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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CFB9B it is the complementary color #C30464. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CFB9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CFB9B shade: #41FB96, #52FFA9, #63FFBC, #74FFCF and #85FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CFB9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CFB9B shade: #3CFB9B, #2BE988, #1AD775, #09C562 and #00B34F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CFB9B shade: #3CFB9B, #3CFB68, #44FB3C, #78FB3C and #ABFB3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CFB9B shade: #3CFB9B, #3CFBCF, #3CF4FB, #3CC1FB and #3C8DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CFB9B shade matches the following richer shades: #3CFB9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CFB9B shade: #3CFB9B, #4CEB9B, #5CDB9B, #6CCB9B and #7CBB9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CFB9B shade: #46FB3C, #3CFB65, #3CFB98, #3CFBCB and #3CF8FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CFB9B shade: #05E072, #14FA86, #3CFB9B, #65FCB0 and #8DFDC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CFB9B shade: #3CFB9B, #3C79FB and #FB4C3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CFB9B shade: #3CFB9B, #983CFB and #FB983C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CFB9B shade: #3CFB9B, #3C79FB, #FB3C9F and #FBBF3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CFB9B shade: #3CFB9B, #3C3FFB, #FB3C9F and #FBF83C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

Complementary color

CMYK 0 / 98 / 49 / 24

HEX #C30464

RGB 195 4 100

HSL 329.84, 0.96%, 0.39%

LAB 42.17, 68.99, 1.35

 

CMYK 74 / 0 / 40 / 2

HEX #41FB96

RGB 65 251 150

HSL 147.42, 0.96%, 0.62%

LAB 88.12, -67.42, 35.58

 

CMYK 68 / 0 / 34 / 0

HEX #52FFA9

RGB 82 255 169

HSL 150.17, 1%, 0.66%

LAB 89.94, -62.95, 28.57

 

CMYK 61 / 0 / 26 / 0

HEX #63FFBC

RGB 99 255 188

HSL 154.23, 1%, 0.69%

LAB 90.69, -56.29, 20.02

 

CMYK 55 / 0 / 19 / 0

HEX #74FFCF

RGB 116 255 207

HSL 159.28, 1%, 0.73%

LAB 91.57, -48.96, 11.57

 

CMYK 48 / 0 / 11 / 0

HEX #85FFE2

RGB 133 255 226

HSL 165.74, 1%, 0.76%

LAB 92.57, -41.08, 3.29

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 82 / 0 / 42 / 9

HEX #2BE988

RGB 43 233 136

HSL 149.37, 0.81%, 0.54%

LAB 82.15, -66.11, 34.66

 

CMYK 88 / 0 / 46 / 16

HEX #1AD775

RGB 26 215 117

HSL 148.89, 0.78%, 0.47%

LAB 76.13, -64.68, 36.34

 

CMYK 95 / 0 / 50 / 23

HEX #09C562

RGB 9 197 98

HSL 148.4, 0.91%, 0.4%

LAB 70.09, -62.75, 38.11

 

CMYK 100 / 0 / 56 / 30

HEX #00B34F

RGB 0 179 79

HSL 146.48, 1%, 0.35%

LAB 64, -60.22, 39.95

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 76 / 0 / 59 / 2

HEX #3CFB68

RGB 60 251 104

HSL 133.82, 0.96%, 0.61%

LAB 87.46, -74.86, 56.34

 

CMYK 73 / 0 / 76 / 2

HEX #44FB3C

RGB 68 251 60

HSL 117.49, 0.96%, 0.61%

LAB 87.27, -77.75, 72.71

 

CMYK 52 / 0 / 76 / 2

HEX #78FB3C

RGB 120 251 60

HSL 101.15, 0.96%, 0.61%

LAB 88.6, -66.84, 74.46

 

CMYK 32 / 0 / 76 / 2

HEX #ABFB3C

RGB 171 251 60

HSL 85.13, 0.96%, 0.61%

LAB 90.77, -51, 77.29

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 76 / 0 / 18 / 2

HEX #3CFBCF

RGB 60 251 207

HSL 166.18, 0.96%, 0.61%

LAB 89.14, -56.06, 7.93

 

CMYK 76 / 3 / 0 / 2

HEX #3CF4FB

RGB 60 244 251

HSL 182.2, 0.96%, 0.61%

LAB 88.27, -41.48, -16.28

 

CMYK 76 / 23 / 0 / 2

HEX #3CC1FB

RGB 60 193 251

HSL 198.22, 0.96%, 0.61%

LAB 73.59, -16.7, -38.73

 

CMYK 76 / 44 / 0 / 2

HEX #3C8DFB

RGB 60 141 251

HSL 214.55, 0.96%, 0.61%

LAB 58.95, 12.77, -61.85

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 68 / 0 / 34 / 8

HEX #4CEB9B

RGB 76 235 155

HSL 149.81, 0.8%, 0.61%

LAB 83.61, -59.07, 27.09

 

CMYK 58 / 0 / 29 / 14

HEX #5CDB9B

RGB 92 219 155

HSL 149.76, 0.64%, 0.61%

LAB 79.22, -49.79, 21.16

 

CMYK 47 / 0 / 24 / 20

HEX #6CCB9B

RGB 108 203 155

HSL 149.68, 0.48%, 0.61%

LAB 74.99, -39.17, 15.38

 

CMYK 34 / 0 / 17 / 27

HEX #7CBB9B

RGB 124 187 155

HSL 149.52, 0.32%, 0.61%

LAB 71, -27.18, 9.85

 

CMYK 72 / 0 / 76 / 2

HEX #46FB3C

RGB 70 251 60

HSL 116.86, 0.96%, 0.61%

LAB 87.3, -77.44, 72.76

 

CMYK 76 / 0 / 60 / 2

HEX #3CFB65

RGB 60 251 101

HSL 132.88, 0.96%, 0.61%

LAB 87.43, -75.21, 57.6

 

CMYK 76 / 0 / 39 / 2

HEX #3CFB98

RGB 60 251 152

HSL 148.9, 0.96%, 0.61%

LAB 88.08, -67.68, 34.51

 

CMYK 76 / 0 / 19 / 2

HEX #3CFBCB

RGB 60 251 203

HSL 164.92, 0.96%, 0.61%

LAB 89.05, -57.01, 9.87

 

CMYK 76 / 1 / 0 / 2

HEX #3CF8FB

RGB 60 248 251

HSL 180.94, 0.96%, 0.61%

LAB 89.42, -43.26, -14.55

 

CMYK 98 / 0 / 49 / 12

HEX #05E072

RGB 5 224 114

HSL 149.86, 0.96%, 0.45%

LAB 78.79, -69.06, 41.15

 

CMYK 92 / 0 / 46 / 2

HEX #14FA86

RGB 20 250 134

HSL 149.74, 0.96%, 0.53%

LAB 87.12, -73.62, 42.01

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 60 / 0 / 30 / 1

HEX #65FCB0

RGB 101 252 176

HSL 149.8, 0.96%, 0.69%

LAB 89.64, -57.12, 24.69

 

CMYK 44 / 0 / 22 / 1

HEX #8DFDC5

RGB 141 253 197

HSL 150, 0.97%, 0.77%

LAB 91.66, -44.42, 16.97

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 76 / 52 / 0 / 2

HEX #3C79FB

RGB 60 121 251

HSL 220.84, 0.96%, 0.61%

LAB 53.6, 25.04, -70.48

 

CMYK 0 / 70 / 76 / 2

HEX #FB4C3C

RGB 251 76 60

HSL 5.03, 0.96%, 0.61%

LAB 58.04, 65.24, 47.47

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 39 / 76 / 0 / 2

HEX #983CFB

RGB 152 60 251

HSL 268.9, 0.96%, 0.61%

LAB 48.1, 71.47, -79.13

 

CMYK 0 / 39 / 76 / 2

HEX #FB983C

RGB 251 152 60

HSL 28.9, 0.96%, 0.61%

LAB 71.75, 30.24, 61.37

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 76 / 52 / 0 / 2

HEX #3C79FB

RGB 60 121 251

HSL 220.84, 0.96%, 0.61%

LAB 53.6, 25.04, -70.48

 

CMYK 0 / 76 / 37 / 2

HEX #FB3C9F

RGB 251 60 159

HSL 328.9, 0.96%, 0.61%

LAB 58.27, 77.1, -9.42

 

CMYK 0 / 24 / 76 / 2

HEX #FBBF3C

RGB 251 191 60

HSL 41.15, 0.96%, 0.61%

LAB 80.79, 9.87, 70.03

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 76 / 75 / 0 / 2

HEX #3C3FFB

RGB 60 63 251

HSL 239.06, 0.96%, 0.61%

LAB 40.38, 59.52, -92.13

 

CMYK 0 / 76 / 37 / 2

HEX #FB3C9F

RGB 251 60 159

HSL 328.9, 0.96%, 0.61%

LAB 58.27, 77.1, -9.42

 

CMYK 0 / 1 / 76 / 2

HEX #FBF83C

RGB 251 248 60

HSL 59.06, 0.96%, 0.61%

LAB 95.15, -18.77, 83.22

 

Description

Color code: HEX #3CFB9B | qconv.com Color code: HEX #3CFB9B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 251 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 251 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 38 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 38% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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