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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D3B7E it is the complementary color #C2C481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D3B7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D3B7E shade: #423B79, #534D8C, #645F9F, #7571B2 and #8683C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D3B7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D3B7E shade: #3D3B7E, #2C296B, #1B1758, #0A0545 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D3B7E shade: #3C3A7C, #4E3A7C, #603A7C, #723A7C and #7C3A75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D3B7E shade: #3C3A7C and #3A3A7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D3B7E shade matches the following richer shades: #3C3A7C, #2E2B8B, #201D9A and #120EA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D3B7E shade: #3C3A7C, #4A496D, #58585F, #666750 and #747641

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D3B7E shade: #3A5C7C, #3A4B7C, #3B3A7C, #4D3A7C and #5F3A7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D3B7E shade: #212044, #2F2D60, #3C3A7C, #4A4798 and #5B59B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D3B7E shade: #3D3B7E, #7C3A6E and #547C3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D3B7E shade: #3D3B7E, #7C3B3A and #3A7C3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D3B7E shade: #3D3B7E, #7C3A6E, #7B7C3A and #3A7C49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D3B7E shade: #3D3B7E, #7C3A5A, #7B7C3A and #3A7C5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 53 / 0 / 51

HEX #3D3B7E

RGB 61 59 126

HSL 241.79, 0.36%, 0.36%

LAB 28.45, 20.5, -37.88

 

Complementary color

CMYK 1 / 0 / 34 / 23

HEX #C2C481

RGB 194 196 129

HSL 61.79, 0.36%, 0.64%

LAB 77.6, -11.02, 33.46

 

CMYK 45 / 51 / 0 / 53

HEX #423B79

RGB 66 59 121

HSL 246.77, 0.34%, 0.35%

LAB 28.56, 20.12, -34.55

 

CMYK 41 / 45 / 0 / 45

HEX #534D8C

RGB 83 77 140

HSL 245.71, 0.29%, 0.43%

LAB 36.06, 18.92, -34.28

 

CMYK 37 / 40 / 0 / 38

HEX #645F9F

RGB 100 95 159

HSL 244.69, 0.25%, 0.5%

LAB 43.36, 17.95, -34.1

 

CMYK 34 / 37 / 0 / 30

HEX #7571B2

RGB 117 113 178

HSL 243.69, 0.3%, 0.57%

LAB 50.46, 17.13, -33.98

 

CMYK 32 / 34 / 0 / 23

HEX #8683C5

RGB 134 131 197

HSL 242.73, 0.36%, 0.64%

LAB 57.4, 16.43, -33.92

 

CMYK 52 / 53 / 0 / 51

HEX #3D3B7E

RGB 61 59 126

HSL 241.79, 0.36%, 0.36%

LAB 28.45, 20.5, -37.88

 

CMYK 59 / 62 / 0 / 58

HEX #2C296B

RGB 44 41 107

HSL 242.73, 0.45%, 0.29%

LAB 20.76, 22.23, -38.25

 

CMYK 69 / 74 / 0 / 65

HEX #1B1758

RGB 27 23 88

HSL 243.69, 0.59%, 0.22%

LAB 12.92, 24.41, -38.52

 

CMYK 86 / 93 / 0 / 73

HEX #0A0545

RGB 10 5 69

HSL 244.69, 0.86%, 0.15%

LAB 5.44, 25.7, -37.76

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 52 / 53 / 0 / 51

HEX #3C3A7C

RGB 60 58 124

HSL 241.82, 0.36%, 0.36%

LAB 27.96, 20.25, -37.42

 

CMYK 37 / 53 / 0 / 51

HEX #4E3A7C

RGB 78 58 124

HSL 258.18, 0.36%, 0.36%

LAB 29.67, 24.93, -34.59

 

CMYK 23 / 53 / 0 / 51

HEX #603A7C

RGB 96 58 124

HSL 274.55, 0.36%, 0.36%

LAB 31.73, 30.09, -31.18

 

CMYK 8 / 53 / 0 / 51

HEX #723A7C

RGB 114 58 124

HSL 290.91, 0.36%, 0.36%

LAB 34.1, 35.49, -27.28

 

CMYK 0 / 53 / 6 / 51

HEX #7C3A75

RGB 124 58 117

HSL 306.36, 0.36%, 0.36%

LAB 35.19, 37.19, -21.1

 

CMYK 52 / 53 / 0 / 51

HEX #3C3A7C

RGB 60 58 124

HSL 241.82, 0.36%, 0.36%

LAB 27.96, 20.25, -37.42

 

CMYK 53 / 53 / 0 / 51

HEX #3A3A7C

RGB 58 58 124

HSL 240, 0.36%, 0.36%

LAB 27.79, 19.78, -37.7

 

CMYK 52 / 53 / 0 / 51

HEX #3C3A7C

RGB 60 58 124

HSL 241.82, 0.36%, 0.36%

LAB 27.96, 20.25, -37.42

 

CMYK 67 / 69 / 0 / 45

HEX #2E2B8B

RGB 46 43 139

HSL 241.88, 0.53%, 0.36%

LAB 24.23, 32.61, -52.9

 

CMYK 79 / 81 / 0 / 40

HEX #201D9A

RGB 32 29 154

HSL 241.44, 0.68%, 0.36%

LAB 22.01, 44.41, -65.88

 

CMYK 89 / 92 / 0 / 34

HEX #120EA9

RGB 18 14 169

HSL 241.55, 0.85%, 0.36%

LAB 21.23, 54.61, -76.34

 

CMYK 52 / 53 / 0 / 51

HEX #3C3A7C

RGB 60 58 124

HSL 241.82, 0.36%, 0.36%

LAB 27.96, 20.25, -37.42

 

CMYK 32 / 33 / 0 / 57

HEX #4A496D

RGB 74 73 109

HSL 241.67, 0.2%, 0.36%

LAB 32.54, 9.61, -20.66

 

CMYK 7 / 7 / 0 / 63

HEX #58585F

RGB 88 88 95

HSL 240, 0.04%, 0.36%

LAB 37.63, 1.54, -4.03

 

CMYK 1 / 0 / 22 / 60

HEX #666750

RGB 102 103 80

HSL 62.61, 0.13%, 0.36%

LAB 42.92, -4.69, 12.89

 

CMYK 2 / 0 / 45 / 54

HEX #747641

RGB 116 118 65

HSL 62.26, 0.29%, 0.36%

LAB 48.32, -9.27, 28.84

 

CMYK 53 / 26 / 0 / 51

HEX #3A5C7C

RGB 58 92 124

HSL 209.09, 0.36%, 0.36%

LAB 37.86, -2.49, -21.8

 

CMYK 53 / 40 / 0 / 51

HEX #3A4B7C

RGB 58 75 124

HSL 224.55, 0.36%, 0.36%

LAB 32.67, 8.4, -29.92

 

CMYK 52 / 53 / 0 / 51

HEX #3B3A7C

RGB 59 58 124

HSL 240.91, 0.36%, 0.36%

LAB 27.88, 20.01, -37.56

 

CMYK 38 / 53 / 0 / 51

HEX #4D3A7C

RGB 77 58 124

HSL 257.27, 0.36%, 0.36%

LAB 29.56, 24.65, -34.77

 

CMYK 23 / 53 / 0 / 51

HEX #5F3A7C

RGB 95 58 124

HSL 273.64, 0.36%, 0.36%

LAB 31.61, 29.8, -31.38

 

CMYK 51 / 53 / 0 / 73

HEX #212044

RGB 33 32 68

HSL 241.67, 0.36%, 0.2%

LAB 14.25, 11.82, -22.64

 

CMYK 51 / 53 / 0 / 62

HEX #2F2D60

RGB 47 45 96

HSL 242.35, 0.36%, 0.28%

LAB 21.3, 16.29, -30.18

 

CMYK 52 / 53 / 0 / 51

HEX #3C3A7C

RGB 60 58 124

HSL 241.82, 0.36%, 0.36%

LAB 27.96, 20.25, -37.42

 

CMYK 51 / 53 / 0 / 40

HEX #4A4798

RGB 74 71 152

HSL 242.22, 0.36%, 0.44%

LAB 34.46, 24.28, -44.19

 

CMYK 48 / 49 / 0 / 31

HEX #5B59B0

RGB 91 89 176

HSL 241.38, 0.36%, 0.52%

LAB 42.01, 24.45, -46.34

 

CMYK 52 / 53 / 0 / 51

HEX #3D3B7E

RGB 61 59 126

HSL 241.79, 0.36%, 0.36%

LAB 28.45, 20.5, -37.88

 

CMYK 0 / 53 / 11 / 51

HEX #7C3A6E

RGB 124 58 110

HSL 312.73, 0.36%, 0.36%

LAB 34.88, 35.92, -17.19

 

CMYK 32 / 0 / 53 / 51

HEX #547C3A

RGB 84 124 58

HSL 96.36, 0.36%, 0.36%

LAB 47.76, -26.61, 31.38

 

CMYK 52 / 53 / 0 / 51

HEX #3D3B7E

RGB 61 59 126

HSL 241.79, 0.36%, 0.36%

LAB 28.45, 20.5, -37.88

 

CMYK 0 / 52 / 53 / 51

HEX #7C3B3A

RGB 124 59 58

HSL 0.91, 0.36%, 0.36%

LAB 33.39, 28.09, 13.86

 

CMYK 53 / 0 / 52 / 51

HEX #3A7C3B

RGB 58 124 59

HSL 120.91, 0.36%, 0.36%

LAB 46.49, -35.34, 29.01

 

CMYK 52 / 53 / 0 / 51

HEX #3D3B7E

RGB 61 59 126

HSL 241.79, 0.36%, 0.36%

LAB 28.45, 20.5, -37.88

 

CMYK 0 / 53 / 11 / 51

HEX #7C3A6E

RGB 124 58 110

HSL 312.73, 0.36%, 0.36%

LAB 34.88, 35.92, -17.19

 

CMYK 1 / 0 / 53 / 51

HEX #7B7C3A

RGB 123 124 58

HSL 60.91, 0.36%, 0.36%

LAB 50.61, -10.22, 35.46

 

CMYK 53 / 0 / 41 / 51

HEX #3A7C49

RGB 58 124 73

HSL 133.64, 0.36%, 0.36%

LAB 46.71, -33.03, 21.59

 

CMYK 52 / 53 / 0 / 51

HEX #3D3B7E

RGB 61 59 126

HSL 241.79, 0.36%, 0.36%

LAB 28.45, 20.5, -37.88

 

CMYK 0 / 53 / 27 / 51

HEX #7C3A5A

RGB 124 58 90

HSL 330.91, 0.36%, 0.36%

LAB 34.09, 32.63, -5.68

 

CMYK 1 / 0 / 53 / 51

HEX #7B7C3A

RGB 123 124 58

HSL 60.91, 0.36%, 0.36%

LAB 50.61, -10.22, 35.46

 

CMYK 53 / 0 / 26 / 51

HEX #3A7C5C

RGB 58 124 92

HSL 150.91, 0.36%, 0.36%

LAB 47.09, -29.13, 11.17

 

Description

Color code: HEX #3D3B7E | qconv.com Color code: HEX #3D3B7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 59 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 59 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 53 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 53% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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