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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D5E6A it is the complementary color #C2A195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D5E6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D5E6A shade: #425E65, #537078, #64828B, #75949E and #86A6B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D5E6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D5E6A shade: #3D5E6A, #2C4C57, #1B3A44, #0A2831 and #00161E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D5E6A shade: #3D5F6B, #3D526B, #3D466B, #413D6B and #4D3D6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D5E6A shade: #3D5F6B, #3D526B, #3D466B and #3D3D6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D5E6A shade matches the following richer shades: #3D5F6B, #306578, #226B86, #157294 and #0778A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D5E6A shade: #3D5F6B, #4B585D, #595250, #664C42 and #744534

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D5E6A shade: #3D6B5F, #3D6B6B, #3D5F6B, #3D536B and #3D476B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D5E6A shade: #1F3036, #2E4851, #3D5F6B, #4C7685 and #5C8D9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D5E6A shade: #3D5E6A, #533D6B and #6B653D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D5E6A shade: #3D5E6A, #6B3D5F and #5F6B3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D5E6A shade: #3D5E6A, #533D6B, #6B4A3D and #566B3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D5E6A shade: #3D5E6A, #603D6B, #6B4A3D and #486B3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 11 / 0 / 58

HEX #3D5E6A

RGB 61 94 106

HSL 196, 0.27%, 0.33%

LAB 37.91, -8.53, -10.63

 

Complementary color

CMYK 0 / 17 / 23 / 24

HEX #C2A195

RGB 194 161 149

HSL 16, 0.27%, 0.67%

LAB 68.84, 10.28, 10.79

 

CMYK 35 / 7 / 0 / 60

HEX #425E65

RGB 66 94 101

HSL 192, 0.21%, 0.33%

LAB 38.03, -8.42, -7.33

 

CMYK 31 / 7 / 0 / 53

HEX #537078

RGB 83 112 120

HSL 192.97, 0.18%, 0.4%

LAB 45.34, -8.42, -7.84

 

CMYK 28 / 6 / 0 / 45

HEX #64828B

RGB 100 130 139

HSL 193.85, 0.16%, 0.47%

LAB 52.44, -8.41, -8.34

 

CMYK 26 / 6 / 0 / 38

HEX #75949E

RGB 117 148 158

HSL 194.63, 0.17%, 0.54%

LAB 59.37, -8.42, -8.82

 

CMYK 24 / 6 / 0 / 31

HEX #86A6B1

RGB 134 166 177

HSL 195.35, 0.22%, 0.61%

LAB 66.15, -8.42, -9.3

 

CMYK 42 / 11 / 0 / 58

HEX #3D5E6A

RGB 61 94 106

HSL 196, 0.27%, 0.33%

LAB 37.91, -8.53, -10.63

 

CMYK 49 / 13 / 0 / 66

HEX #2C4C57

RGB 44 76 87

HSL 195.35, 0.33%, 0.26%

LAB 30.38, -8.38, -10.17

 

CMYK 60 / 15 / 0 / 73

HEX #1B3A44

RGB 27 58 68

HSL 194.63, 0.43%, 0.19%

LAB 22.57, -8.09, -9.69

 

CMYK 80 / 18 / 0 / 81

HEX #0A2831

RGB 10 40 49

HSL 193.85, 0.66%, 0.12%

LAB 14.42, -7.46, -9.13

 

CMYK 100 / 27 / 0 / 88

HEX #00161E

RGB 0 22 30

HSL 196, 1%, 0.06%

LAB 6.03, -4.64, -8.07

 

CMYK 43 / 11 / 0 / 58

HEX #3D5F6B

RGB 61 95 107

HSL 195.65, 0.27%, 0.33%

LAB 38.27, -8.83, -10.71

 

CMYK 43 / 23 / 0 / 58

HEX #3D526B

RGB 61 82 107

HSL 212.61, 0.27%, 0.33%

LAB 34.17, -0.87, -16.96

 

CMYK 43 / 35 / 0 / 58

HEX #3D466B

RGB 61 70 107

HSL 228.26, 0.27%, 0.33%

LAB 30.48, 6.89, -22.68

 

CMYK 39 / 43 / 0 / 58

HEX #413D6B

RGB 65 61 107

HSL 245.22, 0.27%, 0.33%

LAB 28.18, 14.09, -26.28

 

CMYK 28 / 43 / 0 / 58

HEX #4D3D6B

RGB 77 61 107

HSL 260.87, 0.27%, 0.33%

LAB 29.35, 17.85, -24.34

 

CMYK 43 / 11 / 0 / 58

HEX #3D5F6B

RGB 61 95 107

HSL 195.65, 0.27%, 0.33%

LAB 38.27, -8.83, -10.71

 

CMYK 43 / 23 / 0 / 58

HEX #3D526B

RGB 61 82 107

HSL 212.61, 0.27%, 0.33%

LAB 34.17, -0.87, -16.96

 

CMYK 43 / 35 / 0 / 58

HEX #3D466B

RGB 61 70 107

HSL 228.26, 0.27%, 0.33%

LAB 30.48, 6.89, -22.68

 

CMYK 43 / 43 / 0 / 58

HEX #3D3D6B

RGB 61 61 107

HSL 240, 0.27%, 0.33%

LAB 27.82, 12.9, -26.86

 

CMYK 43 / 11 / 0 / 58

HEX #3D5F6B

RGB 61 95 107

HSL 195.65, 0.27%, 0.33%

LAB 38.27, -8.83, -10.71

 

CMYK 60 / 16 / 0 / 53

HEX #306578

RGB 48 101 120

HSL 195.83, 0.43%, 0.33%

LAB 40.07, -11.58, -15.99

 

CMYK 75 / 20 / 0 / 47

HEX #226B86

RGB 34 107 134

HSL 196.2, 0.6%, 0.33%

LAB 42.12, -12.75, -21.35

 

CMYK 86 / 23 / 0 / 42

HEX #157294

RGB 21 114 148

HSL 196.06, 0.75%, 0.33%

LAB 44.71, -13.14, -25.72

 

CMYK 96 / 25 / 0 / 37

HEX #0778A1

RGB 7 120 161

HSL 195.97, 0.92%, 0.33%

LAB 47.04, -12.56, -29.76

 

CMYK 43 / 11 / 0 / 58

HEX #3D5F6B

RGB 61 95 107

HSL 195.65, 0.27%, 0.33%

LAB 38.27, -8.83, -10.71

 

CMYK 19 / 5 / 0 / 64

HEX #4B585D

RGB 75 88 93

HSL 196.67, 0.11%, 0.33%

LAB 36.49, -3.83, -4.59

 

CMYK 0 / 8 / 10 / 65

HEX #595250

RGB 89 82 80

HSL 13.33, 0.05%, 0.33%

LAB 35.47, 2.47, 2.2

 

CMYK 0 / 25 / 35 / 60

HEX #664C42

RGB 102 76 66

HSL 16.67, 0.21%, 0.33%

LAB 34.78, 9.43, 10.21

 

CMYK 0 / 41 / 55 / 55

HEX #744534

RGB 116 69 52

HSL 15.94, 0.38%, 0.33%

LAB 34.43, 18.28, 18.79

 

CMYK 43 / 0 / 11 / 58

HEX #3D6B5F

RGB 61 107 95

HSL 164.35, 0.27%, 0.33%

LAB 41.74, -18.92, 1.79

 

CMYK 43 / 0 / 0 / 58

HEX #3D6B6B

RGB 61 107 107

HSL 180, 0.27%, 0.33%

LAB 42.11, -15.71, -4.95

 

CMYK 43 / 11 / 0 / 58

HEX #3D5F6B

RGB 61 95 107

HSL 195.65, 0.27%, 0.33%

LAB 38.27, -8.83, -10.71

 

CMYK 43 / 22 / 0 / 58

HEX #3D536B

RGB 61 83 107

HSL 211.3, 0.27%, 0.33%

LAB 34.48, -1.5, -16.48

 

CMYK 43 / 34 / 0 / 58

HEX #3D476B

RGB 61 71 107

HSL 226.96, 0.27%, 0.33%

LAB 30.78, 6.23, -22.21

 

CMYK 43 / 11 / 0 / 79

HEX #1F3036

RGB 31 48 54

HSL 195.65, 0.27%, 0.17%

LAB 18.68, -5.1, -6.05

 

CMYK 43 / 11 / 0 / 68

HEX #2E4851

RGB 46 72 81

HSL 195.43, 0.28%, 0.25%

LAB 28.93, -7.19, -8.5

 

CMYK 43 / 11 / 0 / 58

HEX #3D5F6B

RGB 61 95 107

HSL 195.65, 0.27%, 0.33%

LAB 38.27, -8.83, -10.71

 

CMYK 43 / 11 / 0 / 48

HEX #4C7685

RGB 76 118 133

HSL 195.79, 0.27%, 0.41%

LAB 47.22, -10.38, -12.8

 

CMYK 42 / 11 / 0 / 38

HEX #5C8D9F

RGB 92 141 159

HSL 196.12, 0.27%, 0.49%

LAB 55.92, -11.61, -14.73

 

CMYK 42 / 11 / 0 / 58

HEX #3D5E6A

RGB 61 94 106

HSL 196, 0.27%, 0.33%

LAB 37.91, -8.53, -10.63

 

CMYK 22 / 43 / 0 / 58

HEX #533D6B

RGB 83 61 107

HSL 268.7, 0.27%, 0.33%

LAB 30.01, 19.81, -23.28

 

CMYK 0 / 6 / 43 / 58

HEX #6B653D

RGB 107 101 61

HSL 52.17, 0.27%, 0.33%

LAB 42.41, -4.06, 23.48

 

CMYK 42 / 11 / 0 / 58

HEX #3D5E6A

RGB 61 94 106

HSL 196, 0.27%, 0.33%

LAB 37.91, -8.53, -10.63

 

CMYK 0 / 43 / 11 / 58

HEX #6B3D5F

RGB 107 61 95

HSL 315.65, 0.27%, 0.33%

LAB 32.46, 25.57, -11.58

 

CMYK 11 / 0 / 43 / 58

HEX #5F6B3D

RGB 95 107 61

HSL 75.65, 0.27%, 0.33%

LAB 43.19, -12.81, 24.25

 

CMYK 42 / 11 / 0 / 58

HEX #3D5E6A

RGB 61 94 106

HSL 196, 0.27%, 0.33%

LAB 37.91, -8.53, -10.63

 

CMYK 22 / 43 / 0 / 58

HEX #533D6B

RGB 83 61 107

HSL 268.7, 0.27%, 0.33%

LAB 30.01, 19.81, -23.28

 

CMYK 0 / 31 / 43 / 58

HEX #6B4A3D

RGB 107 74 61

HSL 16.96, 0.27%, 0.33%

LAB 34.72, 12.22, 13.36

 

CMYK 20 / 0 / 43 / 58

HEX #566B3D

RGB 86 107 61

HSL 87.39, 0.27%, 0.33%

LAB 42.51, -16.63, 23.24

 

CMYK 42 / 11 / 0 / 58

HEX #3D5E6A

RGB 61 94 106

HSL 196, 0.27%, 0.33%

LAB 37.91, -8.53, -10.63

 

CMYK 10 / 43 / 0 / 58

HEX #603D6B

RGB 96 61 107

HSL 285.65, 0.27%, 0.33%

LAB 31.55, 24.19, -20.76

 

CMYK 0 / 31 / 43 / 58

HEX #6B4A3D

RGB 107 74 61

HSL 16.96, 0.27%, 0.33%

LAB 34.72, 12.22, 13.36

 

CMYK 33 / 0 / 43 / 58

HEX #486B3D

RGB 72 107 61

HSL 105.65, 0.27%, 0.33%

LAB 41.58, -22.23, 21.87

 

Description

Color code: HEX #3D5E6A | qconv.com Color code: HEX #3D5E6A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 94 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 94 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 11 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 11% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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