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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D5E98 it is the complementary color #C2A167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D5E98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D5E98 shade: #425E93, #5370A6, #6482B9, #7594CC and #86A6DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D5E98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D5E98 shade: #3D5E98, #2C4C85, #1B3A72, #0A285F and #00164C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D5E98 shade: #3D5E99, #3D4599, #4D3D99, #663D99 and #7E3D99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D5E98 shade: #3D5E99, #3D4599 and #3D3D99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D5E98 shade matches the following richer shades: #3D5E99, #2B59AA, #1A54BB and #0950CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D5E98 shade: #3D5E99, #4E6387, #5F6776, #716C65 and #827153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D5E98 shade: #3D8F99, #3D7799, #3D5E99, #3D4699 and #4C3D99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D5E98 shade: #253A5E, #314C7B, #3D5E99, #4970B6 and #6687C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D5E98 shade: #3D5E98, #893D99 and #83993D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D5E98 shade: #3D5E98, #993D5E and #5E993D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D5E98 shade: #3D5E98, #893D99, #99773D and #4C993D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D5E98 shade: #3D5E98, #993D8C, #99773D and #3D9949

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 38 / 0 / 40

HEX #3D5E98

RGB 61 94 152

HSL 218.24, 0.43%, 0.42%

LAB 40.02, 6.5, -35.36

 

Complementary color

CMYK 0 / 17 / 47 / 24

HEX #C2A167

RGB 194 161 103

HSL 38.24, 0.43%, 0.58%

LAB 67.98, 4.57, 34.65

 

CMYK 55 / 36 / 0 / 42

HEX #425E93

RGB 66 94 147

HSL 219.26, 0.38%, 0.42%

LAB 40.03, 5.9, -32.33

 

CMYK 50 / 33 / 0 / 35

HEX #5370A6

RGB 83 112 166

HSL 219.04, 0.33%, 0.49%

LAB 47.21, 5.02, -32.25

 

CMYK 46 / 30 / 0 / 27

HEX #6482B9

RGB 100 130 185

HSL 218.82, 0.38%, 0.56%

LAB 54.21, 4.32, -32.23

 

CMYK 43 / 27 / 0 / 20

HEX #7594CC

RGB 117 148 204

HSL 218.62, 0.46%, 0.63%

LAB 61.06, 3.76, -32.25

 

CMYK 40 / 26 / 0 / 13

HEX #86A6DF

RGB 134 166 223

HSL 218.43, 0.58%, 0.7%

LAB 67.78, 3.28, -32.3

 

CMYK 60 / 38 / 0 / 40

HEX #3D5E98

RGB 61 94 152

HSL 218.24, 0.43%, 0.42%

LAB 40.02, 6.5, -35.36

 

CMYK 67 / 43 / 0 / 48

HEX #2C4C85

RGB 44 76 133

HSL 218.43, 0.5%, 0.35%

LAB 32.7, 7.91, -35.5

 

CMYK 76 / 49 / 0 / 55

HEX #1B3A72

RGB 27 58 114

HSL 218.62, 0.62%, 0.28%

LAB 25.18, 9.87, -35.67

 

CMYK 89 / 58 / 0 / 63

HEX #0A285F

RGB 10 40 95

HSL 218.82, 0.81%, 0.21%

LAB 17.5, 12.73, -35.77

 

CMYK 100 / 71 / 0 / 70

HEX #00164C

RGB 0 22 76

HSL 222.63, 1%, 0.15%

LAB 9.76, 16.86, -35.57

 

CMYK 60 / 39 / 0 / 40

HEX #3D5E99

RGB 61 94 153

HSL 218.48, 0.43%, 0.42%

LAB 40.08, 6.85, -35.87

 

CMYK 60 / 55 / 0 / 40

HEX #3D4599

RGB 61 69 153

HSL 234.78, 0.43%, 0.42%

LAB 33.02, 23.17, -47.16

 

CMYK 50 / 60 / 0 / 40

HEX #4D3D99

RGB 77 61 153

HSL 250.43, 0.43%, 0.42%

LAB 32.29, 31.6, -48.28

 

CMYK 33 / 60 / 0 / 40

HEX #663D99

RGB 102 61 153

HSL 266.74, 0.43%, 0.42%

LAB 34.93, 37.42, -43.89

 

CMYK 18 / 60 / 0 / 40

HEX #7E3D99

RGB 126 61 153

HSL 282.39, 0.43%, 0.42%

LAB 37.97, 43.56, -38.85

 

CMYK 60 / 39 / 0 / 40

HEX #3D5E99

RGB 61 94 153

HSL 218.48, 0.43%, 0.42%

LAB 40.08, 6.85, -35.87

 

CMYK 60 / 55 / 0 / 40

HEX #3D4599

RGB 61 69 153

HSL 234.78, 0.43%, 0.42%

LAB 33.02, 23.17, -47.16

 

CMYK 60 / 60 / 0 / 40

HEX #3D3D99

RGB 61 61 153

HSL 240, 0.43%, 0.42%

LAB 30.95, 28.39, -50.52

 

CMYK 60 / 39 / 0 / 40

HEX #3D5E99

RGB 61 94 153

HSL 218.48, 0.43%, 0.42%

LAB 40.08, 6.85, -35.87

 

CMYK 75 / 48 / 0 / 33

HEX #2B59AA

RGB 43 89 170

HSL 218.27, 0.6%, 0.42%

LAB 38.83, 13.26, -48.04

 

CMYK 86 / 55 / 0 / 27

HEX #1A54BB

RGB 26 84 187

HSL 218.39, 0.76%, 0.42%

LAB 38.11, 21.5, -59.25

 

CMYK 96 / 61 / 0 / 20

HEX #0950CD

RGB 9 80 205

HSL 218.27, 0.92%, 0.42%

LAB 38.2, 30.42, -69.59

 

CMYK 60 / 39 / 0 / 40

HEX #3D5E99

RGB 61 94 153

HSL 218.48, 0.43%, 0.42%

LAB 40.08, 6.85, -35.87

 

CMYK 42 / 27 / 0 / 47

HEX #4E6387

RGB 78 99 135

HSL 217.89, 0.27%, 0.42%

LAB 41.68, 2.06, -22.47

 

CMYK 19 / 13 / 0 / 54

HEX #5F6776

RGB 95 103 118

HSL 219.13, 0.11%, 0.42%

LAB 43.42, 0.43, -9.42

 

CMYK 0 / 4 / 11 / 56

HEX #716C65

RGB 113 108 101

HSL 35, 0.06%, 0.42%

LAB 45.87, 0.6, 4.6

 

CMYK 0 / 13 / 36 / 49

HEX #827153

RGB 130 113 83

HSL 38.3, 0.22%, 0.42%

LAB 48.49, 1.93, 19.12

 

CMYK 60 / 7 / 0 / 40

HEX #3D8F99

RGB 61 143 153

HSL 186.52, 0.43%, 0.42%

LAB 55.01, -21.64, -12.78

 

CMYK 60 / 22 / 0 / 40

HEX #3D7799

RGB 61 119 153

HSL 202.17, 0.43%, 0.42%

LAB 47.61, -8.41, -24.09

 

CMYK 60 / 39 / 0 / 40

HEX #3D5E99

RGB 61 94 153

HSL 218.48, 0.43%, 0.42%

LAB 40.08, 6.85, -35.87

 

CMYK 60 / 54 / 0 / 40

HEX #3D4699

RGB 61 70 153

HSL 234.13, 0.43%, 0.42%

LAB 33.29, 22.51, -46.73

 

CMYK 50 / 60 / 0 / 40

HEX #4C3D99

RGB 76 61 153

HSL 249.78, 0.43%, 0.42%

LAB 32.2, 31.38, -48.43

 

CMYK 61 / 38 / 0 / 63

HEX #253A5E

RGB 37 58 94

HSL 217.89, 0.44%, 0.26%

LAB 24.41, 3.93, -23.98

 

CMYK 60 / 38 / 0 / 52

HEX #314C7B

RGB 49 76 123

HSL 218.11, 0.43%, 0.34%

LAB 32.37, 5.25, -29.81

 

CMYK 60 / 39 / 0 / 40

HEX #3D5E99

RGB 61 94 153

HSL 218.48, 0.43%, 0.42%

LAB 40.08, 6.85, -35.87

 

CMYK 60 / 38 / 0 / 29

HEX #4970B6

RGB 73 112 182

HSL 218.53, 0.43%, 0.5%

LAB 47.47, 8.05, -41.2

 

CMYK 47 / 30 / 0 / 24

HEX #6687C2

RGB 102 135 194

HSL 218.48, 0.43%, 0.58%

LAB 56.14, 4.58, -34.35

 

CMYK 60 / 38 / 0 / 40

HEX #3D5E98

RGB 61 94 152

HSL 218.24, 0.43%, 0.42%

LAB 40.02, 6.5, -35.36

 

CMYK 10 / 60 / 0 / 40

HEX #893D99

RGB 137 61 153

HSL 289.57, 0.43%, 0.42%

LAB 39.51, 46.47, -36.32

 

CMYK 14 / 0 / 60 / 40

HEX #83993D

RGB 131 153 61

HSL 74.35, 0.43%, 0.42%

LAB 59.84, -21.8, 44.71

 

CMYK 60 / 38 / 0 / 40

HEX #3D5E98

RGB 61 94 152

HSL 218.24, 0.43%, 0.42%

LAB 40.02, 6.5, -35.36

 

CMYK 0 / 60 / 39 / 40

HEX #993D5E

RGB 153 61 94

HSL 338.48, 0.43%, 0.42%

LAB 39.44, 41.77, 0.21

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 60 / 38 / 0 / 40

HEX #3D5E98

RGB 61 94 152

HSL 218.24, 0.43%, 0.42%

LAB 40.02, 6.5, -35.36

 

CMYK 10 / 60 / 0 / 40

HEX #893D99

RGB 137 61 153

HSL 289.57, 0.43%, 0.42%

LAB 39.51, 46.47, -36.32

 

CMYK 0 / 22 / 60 / 40

HEX #99773D

RGB 153 119 61

HSL 37.83, 0.43%, 0.42%

LAB 52.18, 6.35, 36.49

 

CMYK 50 / 0 / 60 / 40

HEX #4C993D

RGB 76 153 61

HSL 110.22, 0.43%, 0.42%

LAB 56.74, -42.05, 40.37

 

CMYK 60 / 38 / 0 / 40

HEX #3D5E98

RGB 61 94 152

HSL 218.24, 0.43%, 0.42%

LAB 40.02, 6.5, -35.36

 

CMYK 0 / 60 / 8 / 40

HEX #993D8C

RGB 153 61 140

HSL 308.48, 0.43%, 0.42%

LAB 41.22, 48.45, -25.58

 

CMYK 0 / 22 / 60 / 40

HEX #99773D

RGB 153 119 61

HSL 37.83, 0.43%, 0.42%

LAB 52.18, 6.35, 36.49

 

CMYK 60 / 0 / 52 / 40

HEX #3D9949

RGB 61 153 73

HSL 127.83, 0.43%, 0.42%

LAB 56.34, -44.54, 33.84

 

Description

Color code: HEX #3D5E98 | qconv.com Color code: HEX #3D5E98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 94 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 94 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 38 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 38% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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