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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CF445 it is the complementary color #C30BBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CF445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CF445 shade: #41F440, #52FF53, #63FF66, #74FF79 and #85FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CF445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CF445 shade: #3CF445, #2BE232, #1AD01F, #09BE0C and #00AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CF445 shade: #3EF447, #66F43E, #97F43E, #C8F43E and #F4EE3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CF445 shade: #3EF447, #3EF478, #3EF4A9, #3EF4DA and #3EDDF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CF445 shade matches the following richer shades: #3EF447

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CF445 shade: #3EF447, #4FE356, #5FD365, #70C274 and #80B283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CF445 shade: #99F43E, #69F43E, #3EF444, #3EF475 and #3EF4A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CF445 shade: #0CD316, #17F222, #3EF447, #65F66C and #8CF891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CF445 shade: #3CF445, #3EC9F4 and #F43E81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CF445 shade: #3CF445, #443EF4 and #F4443E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CF445 shade: #3CF445, #3EC9F4, #F43EEE and #F4693E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CF445 shade: #3CF445, #3E93F4, #F43EEE and #F49F3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 72 / 4

HEX #3CF445

RGB 60 244 69

HSL 122.93, 0.89%, 0.6%

LAB 85.04, -76.17, 67.53

 

Complementary color

CMYK 0 / 94 / 5 / 24

HEX #C30BBA

RGB 195 11 186

HSL 302.93, 0.89%, 0.4%

LAB 46.16, 78.04, -44.79

 

CMYK 73 / 0 / 74 / 4

HEX #41F440

RGB 65 244 64

HSL 119.67, 0.89%, 0.6%

LAB 85.1, -75.83, 69.3

 

CMYK 68 / 0 / 67 / 0

HEX #52FF53

RGB 82 255 83

HSL 120.35, 1%, 0.66%

LAB 88.89, -74.95, 66.59

 

CMYK 61 / 0 / 60 / 0

HEX #63FF66

RGB 99 255 102

HSL 121.15, 1%, 0.69%

LAB 89.45, -69.81, 59.69

 

CMYK 55 / 0 / 53 / 0

HEX #74FF79

RGB 116 255 121

HSL 122.16, 1%, 0.73%

LAB 90.14, -63.78, 52.24

 

CMYK 48 / 0 / 45 / 0

HEX #85FF8C

RGB 133 255 140

HSL 123.44, 1%, 0.76%

LAB 90.96, -56.97, 44.48

 

CMYK 75 / 0 / 72 / 4

HEX #3CF445

RGB 60 244 69

HSL 122.93, 0.89%, 0.6%

LAB 85.04, -76.17, 67.53

 

CMYK 81 / 0 / 78 / 11

HEX #2BE232

RGB 43 226 50

HSL 122.3, 0.76%, 0.53%

LAB 79.12, -74.29, 67.73

 

CMYK 88 / 0 / 85 / 18

HEX #1AD01F

RGB 26 208 31

HSL 121.65, 0.78%, 0.46%

LAB 73.17, -71.76, 67.14

 

CMYK 95 / 0 / 94 / 25

HEX #09BE0C

RGB 9 190 12

HSL 120.99, 0.91%, 0.39%

LAB 67.21, -68.42, 65.33

 

CMYK 100 / 0 / 100 / 33

HEX #00AC00

RGB 0 172 0

HSL 120, 1%, 0.34%

LAB 61.22, -64.16, 61.92

 

CMYK 75 / 0 / 71 / 4

HEX #3EF447

RGB 62 244 71

HSL 122.97, 0.89%, 0.6%

LAB 85.09, -75.73, 66.88

 

CMYK 58 / 0 / 75 / 4

HEX #66F43E

RGB 102 244 62

HSL 106.81, 0.89%, 0.6%

LAB 85.94, -68.82, 71.07

 

CMYK 38 / 0 / 75 / 4

HEX #97F43E

RGB 151 244 62

HSL 90.66, 0.89%, 0.6%

LAB 87.79, -54.85, 73.5

 

CMYK 18 / 0 / 75 / 4

HEX #C8F43E

RGB 200 244 62

HSL 74.51, 0.89%, 0.6%

LAB 90.47, -37.19, 76.99

 

CMYK 0 / 2 / 75 / 4

HEX #F4EE3E

RGB 244 238 62

HSL 58.02, 0.89%, 0.6%

LAB 92.01, -16.73, 79.56

 

CMYK 75 / 0 / 71 / 4

HEX #3EF447

RGB 62 244 71

HSL 122.97, 0.89%, 0.6%

LAB 85.09, -75.73, 66.88

 

CMYK 75 / 0 / 51 / 4

HEX #3EF478

RGB 62 244 120

HSL 139.12, 0.89%, 0.6%

LAB 85.55, -70.23, 46.8

 

CMYK 75 / 0 / 31 / 4

HEX #3EF4A9

RGB 62 244 169

HSL 155.27, 0.89%, 0.6%

LAB 86.3, -61.63, 23.55

 

CMYK 75 / 0 / 11 / 4

HEX #3EF4DA

RGB 62 244 218

HSL 171.43, 0.89%, 0.6%

LAB 87.38, -50.24, -0.34

 

CMYK 75 / 9 / 0 / 4

HEX #3EDDF4

RGB 62 221 244

HSL 187.58, 0.89%, 0.6%

LAB 81.44, -32.7, -22.91

 

CMYK 75 / 0 / 71 / 4

HEX #3EF447

RGB 62 244 71

HSL 122.97, 0.89%, 0.6%

LAB 85.09, -75.73, 66.88

 

CMYK 75 / 0 / 71 / 4

HEX #3EF447

RGB 62 244 71

HSL 122.97, 0.89%, 0.6%

LAB 85.09, -75.73, 66.88

 

CMYK 65 / 0 / 62 / 11

HEX #4FE356

RGB 79 227 86

HSL 122.84, 0.73%, 0.6%

LAB 80.33, -66.04, 56.02

 

CMYK 55 / 0 / 52 / 17

HEX #5FD365

RGB 95 211 101

HSL 123.1, 0.57%, 0.6%

LAB 76.05, -54.95, 44.34

 

CMYK 42 / 0 / 40 / 24

HEX #70C274

RGB 112 194 116

HSL 122.93, 0.4%, 0.6%

LAB 71.75, -41.14, 31.59

 

CMYK 28 / 0 / 26 / 30

HEX #80B283

RGB 128 178 131

HSL 123.6, 0.25%, 0.6%

LAB 68.07, -26.08, 18.84

 

CMYK 37 / 0 / 75 / 4

HEX #99F43E

RGB 153 244 62

HSL 90, 0.89%, 0.6%

LAB 87.88, -54.19, 73.62

 

CMYK 57 / 0 / 75 / 4

HEX #69F43E

RGB 105 244 62

HSL 105.82, 0.89%, 0.6%

LAB 86.03, -68.1, 71.19

 

CMYK 75 / 0 / 72 / 4

HEX #3EF444

RGB 62 244 68

HSL 121.98, 0.89%, 0.6%

LAB 85.07, -75.97, 67.91

 

CMYK 75 / 0 / 52 / 4

HEX #3EF475

RGB 62 244 117

HSL 138.13, 0.89%, 0.6%

LAB 85.51, -70.66, 48.16

 

CMYK 75 / 0 / 32 / 4

HEX #3EF4A5

RGB 62 244 165

HSL 153.96, 0.89%, 0.6%

LAB 86.23, -62.45, 25.49

 

CMYK 94 / 0 / 90 / 17

HEX #0CD316

RGB 12 211 22

HSL 123.02, 0.89%, 0.44%

LAB 74.01, -73.77, 69.6

 

CMYK 90 / 0 / 86 / 5

HEX #17F222

RGB 23 242 34

HSL 123.01, 0.89%, 0.52%

LAB 83.86, -81.18, 75.97

 

CMYK 75 / 0 / 71 / 4

HEX #3EF447

RGB 62 244 71

HSL 122.97, 0.89%, 0.6%

LAB 85.09, -75.73, 66.88

 

CMYK 59 / 0 / 56 / 4

HEX #65F66C

RGB 101 246 108

HSL 122.9, 0.89%, 0.68%

LAB 86.88, -65.56, 54.12

 

CMYK 44 / 0 / 42 / 3

HEX #8CF891

RGB 140 248 145

HSL 122.78, 0.89%, 0.76%

LAB 89.28, -51.52, 39.95

 

CMYK 75 / 0 / 72 / 4

HEX #3CF445

RGB 60 244 69

HSL 122.93, 0.89%, 0.6%

LAB 85.04, -76.17, 67.53

 

CMYK 75 / 18 / 0 / 4

HEX #3EC9F4

RGB 62 201 244

HSL 194.18, 0.89%, 0.6%

LAB 75.66, -22.88, -31.76

 

CMYK 0 / 75 / 47 / 4

HEX #F43E81

RGB 244 62 129

HSL 337.91, 0.89%, 0.6%

LAB 56.35, 71.96, 5.31

 

CMYK 75 / 0 / 72 / 4

HEX #3CF445

RGB 60 244 69

HSL 122.93, 0.89%, 0.6%

LAB 85.04, -76.17, 67.53

 

CMYK 72 / 75 / 0 / 4

HEX #443EF4

RGB 68 62 244

HSL 241.98, 0.89%, 0.6%

LAB 39.93, 58.48, -88.93

 

CMYK 0 / 72 / 75 / 4

HEX #F4443E

RGB 244 68 62

HSL 1.98, 0.89%, 0.6%

LAB 55.8, 65.97, 43.62

 

CMYK 75 / 0 / 72 / 4

HEX #3CF445

RGB 60 244 69

HSL 122.93, 0.89%, 0.6%

LAB 85.04, -76.17, 67.53

 

CMYK 75 / 18 / 0 / 4

HEX #3EC9F4

RGB 62 201 244

HSL 194.18, 0.89%, 0.6%

LAB 75.66, -22.88, -31.76

 

CMYK 0 / 75 / 2 / 4

HEX #F43EEE

RGB 244 62 238

HSL 301.98, 0.89%, 0.6%

LAB 60.65, 84.91, -50.97

 

CMYK 0 / 57 / 75 / 4

HEX #F4693E

RGB 244 105 62

HSL 14.18, 0.89%, 0.6%

LAB 61.38, 50.98, 49.62

 

CMYK 75 / 0 / 72 / 4

HEX #3CF445

RGB 60 244 69

HSL 122.93, 0.89%, 0.6%

LAB 85.04, -76.17, 67.53

 

CMYK 75 / 40 / 0 / 4

HEX #3E93F4

RGB 62 147 244

HSL 211.98, 0.89%, 0.6%

LAB 60.27, 6.89, -55.89

 

CMYK 0 / 75 / 2 / 4

HEX #F43EEE

RGB 244 62 238

HSL 301.98, 0.89%, 0.6%

LAB 60.65, 84.91, -50.97

 

CMYK 0 / 35 / 75 / 4

HEX #F49F3E

RGB 244 159 62

HSL 31.98, 0.89%, 0.6%

LAB 72.48, 23.79, 60.96

 

Description

Color code: HEX #3CF445 | qconv.com Color code: HEX #3CF445 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 244 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 244 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 72 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 72% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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