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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D0D89 it is the complementary color #C2F276. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D0D89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D0D89 shade: #420D84, #531F97, #6431AA, #7543BD and #8655D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D0D89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D0D89 shade: #3D0D89, #2C0076, #1B0063, #0A0050 and #00003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D0D89 shade: #3C0D87, #5D0D87, #7E0D87, #870D6F and #870D4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D0D89 shade: #3C0D87, #1B0D87 and #0D0D87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D0D89 shade matches the following richer shades: #3C0D87 and #390193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D0D89 shade: #3C0D87, #3F197B, #41256F, #443063 and #473C57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D0D89 shade: #0D1F87, #1B0D87, #3C0D87, #5C0D87 and #7D0D87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D0D89 shade: #1B063C, #2B0962, #3C0D87, #4D10AD and #5E14D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D0D89 shade: #3D0D89, #870D40 and #0F870D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D0D89 shade: #3D0D89, #873C0D and #0D873C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D0D89 shade: #3D0D89, #870D40, #58870D and #0D8754

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D0D89 shade: #3D0D89, #870D1B, #58870D and #0D8779

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 91 / 0 / 46

HEX #3D0D89

RGB 61 13 137

HSL 263.23, 0.83%, 0.29%

LAB 20.39, 48.51, -57.94

 

Complementary color

CMYK 20 / 0 / 51 / 5

HEX #C2F276

RGB 194 242 118

HSL 83.23, 0.83%, 0.71%

LAB 89.99, -34.54, 54.29

 

CMYK 50 / 90 / 0 / 48

HEX #420D84

RGB 66 13 132

HSL 266.72, 0.82%, 0.28%

LAB 20.49, 47.78, -54.6

 

CMYK 45 / 79 / 0 / 41

HEX #531F97

RGB 83 31 151

HSL 266, 0.66%, 0.36%

LAB 26.89, 48.35, -55.83

 

CMYK 41 / 71 / 0 / 33

HEX #6431AA

RGB 100 49 170

HSL 265.29, 0.55%, 0.43%

LAB 33.58, 47.87, -56.33

 

CMYK 38 / 65 / 0 / 26

HEX #7543BD

RGB 117 67 189

HSL 264.59, 0.48%, 0.5%

LAB 40.36, 46.98, -56.49

 

CMYK 36 / 59 / 0 / 18

HEX #8655D0

RGB 134 85 208

HSL 263.9, 0.57%, 0.57%

LAB 47.13, 45.94, -56.47

 

CMYK 55 / 91 / 0 / 46

HEX #3D0D89

RGB 61 13 137

HSL 263.23, 0.83%, 0.29%

LAB 20.39, 48.51, -57.94

 

CMYK 63 / 100 / 0 / 54

HEX #2C0076

RGB 44 0 118

HSL 262.37, 1%, 0.23%

LAB 14.64, 46.2, -55.42

 

CMYK 73 / 100 / 0 / 61

HEX #1B0063

RGB 27 0 99

HSL 256.36, 1%, 0.19%

LAB 10.06, 40.31, -50.64

 

CMYK 88 / 100 / 0 / 69

HEX #0A0050

RGB 10 0 80

HSL 247.5, 1%, 0.16%

LAB 5.81, 33.39, -44.85

 

CMYK 100 / 100 / 0 / 76

HEX #00003D

RGB 0 0 61

HSL 240, 1%, 0.12%

LAB 3.04, 21.39, -35.98

 

CMYK 56 / 90 / 0 / 47

HEX #3C0D87

RGB 60 13 135

HSL 263.11, 0.82%, 0.29%

LAB 20.03, 47.89, -57.26

 

CMYK 31 / 90 / 0 / 47

HEX #5D0D87

RGB 93 13 135

HSL 279.34, 0.82%, 0.29%

LAB 24.84, 52.12, -49.19

 

CMYK 7 / 90 / 0 / 47

HEX #7E0D87

RGB 126 13 135

HSL 295.57, 0.82%, 0.29%

LAB 30.58, 57.66, -39.63

 

CMYK 0 / 90 / 18 / 47

HEX #870D6F

RGB 135 13 111

HSL 311.8, 0.82%, 0.29%

LAB 30.85, 55.72, -23.94

 

CMYK 0 / 90 / 42 / 47

HEX #870D4E

RGB 135 13 78

HSL 328.03, 0.82%, 0.29%

LAB 29.38, 51.75, -4.66

 

CMYK 56 / 90 / 0 / 47

HEX #3C0D87

RGB 60 13 135

HSL 263.11, 0.82%, 0.29%

LAB 20.03, 47.89, -57.26

 

CMYK 80 / 90 / 0 / 47

HEX #1B0D87

RGB 27 13 135

HSL 246.89, 0.82%, 0.29%

LAB 16.85, 45.39, -62.65

 

CMYK 90 / 90 / 0 / 47

HEX #0D0D87

RGB 13 13 135

HSL 240, 0.82%, 0.29%

LAB 16.12, 44.86, -63.88

 

CMYK 56 / 90 / 0 / 47

HEX #3C0D87

RGB 60 13 135

HSL 263.11, 0.82%, 0.29%

LAB 20.03, 47.89, -57.26

 

CMYK 61 / 99 / 0 / 42

HEX #390193

RGB 57 1 147

HSL 263.01, 0.99%, 0.29%

LAB 20.04, 53.9, -64.77

 

CMYK 56 / 90 / 0 / 47

HEX #3C0D87

RGB 60 13 135

HSL 263.11, 0.82%, 0.29%

LAB 20.03, 47.89, -57.26

 

CMYK 49 / 80 / 0 / 52

HEX #3F197B

RGB 63 25 123

HSL 263.27, 0.66%, 0.29%

LAB 20.76, 40.34, -48.46

 

CMYK 41 / 67 / 0 / 56

HEX #41256F

RGB 65 37 111

HSL 262.7, 0.5%, 0.29%

LAB 22.28, 30.82, -38.27

 

CMYK 31 / 52 / 0 / 61

HEX #443063

RGB 68 48 99

HSL 263.53, 0.35%, 0.29%

LAB 24.46, 21.23, -26.98

 

CMYK 18 / 31 / 0 / 66

HEX #473C57

RGB 71 60 87

HSL 264.44, 0.18%, 0.29%

LAB 27.46, 11.03, -14.45

 

CMYK 90 / 77 / 0 / 47

HEX #0D1F87

RGB 13 31 135

HSL 231.15, 0.82%, 0.29%

LAB 19.29, 35.61, -58.62

 

CMYK 80 / 90 / 0 / 47

HEX #1B0D87

RGB 27 13 135

HSL 246.89, 0.82%, 0.29%

LAB 16.85, 45.39, -62.65

 

CMYK 56 / 90 / 0 / 47

HEX #3C0D87

RGB 60 13 135

HSL 263.11, 0.82%, 0.29%

LAB 20.03, 47.89, -57.26

 

CMYK 32 / 90 / 0 / 47

HEX #5C0D87

RGB 92 13 135

HSL 278.85, 0.82%, 0.29%

LAB 24.68, 51.97, -49.46

 

CMYK 7 / 90 / 0 / 47

HEX #7D0D87

RGB 125 13 135

HSL 295.08, 0.82%, 0.29%

LAB 30.39, 57.48, -39.93

 

CMYK 55 / 90 / 0 / 76

HEX #1B063C

RGB 27 6 60

HSL 263.33, 0.82%, 0.13%

LAB 6.23, 24.76, -29.98

 

CMYK 56 / 91 / 0 / 62

HEX #2B0962

RGB 43 9 98

HSL 262.92, 0.83%, 0.21%

LAB 13.17, 37.34, -44.75

 

CMYK 56 / 90 / 0 / 47

HEX #3C0D87

RGB 60 13 135

HSL 263.11, 0.82%, 0.29%

LAB 20.03, 47.89, -57.26

 

CMYK 55 / 91 / 0 / 32

HEX #4D10AD

RGB 77 16 173

HSL 263.31, 0.83%, 0.37%

LAB 26.64, 58.31, -69.64

 

CMYK 55 / 91 / 0 / 17

HEX #5E14D3

RGB 94 20 211

HSL 263.25, 0.83%, 0.45%

LAB 33.1, 67.99, -81.31

 

CMYK 55 / 91 / 0 / 46

HEX #3D0D89

RGB 61 13 137

HSL 263.23, 0.83%, 0.29%

LAB 20.39, 48.51, -57.94

 

CMYK 0 / 90 / 53 / 47

HEX #870D40

RGB 135 13 64

HSL 334.92, 0.82%, 0.29%

LAB 28.93, 50.47, 4.03

 

CMYK 89 / 0 / 90 / 47

HEX #0F870D

RGB 15 135 13

HSL 119.02, 0.82%, 0.29%

LAB 48.83, -52.12, 49.55

 

CMYK 55 / 91 / 0 / 46

HEX #3D0D89

RGB 61 13 137

HSL 263.23, 0.83%, 0.29%

LAB 20.39, 48.51, -57.94

 

CMYK 0 / 56 / 90 / 47

HEX #873C0D

RGB 135 60 13

HSL 23.11, 0.82%, 0.29%

LAB 34.83, 29.51, 40.9

 

CMYK 90 / 0 / 56 / 47

HEX #0D873C

RGB 13 135 60

HSL 143.11, 0.82%, 0.29%

LAB 49.18, -47.72, 31.54

 

CMYK 55 / 91 / 0 / 46

HEX #3D0D89

RGB 61 13 137

HSL 263.23, 0.83%, 0.29%

LAB 20.39, 48.51, -57.94

 

CMYK 0 / 90 / 53 / 47

HEX #870D40

RGB 135 13 64

HSL 334.92, 0.82%, 0.29%

LAB 28.93, 50.47, 4.03

 

CMYK 35 / 0 / 90 / 47

HEX #58870D

RGB 88 135 13

HSL 83.11, 0.82%, 0.29%

LAB 51.19, -33.58, 52.5

 

CMYK 90 / 0 / 38 / 47

HEX #0D8754

RGB 13 135 84

HSL 154.92, 0.82%, 0.29%

LAB 49.56, -43.21, 18.99

 

CMYK 55 / 91 / 0 / 46

HEX #3D0D89

RGB 61 13 137

HSL 263.23, 0.83%, 0.29%

LAB 20.39, 48.51, -57.94

 

CMYK 0 / 90 / 80 / 47

HEX #870D1B

RGB 135 13 27

HSL 353.11, 0.82%, 0.29%

LAB 28.16, 48.28, 27.59

 

CMYK 35 / 0 / 90 / 47

HEX #58870D

RGB 88 135 13

HSL 83.11, 0.82%, 0.29%

LAB 51.19, -33.58, 52.5

 

CMYK 90 / 0 / 10 / 47

HEX #0D8779

RGB 13 135 121

HSL 173.11, 0.82%, 0.29%

LAB 50.45, -33.63, -1.12

 

Description

Color code: HEX #3D0D89 | qconv.com Color code: HEX #3D0D89 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 13 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 13 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 91 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 91% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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