYK 34 / 0 / 12 / 54

HEX #4D7567

RGB 77 117 103

HSL 159, 0.21%, 0.38%

LAB 46.01, -17.38, 3.27

 

CMYK 9 / 0 / 3 / 60

HEX #5C6562

RGB 92 101 98

HSL 160, 0.05%, 0.38%

LAB 41.95, -4.11, 0.5

 

CMYK 0 / 20 / 13 / 58

HEX #6C565E

RGB 108 86 94

HSL 338.18, 0.11%, 0.38%

LAB 38.99, 10.52, -1.18

 

CMYK 0 / 44 / 28 / 51

HEX #7C4659

RGB 124 70 89

HSL 338.89, 0.28%, 0.38%

LAB 36.72, 25.71, -1.15

 

CMYK 54 / 0 / 49 / 48

HEX #3D8544

RGB 61 133 68

HSL 125.83, 0.37%, 0.38%

LAB 49.72, -37.01, 28.23

 

CMYK 54 / 0 / 35 / 48

HEX #3D8557

RGB 61 133 87

HSL 141.67, 0.37%, 0.38%

LAB 50.04, -33.61, 18.13

 

CMYK 54 / 0 / 20 / 48

HEX #3D856A

RGB 61 133 106

HSL 157.5, 0.37%, 0.38%

LAB 50.46, -29.43, 7.78

 

CMYK 54 / 0 / 5 / 48

HEX #3D857E

RGB 61 133 126

HSL 174.17, 0.37%, 0.38%

LAB 51.01, -24.27, -3.09

 

CMYK 54 / 9 / 0 / 48

HEX #3D7985

RGB 61 121 133

HSL 190, 0.37%, 0.38%

LAB 47.44, -15.88, -12.53

 

CMYK 54 / 0 / 18 / 70

HEX #234C3E

RGB 35 76 62

HSL 159.51, 0.37%, 0.22%

LAB 29.09, -18.34, 3.94

 

CMYK 54 / 0 / 19 / 59

HEX #306854

RGB 48 104 84

HSL 158.57, 0.37%, 0.3%

LAB 39.86, -23.8, 5.68

 

CMYK 54 / 0 / 20 / 48

HEX #3D856B

RGB 61 133 107

HSL 158.33, 0.37%, 0.38%

LAB 50.49, -29.19, 7.23

 

CMYK 54 / 0 / 19 / 37

HEX #4AA182

RGB 74 161 130

HSL 158.62, 0.37%, 0.46%

LAB 60.39, -33.87, 8.27

 

CMYK 48 / 0 / 17 / 29

HEX #5FB597

RGB 95 181 151

HSL 159.07, 0.37%, 0.54%

LAB 67.81, -33.26, 7.31

 

CMYK 54 / 0 / 19 / 47

HEX #3D866C

RGB 61 134 108

HSL 158.63, 0.37%, 0.38%

LAB 50.83, -29.43, 7.15

 

CMYK 54 / 45 / 0 / 48

HEX #3D4985

RGB 61 73 133

HSL 230, 0.37%, 0.38%

LAB 32.81, 13.56, -35.26

 

CMYK 0 / 41 / 54 / 48

HEX #854E3D

RGB 133 78 61

HSL 14.17, 0.37%, 0.38%

LAB 39.19, 21.28, 19.93

 

CMYK 54 / 0 / 19 / 47

HEX #3D866C

RGB 61 134 108

HSL 158.63, 0.37%, 0.38%

LAB 50.83, -29.43, 7.15

 

CMYK 20 / 54 / 0 / 48

HEX #6A3D85

RGB 106 61 133

HSL 277.5, 0.37%, 0.38%

LAB 34.18, 33.46, -32.81

 

CMYK 0 / 20 / 54 / 48

HEX #856A3D

RGB 133 106 61

HSL 37.5, 0.37%, 0.38%

LAB 46.49, 4.82, 29.15

 

CMYK 54 / 0 / 19 / 47

HEX #3D866C

RGB 61 134 108

HSL 158.63, 0.37%, 0.38%

LAB 50.83, -29.43, 7.15

 

CMYK 54 / 45 / 0 / 48

HEX #3D4985

RGB 61 73 133

HSL 230, 0.37%, 0.38%

LAB 32.81, 13.56, -35.26

 

CMYK 0 / 54 / 35 / 48

HEX #853D57

RGB 133 61 87

HSL 338.33, 0.37%, 0.38%

LAB 36.01, 33.85, -0.77

 

CMYK 0 / 9 / 54 / 48

HEX #85793D

RGB 133 121 61

HSL 50, 0.37%, 0.38%

LAB 50.69, -3.79, 34.22

 

CMYK 54 / 0 / 19 / 47

HEX #3D866C

RGB 61 134 108

HSL 158.63, 0.37%, 0.38%

LAB 50.83, -29.43, 7.15

 

CMYK 47 / 54 / 0 / 48

HEX #473D85

RGB 71 61 133

HSL 248.33, 0.37%, 0.38%

LAB 30.33, 23.91, -39.19

 

CMYK 0 / 54 / 35 / 48

HEX #853D57

RGB 133 61 87

HSL 338.33, 0.37%, 0.38%

LAB 36.01, 33.85, -0.77

 

CMYK 8 / 0 / 54 / 48

HEX #7B853D

RGB 123 133 61

HSL 68.33, 0.37%, 0.38%

LAB 53.3, -14.82, 37.09

 

Description

Color code: HEX #3D866C | qconv.com Color code: HEX #3D866C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 134 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 134 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 19 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 19% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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