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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D369DCE it is the complementary color #C2C962CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D369DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D369DCE shade: #423698CE, #5348ABCE, #645ABECE, #756CD1CE and #867EE4CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D369DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D369DCE shade: #3D369DCE, #2C248ACE, #1B1277CE, #0A0064CE and #000051CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D369DCE shade: #3C359C, #58359C, #74359C, #8F359C and #9C358D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D369DCE shade: #3C359C and #35359C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D369DCE shade matches the following richer shades: #3C359C, #2E24AD, #1F13BE and #1003CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D369DCE shade: #3C359C, #4B468B, #5A577A, #686869 and #777958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D369DCE shade: #35659C, #354A9C, #3C359C, #57359C and #73359C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D369DCE shade: #24205E, #302B7D, #3C359C, #4840BB and #645CC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D369DCE shade: #3D369D, #9C3580 and #579C35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D369DCE shade: #3D369D, #9C3C35 and #359C3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D369DCE shade: #3D369D, #9C3580, #959C35 and #359C51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D369DCE shade: #3D369D, #9C3562, #959C35 and #359C6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 53 / 0 / 31

HEX #3D369DCE

RGBA 61 54 157 0.81

HSLA 244.08, 0.49%, 0.41%, 0.81

LABA 29.58, 34.2, -55.19, 0.81

 

Complementary color

CMYK 3 / 0 / 42 / 17

HEX #C2C962CE

RGBA 194 201 98 0.81

HSLA 64.08, 0.49%, 0.59%, 0.81

LABA 78.53, -16.8, 50.04, 0.81

 

CMYK 46 / 52 / 0 / 33

HEX #423698CE

RGBA 66 54 152 0.81

HSLA 247.35, 0.48%, 0.4%, 0.81

LABA 29.57, 33.42, -52.13, 0.81

 

CMYK 42 / 47 / 0 / 27

HEX #5348ABCE

RGBA 83 72 171 0.81

HSLA 246.67, 0.41%, 0.48%, 0.81

LABA 36.77, 31.71, -51.84, 0.81

 

CMYK 38 / 43 / 0 / 21

HEX #645ABECE

RGBA 100 90 190 0.81

HSLA 246, 0.43%, 0.55%, 0.81

LABA 43.86, 30.22, -51.52, 0.81

 

CMYK 36 / 39 / 0 / 15

HEX #756CD1CE

RGBA 117 108 209 0.81

HSLA 245.35, 0.52%, 0.62%, 0.81

LABA 50.82, 28.94, -51.22, 0.81

 

CMYK 33 / 36 / 0 / 9

HEX #867EE4CE

RGBA 134 126 228 0.81

HSLA 244.71, 0.65%, 0.69%, 0.81

LABA 57.65, 27.82, -50.97, 0.81

 

CMYK 50 / 53 / 0 / 31

HEX #3D369DCE

RGBA 61 54 157 0.81

HSLA 244.08, 0.49%, 0.41%, 0.81

LABA 29.58, 34.2, -55.19, 0.81

 

CMYK 55 / 60 / 0 / 37

HEX #2C248ACE

RGBA 44 36 138 0.81

HSLA 244.71, 0.59%, 0.34%, 0.81

LABA 22.42, 36.3, -55.27, 0.81

 

CMYK 63 / 69 / 0 / 43

HEX #1B1277CE

RGBA 27 18 119 0.81

HSLA 245.35, 0.74%, 0.27%, 0.81

LABA 15.47, 38.22, -54.74, 0.81

 

CMYK 73 / 81 / 0 / 49

HEX #0A0064CE

RGBA 10 0 100 0.81

HSLA 246, 1%, 0.2%, 0.81

LABA 8.86, 40.04, -53.34, 0.81

 

CMYK 81 / 81 / 0 / 55

HEX #000051CE

RGBA 0 0 81 0.81

HSLA 240, 1%, 0.16%, 0.81

LABA 5.37, 32.91, -46.3, 0.81

 

CMYK 62 / 66 / 0 / 39

HEX #3C359C

RGB 60 53 156

HSL 244.08, 0.49%, 0.41%

LAB 29.18, 34.32, -55.23

 

CMYK 44 / 66 / 0 / 39

HEX #58359C

RGB 88 53 156

HSL 260.39, 0.49%, 0.41%

LAB 31.86, 39.57, -50.76

 

CMYK 26 / 66 / 0 / 39

HEX #74359C

RGB 116 53 156

HSL 276.7, 0.49%, 0.41%

LAB 35.32, 45.81, -44.99

 

CMYK 8 / 66 / 0 / 39

HEX #8F359C

RGB 143 53 156

HSL 292.43, 0.49%, 0.41%

LAB 39.22, 52.29, -38.53

 

CMYK 0 / 66 / 10 / 39

HEX #9C358D

RGB 156 53 141

HSL 308.74, 0.49%, 0.41%

LAB 40.47, 52.95, -27.32

 

CMYK 62 / 66 / 0 / 39

HEX #3C359C

RGB 60 53 156

HSL 244.08, 0.49%, 0.41%

LAB 29.18, 34.32, -55.23

 

CMYK 66 / 66 / 0 / 39

HEX #35359C

RGB 53 53 156

HSL 240, 0.49%, 0.41%

LAB 28.65, 33.24, -56.11

 

CMYK 62 / 66 / 0 / 39

HEX #3C359C

RGB 60 53 156

HSL 244.08, 0.49%, 0.41%

LAB 29.18, 34.32, -55.23

 

CMYK 73 / 79 / 0 / 32

HEX #2E24AD

RGB 46 36 173

HSL 244.38, 0.66%, 0.41%

LAB 26.33, 47.94, -70.23

 

CMYK 84 / 90 / 0 / 25

HEX #1F13BE

RGB 31 19 190

HSL 244.21, 0.82%, 0.41%

LAB 25.18, 59.25, -82.31

 

CMYK 92 / 99 / 0 / 19

HEX #1003CF

RGB 16 3 207

HSL 243.82, 0.97%, 0.41%

LAB 25.8, 67.17, -91.28

 

CMYK 62 / 66 / 0 / 39

HEX #3C359C

RGB 60 53 156

HSL 244.08, 0.49%, 0.41%

LAB 29.18, 34.32, -55.23

 

CMYK 46 / 50 / 0 / 45

HEX #4B468B

RGB 75 70 139

HSL 244.35, 0.33%, 0.41%

LAB 33.44, 20.99, -37.89

 

CMYK 26 / 29 / 0 / 52

HEX #5A577A

RGB 90 87 122

HSL 245.14, 0.17%, 0.41%

LAB 38.54, 9.58, -19.33

 

CMYK 1 / 1 / 0 / 59

HEX #686869

RGB 104 104 105

HSL 240, 0%, 0.41%

LAB 44.04, 0.21, -0.57

 

CMYK 2 / 0 / 27 / 53

HEX #777958

RGB 119 121 88

HSL 63.64, 0.16%, 0.41%

LAB 49.86, -6.62, 17.9

 

CMYK 66 / 35 / 0 / 39

HEX #35659C

RGB 53 101 156

HSL 212.04, 0.49%, 0.41%

LAB 41.95, 1.92, -34.73

 

CMYK 66 / 53 / 0 / 39

HEX #354A9C

RGB 53 74 156

HSL 227.77, 0.49%, 0.41%

LAB 34.1, 19.46, -47.27

 

CMYK 62 / 66 / 0 / 39

HEX #3C359C

RGB 60 53 156

HSL 244.08, 0.49%, 0.41%

LAB 29.18, 34.32, -55.23

 

CMYK 44 / 66 / 0 / 39

HEX #57359C

RGB 87 53 156

HSL 259.81, 0.49%, 0.41%

LAB 31.74, 39.37, -50.94

 

CMYK 26 / 66 / 0 / 39

HEX #73359C

RGB 115 53 156

HSL 276.12, 0.49%, 0.41%

LAB 35.19, 45.58, -45.21

 

CMYK 62 / 66 / 0 / 63

HEX #24205E

RGB 36 32 94

HSL 243.87, 0.49%, 0.25%

LAB 16.58, 22.08, -36.53

 

CMYK 62 / 66 / 0 / 51

HEX #302B7D

RGB 48 43 125

HSL 243.66, 0.49%, 0.33%

LAB 23.12, 28.03, -45.93

 

CMYK 62 / 66 / 0 / 39

HEX #3C359C

RGB 60 53 156

HSL 244.08, 0.49%, 0.41%

LAB 29.18, 34.32, -55.23

 

CMYK 61 / 66 / 0 / 27

HEX #4840BB

RGB 72 64 187

HSL 243.9, 0.49%, 0.49%

LAB 35.27, 39.74, -63.79

 

CMYK 50 / 54 / 0 / 22

HEX #645CC7

RGB 100 92 199

HSL 244.49, 0.49%, 0.57%

LAB 44.92, 31.75, -55.02

 

CMYK 61 / 66 / 0 / 38

HEX #3D369D

RGB 61 54 157

HSL 244.08, 0.49%, 0.41%

LAB 29.58, 34.2, -55.19

 

CMYK 0 / 66 / 18 / 39

HEX #9C3580

RGB 156 53 128

HSL 316.31, 0.49%, 0.41%

LAB 39.87, 50.92, -20.29

 

CMYK 44 / 0 / 66 / 39

HEX #579C35

RGB 87 156 53

HSL 100.19, 0.49%, 0.41%

LAB 58.09, -40.66, 45.65

 

CMYK 61 / 66 / 0 / 38

HEX #3D369D

RGB 61 54 157

HSL 244.08, 0.49%, 0.41%

LAB 29.58, 34.2, -55.19

 

CMYK 0 / 62 / 66 / 39

HEX #9C3C35

RGB 156 60 53

HSL 4.08, 0.49%, 0.41%

LAB 38.82, 39.59, 25.05

 

CMYK 66 / 0 / 62 / 39

HEX #359C3C

RGB 53 156 60

HSL 124.08, 0.49%, 0.41%

LAB 56.94, -49.25, 40.87

 

CMYK 61 / 66 / 0 / 38

HEX #3D369D

RGB 61 54 157

HSL 244.08, 0.49%, 0.41%

LAB 29.58, 34.2, -55.19

 

CMYK 0 / 66 / 18 / 39

HEX #9C3580

RGB 156 53 128

HSL 316.31, 0.49%, 0.41%

LAB 39.87, 50.92, -20.29

 

CMYK 4 / 0 / 66 / 39

HEX #959C35

RGB 149 156 53

HSL 64.08, 0.49%, 0.41%

LAB 62.02, -16.24, 51

 

CMYK 66 / 0 / 48 / 39

HEX #359C51

RGB 53 156 81

HSL 136.31, 0.49%, 0.41%

LAB 57.2, -46.27, 30.71

 

CMYK 61 / 66 / 0 / 38

HEX #3D369D

RGB 61 54 157

HSL 244.08, 0.49%, 0.41%

LAB 29.58, 34.2, -55.19

 

CMYK 0 / 66 / 37 / 39

HEX #9C3562

RGB 156 53 98

HSL 333.79, 0.49%, 0.41%

LAB 38.72, 46.89, -3.31

 

CMYK 4 / 0 / 66 / 39

HEX #959C35

RGB 149 156 53

HSL 64.08, 0.49%, 0.41%

LAB 62.02, -16.24, 51

 

CMYK 66 / 0 / 29 / 39

HEX #359C6F

RGB 53 156 111

HSL 153.79, 0.49%, 0.41%

LAB 57.73, -40.45, 15.09

 

Description

Color code: HEX #3D369DCE | qconv.com Color code: HEX #3D369DCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 54 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 54 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 53 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 53% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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