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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D6FEACE it is the complementary color #C29015CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D6FEACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D6FEACE shade: #426FE5CE, #5381F8CE, #6493FFCE, #75A5FFCE and #86B7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D6FEACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D6FEACE shade: #3D6FEACE, #2C5DD7CE, #1B4BC4CE, #0A39B1CE and #00279ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D6FEACE shade: #3E70EA, #3E42EA, #693EEA, #973EEA and #C63EEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D6FEACE shade: #3E70EA, #3E42EA and #3E3EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D6FEACE shade matches the following richer shades: #3E70EA and #2D68FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D6FEACE shade: #3E70EA, #5077D8, #617EC7, #7286B6 and #848DA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D6FEACE shade: #3ECDEA, #3E9FEA, #3E72EA, #3E44EA and #663EEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D6FEACE shade: #1547C0, #1954E5, #3E70EA, #638BEE and #88A7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D6FEACE shade: #3D6FEA, #D83EEA and #B6EA3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D6FEACE shade: #3D6FEA, #EA3E72 and #72EA3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D6FEACE shade: #3D6FEA, #D83EEA, #EAB63E and #4FEA3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D6FEACE shade: #3D6FEA, #EA3EC7, #EAB63E and #3EEA60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 43 / 0 / 7

HEX #3D6FEACE

RGBA 61 111 234 0.81

HSLA 222.66, 0.8%, 0.58%, 0.81

LABA 49.86, 25.24, -67.06, 0.81

 

Complementary color

CMYK 0 / 21 / 72 / 19

HEX #C29015CE

RGBA 194 144 21 0.81

HSLA 42.66, 0.8%, 0.42%, 0.81

LABA 62.9, 9.03, 64.05, 0.81

 

CMYK 58 / 42 / 0 / 8

HEX #426FE5CE

RGBA 66 111 229 0.81

HSLA 223.44, 0.76%, 0.58%, 0.81

LABA 49.72, 24.07, -64.47, 0.81

 

CMYK 54 / 39 / 0 / 2

HEX #5381F8CE

RGBA 83 129 248 0.81

HSLA 223.27, 0.92%, 0.65%, 0.81

LABA 56.4, 22.03, -64.25, 0.81

 

CMYK 49 / 34 / 0 / 0

HEX #6493FFCE

RGBA 100 147 255 0.81

HSLA 221.81, 1%, 0.7%, 0.81

LABA 62.34, 16.37, -58.55, 0.81

 

CMYK 44 / 29 / 0 / 0

HEX #75A5FFCE

RGBA 117 165 255 0.81

HSLA 219.13, 1%, 0.73%, 0.81

LABA 67.96, 9.16, -49.58, 0.81

 

CMYK 38 / 23 / 0 / 0

HEX #86B7FFCE

RGBA 134 183 255 0.81

HSLA 215.7, 1%, 0.76%, 0.81

LABA 73.65, 2.76, -40.59, 0.81

 

CMYK 60 / 43 / 0 / 7

HEX #3D6FEACE

RGBA 61 111 234 0.81

HSLA 222.66, 0.8%, 0.58%, 0.81

LABA 49.86, 25.24, -67.06, 0.81

 

CMYK 64 / 46 / 0 / 13

HEX #2C5DD7CE

RGBA 44 93 215 0.81

HSLA 222.81, 0.68%, 0.51%, 0.81

LABA 43.17, 27.88, -67.2, 0.81

 

CMYK 70 / 50 / 0 / 19

HEX #1B4BC4CE

RGBA 27 75 196 0.81

HSLA 222.96, 0.76%, 0.44%, 0.81

LABA 36.46, 31.03, -67.2, 0.81

 

CMYK 76 / 55 / 0 / 25

HEX #0A39B1CE

RGBA 10 57 177 0.81

HSLA 223.11, 0.89%, 0.37%, 0.81

LABA 29.83, 34.71, -66.91, 0.81

 

CMYK 81 / 61 / 0 / 31

HEX #00279ECE

RGBA 0 39 158 0.81

HSLA 225.19, 1%, 0.31%, 0.81

LABA 23.4, 38.71, -66.05, 0.81

 

CMYK 74 / 52 / 0 / 8

HEX #3E70EA

RGB 62 112 234

HSL 222.56, 0.8%, 0.58%

LAB 50.16, 24.73, -66.57

 

CMYK 74 / 72 / 0 / 8

HEX #3E42EA

RGB 62 66 234

HSL 238.6, 0.8%, 0.58%

LAB 39.35, 52.69, -84.25

 

CMYK 55 / 74 / 0 / 8

HEX #693EEA

RGB 105 62 234

HSL 255, 0.8%, 0.58%

LAB 41.83, 59.58, -80.05

 

CMYK 35 / 74 / 0 / 8

HEX #973EEA

RGB 151 62 234

HSL 271.05, 0.8%, 0.58%

LAB 46.93, 66.66, -71.5

 

CMYK 15 / 74 / 0 / 8

HEX #C63EEA

RGB 198 62 234

HSL 287.44, 0.8%, 0.58%

LAB 53.38, 75.23, -60.76

 

CMYK 74 / 52 / 0 / 8

HEX #3E70EA

RGB 62 112 234

HSL 222.56, 0.8%, 0.58%

LAB 50.16, 24.73, -66.57

 

CMYK 74 / 72 / 0 / 8

HEX #3E42EA

RGB 62 66 234

HSL 238.6, 0.8%, 0.58%

LAB 39.35, 52.69, -84.25

 

CMYK 74 / 74 / 0 / 8

HEX #3E3EEA

RGB 62 62 234

HSL 240, 0.8%, 0.58%

LAB 38.57, 54.87, -85.54

 

CMYK 74 / 52 / 0 / 8

HEX #3E70EA

RGB 62 112 234

HSL 222.56, 0.8%, 0.58%

LAB 50.16, 24.73, -66.57

 

CMYK 82 / 59 / 0 / 2

HEX #2D68FB

RGB 45 104 251

HSL 222.82, 0.96%, 0.58%

LAB 48.79, 34.31, -78.32

 

CMYK 74 / 52 / 0 / 8

HEX #3E70EA

RGB 62 112 234

HSL 222.56, 0.8%, 0.58%

LAB 50.16, 24.73, -66.57

 

CMYK 63 / 45 / 0 / 15

HEX #5077D8

RGB 80 119 216

HSL 222.79, 0.64%, 0.58%

LAB 51.68, 16.68, -53.96

 

CMYK 51 / 37 / 0 / 22

HEX #617EC7

RGB 97 126 199

HSL 222.94, 0.48%, 0.58%

LAB 53.59, 10.28, -41.22

 

CMYK 37 / 26 / 0 / 29

HEX #7286B6

RGB 114 134 182

HSL 222.35, 0.32%, 0.58%

LAB 56.09, 4.88, -27.52

 

CMYK 20 / 14 / 0 / 36

HEX #848DA4

RGB 132 141 164

HSL 223.13, 0.15%, 0.58%

LAB 58.64, 1.79, -13.24

 

CMYK 74 / 12 / 0 / 8

HEX #3ECDEA

RGB 62 205 234

HSL 190.12, 0.8%, 0.58%

LAB 76.45, -28.01, -25.17

 

CMYK 74 / 32 / 0 / 8

HEX #3E9FEA

RGB 62 159 234

HSL 206.16, 0.8%, 0.58%

LAB 63.14, -3.62, -45.82

 

CMYK 74 / 51 / 0 / 8

HEX #3E72EA

RGB 62 114 234

HSL 221.86, 0.8%, 0.58%

LAB 50.69, 23.48, -65.72

 

CMYK 74 / 71 / 0 / 8

HEX #3E44EA

RGB 62 68 234

HSL 237.91, 0.8%, 0.58%

LAB 39.75, 51.58, -83.59

 

CMYK 56 / 74 / 0 / 8

HEX #663EEA

RGB 102 62 234

HSL 253.95, 0.8%, 0.58%

LAB 41.55, 59.19, -80.52

 

CMYK 89 / 63 / 0 / 25

HEX #1547C0

RGB 21 71 192

HSL 222.46, 0.8%, 0.42%

LAB 34.95, 31.77, -67.35

 

CMYK 89 / 63 / 0 / 10

HEX #1954E5

RGB 25 84 229

HSL 222.65, 0.8%, 0.5%

LAB 41.54, 37.59, -77.86

 

CMYK 74 / 52 / 0 / 8

HEX #3E70EA

RGB 62 112 234

HSL 222.56, 0.8%, 0.58%

LAB 50.16, 24.73, -66.57

 

CMYK 58 / 42 / 0 / 7

HEX #638BEE

RGB 99 139 238

HSL 222.73, 0.8%, 0.66%

LAB 59.24, 15.39, -54.13

 

CMYK 44 / 31 / 0 / 5

HEX #88A7F2

RGB 136 167 242

HSL 222.45, 0.8%, 0.74%

LAB 68.96, 8.5, -40.86

 

CMYK 74 / 53 / 0 / 8

HEX #3D6FEA

RGB 61 111 234

HSL 222.66, 0.8%, 0.58%

LAB 49.86, 25.24, -67.06

 

CMYK 8 / 74 / 0 / 8

HEX #D83EEA

RGB 216 62 234

HSL 293.72, 0.8%, 0.58%

LAB 56.07, 78.73, -56.29

 

CMYK 22 / 0 / 74 / 8

HEX #B6EA3E

RGB 182 234 62

HSL 78.14, 0.8%, 0.58%

LAB 86.57, -39.62, 72.9

 

CMYK 74 / 53 / 0 / 8

HEX #3D6FEA

RGB 61 111 234

HSL 222.66, 0.8%, 0.58%

LAB 49.86, 25.24, -67.06

 

CMYK 0 / 74 / 51 / 8

HEX #EA3E72

RGB 234 62 114

HSL 341.86, 0.8%, 0.58%

LAB 54.19, 68.03, 10.93

 

CMYK 51 / 0 / 74 / 8

HEX #72EA3E

RGB 114 234 62

HSL 101.86, 0.8%, 0.58%

LAB 83.32, -62.27, 68.62

 

CMYK 74 / 53 / 0 / 8

HEX #3D6FEA

RGB 61 111 234

HSL 222.66, 0.8%, 0.58%

LAB 49.86, 25.24, -67.06

 

CMYK 8 / 74 / 0 / 8

HEX #D83EEA

RGB 216 62 234

HSL 293.72, 0.8%, 0.58%

LAB 56.07, 78.73, -56.29

 

CMYK 0 / 22 / 74 / 8

HEX #EAB63E

RGB 234 182 62

HSL 41.86, 0.8%, 0.58%

LAB 76.86, 7.45, 64.9

 

CMYK 66 / 0 / 74 / 8

HEX #4FEA3E

RGB 79 234 62

HSL 114.07, 0.8%, 0.58%

LAB 82.3, -70.47, 67.26

 

CMYK 74 / 53 / 0 / 8

HEX #3D6FEA

RGB 61 111 234

HSL 222.66, 0.8%, 0.58%

LAB 49.86, 25.24, -67.06

 

CMYK 0 / 74 / 15 / 8

HEX #EA3EC7

RGB 234 62 199

HSL 312.21, 0.8%, 0.58%

LAB 57.13, 77.22, -34.57

 

CMYK 0 / 22 / 74 / 8

HEX #EAB63E

RGB 234 182 62

HSL 41.86, 0.8%, 0.58%

LAB 76.86, 7.45, 64.9

 

CMYK 74 / 0 / 59 / 8

HEX #3EEA60

RGB 62 234 96

HSL 131.86, 0.8%, 0.58%

LAB 82.22, -70.12, 53.77

 

Description

Color code: HEX #3D6FEACE | qconv.com Color code: HEX #3D6FEACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 111 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 111 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 43 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 43% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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