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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CF742 it is the complementary color #C308BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CF742. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CF742 shade: #41F73D, #52FF50, #63FF63, #74FF76 and #85FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CF742. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CF742 shade: #3CF742, #2BE52F, #1AD31C, #09C109 and #00AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CF742 shade: #3BF741, #68F73B, #9AF73B, #CDF73B and #F7EE3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CF742 shade: #3BF741, #3BF774, #3BF7A6, #3BF7D9 and #3BE2F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CF742 shade matches the following richer shades: #3BF741

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CF742 shade: #3BF741, #4CE651, #5CD660, #6DC570 and #7DB57F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CF742 shade: #9CF73B, #6AF73B, #3BF73E, #3BF770 and #3BF7A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CF742 shade: #09D710, #14F51B, #3BF741, #63F868 and #8AFA8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CF742 shade: #3CF742, #3BCEF7 and #F73B83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CF742 shade: #3CF742, #3E3BF7 and #F73E3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CF742 shade: #3CF742, #3BCEF7, #F73BF4 and #F7643B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CF742 shade: #3CF742, #3B96F7, #F73BF4 and #F79C3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 73 / 3

HEX #3CF742

RGB 60 247 66

HSL 121.93, 0.92%, 0.6%

LAB 85.94, -77.29, 69.46

 

Complementary color

CMYK 0 / 96 / 3 / 24

HEX #C308BD

RGB 195 8 189

HSL 301.93, 0.92%, 0.4%

LAB 46.24, 78.73, -46.42

 

CMYK 74 / 0 / 75 / 3

HEX #41F73D

RGB 65 247 61

HSL 118.71, 0.92%, 0.6%

LAB 86, -76.94, 71.15

 

CMYK 68 / 0 / 69 / 0

HEX #52FF50

RGB 82 255 80

HSL 119.31, 1%, 0.66%

LAB 88.87, -75.2, 67.68

 

CMYK 61 / 0 / 61 / 0

HEX #63FF63

RGB 99 255 99

HSL 120, 1%, 0.69%

LAB 89.43, -70.12, 60.92

 

CMYK 55 / 0 / 54 / 0

HEX #74FF76

RGB 116 255 118

HSL 120.86, 1%, 0.73%

LAB 90.11, -64.15, 53.57

 

CMYK 48 / 0 / 46 / 0

HEX #85FF89

RGB 133 255 137

HSL 121.97, 1%, 0.76%

LAB 90.92, -57.38, 45.86

 

CMYK 76 / 0 / 73 / 3

HEX #3CF742

RGB 60 247 66

HSL 121.93, 0.92%, 0.6%

LAB 85.94, -77.29, 69.46

 

CMYK 81 / 0 / 79 / 10

HEX #2BE52F

RGB 43 229 47

HSL 121.29, 0.78%, 0.53%

LAB 80.04, -75.34, 69.47

 

CMYK 88 / 0 / 87 / 17

HEX #1AD31C

RGB 26 211 28

HSL 120.65, 0.78%, 0.46%

LAB 74.12, -72.73, 68.62

 

CMYK 95 / 0 / 95 / 24

HEX #09C109

RGB 9 193 9

HSL 120, 0.91%, 0.4%

LAB 68.18, -69.31, 66.49

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 76 / 0 / 74 / 3

HEX #3BF741

RGB 59 247 65

HSL 121.91, 0.92%, 0.6%

LAB 85.92, -77.5, 69.76

 

CMYK 58 / 0 / 76 / 3

HEX #68F73B

RGB 104 247 59

HSL 105.64, 0.92%, 0.6%

LAB 86.89, -69.55, 72.94

 

CMYK 38 / 0 / 76 / 3

HEX #9AF73B

RGB 154 247 59

HSL 89.68, 0.92%, 0.6%

LAB 88.78, -55.21, 75.41

 

CMYK 17 / 0 / 76 / 3

HEX #CDF73B

RGB 205 247 59

HSL 73.4, 0.92%, 0.6%

LAB 91.6, -36.74, 79.06

 

CMYK 0 / 4 / 76 / 3

HEX #F7EE3B

RGB 247 238 59

HSL 57.13, 0.92%, 0.6%

LAB 92.24, -15.61, 80.76

 

CMYK 76 / 0 / 74 / 3

HEX #3BF741

RGB 59 247 65

HSL 121.91, 0.92%, 0.6%

LAB 85.92, -77.5, 69.76

 

CMYK 76 / 0 / 53 / 3

HEX #3BF774

RGB 59 247 116

HSL 138.19, 0.92%, 0.6%

LAB 86.36, -72.17, 49.65

 

CMYK 76 / 0 / 33 / 3

HEX #3BF7A6

RGB 59 247 166

HSL 154.15, 0.92%, 0.6%

LAB 87.1, -63.71, 26.16

 

CMYK 76 / 0 / 12 / 3

HEX #3BF7D9

RGB 59 247 217

HSL 170.43, 0.92%, 0.6%

LAB 88.19, -52.06, 1.36

 

CMYK 76 / 9 / 0 / 3

HEX #3BE2F7

RGB 59 226 247

HSL 186.7, 0.92%, 0.6%

LAB 82.93, -34.48, -22.23

 

CMYK 76 / 0 / 74 / 3

HEX #3BF741

RGB 59 247 65

HSL 121.91, 0.92%, 0.6%

LAB 85.92, -77.5, 69.76

 

CMYK 76 / 0 / 74 / 3

HEX #3BF741

RGB 59 247 65

HSL 121.91, 0.92%, 0.6%

LAB 85.92, -77.5, 69.76

 

CMYK 67 / 0 / 65 / 10

HEX #4CE651

RGB 76 230 81

HSL 121.95, 0.75%, 0.6%

LAB 81.14, -68.13, 58.96

 

CMYK 57 / 0 / 55 / 16

HEX #5CD660

RGB 92 214 96

HSL 121.97, 0.6%, 0.6%

LAB 76.81, -57.45, 47.59

 

CMYK 45 / 0 / 43 / 23

HEX #6DC570

RGB 109 197 112

HSL 122.05, 0.43%, 0.6%

LAB 72.46, -43.94, 34.54

 

CMYK 31 / 0 / 30 / 29

HEX #7DB57F

RGB 125 181 127

HSL 122.14, 0.27%, 0.6%

LAB 68.71, -29.24, 21.85

 

CMYK 37 / 0 / 76 / 3

HEX #9CF73B

RGB 156 247 59

HSL 89.04, 0.92%, 0.6%

LAB 88.88, -54.55, 75.54

 

CMYK 57 / 0 / 76 / 3

HEX #6AF73B

RGB 106 247 59

HSL 105, 0.92%, 0.6%

LAB 86.95, -69.07, 73.02

 

CMYK 76 / 0 / 75 / 3

HEX #3BF73E

RGB 59 247 62

HSL 120.96, 0.92%, 0.6%

LAB 85.91, -77.71, 70.71

 

CMYK 76 / 0 / 55 / 3

HEX #3BF770

RGB 59 247 112

HSL 136.91, 0.92%, 0.6%

LAB 86.32, -72.71, 51.42

 

CMYK 76 / 0 / 34 / 3

HEX #3BF7A2

RGB 59 247 162

HSL 152.87, 0.92%, 0.6%

LAB 87.03, -64.5, 28.09

 

CMYK 96 / 0 / 93 / 16

HEX #09D710

RGB 9 215 16

HSL 122.04, 0.92%, 0.44%

LAB 75.26, -75.13, 71.54

 

CMYK 92 / 0 / 89 / 4

HEX #14F51B

RGB 20 245 27

HSL 121.87, 0.92%, 0.52%

LAB 84.76, -82.39, 77.99

 

CMYK 76 / 0 / 74 / 3

HEX #3BF741

RGB 59 247 65

HSL 121.91, 0.92%, 0.6%

LAB 85.92, -77.5, 69.76

 

CMYK 60 / 0 / 58 / 3

HEX #63F868

RGB 99 248 104

HSL 122.01, 0.91%, 0.68%

LAB 87.38, -67.17, 56.45

 

CMYK 45 / 0 / 43 / 2

HEX #8AFA8E

RGB 138 250 142

HSL 122.14, 0.92%, 0.76%

LAB 89.73, -53.33, 41.99

 

CMYK 76 / 0 / 73 / 3

HEX #3CF742

RGB 60 247 66

HSL 121.93, 0.92%, 0.6%

LAB 85.94, -77.29, 69.46

 

CMYK 76 / 17 / 0 / 3

HEX #3BCEF7

RGB 59 206 247

HSL 193.09, 0.92%, 0.6%

LAB 77.15, -24.77, -31.07

 

CMYK 0 / 76 / 47 / 3

HEX #F73B83

RGB 247 59 131

HSL 337.02, 0.92%, 0.6%

LAB 56.63, 73.8, 4.59

 

CMYK 76 / 0 / 73 / 3

HEX #3CF742

RGB 60 247 66

HSL 121.93, 0.92%, 0.6%

LAB 85.94, -77.29, 69.46

 

CMYK 75 / 76 / 0 / 3

HEX #3E3BF7

RGB 62 59 247

HSL 240.96, 0.92%, 0.6%

LAB 39.36, 60.46, -91.57

 

CMYK 0 / 75 / 76 / 3

HEX #F73E3B

RGB 247 62 59

HSL 0.96, 0.92%, 0.6%

LAB 55.62, 68.69, 45.21

 

CMYK 76 / 0 / 73 / 3

HEX #3CF742

RGB 60 247 66

HSL 121.93, 0.92%, 0.6%

LAB 85.94, -77.29, 69.46

 

CMYK 76 / 17 / 0 / 3

HEX #3BCEF7

RGB 59 206 247

HSL 193.09, 0.92%, 0.6%

LAB 77.15, -24.77, -31.07

 

CMYK 0 / 76 / 1 / 3

HEX #F73BF4

RGB 247 59 244

HSL 300.96, 0.92%, 0.6%

LAB 61.16, 87.19, -53.47

 

CMYK 0 / 60 / 76 / 3

HEX #F7643B

RGB 247 100 59

HSL 13.09, 0.92%, 0.6%

LAB 60.96, 54.19, 50.81

 

CMYK 76 / 0 / 73 / 3

HEX #3CF742

RGB 60 247 66

HSL 121.93, 0.92%, 0.6%

LAB 85.94, -77.29, 69.46

 

CMYK 76 / 39 / 0 / 3

HEX #3B96F7

RGB 59 150 247

HSL 210.96, 0.92%, 0.6%

LAB 61.18, 5.84, -56.09

 

CMYK 0 / 76 / 1 / 3

HEX #F73BF4

RGB 247 59 244

HSL 300.96, 0.92%, 0.6%

LAB 61.16, 87.19, -53.47

 

CMYK 0 / 37 / 76 / 3

HEX #F79C3B

RGB 247 156 59

HSL 30.96, 0.92%, 0.6%

LAB 72.14, 26.48, 61.99

 

Description

Color code: HEX #3CF742 | qconv.com Color code: HEX #3CF742 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 247 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 247 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 73 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 73% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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