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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D09B2 it is the complementary color #C2F64D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D09B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D09B2 shade: #4209AD, #531BC0, #642DD3, #753FE6 and #8651F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D09B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D09B2 shade: #3D09B2, #2C009F, #1B008C, #0A0079 and #000066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D09B2 shade: #3E09B3, #6B09B3, #9909B3, #B3099F and #B30972

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D09B2 shade: #3E09B3, #1009B3 and #0909B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D09B2 shade matches the following richer shades: #3E09B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D09B2 shade: #3E09B3, #4419A4, #492895, #4F3785 and #554676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D09B2 shade: #0931B3, #0F09B3, #3C09B3, #6A09B3 and #9709B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D09B2 shade: #230565, #30078C, #3E09B3, #4B0BDA and #5E1CF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D09B2 shade: #3D09B2, #B3095E and #1AB309

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D09B2 shade: #3D09B2, #B33C09 and #09B33C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D09B2 shade: #3D09B2, #B3095E, #80B309 and #09B35E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D09B2 shade: #3D09B2, #B3092B, #80B309 and #09B391

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 95 / 0 / 30

HEX #3D09B2

RGB 61 9 178

HSL 258.46, 0.9%, 0.37%

LAB 24.96, 59.96, -75.48

 

Complementary color

CMYK 21 / 0 / 69 / 4

HEX #C2F64D

RGB 194 246 77

HSL 78.46, 0.9%, 0.63%

LAB 90.74, -39.58, 72.12

 

CMYK 62 / 95 / 0 / 32

HEX #4209AD

RGB 66 9 173

HSL 260.85, 0.9%, 0.36%

LAB 24.86, 59.03, -72.62

 

CMYK 57 / 86 / 0 / 25

HEX #531BC0

RGB 83 27 192

HSL 260.36, 0.75%, 0.43%

LAB 30.47, 60.41, -74.59

 

CMYK 53 / 79 / 0 / 17

HEX #642DD3

RGB 100 45 211

HSL 259.88, 0.65%, 0.5%

LAB 36.54, 60.43, -75.61

 

CMYK 49 / 73 / 0 / 10

HEX #753FE6

RGB 117 63 230

HSL 259.4, 0.77%, 0.57%

LAB 42.84, 59.74, -76.08

 

CMYK 46 / 67 / 0 / 2

HEX #8651F9

RGB 134 81 249

HSL 258.93, 0.93%, 0.65%

LAB 49.24, 58.73, -76.23

 

CMYK 66 / 95 / 0 / 30

HEX #3D09B2

RGB 61 9 178

HSL 258.46, 0.9%, 0.37%

LAB 24.96, 59.96, -75.48

 

CMYK 72 / 100 / 0 / 38

HEX #2C009F

RGB 44 0 159

HSL 256.6, 1%, 0.31%

LAB 20.2, 56.48, -71.94

 

CMYK 81 / 100 / 0 / 45

HEX #1B008C

RGB 27 0 140

HSL 251.57, 1%, 0.27%

LAB 16.14, 51.11, -66.97

 

CMYK 92 / 100 / 0 / 53

HEX #0A0079

RGB 10 0 121

HSL 244.96, 1%, 0.24%

LAB 12.25, 45.76, -61.42

 

CMYK 100 / 100 / 0 / 60

HEX #000066

RGB 0 0 102

HSL 240, 1%, 0.2%

LAB 8.65, 40.41, -55.04

 

CMYK 65 / 95 / 0 / 30

HEX #3E09B3

RGB 62 9 179

HSL 258.71, 0.9%, 0.37%

LAB 25.18, 60.26, -75.7

 

CMYK 40 / 95 / 0 / 30

HEX #6B09B3

RGB 107 9 179

HSL 274.59, 0.9%, 0.37%

LAB 30.82, 64.1, -66.19

 

CMYK 15 / 95 / 0 / 30

HEX #9909B3

RGB 153 9 179

HSL 290.82, 0.9%, 0.37%

LAB 38.24, 70.26, -53.78

 

CMYK 0 / 95 / 11 / 30

HEX #B3099F

RGB 179 9 159

HSL 307.06, 0.9%, 0.37%

LAB 41.66, 71.59, -36.08

 

CMYK 0 / 95 / 36 / 30

HEX #B30972

RGB 179 9 114

HSL 322.94, 0.9%, 0.37%

LAB 39.57, 66.18, -11.66

 

CMYK 65 / 95 / 0 / 30

HEX #3E09B3

RGB 62 9 179

HSL 258.71, 0.9%, 0.37%

LAB 25.18, 60.26, -75.7

 

CMYK 91 / 95 / 0 / 30

HEX #1009B3

RGB 16 9 179

HSL 242.47, 0.9%, 0.37%

LAB 22.16, 58.65, -80.81

 

CMYK 95 / 95 / 0 / 30

HEX #0909B3

RGB 9 9 179

HSL 240, 0.9%, 0.37%

LAB 21.97, 58.57, -81.13

 

CMYK 65 / 95 / 0 / 30

HEX #3E09B3

RGB 62 9 179

HSL 258.71, 0.9%, 0.37%

LAB 25.18, 60.26, -75.7

 

CMYK 65 / 95 / 0 / 30

HEX #3E09B3

RGB 62 9 179

HSL 258.71, 0.9%, 0.37%

LAB 25.18, 60.26, -75.7

 

CMYK 59 / 85 / 0 / 36

HEX #4419A4

RGB 68 25 164

HSL 258.56, 0.74%, 0.37%

LAB 25.58, 52.28, -65.99

 

CMYK 51 / 73 / 0 / 42

HEX #492895

RGB 73 40 149

HSL 258.17, 0.58%, 0.37%

LAB 27.03, 41.85, -54.41

 

CMYK 41 / 59 / 0 / 48

HEX #4F3785

RGB 79 55 133

HSL 258.46, 0.41%, 0.37%

LAB 29.63, 29.71, -40.26

 

CMYK 28 / 41 / 0 / 54

HEX #554676

RGB 85 70 118

HSL 258.75, 0.26%, 0.37%

LAB 33.18, 17.65, -25.23

 

CMYK 95 / 73 / 0 / 30

HEX #0931B3

RGB 9 49 179

HSL 225.88, 0.9%, 0.37%

LAB 28.14, 40.54, -70.88

 

CMYK 92 / 95 / 0 / 30

HEX #0F09B3

RGB 15 9 179

HSL 242.12, 0.9%, 0.37%

LAB 22.13, 58.64, -80.87

 

CMYK 66 / 95 / 0 / 30

HEX #3C09B3

RGB 60 9 179

HSL 258, 0.9%, 0.37%

LAB 24.99, 60.15, -76.03

 

CMYK 41 / 95 / 0 / 30

HEX #6A09B3

RGB 106 9 179

HSL 274.24, 0.9%, 0.37%

LAB 30.67, 63.99, -66.44

 

CMYK 16 / 95 / 0 / 30

HEX #9709B3

RGB 151 9 179

HSL 290.12, 0.9%, 0.37%

LAB 37.9, 69.95, -54.35

 

CMYK 65 / 95 / 0 / 60

HEX #230565

RGB 35 5 101

HSL 258.75, 0.91%, 0.21%

LAB 11.99, 39.03, -48.73

 

CMYK 66 / 95 / 0 / 45

HEX #30078C

RGB 48 7 140

HSL 258.5, 0.9%, 0.29%

LAB 18.69, 49.89, -62.68

 

CMYK 65 / 95 / 0 / 30

HEX #3E09B3

RGB 62 9 179

HSL 258.71, 0.9%, 0.37%

LAB 25.18, 60.26, -75.7

 

CMYK 66 / 95 / 0 / 15

HEX #4B0BDA

RGB 75 11 218

HSL 258.55, 0.9%, 0.45%

LAB 31.34, 70.15, -88.33

 

CMYK 61 / 88 / 0 / 5

HEX #5E1CF3

RGB 94 28 243

HSL 258.42, 0.9%, 0.53%

LAB 37.26, 73.68, -92.71

 

CMYK 66 / 95 / 0 / 30

HEX #3D09B2

RGB 61 9 178

HSL 258.46, 0.9%, 0.37%

LAB 24.96, 59.96, -75.48

 

CMYK 0 / 95 / 47 / 30

HEX #B3095E

RGB 179 9 94

HSL 330, 0.9%, 0.37%

LAB 38.88, 64.33, -0.04

 

CMYK 85 / 0 / 95 / 30

HEX #1AB309

RGB 26 179 9

HSL 114, 0.9%, 0.37%

LAB 63.74, -64.23, 62.87

 

CMYK 66 / 95 / 0 / 30

HEX #3D09B2

RGB 61 9 178

HSL 258.46, 0.9%, 0.37%

LAB 24.96, 59.96, -75.48

 

CMYK 0 / 66 / 95 / 30

HEX #B33C09

RGB 179 60 9

HSL 18, 0.9%, 0.37%

LAB 42.51, 46.44, 51.21

 

CMYK 95 / 0 / 66 / 30

HEX #09B33C

RGB 9 179 60

HSL 138, 0.9%, 0.37%

LAB 63.86, -62.23, 48.44

 

CMYK 66 / 95 / 0 / 30

HEX #3D09B2

RGB 61 9 178

HSL 258.46, 0.9%, 0.37%

LAB 24.96, 59.96, -75.48

 

CMYK 0 / 95 / 47 / 30

HEX #B3095E

RGB 179 9 94

HSL 330, 0.9%, 0.37%

LAB 38.88, 64.33, -0.04

 

CMYK 28 / 0 / 95 / 30

HEX #80B309

RGB 128 179 9

HSL 78, 0.9%, 0.37%

LAB 67.16, -37.8, 67.07

 

CMYK 95 / 0 / 47 / 30

HEX #09B35E

RGB 9 179 94

HSL 150, 0.9%, 0.37%

LAB 64.25, -57.42, 32.78

 

CMYK 66 / 95 / 0 / 30

HEX #3D09B2

RGB 61 9 178

HSL 258.46, 0.9%, 0.37%

LAB 24.96, 59.96, -75.48

 

CMYK 0 / 95 / 76 / 30

HEX #B3092B

RGB 179 9 43

HSL 348, 0.9%, 0.37%

LAB 37.76, 61.27, 30.98

 

CMYK 28 / 0 / 95 / 30

HEX #80B309

RGB 128 179 9

HSL 78, 0.9%, 0.37%

LAB 67.16, -37.8, 67.07

 

CMYK 95 / 0 / 19 / 30

HEX #09B391

RGB 9 179 145

HSL 168, 0.9%, 0.37%

LAB 65.23, -46.23, 6.68

 

Description

Color code: HEX #3D09B2 | qconv.com Color code: HEX #3D09B2 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 9 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 9 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 95 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 95% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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