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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D134E it is the complementary color #C2ECB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D134E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D134E shade: #421349, #53255C, #64376F, #754982 and #865B95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D134E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D134E shade: #3D134E, #2C013B, #1B0028, #0A0015 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D134E shade: #3C124E, #4C124E, #4E123F, #4E122F and #4E121F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D134E shade: #3C124E, #2D124E, #1D124E and #12124E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D134E shade matches the following richer shades: #3C124E, #400B55 and #43035D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D134E shade: #3C124E, #391A46, #36223E, #332A36 and #2F322E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D134E shade: #1C124E, #2C124E, #3C124E, #4C124E and #4E1240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D134E shade: #09020B, #230A2C, #3C124E, #561A6F and #702290

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D134E shade: #3D134E, #4E1218 and #124E24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D134E shade: #3D134E, #4E3C12 and #124E3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D134E shade: #3D134E, #4E1218, #244E12 and #124E48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D134E shade: #3D134E, #4E1E12, #244E12 and #12424E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 76 / 0 / 69

HEX #3D134E

RGB 61 19 78

HSL 282.71, 0.61%, 0.19%

LAB 15.53, 30.96, -27.29

 

Complementary color

CMYK 18 / 0 / 25 / 7

HEX #C2ECB1

RGB 194 236 177

HSL 102.71, 0.61%, 0.81%

LAB 89.22, -24.2, 24.26

 

CMYK 10 / 74 / 0 / 71

HEX #421349

RGB 66 19 73

HSL 292.22, 0.59%, 0.18%

LAB 16.03, 31.13, -23.01

 

CMYK 10 / 60 / 0 / 64

HEX #53255C

RGB 83 37 92

HSL 290.18, 0.43%, 0.25%

LAB 23.45, 30.78, -23.86

 

CMYK 10 / 50 / 0 / 56

HEX #64376F

RGB 100 55 111

HSL 288.21, 0.34%, 0.33%

LAB 30.85, 30.01, -24.34

 

CMYK 10 / 44 / 0 / 49

HEX #754982

RGB 117 73 130

HSL 286.32, 0.28%, 0.4%

LAB 38.13, 29.16, -24.67

 

CMYK 10 / 39 / 0 / 42

HEX #865B95

RGB 134 91 149

HSL 284.48, 0.24%, 0.47%

LAB 45.25, 28.34, -24.94

 

CMYK 22 / 76 / 0 / 69

HEX #3D134E

RGB 61 19 78

HSL 282.71, 0.61%, 0.19%

LAB 15.53, 30.96, -27.29

 

CMYK 25 / 98 / 0 / 77

HEX #2C013B

RGB 44 1 59

HSL 284.48, 0.97%, 0.12%

LAB 7.89, 31.28, -26.44

 

CMYK 33 / 100 / 0 / 84

HEX #1B0028

RGB 27 0 40

HSL 280.5, 1%, 0.08%

LAB 3.49, 19.17, -19.5

 

CMYK 52 / 100 / 0 / 92

HEX #0A0015

RGB 10 0 21

HSL 268.57, 1%, 0.04%

LAB 1.07, 6.05, -8.43

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 23 / 77 / 0 / 69

HEX #3C124E

RGB 60 18 78

HSL 282, 0.63%, 0.19%

LAB 15.19, 31.2, -27.85

 

CMYK 3 / 77 / 0 / 69

HEX #4C124E

RGB 76 18 78

HSL 298, 0.63%, 0.19%

LAB 18.01, 35.27, -23.18

 

CMYK 0 / 77 / 19 / 69

HEX #4E123F

RGB 78 18 63

HSL 315, 0.63%, 0.19%

LAB 17.51, 33.09, -13.57

 

CMYK 0 / 77 / 40 / 69

HEX #4E122F

RGB 78 18 47

HSL 331, 0.63%, 0.19%

LAB 16.78, 30.72, -3.35

 

CMYK 0 / 77 / 60 / 69

HEX #4E121F

RGB 78 18 31

HSL 347, 0.63%, 0.19%

LAB 16.26, 28.94, 7.45

 

CMYK 23 / 77 / 0 / 69

HEX #3C124E

RGB 60 18 78

HSL 282, 0.63%, 0.19%

LAB 15.19, 31.2, -27.85

 

CMYK 42 / 77 / 0 / 69

HEX #2D124E

RGB 45 18 78

HSL 267, 0.63%, 0.19%

LAB 12.86, 27.65, -31.72

 

CMYK 63 / 77 / 0 / 69

HEX #1D124E

RGB 29 18 78

HSL 251, 0.63%, 0.19%

LAB 10.88, 24.41, -35.05

 

CMYK 77 / 77 / 0 / 69

HEX #12124E

RGB 18 18 78

HSL 240, 0.63%, 0.19%

LAB 9.89, 22.7, -36.71

 

CMYK 23 / 77 / 0 / 69

HEX #3C124E

RGB 60 18 78

HSL 282, 0.63%, 0.19%

LAB 15.19, 31.2, -27.85

 

CMYK 25 / 87 / 0 / 67

HEX #400B55

RGB 64 11 85

HSL 282.97, 0.77%, 0.19%

LAB 15.41, 36.68, -32.23

 

CMYK 28 / 97 / 0 / 64

HEX #43035D

RGB 67 3 93

HSL 282.67, 0.94%, 0.19%

LAB 15.74, 41.67, -37.06

 

CMYK 23 / 77 / 0 / 69

HEX #3C124E

RGB 60 18 78

HSL 282, 0.63%, 0.19%

LAB 15.19, 31.2, -27.85

 

CMYK 19 / 63 / 0 / 73

HEX #391A46

RGB 57 26 70

HSL 282.27, 0.46%, 0.19%

LAB 15.75, 23.95, -21.46

 

CMYK 13 / 45 / 0 / 76

HEX #36223E

RGB 54 34 62

HSL 282.86, 0.29%, 0.19%

LAB 16.87, 15.66, -14.17

 

CMYK 6 / 22 / 0 / 79

HEX #332A36

RGB 51 42 54

HSL 285, 0.13%, 0.19%

LAB 18.48, 6.88, -6.18

 

CMYK 6 / 0 / 8 / 80

HEX #2F322E

RGB 47 50 46

HSL 105, 0.04%, 0.19%

LAB 20.37, -2.24, 2.09

 

CMYK 64 / 77 / 0 / 69

HEX #1C124E

RGB 28 18 78

HSL 250, 0.63%, 0.19%

LAB 10.77, 24.23, -35.22

 

CMYK 44 / 77 / 0 / 69

HEX #2C124E

RGB 44 18 78

HSL 266, 0.63%, 0.19%

LAB 12.72, 27.43, -31.96

 

CMYK 23 / 77 / 0 / 69

HEX #3C124E

RGB 60 18 78

HSL 282, 0.63%, 0.19%

LAB 15.19, 31.2, -27.85

 

CMYK 3 / 77 / 0 / 69

HEX #4C124E

RGB 76 18 78

HSL 298, 0.63%, 0.19%

LAB 18.01, 35.27, -23.18

 

CMYK 0 / 77 / 18 / 69

HEX #4E1240

RGB 78 18 64

HSL 314, 0.63%, 0.19%

LAB 17.56, 33.26, -14.19

 

CMYK 18 / 82 / 0 / 96

HEX #09020B

RGB 9 2 11

HSL 286.67, 0.69%, 0.03%

LAB 1.14, 3.09, -2.77

 

CMYK 20 / 77 / 0 / 83

HEX #230A2C

RGB 35 10 44

HSL 284.12, 0.63%, 0.11%

LAB 6.83, 19.81, -17.2

 

CMYK 23 / 77 / 0 / 69

HEX #3C124E

RGB 60 18 78

HSL 282, 0.63%, 0.19%

LAB 15.19, 31.2, -27.85

 

CMYK 23 / 77 / 0 / 56

HEX #561A6F

RGB 86 26 111

HSL 282.35, 0.62%, 0.27%

LAB 23.22, 41.29, -36.61

 

CMYK 22 / 76 / 0 / 44

HEX #702290

RGB 112 34 144

HSL 282.55, 0.62%, 0.35%

LAB 30.88, 50.74, -44.84

 

CMYK 22 / 76 / 0 / 69

HEX #3D134E

RGB 61 19 78

HSL 282.71, 0.61%, 0.19%

LAB 15.53, 30.96, -27.29

 

CMYK 0 / 77 / 69 / 69

HEX #4E1218

RGB 78 18 24

HSL 354, 0.63%, 0.19%

LAB 16.1, 28.37, 12.27

 

CMYK 77 / 0 / 54 / 69

HEX #124E24

RGB 18 78 36

HSL 138, 0.63%, 0.19%

LAB 28.66, -29.49, 19.42

 

CMYK 22 / 76 / 0 / 69

HEX #3D134E

RGB 61 19 78

HSL 282.71, 0.61%, 0.19%

LAB 15.53, 30.96, -27.29

 

CMYK 0 / 23 / 77 / 69

HEX #4E3C12

RGB 78 60 18

HSL 42, 0.63%, 0.19%

LAB 26.43, 2.77, 27.92

 

CMYK 77 / 0 / 23 / 69

HEX #124E3C

RGB 18 78 60

HSL 162, 0.63%, 0.19%

LAB 29.17, -23.88, 5.24

 

CMYK 22 / 76 / 0 / 69

HEX #3D134E

RGB 61 19 78

HSL 282.71, 0.61%, 0.19%

LAB 15.53, 30.96, -27.29

 

CMYK 0 / 77 / 69 / 69

HEX #4E1218

RGB 78 18 24

HSL 354, 0.63%, 0.19%

LAB 16.1, 28.37, 12.27

 

CMYK 54 / 0 / 77 / 69

HEX #244E12

RGB 36 78 18

HSL 102, 0.63%, 0.19%

LAB 29.08, -26.98, 29.59

 

CMYK 77 / 0 / 8 / 69

HEX #124E48

RGB 18 78 72

HSL 174, 0.63%, 0.19%

LAB 29.53, -20.26, -1.93

 

CMYK 22 / 76 / 0 / 69

HEX #3D134E

RGB 61 19 78

HSL 282.71, 0.61%, 0.19%

LAB 15.53, 30.96, -27.29

 

CMYK 0 / 62 / 77 / 69

HEX #4E1E12

RGB 78 30 18

HSL 12, 0.63%, 0.19%

LAB 18.33, 21.72, 19.06

 

CMYK 54 / 0 / 77 / 69

HEX #244E12

RGB 36 78 18

HSL 102, 0.63%, 0.19%

LAB 29.08, -26.98, 29.59

 

CMYK 77 / 15 / 0 / 69

HEX #12424E

RGB 18 66 78

HSL 192, 0.63%, 0.19%

LAB 25.49, -11.34, -11.89

 

Description

Color code: HEX #3D134E | qconv.com Color code: HEX #3D134E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 19 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 19 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 76 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 76% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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