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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D818B it is the complementary color #C27E74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D818B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D818B shade: #428186, #539399, #64A5AC, #75B7BF and #86C9D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D818B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D818B shade: #3D818B, #2C6F78, #1B5D65, #0A4B52 and #00393F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D818B shade: #3D808A, #3D6B8A, #3D568A, #3D428A and #4D3D8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D818B shade: #3D808A, #3D6B8A, #3D568A, #3D428A and #3D3D8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D818B shade matches the following richer shades: #3D808A, #2D8C9A, #1C98AA and #0CA4BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D818B shade: #3D808A, #4D747A, #5D686A, #6D5C5A and #7D504A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D818B shade: #3D8A6A, #3D8A7F, #3D818A, #3D6C8A and #3D588A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D818B shade: #234B51, #30666E, #3D808A, #499BA7 and #60AEB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D818B shade: #3D818B, #553D8A and #8A743D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D818B shade: #3D818B, #8A3D81 and #818A3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D818B shade: #3D818B, #553D8A, #8A463D and #728A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D818B shade: #3D818B, #6C3D8A, #8A463D and #5A8A3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 7 / 0 / 45

HEX #3D818B

RGB 61 129 139

HSL 187.69, 0.39%, 0.39%

LAB 50.16, -18.43, -11.96

 

Complementary color

CMYK 0 / 35 / 40 / 24

HEX #C27E74

RGB 194 126 116

HSL 7.69, 0.39%, 0.61%

LAB 59.57, 25.18, 16.37

 

CMYK 51 / 4 / 0 / 47

HEX #428186

RGB 66 129 134

HSL 184.41, 0.34%, 0.39%

LAB 50.19, -18.76, -8.96

 

CMYK 46 / 4 / 0 / 40

HEX #539399

RGB 83 147 153

HSL 185.14, 0.3%, 0.46%

LAB 57.08, -18.85, -9.58

 

CMYK 42 / 4 / 0 / 33

HEX #64A5AC

RGB 100 165 172

HSL 185.83, 0.3%, 0.53%

LAB 63.83, -18.89, -10.15

 

CMYK 39 / 4 / 0 / 25

HEX #75B7BF

RGB 117 183 191

HSL 186.49, 0.37%, 0.6%

LAB 70.46, -18.89, -10.7

 

CMYK 36 / 4 / 0 / 18

HEX #86C9D2

RGB 134 201 210

HSL 187.11, 0.46%, 0.67%

LAB 76.98, -18.87, -11.22

 

CMYK 56 / 7 / 0 / 45

HEX #3D818B

RGB 61 129 139

HSL 187.69, 0.39%, 0.39%

LAB 50.16, -18.43, -11.96

 

CMYK 63 / 8 / 0 / 53

HEX #2C6F78

RGB 44 111 120

HSL 187.11, 0.46%, 0.32%

LAB 43.15, -18.04, -11.31

 

CMYK 73 / 8 / 0 / 60

HEX #1B5D65

RGB 27 93 101

HSL 186.49, 0.58%, 0.25%

LAB 35.99, -17.38, -10.58

 

CMYK 88 / 9 / 0 / 68

HEX #0A4B52

RGB 10 75 82

HSL 185.83, 0.78%, 0.18%

LAB 28.66, -16.22, -9.69

 

CMYK 100 / 10 / 0 / 75

HEX #00393F

RGB 0 57 63

HSL 185.71, 1%, 0.12%

LAB 21.15, -14.26, -8.57

 

CMYK 56 / 7 / 0 / 46

HEX #3D808A

RGB 61 128 138

HSL 187.79, 0.39%, 0.39%

LAB 49.82, -18.19, -11.89

 

CMYK 56 / 22 / 0 / 46

HEX #3D6B8A

RGB 61 107 138

HSL 204.16, 0.39%, 0.39%

LAB 43.27, -6.28, -21.88

 

CMYK 56 / 38 / 0 / 46

HEX #3D568A

RGB 61 86 138

HSL 220.52, 0.39%, 0.39%

LAB 36.9, 6.77, -31.85

 

CMYK 56 / 52 / 0 / 46

HEX #3D428A

RGB 61 66 138

HSL 236.1, 0.39%, 0.39%

LAB 31.17, 19.93, -40.97

 

CMYK 44 / 56 / 0 / 46

HEX #4D3D8A

RGB 77 61 138

HSL 252.47, 0.39%, 0.39%

LAB 31.23, 26.96, -40.8

 

CMYK 56 / 7 / 0 / 46

HEX #3D808A

RGB 61 128 138

HSL 187.79, 0.39%, 0.39%

LAB 49.82, -18.19, -11.89

 

CMYK 56 / 22 / 0 / 46

HEX #3D6B8A

RGB 61 107 138

HSL 204.16, 0.39%, 0.39%

LAB 43.27, -6.28, -21.88

 

CMYK 56 / 38 / 0 / 46

HEX #3D568A

RGB 61 86 138

HSL 220.52, 0.39%, 0.39%

LAB 36.9, 6.77, -31.85

 

CMYK 56 / 52 / 0 / 46

HEX #3D428A

RGB 61 66 138

HSL 236.1, 0.39%, 0.39%

LAB 31.17, 19.93, -40.97

 

CMYK 56 / 56 / 0 / 46

HEX #3D3D8A

RGB 61 61 138

HSL 240, 0.39%, 0.39%

LAB 29.82, 23.24, -43.14

 

CMYK 56 / 7 / 0 / 46

HEX #3D808A

RGB 61 128 138

HSL 187.79, 0.39%, 0.39%

LAB 49.82, -18.19, -11.89

 

CMYK 71 / 9 / 0 / 40

HEX #2D8C9A

RGB 45 140 154

HSL 187.71, 0.55%, 0.39%

LAB 53.65, -22.47, -15.45

 

CMYK 84 / 11 / 0 / 33

HEX #1C98AA

RGB 28 152 170

HSL 187.61, 0.72%, 0.39%

LAB 57.66, -25.34, -18.56

 

CMYK 94 / 12 / 0 / 27

HEX #0CA4BB

RGB 12 164 187

HSL 187.89, 0.88%, 0.39%

LAB 61.84, -26.69, -21.79

 

CMYK 56 / 7 / 0 / 46

HEX #3D808A

RGB 61 128 138

HSL 187.79, 0.39%, 0.39%

LAB 49.82, -18.19, -11.89

 

CMYK 37 / 5 / 0 / 52

HEX #4D747A

RGB 77 116 122

HSL 188, 0.23%, 0.39%

LAB 46.28, -12.02, -7.67

 

CMYK 12 / 2 / 0 / 58

HEX #5D686A

RGB 93 104 106

HSL 189.23, 0.07%, 0.39%

LAB 43.16, -3.73, -2.56

 

CMYK 0 / 16 / 17 / 57

HEX #6D5C5A

RGB 109 92 90

HSL 6.32, 0.1%, 0.39%

LAB 40.64, 6.53, 3.71

 

CMYK 0 / 36 / 41 / 51

HEX #7D504A

RGB 125 80 74

HSL 7.06, 0.26%, 0.39%

LAB 38.88, 18.12, 11.35

 

CMYK 56 / 0 / 23 / 46

HEX #3D8A6A

RGB 61 138 106

HSL 155.06, 0.39%, 0.39%

LAB 52.07, -31.81, 10.06

 

CMYK 56 / 0 / 8 / 46

HEX #3D8A7F

RGB 61 138 127

HSL 171.43, 0.39%, 0.39%

LAB 52.62, -26.52, -1.3

 

CMYK 56 / 7 / 0 / 46

HEX #3D818A

RGB 61 129 138

HSL 187.01, 0.39%, 0.39%

LAB 50.13, -18.73, -11.42

 

CMYK 56 / 22 / 0 / 46

HEX #3D6C8A

RGB 61 108 138

HSL 203.38, 0.39%, 0.39%

LAB 43.58, -6.87, -21.4

 

CMYK 56 / 36 / 0 / 46

HEX #3D588A

RGB 61 88 138

HSL 218.96, 0.39%, 0.39%

LAB 37.49, 5.48, -30.91

 

CMYK 57 / 7 / 0 / 68

HEX #234B51

RGB 35 75 81

HSL 187.83, 0.4%, 0.23%

LAB 29.37, -12.11, -7.89

 

CMYK 56 / 7 / 0 / 57

HEX #30666E

RGB 48 102 110

HSL 187.74, 0.39%, 0.31%

LAB 40.01, -15.36, -9.98

 

CMYK 56 / 7 / 0 / 46

HEX #3D808A

RGB 61 128 138

HSL 187.79, 0.39%, 0.39%

LAB 49.82, -18.19, -11.89

 

CMYK 56 / 7 / 0 / 35

HEX #499BA7

RGB 73 155 167

HSL 187.66, 0.39%, 0.47%

LAB 59.57, -21.35, -13.85

 

CMYK 48 / 6 / 0 / 27

HEX #60AEB9

RGB 96 174 185

HSL 187.42, 0.39%, 0.55%

LAB 66.72, -21.04, -13.09

 

CMYK 56 / 7 / 0 / 45

HEX #3D818B

RGB 61 129 139

HSL 187.69, 0.39%, 0.39%

LAB 50.16, -18.43, -11.96

 

CMYK 38 / 56 / 0 / 46

HEX #553D8A

RGB 85 61 138

HSL 258.7, 0.39%, 0.39%

LAB 32.04, 28.98, -39.46

 

CMYK 0 / 16 / 56 / 46

HEX #8A743D

RGB 138 116 61

HSL 42.86, 0.39%, 0.39%

LAB 49.78, 1.31, 33.26

 

CMYK 56 / 7 / 0 / 45

HEX #3D818B

RGB 61 129 139

HSL 187.69, 0.39%, 0.39%

LAB 50.16, -18.43, -11.96

 

CMYK 0 / 56 / 7 / 46

HEX #8A3D81

RGB 138 61 129

HSL 307.01, 0.39%, 0.39%

LAB 38.42, 42.15, -23.37

 

CMYK 7 / 0 / 56 / 46

HEX #818A3D

RGB 129 138 61

HSL 67.01, 0.39%, 0.39%

LAB 55.26, -14.88, 39.48

 

CMYK 56 / 7 / 0 / 45

HEX #3D818B

RGB 61 129 139

HSL 187.69, 0.39%, 0.39%

LAB 50.16, -18.43, -11.96

 

CMYK 38 / 56 / 0 / 46

HEX #553D8A

RGB 85 61 138

HSL 258.7, 0.39%, 0.39%

LAB 32.04, 28.98, -39.46

 

CMYK 0 / 49 / 56 / 46

HEX #8A463D

RGB 138 70 61

HSL 7.01, 0.39%, 0.39%

LAB 38.06, 27.96, 18.58

 

CMYK 17 / 0 / 56 / 46

HEX #728A3D

RGB 114 138 61

HSL 78.7, 0.39%, 0.39%

LAB 54.12, -21.26, 37.88

 

CMYK 56 / 7 / 0 / 45

HEX #3D818B

RGB 61 129 139

HSL 187.69, 0.39%, 0.39%

LAB 50.16, -18.43, -11.96

 

CMYK 22 / 56 / 0 / 46

HEX #6C3D8A

RGB 108 61 138

HSL 276.62, 0.39%, 0.39%

LAB 34.72, 35.23, -35.02

 

CMYK 0 / 49 / 56 / 46

HEX #8A463D

RGB 138 70 61

HSL 7.01, 0.39%, 0.39%

LAB 38.06, 27.96, 18.58

 

CMYK 35 / 0 / 56 / 46

HEX #5A8A3D

RGB 90 138 61

HSL 97.4, 0.39%, 0.39%

LAB 52.61, -30.73, 35.71

 

Description

Color code: HEX #3D818B | qconv.com Color code: HEX #3D818B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 129 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 129 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 7 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 7% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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