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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CF7A7 it is the complementary color #C30858. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CF7A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CF7A7 shade: #41F7A2, #52FFB5, #63FFC8, #74FFDB and #85FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CF7A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CF7A7 shade: #3CF7A7, #2BE594, #1AD381, #09C16E and #00AF5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CF7A7 shade: #3BF7A7, #3BF774, #3BF741, #68F73B and #9AF73B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CF7A7 shade: #3BF7A7, #3BF7D9, #3BE2F7, #3BAFF7 and #3B7DF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CF7A7 shade matches the following richer shades: #3BF7A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CF7A7 shade: #3BF7A7, #4CE6A4, #5CD6A2, #6DC59F and #7DB59D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CF7A7 shade: #3BF741, #3BF773, #3BF7A6, #3BF7D8 and #3BE4F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CF7A7 shade: #09D77F, #14F595, #3BF7A7, #63F8B8 and #8AFACA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CF7A7 shade: #3CF7A7, #3B67F7 and #F75A3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CF7A7 shade: #3CF7A7, #A63BF7 and #F7A63B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CF7A7 shade: #3CF7A7, #3B67F7, #F73B8C and #F7CB3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CF7A7 shade: #3CF7A7, #483BF7, #F73B8C and #EAF73B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 32 / 3

HEX #3CF7A7

RGB 60 247 167

HSL 154.33, 0.92%, 0.6%

LAB 87.13, -63.39, 25.7

 

Complementary color

CMYK 0 / 96 / 55 / 24

HEX #C30858

RGB 195 8 88

HSL 334.33, 0.92%, 0.4%

LAB 41.97, 67.71, 8.65

 

CMYK 74 / 0 / 34 / 3

HEX #41F7A2

RGB 65 247 162

HSL 151.98, 0.92%, 0.61%

LAB 87.12, -63.76, 28.24

 

CMYK 68 / 0 / 29 / 0

HEX #52FFB5

RGB 82 255 181

HSL 154.34, 1%, 0.66%

LAB 90.16, -60.58, 22.79

 

CMYK 61 / 0 / 22 / 0

HEX #63FFC8

RGB 99 255 200

HSL 158.85, 1%, 0.69%

LAB 90.94, -53.75, 14.21

 

CMYK 55 / 0 / 14 / 0

HEX #74FFDB

RGB 116 255 219

HSL 164.46, 1%, 0.73%

LAB 91.84, -46.29, 5.77

 

CMYK 48 / 0 / 7 / 0

HEX #85FFEE

RGB 133 255 238

HSL 171.64, 1%, 0.76%

LAB 92.87, -38.31, -2.48

 

CMYK 76 / 0 / 32 / 3

HEX #3CF7A7

RGB 60 247 167

HSL 154.33, 0.92%, 0.6%

LAB 87.13, -63.39, 25.7

 

CMYK 81 / 0 / 35 / 10

HEX #2BE594

RGB 43 229 148

HSL 153.87, 0.78%, 0.53%

LAB 81.12, -62.44, 27.22

 

CMYK 88 / 0 / 39 / 17

HEX #1AD381

RGB 26 211 129

HSL 153.41, 0.78%, 0.46%

LAB 75.07, -61.12, 28.86

 

CMYK 95 / 0 / 43 / 24

HEX #09C16E

RGB 9 193 110

HSL 152.93, 0.91%, 0.4%

LAB 68.99, -59.33, 30.64

 

CMYK 100 / 0 / 48 / 31

HEX #00AF5B

RGB 0 175 91

HSL 151.2, 1%, 0.34%

LAB 62.86, -56.99, 32.54

 

CMYK 76 / 0 / 32 / 3

HEX #3BF7A7

RGB 59 247 167

HSL 154.47, 0.92%, 0.6%

LAB 87.12, -63.5, 25.67

 

CMYK 76 / 0 / 53 / 3

HEX #3BF774

RGB 59 247 116

HSL 138.19, 0.92%, 0.6%

LAB 86.36, -72.17, 49.65

 

CMYK 76 / 0 / 74 / 3

HEX #3BF741

RGB 59 247 65

HSL 121.91, 0.92%, 0.6%

LAB 85.92, -77.5, 69.76

 

CMYK 58 / 0 / 76 / 3

HEX #68F73B

RGB 104 247 59

HSL 105.64, 0.92%, 0.6%

LAB 86.89, -69.55, 72.94

 

CMYK 38 / 0 / 76 / 3

HEX #9AF73B

RGB 154 247 59

HSL 89.68, 0.92%, 0.6%

LAB 88.78, -55.21, 75.41

 

CMYK 76 / 0 / 32 / 3

HEX #3BF7A7

RGB 59 247 167

HSL 154.47, 0.92%, 0.6%

LAB 87.12, -63.5, 25.67

 

CMYK 76 / 0 / 12 / 3

HEX #3BF7D9

RGB 59 247 217

HSL 170.43, 0.92%, 0.6%

LAB 88.19, -52.06, 1.36

 

CMYK 76 / 9 / 0 / 3

HEX #3BE2F7

RGB 59 226 247

HSL 186.7, 0.92%, 0.6%

LAB 82.93, -34.48, -22.23

 

CMYK 76 / 29 / 0 / 3

HEX #3BAFF7

RGB 59 175 247

HSL 202.98, 0.92%, 0.6%

LAB 68.24, -8.46, -44.92

 

CMYK 76 / 49 / 0 / 3

HEX #3B7DF7

RGB 59 125 247

HSL 218.94, 0.92%, 0.6%

LAB 54.36, 21, -67.04

 

CMYK 76 / 0 / 32 / 3

HEX #3BF7A7

RGB 59 247 167

HSL 154.47, 0.92%, 0.6%

LAB 87.12, -63.5, 25.67

 

CMYK 76 / 0 / 32 / 3

HEX #3BF7A7

RGB 59 247 167

HSL 154.47, 0.92%, 0.6%

LAB 87.12, -63.5, 25.67

 

CMYK 67 / 0 / 29 / 10

HEX #4CE6A4

RGB 76 230 164

HSL 154.29, 0.75%, 0.6%

LAB 82.28, -55.33, 20.62

 

CMYK 57 / 0 / 24 / 16

HEX #5CD6A2

RGB 92 214 162

HSL 154.43, 0.6%, 0.6%

LAB 77.86, -46.26, 15.59

 

CMYK 45 / 0 / 19 / 23

HEX #6DC59F

RGB 109 197 159

HSL 154.09, 0.43%, 0.6%

LAB 73.34, -35.35, 10.91

 

CMYK 31 / 0 / 13 / 29

HEX #7DB59D

RGB 125 181 157

HSL 154.29, 0.27%, 0.6%

LAB 69.36, -23.5, 6.42

 

CMYK 76 / 0 / 74 / 3

HEX #3BF741

RGB 59 247 65

HSL 121.91, 0.92%, 0.6%

LAB 85.92, -77.5, 69.76

 

CMYK 76 / 0 / 53 / 3

HEX #3BF773

RGB 59 247 115

HSL 137.87, 0.92%, 0.6%

LAB 86.35, -72.31, 50.09

 

CMYK 76 / 0 / 33 / 3

HEX #3BF7A6

RGB 59 247 166

HSL 154.15, 0.92%, 0.6%

LAB 87.1, -63.71, 26.16

 

CMYK 76 / 0 / 13 / 3

HEX #3BF7D8

RGB 59 247 216

HSL 170.11, 0.92%, 0.6%

LAB 88.17, -52.32, 1.84

 

CMYK 76 / 8 / 0 / 3

HEX #3BE4F7

RGB 59 228 247

HSL 186.06, 0.92%, 0.6%

LAB 83.51, -35.41, -21.36

 

CMYK 96 / 0 / 41 / 16

HEX #09D77F

RGB 9 215 127

HSL 154.37, 0.92%, 0.44%

LAB 76.19, -63.7, 31.34

 

CMYK 92 / 0 / 39 / 4

HEX #14F595

RGB 20 245 149

HSL 154.4, 0.92%, 0.52%

LAB 85.82, -69.35, 32.95

 

CMYK 76 / 0 / 32 / 3

HEX #3BF7A7

RGB 59 247 167

HSL 154.47, 0.92%, 0.6%

LAB 87.12, -63.5, 25.67

 

CMYK 60 / 0 / 26 / 3

HEX #63F8B8

RGB 99 248 184

HSL 154.23, 0.91%, 0.68%

LAB 88.57, -54.31, 19.11

 

CMYK 45 / 0 / 19 / 2

HEX #8AFACA

RGB 138 250 202

HSL 154.29, 0.92%, 0.76%

LAB 90.8, -42.85, 13.16

 

CMYK 76 / 0 / 32 / 3

HEX #3CF7A7

RGB 60 247 167

HSL 154.33, 0.92%, 0.6%

LAB 87.13, -63.39, 25.7

 

CMYK 76 / 58 / 0 / 3

HEX #3B67F7

RGB 59 103 247

HSL 225.96, 0.92%, 0.6%

LAB 48.69, 34.71, -76.23

 

CMYK 0 / 64 / 76 / 3

HEX #F75A3B

RGB 247 90 59

HSL 9.89, 0.92%, 0.6%

LAB 59.34, 58.49, 49.14

 

CMYK 76 / 0 / 32 / 3

HEX #3CF7A7

RGB 60 247 167

HSL 154.33, 0.92%, 0.6%

LAB 87.13, -63.39, 25.7

 

CMYK 33 / 76 / 0 / 3

HEX #A63BF7

RGB 166 59 247

HSL 274.15, 0.92%, 0.6%

LAB 49.44, 73.16, -74.64

 

CMYK 0 / 33 / 76 / 3

HEX #F7A63B

RGB 247 166 59

HSL 34.15, 0.92%, 0.6%

LAB 74.42, 21.24, 64.19

 

CMYK 76 / 0 / 32 / 3

HEX #3CF7A7

RGB 60 247 167

HSL 154.33, 0.92%, 0.6%

LAB 87.13, -63.39, 25.7

 

CMYK 76 / 58 / 0 / 3

HEX #3B67F7

RGB 59 103 247

HSL 225.96, 0.92%, 0.6%

LAB 48.69, 34.71, -76.23

 

CMYK 0 / 76 / 43 / 3

HEX #F73B8C

RGB 247 59 140

HSL 334.15, 0.92%, 0.6%

LAB 56.88, 74.58, -0.38

 

CMYK 0 / 18 / 76 / 3

HEX #F7CB3B

RGB 247 203 59

HSL 45.96, 0.92%, 0.6%

LAB 83.34, 1.93, 72.61

 

CMYK 76 / 0 / 32 / 3

HEX #3CF7A7

RGB 60 247 167

HSL 154.33, 0.92%, 0.6%

LAB 87.13, -63.39, 25.7

 

CMYK 71 / 76 / 0 / 3

HEX #483BF7

RGB 72 59 247

HSL 244.15, 0.92%, 0.6%

LAB 39.95, 61.23, -90.57

 

CMYK 0 / 76 / 43 / 3

HEX #F73B8C

RGB 247 59 140

HSL 334.15, 0.92%, 0.6%

LAB 56.88, 74.58, -0.38

 

CMYK 5 / 0 / 76 / 3

HEX #EAF73B

RGB 234 247 59

HSL 64.15, 0.92%, 0.6%

LAB 93.59, -25.23, 81.62

 

Description

Color code: HEX #3CF7A7 | qconv.com Color code: HEX #3CF7A7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 247 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 247 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 32 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 32% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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