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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CF7EC it is the complementary color #C30813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CF7EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CF7EC shade: #41F7E7, #52FFFA, #63FFFF, #74FFFF and #85FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CF7EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CF7EC shade: #3CF7EC, #2BE5D9, #1AD3C6, #09C1B3 and #00AFA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CF7EC shade: #3BF7EC, #3BF7B9, #3BF787, #3BF754 and #55F73B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CF7EC shade: #3BF7EC, #3BCFF7, #3B9DF7, #3B6AF7 and #3B3BF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CF7EC shade matches the following richer shades: #3BF7EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CF7EC shade: #3BF7EC, #4CE6DD, #5CD6CF, #6DC5C0 and #7DB5B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CF7EC shade: #3BF786, #3BF7B8, #3BF7EA, #3BD1F7 and #3B9FF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CF7EC shade: #09D7CA, #14F5E8, #3BF7EC, #63F8F0 and #8AFAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CF7EC shade: #3CF7EC, #543BF7 and #F79F3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CF7EC shade: #3CF7EC, #EA3BF7 and #F7EA3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CF7EC shade: #3CF7EC, #543BF7, #F73B48 and #DEF73B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CF7EC shade: #3CF7EC, #8C3BF7, #F73B48 and #A6F73B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 4 / 3

HEX #3CF7EC

RGB 60 247 236

HSL 176.47, 0.92%, 0.6%

LAB 88.7, -46.97, -7.8

 

Complementary color

CMYK 0 / 96 / 90 / 24

HEX #C30813

RGB 195 8 19

HSL 356.47, 0.92%, 0.4%

LAB 40.93, 64.86, 48.16

 

CMYK 74 / 0 / 6 / 3

HEX #41F7E7

RGB 65 247 231

HSL 174.73, 0.92%, 0.61%

LAB 88.65, -47.79, -5.27

 

CMYK 68 / 0 / 2 / 0

HEX #52FFFA

RGB 82 255 250

HSL 178.27, 1%, 0.66%

LAB 91.78, -44.18, -10.47

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFF

RGB 116 255 255

HSL 180, 1%, 0.73%

LAB 92.77, -37.54, -11.49

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 76 / 0 / 4 / 3

HEX #3CF7EC

RGB 60 247 236

HSL 176.47, 0.92%, 0.6%

LAB 88.7, -46.97, -7.8

 

CMYK 81 / 0 / 5 / 10

HEX #2BE5D9

RGB 43 229 217

HSL 176.13, 0.78%, 0.53%

LAB 82.68, -45.9, -6.76

 

CMYK 88 / 0 / 6 / 17

HEX #1AD3C6

RGB 26 211 198

HSL 175.78, 0.78%, 0.46%

LAB 76.61, -44.54, -5.62

 

CMYK 95 / 0 / 7 / 24

HEX #09C1B3

RGB 9 193 179

HSL 175.43, 0.91%, 0.4%

LAB 70.49, -42.84, -4.36

 

CMYK 100 / 0 / 9 / 31

HEX #00AFA0

RGB 0 175 160

HSL 174.86, 1%, 0.34%

LAB 64.32, -40.73, -2.97

 

CMYK 76 / 0 / 4 / 3

HEX #3BF7EC

RGB 59 247 236

HSL 176.49, 0.92%, 0.6%

LAB 88.69, -47.07, -7.82

 

CMYK 76 / 0 / 25 / 3

HEX #3BF7B9

RGB 59 247 185

HSL 160.21, 0.92%, 0.6%

LAB 87.46, -59.69, 16.93

 

CMYK 76 / 0 / 45 / 3

HEX #3BF787

RGB 59 247 135

HSL 144.26, 0.92%, 0.6%

LAB 86.6, -69.33, 40.95

 

CMYK 76 / 0 / 66 / 3

HEX #3BF754

RGB 59 247 84

HSL 127.98, 0.92%, 0.6%

LAB 86.05, -75.9, 63.03

 

CMYK 66 / 0 / 76 / 3

HEX #55F73B

RGB 85 247 59

HSL 111.7, 0.92%, 0.6%

LAB 86.39, -73.65, 72.29

 

CMYK 76 / 0 / 4 / 3

HEX #3BF7EC

RGB 59 247 236

HSL 176.49, 0.92%, 0.6%

LAB 88.69, -47.07, -7.82

 

CMYK 76 / 16 / 0 / 3

HEX #3BCFF7

RGB 59 207 247

HSL 192.77, 0.92%, 0.6%

LAB 77.44, -25.27, -30.62

 

CMYK 76 / 36 / 0 / 3

HEX #3B9DF7

RGB 59 157 247

HSL 208.72, 0.92%, 0.6%

LAB 63.14, 1.74, -52.97

 

CMYK 76 / 57 / 0 / 3

HEX #3B6AF7

RGB 59 106 247

HSL 225, 0.92%, 0.6%

LAB 49.44, 32.85, -75.02

 

CMYK 76 / 76 / 0 / 3

HEX #3B3BF7

RGB 59 59 247

HSL 240, 0.92%, 0.6%

LAB 39.2, 60.25, -91.84

 

CMYK 76 / 0 / 4 / 3

HEX #3BF7EC

RGB 59 247 236

HSL 176.49, 0.92%, 0.6%

LAB 88.69, -47.07, -7.82

 

CMYK 76 / 0 / 4 / 3

HEX #3BF7EC

RGB 59 247 236

HSL 176.49, 0.92%, 0.6%

LAB 88.69, -47.07, -7.82

 

CMYK 67 / 0 / 4 / 10

HEX #4CE6DD

RGB 76 230 221

HSL 176.49, 0.75%, 0.6%

LAB 83.63, -41.67, -7.41

 

CMYK 57 / 0 / 3 / 16

HEX #5CD6CF

RGB 92 214 207

HSL 176.56, 0.6%, 0.6%

LAB 78.97, -35.52, -6.82

 

CMYK 45 / 0 / 3 / 23

HEX #6DC5C0

RGB 109 197 192

HSL 176.59, 0.43%, 0.6%

LAB 74.18, -27.67, -5.75

 

CMYK 31 / 0 / 2 / 29

HEX #7DB5B2

RGB 125 181 178

HSL 176.79, 0.27%, 0.6%

LAB 69.91, -18.82, -4.33

 

CMYK 76 / 0 / 46 / 3

HEX #3BF786

RGB 59 247 134

HSL 143.94, 0.92%, 0.6%

LAB 86.59, -69.49, 41.42

 

CMYK 76 / 0 / 26 / 3

HEX #3BF7B8

RGB 59 247 184

HSL 159.89, 0.92%, 0.6%

LAB 87.44, -59.92, 17.41

 

CMYK 76 / 0 / 5 / 3

HEX #3BF7EA

RGB 59 247 234

HSL 175.85, 0.92%, 0.6%

LAB 88.63, -47.61, -6.86

 

CMYK 76 / 15 / 0 / 3

HEX #3BD1F7

RGB 59 209 247

HSL 192.13, 0.92%, 0.6%

LAB 78.02, -26.27, -29.74

 

CMYK 76 / 36 / 0 / 3

HEX #3B9FF7

RGB 59 159 247

HSL 208.09, 0.92%, 0.6%

LAB 63.71, 0.58, -52.08

 

CMYK 96 / 0 / 6 / 16

HEX #09D7CA

RGB 9 215 202

HSL 176.21, 0.92%, 0.44%

LAB 77.83, -45.8, -5.97

 

CMYK 92 / 0 / 5 / 4

HEX #14F5E8

RGB 20 245 232

HSL 176.53, 0.92%, 0.52%

LAB 87.62, -49.84, -7.36

 

CMYK 76 / 0 / 4 / 3

HEX #3BF7EC

RGB 59 247 236

HSL 176.49, 0.92%, 0.6%

LAB 88.69, -47.07, -7.82

 

CMYK 60 / 0 / 3 / 3

HEX #63F8F0

RGB 99 248 240

HSL 176.78, 0.91%, 0.68%

LAB 89.9, -41.21, -8.03

 

CMYK 45 / 0 / 2 / 2

HEX #8AFAF4

RGB 138 250 244

HSL 176.79, 0.92%, 0.76%

LAB 91.82, -33.47, -7.12

 

CMYK 76 / 0 / 4 / 3

HEX #3CF7EC

RGB 60 247 236

HSL 176.47, 0.92%, 0.6%

LAB 88.7, -46.97, -7.8

 

CMYK 66 / 76 / 0 / 3

HEX #543BF7

RGB 84 59 247

HSL 247.98, 0.92%, 0.6%

LAB 40.78, 62.29, -89.17

 

CMYK 0 / 36 / 76 / 3

HEX #F79F3B

RGB 247 159 59

HSL 31.91, 0.92%, 0.6%

LAB 72.82, 24.91, 62.64

 

CMYK 76 / 0 / 4 / 3

HEX #3CF7EC

RGB 60 247 236

HSL 176.47, 0.92%, 0.6%

LAB 88.7, -46.97, -7.8

 

CMYK 5 / 76 / 0 / 3

HEX #EA3BF7

RGB 234 59 247

HSL 295.85, 0.92%, 0.6%

LAB 59.28, 85.18, -58.26

 

CMYK 0 / 5 / 76 / 3

HEX #F7EA3B

RGB 247 234 59

HSL 55.85, 0.92%, 0.6%

LAB 91.21, -13.65, 79.83

 

CMYK 76 / 0 / 4 / 3

HEX #3CF7EC

RGB 60 247 236

HSL 176.47, 0.92%, 0.6%

LAB 88.7, -46.97, -7.8

 

CMYK 66 / 76 / 0 / 3

HEX #543BF7

RGB 84 59 247

HSL 247.98, 0.92%, 0.6%

LAB 40.78, 62.29, -89.17

 

CMYK 0 / 76 / 71 / 3

HEX #F73B48

RGB 247 59 72

HSL 355.85, 0.92%, 0.6%

LAB 55.45, 70.09, 37.8

 

CMYK 10 / 0 / 76 / 3

HEX #DEF73B

RGB 222 247 59

HSL 67.98, 0.92%, 0.6%

LAB 92.74, -30.05, 80.52

 

CMYK 76 / 0 / 4 / 3

HEX #3CF7EC

RGB 60 247 236

HSL 176.47, 0.92%, 0.6%

LAB 88.7, -46.97, -7.8

 

CMYK 43 / 76 / 0 / 3

HEX #8C3BF7

RGB 140 59 247

HSL 265.85, 0.92%, 0.6%

LAB 46.2, 69.14, -80.06

 

CMYK 0 / 76 / 71 / 3

HEX #F73B48

RGB 247 59 72

HSL 355.85, 0.92%, 0.6%

LAB 55.45, 70.09, 37.8

 

CMYK 33 / 0 / 76 / 3

HEX #A6F73B

RGB 166 247 59

HSL 85.85, 0.92%, 0.6%

LAB 89.37, -51.14, 76.17

 

Description

Color code: HEX #3CF7EC | qconv.com Color code: HEX #3CF7EC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 247 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 247 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 4 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 4% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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