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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CFA15 it is the complementary color #C305EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CFA15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CFA15 shade: #41FA10, #52FF23, #63FF36, #74FF49 and #85FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CFA15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CFA15 shade: #3CFA15, #2BE802, #1AD600, #09C400 and #00B200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CFA15 shade: #3BFA14, #79FA14, #B7FA14, #F5FA14 and #FAC114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CFA15 shade: #3BFA14, #14FA2B, #14FA69, #14FAA7 and #14FAE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CFA15 shade matches the following richer shades: #3BFA14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CFA15 shade: #3BFA14, #48E727, #55D33B, #62C04E and #6EAD62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CFA15 shade: #B9FA14, #7CFA14, #3EFA14, #14FA27 and #14FA65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CFA15 shade: #22B804, #2AE005, #3BFA14, #5DFB3D and #7FFC65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CFA15 shade: #3CFA15, #14F6FA and #FA149A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CFA15 shade: #3CFA15, #143EFA and #FA143E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CFA15 shade: #3CFA15, #14F6FA, #D014FA and #FA1814

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CFA15 shade: #3CFA15, #14B1FA, #D014FA and #FA5D14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 92 / 2

HEX #3CFA15

RGB 60 250 21

HSL 109.78, 0.96%, 0.53%

LAB 86.69, -80.27, 80.65

 

Complementary color

CMYK 17 / 98 / 0 / 8

HEX #C305EA

RGB 195 5 234

HSL 289.78, 0.96%, 0.47%

LAB 49.07, 85.95, -67.74

 

CMYK 74 / 0 / 94 / 2

HEX #41FA10

RGB 65 250 16

HSL 107.44, 0.96%, 0.52%

LAB 86.77, -79.67, 81.32

 

CMYK 68 / 0 / 86 / 0

HEX #52FF23

RGB 82 255 35

HSL 107.18, 1%, 0.57%

LAB 88.65, -77.84, 80.27

 

CMYK 61 / 0 / 79 / 0

HEX #63FF36

RGB 99 255 54

HSL 106.57, 1%, 0.61%

LAB 89.13, -73.61, 76.45

 

CMYK 55 / 0 / 71 / 0

HEX #74FF49

RGB 116 255 73

HSL 105.82, 1%, 0.64%

LAB 89.73, -68.44, 71.33

 

CMYK 48 / 0 / 64 / 0

HEX #85FF5C

RGB 133 255 92

HSL 104.91, 1%, 0.68%

LAB 90.45, -62.43, 65.21

 

CMYK 76 / 0 / 92 / 2

HEX #3CFA15

RGB 60 250 21

HSL 109.78, 0.96%, 0.53%

LAB 86.69, -80.27, 80.65

 

CMYK 81 / 0 / 99 / 9

HEX #2BE802

RGB 43 232 2

HSL 109.3, 0.98%, 0.46%

LAB 80.87, -77.61, 77.62

 

CMYK 88 / 0 / 100 / 16

HEX #1AD600

RGB 26 214 0

HSL 112.71, 1%, 0.42%

LAB 75.02, -74.24, 73.04

 

CMYK 95 / 0 / 100 / 23

HEX #09C400

RGB 9 196 0

HSL 117.24, 1%, 0.38%

LAB 69.14, -70.32, 68.29

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 76 / 0 / 92 / 2

HEX #3BFA14

RGB 59 250 20

HSL 109.83, 0.96%, 0.53%

LAB 86.68, -80.43, 80.76

 

CMYK 52 / 0 / 92 / 2

HEX #79FA14

RGB 121 250 20

HSL 93.65, 0.96%, 0.53%

LAB 88.2, -67.72, 82.64

 

CMYK 27 / 0 / 92 / 2

HEX #B7FA14

RGB 183 250 20

HSL 77.48, 0.96%, 0.53%

LAB 91, -47.51, 86.07

 

CMYK 2 / 0 / 92 / 2

HEX #F5FA14

RGB 245 250 20

HSL 61.3, 0.96%, 0.53%

LAB 95.09, -23.11, 91.02

 

CMYK 0 / 23 / 92 / 2

HEX #FAC114

RGB 250 193 20

HSL 45.13, 0.96%, 0.53%

LAB 81.02, 7.4, 80.59

 

CMYK 76 / 0 / 92 / 2

HEX #3BFA14

RGB 59 250 20

HSL 109.83, 0.96%, 0.53%

LAB 86.68, -80.43, 80.76

 

CMYK 92 / 0 / 83 / 2

HEX #14FA2B

RGB 20 250 43

HSL 126, 0.96%, 0.53%

LAB 86.35, -83.1, 76.24

 

CMYK 92 / 0 / 58 / 2

HEX #14FA69

RGB 20 250 105

HSL 142.17, 0.96%, 0.53%

LAB 86.77, -77.82, 54.99

 

CMYK 92 / 0 / 33 / 2

HEX #14FAA7

RGB 20 250 167

HSL 158.35, 0.96%, 0.53%

LAB 87.64, -67.54, 26.32

 

CMYK 92 / 0 / 8 / 2

HEX #14FAE5

RGB 20 250 229

HSL 174.52, 0.96%, 0.53%

LAB 89.01, -52.74, -3.75

 

CMYK 76 / 0 / 92 / 2

HEX #3BFA14

RGB 59 250 20

HSL 109.83, 0.96%, 0.53%

LAB 86.68, -80.43, 80.76

 

CMYK 76 / 0 / 92 / 2

HEX #3BFA14

RGB 59 250 20

HSL 109.83, 0.96%, 0.53%

LAB 86.68, -80.43, 80.76

 

CMYK 69 / 0 / 83 / 9

HEX #48E727

RGB 72 231 39

HSL 109.69, 0.8%, 0.53%

LAB 81.11, -72.16, 72.68

 

CMYK 60 / 0 / 72 / 17

HEX #55D33B

RGB 85 211 59

HSL 109.74, 0.63%, 0.53%

LAB 75.35, -61.73, 61.35

 

CMYK 49 / 0 / 59 / 25

HEX #62C04E

RGB 98 192 78

HSL 109.47, 0.48%, 0.53%

LAB 70.07, -49.51, 48.03

 

CMYK 36 / 0 / 43 / 32

HEX #6EAD62

RGB 110 173 98

HSL 110.4, 0.31%, 0.53%

LAB 65.03, -35.09, 32.24

 

CMYK 26 / 0 / 92 / 2

HEX #B9FA14

RGB 185 250 20

HSL 76.96, 0.96%, 0.53%

LAB 91.11, -46.77, 86.21

 

CMYK 50 / 0 / 92 / 2

HEX #7CFA14

RGB 124 250 20

HSL 92.87, 0.96%, 0.53%

LAB 88.31, -66.89, 82.77

 

CMYK 75 / 0 / 92 / 2

HEX #3EFA14

RGB 62 250 20

HSL 109.04, 0.96%, 0.53%

LAB 86.72, -80.02, 80.82

 

CMYK 92 / 0 / 84 / 2

HEX #14FA27

RGB 20 250 39

HSL 124.96, 0.96%, 0.53%

LAB 86.34, -83.28, 77.12

 

CMYK 92 / 0 / 60 / 2

HEX #14FA65

RGB 20 250 101

HSL 141.13, 0.96%, 0.53%

LAB 86.73, -78.31, 56.68

 

CMYK 82 / 0 / 98 / 28

HEX #22B804

RGB 34 184 4

HSL 110, 0.96%, 0.37%

LAB 65.46, -64.94, 64.94

 

CMYK 81 / 0 / 98 / 12

HEX #2AE005

RGB 42 224 5

HSL 109.86, 0.96%, 0.45%

LAB 78.35, -75.44, 75.32

 

CMYK 76 / 0 / 92 / 2

HEX #3BFA14

RGB 59 250 20

HSL 109.83, 0.96%, 0.53%

LAB 86.68, -80.43, 80.76

 

CMYK 63 / 0 / 76 / 2

HEX #5DFB3D

RGB 93 251 61

HSL 109.89, 0.96%, 0.61%

LAB 87.8, -73.19, 73.11

 

CMYK 50 / 0 / 60 / 1

HEX #7FFC65

RGB 127 252 101

HSL 109.67, 0.96%, 0.69%

LAB 89.43, -62.11, 60.32

 

CMYK 76 / 0 / 92 / 2

HEX #3CFA15

RGB 60 250 21

HSL 109.78, 0.96%, 0.53%

LAB 86.69, -80.27, 80.65

 

CMYK 92 / 2 / 0 / 2

HEX #14F6FA

RGB 20 246 250

HSL 181.04, 0.96%, 0.53%

LAB 88.43, -45.16, -15.56

 

CMYK 0 / 92 / 38 / 2

HEX #FA149A

RGB 250 20 154

HSL 325.04, 0.96%, 0.53%

LAB 55.23, 84.11, -11.04

 

CMYK 76 / 0 / 92 / 2

HEX #3CFA15

RGB 60 250 21

HSL 109.78, 0.96%, 0.53%

LAB 86.69, -80.27, 80.65

 

CMYK 92 / 75 / 0 / 2

HEX #143EFA

RGB 20 62 250

HSL 229.04, 0.96%, 0.53%

LAB 38.72, 57.86, -94.36

 

CMYK 0 / 92 / 75 / 2

HEX #FA143E

RGB 250 20 62

HSL 349.04, 0.96%, 0.53%

LAB 53.14, 78.38, 41.01

 

CMYK 76 / 0 / 92 / 2

HEX #3CFA15

RGB 60 250 21

HSL 109.78, 0.96%, 0.53%

LAB 86.69, -80.27, 80.65

 

CMYK 92 / 2 / 0 / 2

HEX #14F6FA

RGB 20 246 250

HSL 181.04, 0.96%, 0.53%

LAB 88.43, -45.16, -15.56

 

CMYK 17 / 92 / 0 / 2

HEX #D014FA

RGB 208 20 250

HSL 289.04, 0.96%, 0.53%

LAB 52.74, 89.06, -70.67

 

CMYK 0 / 90 / 92 / 2

HEX #FA1814

RGB 250 24 20

HSL 1.04, 0.96%, 0.53%

LAB 52.98, 76.98, 61.2

 

CMYK 76 / 0 / 92 / 2

HEX #3CFA15

RGB 60 250 21

HSL 109.78, 0.96%, 0.53%

LAB 86.69, -80.27, 80.65

 

CMYK 92 / 29 / 0 / 2

HEX #14B1FA

RGB 20 177 250

HSL 199.04, 0.96%, 0.53%

LAB 68.38, -11.36, -46.37

 

CMYK 17 / 92 / 0 / 2

HEX #D014FA

RGB 208 20 250

HSL 289.04, 0.96%, 0.53%

LAB 52.74, 89.06, -70.67

 

CMYK 0 / 63 / 92 / 2

HEX #FA5D14

RGB 250 93 20

HSL 19.04, 0.96%, 0.53%

LAB 60.07, 57.32, 65.72

 

Description

Color code: HEX #3CFA15 | qconv.com Color code: HEX #3CFA15 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 250 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 250 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 92 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 92% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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