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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D3159 it is the complementary color #C2CEA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D3159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D3159 shade: #423154, #534367, #64557A, #75678D and #8679A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D3159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D3159 shade: #3D3159, #2C1F46, #1B0D33, #0A0020 and #00000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D3159 shade: #3D3159, #483159, #523159, #593154 and #59314A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D3159 shade: #3D3159, #323159 and #313159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D3159 shade matches the following richer shades: #3D3159, #382664, #341B6F, #2F0F7A and #2B0485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D3159 shade: #3D3159, #413C4E, #464743, #4A5237 and #4F5D2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D3159 shade: #313A59, #323159, #3D3159, #483159 and #523159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D3159 shade: #181424, #2B223E, #3D3159, #4F4073 and #614E8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D3159 shade: #3D3159, #593145 and #355931

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D3159 shade: #3D3159, #593D31 and #31593D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D3159 shade: #3D3159, #593145, #4D5931 and #315945

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D3159 shade: #3D3159, #593139, #4D5931 and #315951

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

Complementary color

CMYK 6 / 0 / 19 / 19

HEX #C2CEA6

RGB 194 206 166

HSL 78, 0.29%, 0.73%

LAB 80.94, -11.01, 18.56

 

CMYK 21 / 42 / 0 / 67

HEX #423154

RGB 66 49 84

HSL 269.14, 0.26%, 0.26%

LAB 23.65, 15.74, -18.42

 

CMYK 19 / 35 / 0 / 60

HEX #534367

RGB 83 67 103

HSL 266.67, 0.21%, 0.33%

LAB 31.42, 14.92, -18.52

 

CMYK 18 / 30 / 0 / 52

HEX #64557A

RGB 100 85 122

HSL 264.32, 0.18%, 0.41%

LAB 38.92, 14.23, -18.67

 

CMYK 17 / 27 / 0 / 45

HEX #75678D

RGB 117 103 141

HSL 262.11, 0.16%, 0.48%

LAB 46.18, 13.64, -18.86

 

CMYK 16 / 24 / 0 / 37

HEX #8679A0

RGB 134 121 160

HSL 260, 0.17%, 0.55%

LAB 53.26, 13.12, -19.08

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 37 / 56 / 0 / 73

HEX #2C1F46

RGB 44 31 70

HSL 260, 0.39%, 0.2%

LAB 15.26, 16.56, -22.35

 

CMYK 47 / 75 / 0 / 80

HEX #1B0D33

RGB 27 13 51

HSL 262.11, 0.59%, 0.13%

LAB 6.86, 17.66, -22.4

 

CMYK 69 / 100 / 0 / 87

HEX #0A0020

RGB 10 0 32

HSL 258.75, 1%, 0.06%

LAB 1.52, 9.23, -16.4

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 19 / 45 / 0 / 65

HEX #483159

RGB 72 49 89

HSL 274.5, 0.29%, 0.27%

LAB 24.63, 19.15, -20.15

 

CMYK 8 / 45 / 0 / 65

HEX #523159

RGB 82 49 89

HSL 289.5, 0.29%, 0.27%

LAB 25.9, 22.62, -18.07

 

CMYK 0 / 45 / 6 / 65

HEX #593154

RGB 89 49 84

HSL 307.5, 0.29%, 0.27%

LAB 26.62, 24.04, -13.59

 

CMYK 0 / 45 / 17 / 65

HEX #59314A

RGB 89 49 74

HSL 322.5, 0.29%, 0.27%

LAB 26.2, 22.09, -7.62

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 44 / 45 / 0 / 65

HEX #323159

RGB 50 49 89

HSL 241.5, 0.29%, 0.27%

LAB 22.29, 11.97, -23.99

 

CMYK 45 / 45 / 0 / 65

HEX #313159

RGB 49 49 89

HSL 240, 0.29%, 0.27%

LAB 22.2, 11.67, -24.14

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 44 / 62 / 0 / 61

HEX #382664

RGB 56 38 100

HSL 257.42, 0.45%, 0.27%

LAB 20.62, 24.67, -33.85

 

CMYK 53 / 76 / 0 / 56

HEX #341B6F

RGB 52 27 111

HSL 257.86, 0.61%, 0.27%

LAB 18.63, 33.94, -44.28

 

CMYK 61 / 88 / 0 / 52

HEX #2F0F7A

RGB 47 15 122

HSL 257.94, 0.78%, 0.27%

LAB 17.23, 42.29, -53.7

 

CMYK 68 / 97 / 0 / 48

HEX #2B0485

RGB 43 4 133

HSL 258.14, 0.94%, 0.27%

LAB 16.96, 48.63, -61.16

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 17 / 23 / 0 / 69

HEX #413C4E

RGB 65 60 78

HSL 256.67, 0.13%, 0.27%

LAB 26.46, 6.42, -10.14

 

CMYK 1 / 0 / 6 / 72

HEX #464743

RGB 70 71 67

HSL 75, 0.03%, 0.27%

LAB 29.95, -1.28, 2.25

 

CMYK 10 / 0 / 33 / 68

HEX #4A5237

RGB 74 82 55

HSL 77.78, 0.2%, 0.27%

LAB 33.49, -8.53, 14.83

 

CMYK 15 / 0 / 53 / 64

HEX #4F5D2C

RGB 79 93 44

HSL 77.14, 0.36%, 0.27%

LAB 37.25, -14.17, 26.17

 

CMYK 45 / 35 / 0 / 65

HEX #313A59

RGB 49 58 89

HSL 226.5, 0.29%, 0.27%

LAB 24.95, 5.46, -19.8

 

CMYK 44 / 45 / 0 / 65

HEX #323159

RGB 50 49 89

HSL 241.5, 0.29%, 0.27%

LAB 22.29, 11.97, -23.99

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 19 / 45 / 0 / 65

HEX #483159

RGB 72 49 89

HSL 274.5, 0.29%, 0.27%

LAB 24.63, 19.15, -20.15

 

CMYK 8 / 45 / 0 / 65

HEX #523159

RGB 82 49 89

HSL 289.5, 0.29%, 0.27%

LAB 25.9, 22.62, -18.07

 

CMYK 33 / 44 / 0 / 86

HEX #181424

RGB 24 20 36

HSL 255, 0.29%, 0.11%

LAB 7.42, 6.56, -10.35

 

CMYK 31 / 45 / 0 / 76

HEX #2B223E

RGB 43 34 62

HSL 259.29, 0.29%, 0.19%

LAB 15.52, 11.61, -16.39

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 31 / 44 / 0 / 55

HEX #4F4073

RGB 79 64 115

HSL 257.65, 0.28%, 0.35%

LAB 30.8, 18.78, -27.13

 

CMYK 32 / 45 / 0 / 44

HEX #614E8E

RGB 97 78 142

HSL 257.81, 0.29%, 0.43%

LAB 37.74, 22.88, -32.76

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 0 / 45 / 22 / 65

HEX #593145

RGB 89 49 69

HSL 330, 0.29%, 0.27%

LAB 26.01, 21.19, -4.58

 

CMYK 40 / 0 / 45 / 65

HEX #355931

RGB 53 89 49

HSL 114, 0.29%, 0.27%

LAB 34.24, -22.04, 19.16

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 0 / 31 / 45 / 65

HEX #593D31

RGB 89 61 49

HSL 18, 0.29%, 0.27%

LAB 28.6, 10.57, 12.3

 

CMYK 45 / 0 / 31 / 65

HEX #31593D

RGB 49 89 61

HSL 138, 0.29%, 0.27%

LAB 34.26, -21.15, 11.9

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 0 / 45 / 22 / 65

HEX #593145

RGB 89 49 69

HSL 330, 0.29%, 0.27%

LAB 26.01, 21.19, -4.58

 

CMYK 13 / 0 / 45 / 65

HEX #4D5931

RGB 77 89 49

HSL 78, 0.29%, 0.27%

LAB 35.88, -12.17, 21.58

 

CMYK 45 / 0 / 22 / 65

HEX #315945

RGB 49 89 69

HSL 150, 0.29%, 0.27%

LAB 34.45, -19.34, 7.22

 

CMYK 31 / 45 / 0 / 65

HEX #3D3159

RGB 61 49 89

HSL 258, 0.29%, 0.27%

LAB 23.37, 15.44, -22.21

 

CMYK 0 / 45 / 36 / 65

HEX #593139

RGB 89 49 57

HSL 348, 0.29%, 0.27%

LAB 25.61, 19.25, 2.86

 

CMYK 13 / 0 / 45 / 65

HEX #4D5931

RGB 77 89 49

HSL 78, 0.29%, 0.27%

LAB 35.88, -12.17, 21.58

 

CMYK 45 / 0 / 9 / 65

HEX #315951

RGB 49 89 81

HSL 168, 0.29%, 0.27%

LAB 34.79, -16.3, 0.21

 

Description

Color code: HEX #3D3159 | qconv.com Color code: HEX #3D3159 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 49 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 49 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 45 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 45% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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