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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D48CACE it is the complementary color #C2B735CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D48CACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D48CACE shade: #4248C5CE, #535AD8CE, #646CEBCE, #757EFECE and #8690FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D48CACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D48CACE shade: #3D48CACE, #2C36B7CE, #1B24A4CE, #0A1291CE and #00007ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D48CACE shade: #3F4ACA, #5A3FCA, #7F3FCA, #A53FCA and #CA3FCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D48CACE shade: #3F4ACA and #3F3FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D48CACE shade matches the following richer shades: #3F4ACA, #2B39DE and #1728F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D48CACE shade: #3F4ACA, #535AB7, #666BA3, #7A7C8F and #8E8D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D48CACE shade: #3F95CA, #3F70CA, #3F4ACA, #583FCA and #7E3FCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D48CACE shade: #272F8F, #303AB0, #3F4ACA, #5F68D3 and #8087DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D48CACE shade: #3D48CA, #CA3FBA and #82CA3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D48CACE shade: #3D48CA, #CA3F4A and #4ACA3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D48CACE shade: #3D48CA, #CA3FBA, #CABF3F and #3FCA4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D48CACE shade: #3D48CA, #CA3F90, #CABF3F and #3FCA79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 52 / 0 / 17

HEX #3D48CACE

RGBA 61 72 202 0.81

HSLA 235.32, 0.57%, 0.52%, 0.81

LABA 37.65, 38.38, -68.7, 0.81

 

Complementary color

CMYK 0 / 5 / 59 / 19

HEX #C2B735CE

RGBA 194 183 53 0.81

HSLA 55.32, 0.57%, 0.48%, 0.81

LABA 73.28, -10.69, 63.49, 0.81

 

CMYK 54 / 51 / 0 / 18

HEX #4248C5CE

RGBA 66 72 197 0.81

HSLA 237.25, 0.53%, 0.52%, 0.81

LABA 37.53, 37.32, -65.97, 0.81

 

CMYK 50 / 47 / 0 / 12

HEX #535AD8CE

RGBA 83 90 216 0.81

HSLA 236.84, 0.63%, 0.59%, 0.81

LABA 44.39, 35.19, -65.7, 0.81

 

CMYK 47 / 44 / 0 / 6

HEX #646CEBCE

RGBA 100 108 235 0.81

HSLA 236.44, 0.77%, 0.66%, 0.81

LABA 51.19, 33.35, -65.37, 0.81

 

CMYK 44 / 41 / 0 / 0

HEX #757EFECE

RGBA 117 126 254 0.81

HSLA 236.06, 0.99%, 0.73%, 0.81

LABA 57.9, 31.76, -65.05, 0.81

 

CMYK 38 / 35 / 0 / 0

HEX #8690FFCE

RGBA 134 144 255 0.81

HSLA 235.04, 1%, 0.76%, 0.81

LABA 63.54, 25.04, -56.52, 0.81

 

CMYK 57 / 52 / 0 / 17

HEX #3D48CACE

RGBA 61 72 202 0.81

HSLA 235.32, 0.57%, 0.52%, 0.81

LABA 37.65, 38.38, -68.7, 0.81

 

CMYK 62 / 57 / 0 / 23

HEX #2C36B7CE

RGBA 44 54 183 0.81

HSLA 235.68, 0.61%, 0.45%, 0.81

LABA 30.86, 40.97, -68.73, 0.81

 

CMYK 68 / 63 / 0 / 29

HEX #1B24A4CE

RGBA 27 36 164 0.81

HSLA 236.06, 0.72%, 0.37%, 0.81

LABA 24.24, 43.67, -68.29, 0.81

 

CMYK 75 / 71 / 0 / 35

HEX #0A1291CE

RGBA 10 18 145 0.81

HSLA 236.44, 0.87%, 0.3%, 0.81

LABA 18.11, 45.83, -66.84, 0.81

 

CMYK 81 / 81 / 0 / 41

HEX #00007ECE

RGBA 0 0 126 0.81

HSLA 240, 1%, 0.25%, 0.81

LABA 12.65, 46.97, -63.97, 0.81

 

CMYK 69 / 63 / 0 / 21

HEX #3F4ACA

RGB 63 74 202

HSL 235.25, 0.57%, 0.52%

LAB 38.23, 37.4, -67.73

 

CMYK 55 / 69 / 0 / 21

HEX #5A3FCA

RGB 90 63 202

HSL 251.65, 0.57%, 0.52%

LAB 37.83, 47.77, -68.31

 

CMYK 37 / 69 / 0 / 21

HEX #7F3FCA

RGB 127 63 202

HSL 267.63, 0.57%, 0.52%

LAB 41.74, 54.31, -61.77

 

CMYK 18 / 69 / 0 / 21

HEX #A53FCA

RGB 165 63 202

HSL 284.03, 0.57%, 0.52%

LAB 46.74, 62.1, -53.45

 

CMYK 0 / 69 / 0 / 21

HEX #CA3FCA

RGB 202 63 202

HSL 300, 0.57%, 0.52%

LAB 52.26, 70.19, -44.32

 

CMYK 69 / 63 / 0 / 21

HEX #3F4ACA

RGB 63 74 202

HSL 235.25, 0.57%, 0.52%

LAB 38.23, 37.4, -67.73

 

CMYK 69 / 69 / 0 / 21

HEX #3F3FCA

RGB 63 63 202

HSL 240, 0.57%, 0.52%

LAB 35.74, 44.06, -71.81

 

CMYK 69 / 63 / 0 / 21

HEX #3F4ACA

RGB 63 74 202

HSL 235.25, 0.57%, 0.52%

LAB 38.23, 37.4, -67.73

 

CMYK 81 / 74 / 0 / 13

HEX #2B39DE

RGB 43 57 222

HSL 235.31, 0.73%, 0.52%

LAB 35.43, 52.35, -83.92

 

CMYK 90 / 83 / 0 / 5

HEX #1728F2

RGB 23 40 242

HSL 235.34, 0.89%, 0.52%

LAB 34.21, 66.05, -97.34

 

CMYK 69 / 63 / 0 / 21

HEX #3F4ACA

RGB 63 74 202

HSL 235.25, 0.57%, 0.52%

LAB 38.23, 37.4, -67.73

 

CMYK 55 / 51 / 0 / 28

HEX #535AB7

RGB 83 90 183

HSL 235.8, 0.41%, 0.52%

LAB 42.11, 24.28, -50.31

 

CMYK 37 / 34 / 0 / 36

HEX #666BA3

RGB 102 107 163

HSL 235.08, 0.25%, 0.52%

LAB 46.95, 12.27, -30.8

 

CMYK 15 / 13 / 0 / 44

HEX #7A7C8F

RGB 122 124 143

HSL 234.29, 0.09%, 0.52%

LAB 52.44, 3.35, -10.51

 

CMYK 0 / 1 / 13 / 44

HEX #8E8D7B

RGB 142 141 123

HSL 56.84, 0.08%, 0.52%

LAB 58.26, -2.92, 9.74

 

CMYK 69 / 26 / 0 / 21

HEX #3F95CA

RGB 63 149 202

HSL 202.88, 0.57%, 0.52%

LAB 58.8, -8.8, -34.83

 

CMYK 69 / 45 / 0 / 21

HEX #3F70CA

RGB 63 112 202

HSL 218.85, 0.57%, 0.52%

LAB 48.15, 13.3, -51.68

 

CMYK 69 / 63 / 0 / 21

HEX #3F4ACA

RGB 63 74 202

HSL 235.25, 0.57%, 0.52%

LAB 38.23, 37.4, -67.73

 

CMYK 56 / 69 / 0 / 21

HEX #583FCA

RGB 88 63 202

HSL 250.79, 0.57%, 0.52%

LAB 37.65, 47.46, -68.61

 

CMYK 38 / 69 / 0 / 21

HEX #7E3FCA

RGB 126 63 202

HSL 267.19, 0.57%, 0.52%

LAB 41.62, 54.12, -61.97

 

CMYK 73 / 67 / 0 / 44

HEX #272F8F

RGB 39 47 143

HSL 235.38, 0.57%, 0.36%

LAB 25.1, 30.53, -53.99

 

CMYK 73 / 67 / 0 / 31

HEX #303AB0

RGB 48 58 176

HSL 235.31, 0.57%, 0.44%

LAB 31.32, 36.46, -63.8

 

CMYK 69 / 63 / 0 / 21

HEX #3F4ACA

RGB 63 74 202

HSL 235.25, 0.57%, 0.52%

LAB 38.23, 37.4, -67.73

 

CMYK 55 / 51 / 0 / 17

HEX #5F68D3

RGB 95 104 211

HSL 235.34, 0.57%, 0.6%

LAB 48.31, 27.13, -56.48

 

CMYK 42 / 39 / 0 / 14

HEX #8087DC

RGB 128 135 220

HSL 235.43, 0.57%, 0.68%

LAB 59.05, 18.75, -44.3

 

CMYK 70 / 64 / 0 / 21

HEX #3D48CA

RGB 61 72 202

HSL 235.32, 0.57%, 0.52%

LAB 37.65, 38.38, -68.7

 

CMYK 0 / 69 / 8 / 21

HEX #CA3FBA

RGB 202 63 186

HSL 306.91, 0.57%, 0.52%

LAB 51.45, 67.65, -36.35

 

CMYK 36 / 0 / 69 / 21

HEX #82CA3F

RGB 130 202 63

HSL 91.08, 0.57%, 0.52%

LAB 74.41, -44.7, 59.47

 

CMYK 70 / 64 / 0 / 21

HEX #3D48CA

RGB 61 72 202

HSL 235.32, 0.57%, 0.52%

LAB 37.65, 38.38, -68.7

 

CMYK 0 / 69 / 63 / 21

HEX #CA3F4A

RGB 202 63 74

HSL 355.25, 0.57%, 0.52%

LAB 47.76, 55.35, 25.33

 

CMYK 63 / 0 / 69 / 21

HEX #4ACA3F

RGB 74 202 63

HSL 115.25, 0.57%, 0.52%

LAB 72.27, -60.77, 56.57

 

CMYK 70 / 64 / 0 / 21

HEX #3D48CA

RGB 61 72 202

HSL 235.32, 0.57%, 0.52%

LAB 37.65, 38.38, -68.7

 

CMYK 0 / 69 / 8 / 21

HEX #CA3FBA

RGB 202 63 186

HSL 306.91, 0.57%, 0.52%

LAB 51.45, 67.65, -36.35

 

CMYK 0 / 5 / 69 / 21

HEX #CABF3F

RGB 202 191 63

HSL 55.25, 0.57%, 0.52%

LAB 76.18, -10.87, 62.84

 

CMYK 69 / 0 / 61 / 21

HEX #3FCA4F

RGB 63 202 79

HSL 126.91, 0.57%, 0.52%

LAB 72.14, -61.34, 49.67

 

CMYK 70 / 64 / 0 / 21

HEX #3D48CA

RGB 61 72 202

HSL 235.32, 0.57%, 0.52%

LAB 37.65, 38.38, -68.7

 

CMYK 0 / 69 / 29 / 21

HEX #CA3F90

RGB 202 63 144

HSL 325.04, 0.57%, 0.52%

LAB 49.65, 61.83, -14.36

 

CMYK 0 / 5 / 69 / 21

HEX #CABF3F

RGB 202 191 63

HSL 55.25, 0.57%, 0.52%

LAB 76.18, -10.87, 62.84

 

CMYK 69 / 0 / 40 / 21

HEX #3FCA79

RGB 63 202 121

HSL 145.04, 0.57%, 0.52%

LAB 72.68, -55.1, 29.92

 

Description

Color code: HEX #3D48CACE | qconv.com Color code: HEX #3D48CACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 72 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 72 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 52 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 52% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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