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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D5E39 it is the complementary color #C2A1C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D5E39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D5E39 shade: #425E34, #537047, #64825A, #75946D and #86A680

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D5E39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D5E39 shade: #3D5E39, #2C4C26, #1B3A13, #0A2800 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D5E39 shade: #3D5F39, #475F39, #525F39, #5C5F39 and #5F5839

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D5E39 shade: #3D5F39, #395F3F, #395F49, #395F54 and #395F5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D5E39 shade matches the following richer shades: #3D5F39, #336C2C, #2A7820, #208414 and #169107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D5E39 shade: #3D5F39, #475345, #504652, #5A3A5E and #642E6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D5E39 shade: #525F39, #485F39, #3D5F39, #395F3F and #395F49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D5E39 shade: #1C2C1A, #2C4529, #3D5F39, #4E7948 and #5E9358

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D5E39 shade: #3D5E39, #395C5F and #5F394D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D5E39 shade: #3D5E39, #393D5F and #5F393D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D5E39 shade: #3D5E39, #395C5F, #5B395F and #5F3C39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D5E39 shade: #3D5E39, #39505F, #5B395F and #5F4839

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 39 / 63

HEX #3D5E39

RGB 61 94 57

HSL 113.51, 0.25%, 0.3%

LAB 36.54, -20.28, 17.5

 

Complementary color

CMYK 2 / 19 / 0 / 22

HEX #C2A1C6

RGB 194 161 198

HSL 293.51, 0.25%, 0.7%

LAB 70.2, 18.68, -14.4

 

CMYK 30 / 0 / 45 / 63

HEX #425E34

RGB 66 94 52

HSL 100, 0.29%, 0.29%

LAB 36.76, -19.16, 20.8

 

CMYK 26 / 0 / 37 / 56

HEX #537047

RGB 83 112 71

HSL 102.44, 0.22%, 0.36%

LAB 44.06, -18.99, 19.49

 

CMYK 23 / 0 / 31 / 49

HEX #64825A

RGB 100 130 90

HSL 105, 0.18%, 0.43%

LAB 51.17, -18.81, 18.28

 

CMYK 21 / 0 / 26 / 42

HEX #75946D

RGB 117 148 109

HSL 107.69, 0.15%, 0.5%

LAB 58.1, -18.64, 17.17

 

CMYK 19 / 0 / 23 / 35

HEX #86A680

RGB 134 166 128

HSL 110.53, 0.18%, 0.58%

LAB 64.88, -18.48, 16.14

 

CMYK 35 / 0 / 39 / 63

HEX #3D5E39

RGB 61 94 57

HSL 113.51, 0.25%, 0.3%

LAB 36.54, -20.28, 17.5

 

CMYK 42 / 0 / 50 / 70

HEX #2C4C26

RGB 44 76 38

HSL 110.53, 0.33%, 0.22%

LAB 29.02, -20.51, 18.92

 

CMYK 53 / 0 / 67 / 77

HEX #1B3A13

RGB 27 58 19

HSL 107.69, 0.51%, 0.15%

LAB 21.23, -20.56, 20.38

 

CMYK 75 / 0 / 100 / 84

HEX #0A2800

RGB 10 40 0

HSL 105, 1%, 0.08%

LAB 13.12, -20.37, 18.92

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 36 / 0 / 40 / 63

HEX #3D5F39

RGB 61 95 57

HSL 113.68, 0.25%, 0.3%

LAB 36.88, -20.81, 17.95

 

CMYK 25 / 0 / 40 / 63

HEX #475F39

RGB 71 95 57

HSL 97.89, 0.25%, 0.3%

LAB 37.52, -16.89, 18.9

 

CMYK 14 / 0 / 40 / 63

HEX #525F39

RGB 82 95 57

HSL 80.53, 0.25%, 0.3%

LAB 38.33, -12.26, 20.12

 

CMYK 3 / 0 / 40 / 63

HEX #5C5F39

RGB 92 95 57

HSL 64.74, 0.25%, 0.3%

LAB 39.16, -7.84, 21.36

 

CMYK 0 / 7 / 40 / 63

HEX #5F5839

RGB 95 88 57

HSL 48.95, 0.25%, 0.3%

LAB 37.31, -2.34, 19.02

 

CMYK 36 / 0 / 40 / 63

HEX #3D5F39

RGB 61 95 57

HSL 113.68, 0.25%, 0.3%

LAB 36.88, -20.81, 17.95

 

CMYK 40 / 0 / 34 / 63

HEX #395F3F

RGB 57 95 63

HSL 129.47, 0.25%, 0.3%

LAB 36.77, -21.14, 14.17

 

CMYK 40 / 0 / 23 / 63

HEX #395F49

RGB 57 95 73

HSL 145.26, 0.25%, 0.3%

LAB 37, -19.02, 8.39

 

CMYK 40 / 0 / 12 / 63

HEX #395F54

RGB 57 95 84

HSL 162.63, 0.25%, 0.3%

LAB 37.29, -16.38, 2.03

 

CMYK 40 / 0 / 1 / 63

HEX #395F5E

RGB 57 95 94

HSL 178.42, 0.25%, 0.3%

LAB 37.59, -13.73, -3.7

 

CMYK 36 / 0 / 40 / 63

HEX #3D5F39

RGB 61 95 57

HSL 113.68, 0.25%, 0.3%

LAB 36.88, -20.81, 17.95

 

CMYK 53 / 0 / 59 / 58

HEX #336C2C

RGB 51 108 44

HSL 113.44, 0.42%, 0.3%

LAB 40.59, -32.54, 29.75

 

CMYK 65 / 0 / 73 / 53

HEX #2A7820

RGB 42 120 32

HSL 113.18, 0.58%, 0.3%

LAB 44.28, -41.31, 39.4

 

CMYK 76 / 0 / 85 / 48

HEX #208414

RGB 32 132 20

HSL 113.57, 0.74%, 0.3%

LAB 48.08, -48.55, 47.24

 

CMYK 85 / 0 / 95 / 43

HEX #169107

RGB 22 145 7

HSL 113.48, 0.91%, 0.3%

LAB 52.33, -54.64, 53.66

 

CMYK 36 / 0 / 40 / 63

HEX #3D5F39

RGB 61 95 57

HSL 113.68, 0.25%, 0.3%

LAB 36.88, -20.81, 17.95

 

CMYK 14 / 0 / 17 / 67

HEX #475345

RGB 71 83 69

HSL 111.43, 0.09%, 0.3%

LAB 33.89, -7.82, 6.63

 

CMYK 2 / 15 / 0 / 68

HEX #504652

RGB 80 70 82

HSL 290, 0.08%, 0.3%

LAB 31.1, 6.77, -5.6

 

CMYK 4 / 38 / 0 / 63

HEX #5A3A5E

RGB 90 58 94

HSL 293.33, 0.24%, 0.3%

LAB 29.43, 20.99, -15.77

 

CMYK 6 / 57 / 0 / 58

HEX #642E6A

RGB 100 46 106

HSL 294, 0.39%, 0.3%

LAB 28.65, 34.02, -24.6

 

CMYK 14 / 0 / 40 / 63

HEX #525F39

RGB 82 95 57

HSL 80.53, 0.25%, 0.3%

LAB 38.33, -12.26, 20.12

 

CMYK 24 / 0 / 40 / 63

HEX #485F39

RGB 72 95 57

HSL 96.32, 0.25%, 0.3%

LAB 37.59, -16.48, 19.01

 

CMYK 36 / 0 / 40 / 63

HEX #3D5F39

RGB 61 95 57

HSL 113.68, 0.25%, 0.3%

LAB 36.88, -20.81, 17.95

 

CMYK 40 / 0 / 34 / 63

HEX #395F3F

RGB 57 95 63

HSL 129.47, 0.25%, 0.3%

LAB 36.77, -21.14, 14.17

 

CMYK 40 / 0 / 23 / 63

HEX #395F49

RGB 57 95 73

HSL 145.26, 0.25%, 0.3%

LAB 37, -19.02, 8.39

 

CMYK 36 / 0 / 41 / 83

HEX #1C2C1A

RGB 28 44 26

HSL 113.33, 0.26%, 0.14%

LAB 16.12, -11.21, 9.61

 

CMYK 36 / 0 / 41 / 73

HEX #2C4529

RGB 44 69 41

HSL 113.57, 0.25%, 0.22%

LAB 26.6, -16.21, 13.95

 

CMYK 36 / 0 / 40 / 63

HEX #3D5F39

RGB 61 95 57

HSL 113.68, 0.25%, 0.3%

LAB 36.88, -20.81, 17.95

 

CMYK 36 / 0 / 40 / 53

HEX #4E7948

RGB 78 121 72

HSL 112.65, 0.25%, 0.38%

LAB 46.66, -25.33, 22.27

 

CMYK 36 / 0 / 40 / 42

HEX #5E9358

RGB 94 147 88

HSL 113.9, 0.25%, 0.46%

LAB 56.04, -29.85, 25.8

 

CMYK 35 / 0 / 39 / 63

HEX #3D5E39

RGB 61 94 57

HSL 113.51, 0.25%, 0.3%

LAB 36.54, -20.28, 17.5

 

CMYK 40 / 3 / 0 / 63

HEX #395C5F

RGB 57 92 95

HSL 184.74, 0.25%, 0.3%

LAB 36.65, -11.72, -5.73

 

CMYK 0 / 40 / 19 / 63

HEX #5F394D

RGB 95 57 77

HSL 328.42, 0.25%, 0.3%

LAB 29.15, 20.07, -5.09

 

CMYK 35 / 0 / 39 / 63

HEX #3D5E39

RGB 61 94 57

HSL 113.51, 0.25%, 0.3%

LAB 36.54, -20.28, 17.5

 

CMYK 40 / 36 / 0 / 63

HEX #393D5F

RGB 57 61 95

HSL 233.68, 0.25%, 0.3%

LAB 26.83, 7.86, -20.73

 

CMYK 0 / 40 / 36 / 63

HEX #5F393D

RGB 95 57 61

HSL 353.68, 0.25%, 0.3%

LAB 28.63, 17.45, 4.65

 

CMYK 35 / 0 / 39 / 63

HEX #3D5E39

RGB 61 94 57

HSL 113.51, 0.25%, 0.3%

LAB 36.54, -20.28, 17.5

 

CMYK 40 / 3 / 0 / 63

HEX #395C5F

RGB 57 92 95

HSL 184.74, 0.25%, 0.3%

LAB 36.65, -11.72, -5.73

 

CMYK 4 / 40 / 0 / 63

HEX #5B395F

RGB 91 57 95

HSL 293.68, 0.25%, 0.3%

LAB 29.35, 22.19, -16.53

 

CMYK 0 / 37 / 40 / 63

HEX #5F3C39

RGB 95 60 57

HSL 4.74, 0.25%, 0.3%

LAB 29.31, 15.01, 8.22

 

CMYK 35 / 0 / 39 / 63

HEX #3D5E39

RGB 61 94 57

HSL 113.51, 0.25%, 0.3%

LAB 36.54, -20.28, 17.5

 

CMYK 40 / 16 / 0 / 63

HEX #39505F

RGB 57 80 95

HSL 203.68, 0.25%, 0.3%

LAB 32.77, -4.5, -11.56

 

CMYK 4 / 40 / 0 / 63

HEX #5B395F

RGB 91 57 95

HSL 293.68, 0.25%, 0.3%

LAB 29.35, 22.19, -16.53

 

CMYK 0 / 24 / 40 / 63

HEX #5F4839

RGB 95 72 57

HSL 23.68, 0.25%, 0.3%

LAB 32.62, 7.48, 12.77

 

Description

Color code: HEX #3D5E39 | qconv.com Color code: HEX #3D5E39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 94 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 94 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 39 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 39% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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