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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D0C9C it is the complementary color #C2F363. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D0C9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D0C9C shade: #420C97, #531EAA, #6430BD, #7542D0 and #8654E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D0C9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D0C9C shade: #3D0C9C, #2C0089, #1B0076, #0A0063 and #000050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D0C9C shade: #3D0C9D, #640C9D, #8B0C9D, #9D0C87 and #9D0C60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D0C9C shade: #3D0C9D, #160C9D and #0C0C9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D0C9C shade matches the following richer shades: #3D0C9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D0C9C shade: #3D0C9D, #41198F, #462781, #4A3574 and #4E4266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D0C9C shade: #0C299D, #150C9D, #3C0C9D, #630C9D and #890C9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D0C9C shade: #1F0650, #2E0976, #3D0C9D, #4C0FC3 and #5B12E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D0C9C shade: #3D0C9C, #9D0C4F and #159D0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D0C9C shade: #3D0C9C, #9D3C0C and #0C9D3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D0C9C shade: #3D0C9C, #9D0C4F, #6C9D0C and #0C9D59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D0C9C shade: #3D0C9C, #9D0C24, #6C9D0C and #0C9D84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 92 / 0 / 39

HEX #3D0C9C

RGB 61 12 156

HSL 260.42, 0.86%, 0.33%

LAB 22.5, 53.7, -66.23

 

Complementary color

CMYK 20 / 0 / 59 / 5

HEX #C2F363

RGB 194 243 99

HSL 80.42, 0.86%, 0.67%

LAB 90.08, -36.7, 62.78

 

CMYK 56 / 92 / 0 / 41

HEX #420C97

RGB 66 12 151

HSL 263.31, 0.85%, 0.32%

LAB 22.5, 52.85, -63.13

 

CMYK 51 / 82 / 0 / 33

HEX #531EAA

RGB 83 30 170

HSL 262.71, 0.7%, 0.39%

LAB 28.56, 53.68, -64.63

 

CMYK 47 / 75 / 0 / 26

HEX #6430BD

RGB 100 48 189

HSL 262.13, 0.59%, 0.46%

LAB 35, 53.34, -65.3

 

CMYK 44 / 68 / 0 / 18

HEX #7542D0

RGB 117 66 208

HSL 261.55, 0.6%, 0.54%

LAB 41.58, 52.47, -65.54

 

CMYK 41 / 63 / 0 / 11

HEX #8654E3

RGB 134 84 227

HSL 260.98, 0.72%, 0.61%

LAB 48.2, 51.4, -65.56

 

CMYK 61 / 92 / 0 / 39

HEX #3D0C9C

RGB 61 12 156

HSL 260.42, 0.86%, 0.33%

LAB 22.5, 53.7, -66.23

 

CMYK 68 / 100 / 0 / 46

HEX #2C0089

RGB 44 0 137

HSL 259.27, 1%, 0.27%

LAB 17.19, 50.98, -63.3

 

CMYK 77 / 100 / 0 / 54

HEX #1B0076

RGB 27 0 118

HSL 253.73, 1%, 0.23%

LAB 12.87, 45.37, -58.43

 

CMYK 90 / 100 / 0 / 61

HEX #0A0063

RGB 10 0 99

HSL 246.06, 1%, 0.19%

LAB 8.7, 39.76, -52.94

 

CMYK 100 / 100 / 0 / 69

HEX #000050

RGB 0 0 80

HSL 240, 1%, 0.16%

LAB 5.23, 32.43, -45.83

 

CMYK 61 / 92 / 0 / 38

HEX #3D0C9D

RGB 61 12 157

HSL 260.28, 0.86%, 0.33%

LAB 22.62, 53.96, -66.64

 

CMYK 36 / 92 / 0 / 38

HEX #640C9D

RGB 100 12 157

HSL 276.41, 0.86%, 0.33%

LAB 27.86, 58.04, -57.81

 

CMYK 11 / 92 / 0 / 38

HEX #8B0C9D

RGB 139 12 157

HSL 292.55, 0.86%, 0.33%

LAB 34.37, 63.86, -46.94

 

CMYK 0 / 92 / 14 / 38

HEX #9D0C87

RGB 157 12 135

HSL 309.1, 0.86%, 0.33%

LAB 36.33, 63.74, -30.12

 

CMYK 0 / 92 / 39 / 38

HEX #9D0C60

RGB 157 12 96

HSL 325.24, 0.86%, 0.33%

LAB 34.55, 59.03, -8.23

 

CMYK 61 / 92 / 0 / 38

HEX #3D0C9D

RGB 61 12 157

HSL 260.28, 0.86%, 0.33%

LAB 22.62, 53.96, -66.64

 

CMYK 86 / 92 / 0 / 38

HEX #160C9D

RGB 22 12 157

HSL 244.14, 0.86%, 0.33%

LAB 19.51, 51.93, -71.9

 

CMYK 92 / 92 / 0 / 38

HEX #0C0C9D

RGB 12 12 157

HSL 240, 0.86%, 0.33%

LAB 19.12, 51.7, -72.55

 

CMYK 61 / 92 / 0 / 38

HEX #3D0C9D

RGB 61 12 157

HSL 260.28, 0.86%, 0.33%

LAB 22.62, 53.96, -66.64

 

CMYK 61 / 92 / 0 / 38

HEX #3D0C9D

RGB 61 12 157

HSL 260.28, 0.86%, 0.33%

LAB 22.62, 53.96, -66.64

 

CMYK 55 / 83 / 0 / 44

HEX #41198F

RGB 65 25 143

HSL 260.34, 0.7%, 0.33%

LAB 23.01, 46.19, -57.34

 

CMYK 46 / 70 / 0 / 49

HEX #462781

RGB 70 39 129

HSL 260.67, 0.54%, 0.33%

LAB 24.76, 36.01, -45.69

 

CMYK 36 / 54 / 0 / 55

HEX #4A3574

RGB 74 53 116

HSL 260, 0.37%, 0.33%

LAB 27.47, 24.67, -33.07

 

CMYK 24 / 35 / 0 / 60

HEX #4E4266

RGB 78 66 102

HSL 260, 0.21%, 0.33%

LAB 30.58, 13.57, -19.23

 

CMYK 92 / 74 / 0 / 38

HEX #0C299D

RGB 12 41 157

HSL 228, 0.86%, 0.33%

LAB 23.99, 37.5, -64.46

 

CMYK 87 / 92 / 0 / 38

HEX #150C9D

RGB 21 12 157

HSL 243.72, 0.86%, 0.33%

LAB 19.46, 51.9, -71.98

 

CMYK 62 / 92 / 0 / 38

HEX #3C0C9D

RGB 60 12 157

HSL 259.86, 0.86%, 0.33%

LAB 22.51, 53.88, -66.83

 

CMYK 37 / 92 / 0 / 38

HEX #630C9D

RGB 99 12 157

HSL 276, 0.86%, 0.33%

LAB 27.71, 57.91, -58.07

 

CMYK 13 / 92 / 0 / 38

HEX #890C9D

RGB 137 12 157

HSL 291.72, 0.86%, 0.33%

LAB 34.02, 63.53, -47.53

 

CMYK 61 / 93 / 0 / 69

HEX #1F0650

RGB 31 6 80

HSL 260.27, 0.86%, 0.17%

LAB 9, 32.07, -39.51

 

CMYK 61 / 92 / 0 / 54

HEX #2E0976

RGB 46 9 118

HSL 260.37, 0.86%, 0.25%

LAB 15.92, 43.21, -53.29

 

CMYK 61 / 92 / 0 / 38

HEX #3D0C9D

RGB 61 12 157

HSL 260.28, 0.86%, 0.33%

LAB 22.62, 53.96, -66.64

 

CMYK 61 / 92 / 0 / 24

HEX #4C0FC3

RGB 76 15 195

HSL 260.33, 0.86%, 0.41%

LAB 28.95, 63.88, -78.9

 

CMYK 61 / 92 / 0 / 9

HEX #5B12E9

RGB 91 18 233

HSL 260.37, 0.86%, 0.49%

LAB 35.08, 73.39, -90.67

 

CMYK 61 / 92 / 0 / 39

HEX #3D0C9C

RGB 61 12 156

HSL 260.42, 0.86%, 0.33%

LAB 22.5, 53.7, -66.23

 

CMYK 0 / 92 / 50 / 38

HEX #9D0C4F

RGB 157 12 79

HSL 332.28, 0.86%, 0.33%

LAB 33.97, 57.46, 1.96

 

CMYK 87 / 0 / 92 / 38

HEX #159D0C

RGB 21 157 12

HSL 116.28, 0.86%, 0.33%

LAB 56.39, -58.2, 56.26

 

CMYK 61 / 92 / 0 / 39

HEX #3D0C9C

RGB 61 12 156

HSL 260.42, 0.86%, 0.33%

LAB 22.5, 53.7, -66.23

 

CMYK 0 / 62 / 92 / 38

HEX #9D3C0C

RGB 157 60 12

HSL 19.86, 0.86%, 0.33%

LAB 38.6, 38.35, 45.78

 

CMYK 92 / 0 / 62 / 38

HEX #0C9D3C

RGB 12 157 60

HSL 139.86, 0.86%, 0.33%

LAB 56.6, -55.17, 40.3

 

CMYK 61 / 92 / 0 / 39

HEX #3D0C9C

RGB 61 12 156

HSL 260.42, 0.86%, 0.33%

LAB 22.5, 53.7, -66.23

 

CMYK 0 / 92 / 50 / 38

HEX #9D0C4F

RGB 157 12 79

HSL 332.28, 0.86%, 0.33%

LAB 33.97, 57.46, 1.96

 

CMYK 31 / 0 / 92 / 38

HEX #6C9D0C

RGB 108 157 12

HSL 80.28, 0.86%, 0.33%

LAB 59.28, -35.71, 59.84

 

CMYK 92 / 0 / 43 / 38

HEX #0C9D59

RGB 12 157 89

HSL 151.86, 0.86%, 0.33%

LAB 56.99, -50.48, 26.06

 

CMYK 61 / 92 / 0 / 39

HEX #3D0C9C

RGB 61 12 156

HSL 260.42, 0.86%, 0.33%

LAB 22.5, 53.7, -66.23

 

CMYK 0 / 92 / 77 / 38

HEX #9D0C24

RGB 157 12 36

HSL 350.07, 0.86%, 0.33%

LAB 33.05, 54.86, 28.71

 

CMYK 31 / 0 / 92 / 38

HEX #6C9D0C

RGB 108 157 12

HSL 80.28, 0.86%, 0.33%

LAB 59.28, -35.71, 59.84

 

CMYK 92 / 0 / 16 / 38

HEX #0C9D84

RGB 12 157 132

HSL 169.66, 0.86%, 0.33%

LAB 57.9, -40.33, 3.4

 

Description

Color code: HEX #3D0C9C | qconv.com Color code: HEX #3D0C9C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 12 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 12 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 92 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 92% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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