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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D440A it is the complementary color #C2BBF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D440A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D440A shade: #424405, #535618, #64682B, #757A3E and #868C51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D440A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D440A shade: #3D440A, #2C3200, #1B2000, #0A0E00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D440A shade: #3C430A, #433A0A, #432B0A, #431C0A and #430C0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D440A shade: #3C430A, #2C430A, #1D430A, #0E430A and #0A4315

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D440A shade matches the following richer shades: #3C430A and #404904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D440A shade: #3C430A, #373C10, #323616, #2E301D and #292A23

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D440A shade: #432B0A, #433A0A, #3C430A, #2D430A and #1E430A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D440A shade: #000000, #1C1F05, #3C430A, #5C660F and #7C8A15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D440A shade: #3D440A, #0A431C and #330A43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D440A shade: #3D440A, #0A3C43 and #430A3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D440A shade: #3D440A, #0A431C, #110A43 and #430A31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D440A shade: #3D440A, #0A432D, #110A43 and #430A20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 85 / 73

HEX #3D440A

RGB 61 68 10

HSL 67.24, 0.74%, 0.15%

LAB 27.15, -11.42, 31.59

 

Complementary color

CMYK 21 / 24 / 0 / 4

HEX #C2BBF5

RGB 194 187 245

HSL 247.24, 0.74%, 0.85%

LAB 78.23, 14.25, -27.81

 

CMYK 3 / 0 / 93 / 73

HEX #424405

RGB 66 68 5

HSL 61.9, 0.86%, 0.14%

LAB 27.58, -9.13, 34.13

 

CMYK 3 / 0 / 72 / 66

HEX #535618

RGB 83 86 24

HSL 62.9, 0.56%, 0.22%

LAB 35.12, -10.18, 34.13

 

CMYK 4 / 0 / 59 / 59

HEX #64682B

RGB 100 104 43

HSL 63.93, 0.41%, 0.29%

LAB 42.44, -10.89, 33.22

 

CMYK 4 / 0 / 49 / 52

HEX #757A3E

RGB 117 122 62

HSL 65, 0.33%, 0.36%

LAB 49.56, -11.38, 31.99

 

CMYK 4 / 0 / 42 / 45

HEX #868C51

RGB 134 140 81

HSL 66.1, 0.27%, 0.43%

LAB 56.5, -11.72, 30.72

 

CMYK 10 / 0 / 85 / 73

HEX #3D440A

RGB 61 68 10

HSL 67.24, 0.74%, 0.15%

LAB 27.15, -11.42, 31.59

 

CMYK 12 / 0 / 100 / 80

HEX #2C3200

RGB 44 50 0

HSL 67.2, 1%, 0.1%

LAB 19.29, -10.08, 27.13

 

CMYK 16 / 0 / 100 / 87

HEX #1B2000

RGB 27 32 0

HSL 69.38, 1%, 0.06%

LAB 11.04, -8.13, 16.26

 

CMYK 29 / 0 / 100 / 95

HEX #0A0E00

RGB 10 14 0

HSL 77.14, 1%, 0.03%

LAB 3.42, -3.18, 5.06

 

CMYK 10 / 0 / 85 / 74

HEX #3C430A

RGB 60 67 10

HSL 67.37, 0.74%, 0.15%

LAB 26.73, -11.33, 31.17

 

CMYK 0 / 13 / 85 / 74

HEX #433A0A

RGB 67 58 10

HSL 50.53, 0.74%, 0.15%

LAB 24.45, -2.17, 29.27

 

CMYK 0 / 36 / 85 / 74

HEX #432B0A

RGB 67 43 10

HSL 34.74, 0.74%, 0.15%

LAB 19.81, 7.64, 24.37

 

CMYK 0 / 58 / 85 / 74

HEX #431C0A

RGB 67 28 10

HSL 18.95, 0.74%, 0.15%

LAB 15.73, 17.39, 19.46

 

CMYK 0 / 82 / 85 / 74

HEX #430C0A

RGB 67 12 10

HSL 2.11, 0.74%, 0.15%

LAB 12.47, 26.01, 15.19

 

CMYK 10 / 0 / 85 / 74

HEX #3C430A

RGB 60 67 10

HSL 67.37, 0.74%, 0.15%

LAB 26.73, -11.33, 31.17

 

CMYK 34 / 0 / 85 / 74

HEX #2C430A

RGB 44 67 10

HSL 84.21, 0.74%, 0.15%

LAB 25.48, -19.02, 29.54

 

CMYK 57 / 0 / 85 / 74

HEX #1D430A

RGB 29 67 10

HSL 100, 0.74%, 0.15%

LAB 24.63, -25.09, 28.43

 

CMYK 79 / 0 / 85 / 74

HEX #0E430A

RGB 14 67 10

HSL 115.79, 0.74%, 0.15%

LAB 24.1, -29.41, 27.73

 

CMYK 85 / 0 / 69 / 74

HEX #0A4315

RGB 10 67 21

HSL 131.58, 0.74%, 0.15%

LAB 24.11, -28.93, 22.43

 

CMYK 10 / 0 / 85 / 74

HEX #3C430A

RGB 60 67 10

HSL 67.37, 0.74%, 0.15%

LAB 26.73, -11.33, 31.17

 

CMYK 12 / 0 / 95 / 71

HEX #404904

RGB 64 73 4

HSL 67.83, 0.9%, 0.15%

LAB 29.07, -13.12, 35.7

 

CMYK 10 / 0 / 85 / 74

HEX #3C430A

RGB 60 67 10

HSL 67.37, 0.74%, 0.15%

LAB 26.73, -11.33, 31.17

 

CMYK 8 / 0 / 73 / 76

HEX #373C10

RGB 55 60 16

HSL 66.82, 0.58%, 0.15%

LAB 23.94, -9.28, 25.56

 

CMYK 7 / 0 / 59 / 79

HEX #323616

RGB 50 54 22

HSL 67.5, 0.42%, 0.15%

LAB 21.48, -7.53, 19.34

 

CMYK 4 / 0 / 40 / 81

HEX #2E301D

RGB 46 48 29

HSL 66.32, 0.25%, 0.15%

LAB 19.15, -4.73, 11.9

 

CMYK 2 / 0 / 17 / 84

HEX #292A23

RGB 41 42 35

HSL 68.57, 0.09%, 0.15%

LAB 16.74, -2.04, 4.43

 

CMYK 0 / 36 / 85 / 74

HEX #432B0A

RGB 67 43 10

HSL 34.74, 0.74%, 0.15%

LAB 19.81, 7.64, 24.37

 

CMYK 0 / 13 / 85 / 74

HEX #433A0A

RGB 67 58 10

HSL 50.53, 0.74%, 0.15%

LAB 24.45, -2.17, 29.27

 

CMYK 10 / 0 / 85 / 74

HEX #3C430A

RGB 60 67 10

HSL 67.37, 0.74%, 0.15%

LAB 26.73, -11.33, 31.17

 

CMYK 33 / 0 / 85 / 74

HEX #2D430A

RGB 45 67 10

HSL 83.16, 0.74%, 0.15%

LAB 25.55, -18.57, 29.63

 

CMYK 55 / 0 / 85 / 74

HEX #1E430A

RGB 30 67 10

HSL 98.95, 0.74%, 0.15%

LAB 24.68, -24.73, 28.5

 

CMYK 10 / 0 / 84 / 88

HEX #1C1F05

RGB 28 31 5

HSL 66.92, 0.72%, 0.07%

LAB 10.83, -6.24, 13.96

 

CMYK 10 / 0 / 85 / 74

HEX #3C430A

RGB 60 67 10

HSL 67.37, 0.74%, 0.15%

LAB 26.73, -11.33, 31.17

 

CMYK 10 / 0 / 85 / 60

HEX #5C660F

RGB 92 102 15

HSL 66.9, 0.74%, 0.23%

LAB 40.92, -15.33, 43.29

 

CMYK 10 / 0 / 85 / 46

HEX #7C8A15

RGB 124 138 21

HSL 67.18, 0.74%, 0.31%

LAB 54.57, -19.54, 54.47

 

CMYK 10 / 0 / 85 / 73

HEX #3D440A

RGB 61 68 10

HSL 67.24, 0.74%, 0.15%

LAB 27.15, -11.42, 31.59

 

CMYK 85 / 0 / 58 / 74

HEX #0A431C

RGB 10 67 28

HSL 138.95, 0.74%, 0.15%

LAB 24.2, -27.79, 18.57

 

CMYK 24 / 85 / 0 / 74

HEX #330A43

RGB 51 10 67

HSL 283.16, 0.74%, 0.15%

LAB 11.46, 30.09, -26.3

 

CMYK 10 / 0 / 85 / 73

HEX #3D440A

RGB 61 68 10

HSL 67.24, 0.74%, 0.15%

LAB 27.15, -11.42, 31.59

 

CMYK 85 / 10 / 0 / 74

HEX #0A3C43

RGB 10 60 67

HSL 187.37, 0.74%, 0.15%

LAB 22.66, -13.06, -8.94

 

CMYK 0 / 85 / 10 / 74

HEX #430A3C

RGB 67 10 60

HSL 307.37, 0.74%, 0.15%

LAB 14.04, 32.62, -17.04

 

CMYK 10 / 0 / 85 / 73

HEX #3D440A

RGB 61 68 10

HSL 67.24, 0.74%, 0.15%

LAB 27.15, -11.42, 31.59

 

CMYK 85 / 0 / 58 / 74

HEX #0A431C

RGB 10 67 28

HSL 138.95, 0.74%, 0.15%

LAB 24.2, -27.79, 18.57

 

CMYK 75 / 85 / 0 / 74

HEX #110A43

RGB 17 10 67

HSL 247.37, 0.74%, 0.15%

LAB 6.7, 23.34, -34.26

 

CMYK 0 / 85 / 27 / 74

HEX #430A31

RGB 67 10 49

HSL 318.95, 0.74%, 0.15%

LAB 13.42, 30.79, -10.1

 

CMYK 10 / 0 / 85 / 73

HEX #3D440A

RGB 61 68 10

HSL 67.24, 0.74%, 0.15%

LAB 27.15, -11.42, 31.59

 

CMYK 85 / 0 / 33 / 74

HEX #0A432D

RGB 10 67 45

HSL 156.84, 0.74%, 0.15%

LAB 24.54, -23.97, 8.37

 

CMYK 75 / 85 / 0 / 74

HEX #110A43

RGB 17 10 67

HSL 247.37, 0.74%, 0.15%

LAB 6.7, 23.34, -34.26

 

CMYK 0 / 85 / 52 / 74

HEX #430A20

RGB 67 10 32

HSL 336.84, 0.74%, 0.15%

LAB 12.7, 28.55, 1.36

 

Description

Color code: HEX #3D440A | qconv.com Color code: HEX #3D440A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 68 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 68 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 85 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 85% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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