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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D7188 it is the complementary color #C28E77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D7188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D7188 shade: #427183, #538396, #6495A9, #75A7BC and #86B9CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D7188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D7188 shade: #3D7188, #2C5F75, #1B4D62, #0A3B4F and #00293C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D7188 shade: #3E7289, #3E5E89, #3E4989, #463E89 and #5B3E89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D7188 shade: #3E7289, #3E5E89, #3E4989 and #3E3E89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D7188 shade matches the following richer shades: #3E7289, #2E7899, #1D7FA9 and #0D85BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D7188 shade: #3E7289, #4E6C79, #5E6669, #6E5F59 and #7E5949

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D7188 shade: #3E8978, #3E8789, #3E7389, #3E5E89 and #3E4A89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D7188 shade: #244350, #315A6D, #3E7289, #4A8AA6 and #619EB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D7188 shade: #3D7188, #633E89 and #89823E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D7188 shade: #3D7188, #893E73 and #73893E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D7188 shade: #3D7188, #633E89, #89543E and #63893E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D7188 shade: #3D7188, #7A3E89, #89543E and #4D893E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 17 / 0 / 47

HEX #3D7188

RGB 61 113 136

HSL 198.4, 0.38%, 0.39%

LAB 45.05, -10.44, -17.95

 

Complementary color

CMYK 0 / 27 / 39 / 24

HEX #C28E77

RGB 194 142 119

HSL 18.4, 0.38%, 0.61%

LAB 63.46, 16.72, 20.01

 

CMYK 50 / 14 / 0 / 49

HEX #427183

RGB 66 113 131

HSL 196.62, 0.33%, 0.39%

LAB 45.09, -10.77, -14.89

 

CMYK 45 / 13 / 0 / 41

HEX #538396

RGB 83 131 150

HSL 197.01, 0.29%, 0.46%

LAB 52.15, -10.98, -15.29

 

CMYK 41 / 12 / 0 / 34

HEX #6495A9

RGB 100 149 169

HSL 197.39, 0.29%, 0.53%

LAB 59.04, -11.12, -15.68

 

CMYK 38 / 11 / 0 / 26

HEX #75A7BC

RGB 117 167 188

HSL 197.75, 0.35%, 0.6%

LAB 65.79, -11.23, -16.06

 

CMYK 35 / 11 / 0 / 19

HEX #86B9CF

RGB 134 185 207

HSL 198.08, 0.43%, 0.67%

LAB 72.41, -11.31, -16.45

 

CMYK 55 / 17 / 0 / 47

HEX #3D7188

RGB 61 113 136

HSL 198.4, 0.38%, 0.39%

LAB 45.05, -10.44, -17.95

 

CMYK 62 / 19 / 0 / 54

HEX #2C5F75

RGB 44 95 117

HSL 198.08, 0.45%, 0.32%

LAB 37.85, -9.91, -17.57

 

CMYK 72 / 21 / 0 / 62

HEX #1B4D62

RGB 27 77 98

HSL 197.75, 0.57%, 0.25%

LAB 30.45, -9.09, -17.15

 

CMYK 87 / 25 / 0 / 69

HEX #0A3B4F

RGB 10 59 79

HSL 197.39, 0.78%, 0.17%

LAB 22.85, -7.7, -16.64

 

CMYK 100 / 32 / 0 / 76

HEX #00293C

RGB 0 41 60

HSL 199, 1%, 0.12%

LAB 15.02, -5.33, -15.97

 

CMYK 55 / 17 / 0 / 46

HEX #3E7289

RGB 62 114 137

HSL 198.4, 0.38%, 0.39%

LAB 45.45, -10.46, -17.94

 

CMYK 55 / 31 / 0 / 46

HEX #3E5E89

RGB 62 94 137

HSL 214.4, 0.38%, 0.39%

LAB 39.3, 1.58, -27.45

 

CMYK 55 / 47 / 0 / 46

HEX #3E4989

RGB 62 73 137

HSL 231.2, 0.38%, 0.39%

LAB 33.13, 15.17, -37.22

 

CMYK 49 / 55 / 0 / 46

HEX #463E89

RGB 70 62 137

HSL 246.4, 0.38%, 0.39%

LAB 30.77, 24.3, -40.96

 

CMYK 34 / 55 / 0 / 46

HEX #5B3E89

RGB 91 62 137

HSL 263.2, 0.38%, 0.39%

LAB 32.87, 29.68, -37.48

 

CMYK 55 / 17 / 0 / 46

HEX #3E7289

RGB 62 114 137

HSL 198.4, 0.38%, 0.39%

LAB 45.45, -10.46, -17.94

 

CMYK 55 / 31 / 0 / 46

HEX #3E5E89

RGB 62 94 137

HSL 214.4, 0.38%, 0.39%

LAB 39.3, 1.58, -27.45

 

CMYK 55 / 47 / 0 / 46

HEX #3E4989

RGB 62 73 137

HSL 231.2, 0.38%, 0.39%

LAB 33.13, 15.17, -37.22

 

CMYK 55 / 55 / 0 / 46

HEX #3E3E89

RGB 62 62 137

HSL 240, 0.38%, 0.39%

LAB 30.1, 22.46, -42.08

 

CMYK 55 / 17 / 0 / 46

HEX #3E7289

RGB 62 114 137

HSL 198.4, 0.38%, 0.39%

LAB 45.45, -10.46, -17.94

 

CMYK 70 / 22 / 0 / 40

HEX #2E7899

RGB 46 120 153

HSL 198.5, 0.54%, 0.39%

LAB 47.38, -11.73, -24.47

 

CMYK 83 / 25 / 0 / 34

HEX #1D7FA9

RGB 29 127 169

HSL 198, 0.71%, 0.39%

LAB 49.86, -12.16, -30

 

CMYK 93 / 28 / 0 / 27

HEX #0D85BA

RGB 13 133 186

HSL 198.38, 0.87%, 0.39%

LAB 52.29, -10.37, -36.01

 

CMYK 55 / 17 / 0 / 46

HEX #3E7289

RGB 62 114 137

HSL 198.4, 0.38%, 0.39%

LAB 45.45, -10.46, -17.94

 

CMYK 36 / 11 / 0 / 53

HEX #4E6C79

RGB 78 108 121

HSL 198.14, 0.22%, 0.39%

LAB 43.84, -7.39, -10.73

 

CMYK 10 / 3 / 0 / 59

HEX #5E6669

RGB 94 102 105

HSL 196.36, 0.06%, 0.39%

LAB 42.62, -2.4, -2.75

 

CMYK 0 / 14 / 19 / 57

HEX #6E5F59

RGB 110 95 89

HSL 17.14, 0.11%, 0.39%

LAB 41.56, 4.96, 5.65

 

CMYK 0 / 29 / 42 / 51

HEX #7E5949

RGB 126 89 73

HSL 18.11, 0.27%, 0.39%

LAB 41.31, 13.05, 15.31

 

CMYK 55 / 0 / 12 / 46

HEX #3E8978

RGB 62 137 120

HSL 166.4, 0.38%, 0.39%

LAB 52.14, -27.65, 2.07

 

CMYK 55 / 1 / 0 / 46

HEX #3E8789

RGB 62 135 137

HSL 181.6, 0.38%, 0.39%

LAB 52.02, -21.98, -8.01

 

CMYK 55 / 16 / 0 / 46

HEX #3E7389

RGB 62 115 137

HSL 197.6, 0.38%, 0.39%

LAB 45.76, -11.04, -17.46

 

CMYK 55 / 31 / 0 / 46

HEX #3E5E89

RGB 62 94 137

HSL 214.4, 0.38%, 0.39%

LAB 39.3, 1.58, -27.45

 

CMYK 55 / 46 / 0 / 46

HEX #3E4A89

RGB 62 74 137

HSL 230.4, 0.38%, 0.39%

LAB 33.41, 14.51, -36.77

 

CMYK 55 / 16 / 0 / 69

HEX #244350

RGB 36 67 80

HSL 197.73, 0.38%, 0.23%

LAB 26.65, -7.29, -11.37

 

CMYK 55 / 17 / 0 / 57

HEX #315A6D

RGB 49 90 109

HSL 199, 0.38%, 0.31%

LAB 36.12, -8.45, -15.27

 

CMYK 55 / 17 / 0 / 46

HEX #3E7289

RGB 62 114 137

HSL 198.4, 0.38%, 0.39%

LAB 45.45, -10.46, -17.94

 

CMYK 55 / 17 / 0 / 35

HEX #4A8AA6

RGB 74 138 166

HSL 198.26, 0.38%, 0.47%

LAB 54.43, -12.29, -21.09

 

CMYK 47 / 14 / 0 / 28

HEX #619EB8

RGB 97 158 184

HSL 197.93, 0.38%, 0.55%

LAB 62.05, -12.63, -19.6

 

CMYK 55 / 17 / 0 / 47

HEX #3D7188

RGB 61 113 136

HSL 198.4, 0.38%, 0.39%

LAB 45.05, -10.44, -17.95

 

CMYK 28 / 55 / 0 / 46

HEX #633E89

RGB 99 62 137

HSL 269.6, 0.38%, 0.39%

LAB 33.78, 31.88, -35.97

 

CMYK 0 / 5 / 55 / 46

HEX #89823E

RGB 137 130 62

HSL 54.4, 0.38%, 0.39%

LAB 53.63, -6.93, 37.27

 

CMYK 55 / 17 / 0 / 47

HEX #3D7188

RGB 61 113 136

HSL 198.4, 0.38%, 0.39%

LAB 45.05, -10.44, -17.95

 

CMYK 0 / 55 / 16 / 46

HEX #893E73

RGB 137 62 115

HSL 317.6, 0.38%, 0.39%

LAB 37.84, 38.91, -15.6

 

CMYK 16 / 0 / 55 / 46

HEX #73893E

RGB 115 137 62

HSL 77.6, 0.38%, 0.39%

LAB 53.9, -20.23, 37.14

 

CMYK 55 / 17 / 0 / 47

HEX #3D7188

RGB 61 113 136

HSL 198.4, 0.38%, 0.39%

LAB 45.05, -10.44, -17.95

 

CMYK 28 / 55 / 0 / 46

HEX #633E89

RGB 99 62 137

HSL 269.6, 0.38%, 0.39%

LAB 33.78, 31.88, -35.97

 

CMYK 0 / 39 / 55 / 46

HEX #89543E

RGB 137 84 62

HSL 17.6, 0.38%, 0.39%

LAB 41.23, 19.61, 22.06

 

CMYK 28 / 0 / 55 / 46

HEX #63893E

RGB 99 137 62

HSL 90.4, 0.38%, 0.39%

LAB 52.83, -26.72, 35.61

 

CMYK 55 / 17 / 0 / 47

HEX #3D7188

RGB 61 113 136

HSL 198.4, 0.38%, 0.39%

LAB 45.05, -10.44, -17.95

 

CMYK 11 / 55 / 0 / 46

HEX #7A3E89

RGB 122 62 137

HSL 288, 0.38%, 0.39%

LAB 36.72, 38.46, -31.12

 

CMYK 0 / 39 / 55 / 46

HEX #89543E

RGB 137 84 62

HSL 17.6, 0.38%, 0.39%

LAB 41.23, 19.61, 22.06

 

CMYK 44 / 0 / 55 / 46

HEX #4D893E

RGB 77 137 62

HSL 108, 0.38%, 0.39%

LAB 51.63, -34.71, 33.88

 

Description

Color code: HEX #3D7188 | qconv.com Color code: HEX #3D7188 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 113 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 113 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 17 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 17% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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