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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CF1A8 it is the complementary color #C30E57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CF1A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CF1A8 shade: #41F1A3, #52FFB6, #63FFC9, #74FFDC and #85FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CF1A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CF1A8 shade: #3CF1A8, #2BDF95, #1ACD82, #09BB6F and #00A95C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CF1A8 shade: #3BF1A8, #3BF176, #3BF145, #62F13B and #93F13B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CF1A8 shade: #3BF1A8, #3BF1D9, #3BD8F1, #3BA7F1 and #3B76F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CF1A8 shade matches the following richer shades: #3BF1A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CF1A8 shade: #3BF1A8, #4CE0A4, #5DCFA1, #6EBE9E and #7FAD9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CF1A8 shade: #3BF144, #3BF175, #3BF1A5, #3BF1D6 and #3BDCF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CF1A8 shade: #0ECC7F, #14EE96, #3BF1A8, #62F4B9 and #88F6CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CF1A8 shade: #3CF1A8, #3B62F1 and #F15C3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CF1A8 shade: #3CF1A8, #A53BF1 and #F1A53B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CF1A8 shade: #3CF1A8, #3B62F1, #F13B87 and #F1C93B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CF1A8 shade: #3CF1A8, #4A3BF1, #F13B87 and #E2F13B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 30 / 5

HEX #3CF1A8

RGB 60 241 168

HSL 155.8, 0.87%, 0.59%

LAB 85.35, -60.96, 22.75

 

Complementary color

CMYK 0 / 93 / 55 / 24

HEX #C30E57

RGB 195 14 87

HSL 335.8, 0.87%, 0.41%

LAB 42.16, 67.01, 9.55

 

CMYK 73 / 0 / 32 / 5

HEX #41F1A3

RGB 65 241 163

HSL 153.41, 0.86%, 0.6%

LAB 85.34, -61.36, 25.31

 

CMYK 68 / 0 / 29 / 0

HEX #52FFB6

RGB 82 255 182

HSL 154.68, 1%, 0.66%

LAB 90.18, -60.38, 22.31

 

CMYK 61 / 0 / 21 / 0

HEX #63FFC9

RGB 99 255 201

HSL 159.23, 1%, 0.69%

LAB 90.96, -53.54, 13.73

 

CMYK 55 / 0 / 14 / 0

HEX #74FFDC

RGB 116 255 220

HSL 164.89, 1%, 0.73%

LAB 91.86, -46.06, 5.29

 

CMYK 48 / 0 / 6 / 0

HEX #85FFEF

RGB 133 255 239

HSL 172.13, 1%, 0.76%

LAB 92.9, -38.08, -2.96

 

CMYK 75 / 0 / 30 / 5

HEX #3CF1A8

RGB 60 241 168

HSL 155.8, 0.87%, 0.59%

LAB 85.35, -60.96, 22.75

 

CMYK 81 / 0 / 33 / 13

HEX #2BDF95

RGB 43 223 149

HSL 155.33, 0.74%, 0.52%

LAB 79.3, -60.06, 24.24

 

CMYK 87 / 0 / 37 / 20

HEX #1ACD82

RGB 26 205 130

HSL 154.86, 0.77%, 0.45%

LAB 73.22, -58.79, 25.86

 

CMYK 95 / 0 / 41 / 27

HEX #09BB6F

RGB 9 187 111

HSL 154.38, 0.91%, 0.38%

LAB 67.09, -57.05, 27.63

 

CMYK 100 / 0 / 46 / 34

HEX #00A95C

RGB 0 169 92

HSL 152.66, 1%, 0.33%

LAB 60.91, -54.76, 29.54

 

CMYK 76 / 0 / 30 / 5

HEX #3BF1A8

RGB 59 241 168

HSL 155.93, 0.87%, 0.59%

LAB 85.34, -61.08, 22.73

 

CMYK 76 / 0 / 51 / 5

HEX #3BF176

RGB 59 241 118

HSL 139.45, 0.87%, 0.59%

LAB 84.56, -69.92, 46.52

 

CMYK 76 / 0 / 71 / 5

HEX #3BF145

RGB 59 241 69

HSL 123.3, 0.87%, 0.59%

LAB 84.11, -75.4, 66.56

 

CMYK 59 / 0 / 76 / 5

HEX #62F13B

RGB 98 241 59

HSL 107.14, 0.87%, 0.59%

LAB 84.91, -68.93, 70.96

 

CMYK 39 / 0 / 76 / 5

HEX #93F13B

RGB 147 241 59

HSL 90.99, 0.87%, 0.59%

LAB 86.72, -55.14, 73.33

 

CMYK 76 / 0 / 30 / 5

HEX #3BF1A8

RGB 59 241 168

HSL 155.93, 0.87%, 0.59%

LAB 85.34, -61.08, 22.73

 

CMYK 76 / 0 / 10 / 5

HEX #3BF1D9

RGB 59 241 217

HSL 172.09, 0.87%, 0.59%

LAB 86.43, -49.56, -1.21

 

CMYK 76 / 10 / 0 / 5

HEX #3BD8F1

RGB 59 216 241

HSL 188.24, 0.87%, 0.59%

LAB 79.84, -31.54, -23.76

 

CMYK 76 / 31 / 0 / 5

HEX #3BA7F1

RGB 59 167 241

HSL 204.4, 0.87%, 0.59%

LAB 65.68, -6.08, -45.67

 

CMYK 76 / 51 / 0 / 5

HEX #3B76F1

RGB 59 118 241

HSL 220.55, 0.87%, 0.59%

LAB 52.1, 23.17, -67.35

 

CMYK 76 / 0 / 30 / 5

HEX #3BF1A8

RGB 59 241 168

HSL 155.93, 0.87%, 0.59%

LAB 85.34, -61.08, 22.73

 

CMYK 76 / 0 / 30 / 5

HEX #3BF1A8

RGB 59 241 168

HSL 155.93, 0.87%, 0.59%

LAB 85.34, -61.08, 22.73

 

CMYK 66 / 0 / 27 / 12

HEX #4CE0A4

RGB 76 224 164

HSL 155.68, 0.7%, 0.59%

LAB 80.48, -52.95, 18.13

 

CMYK 55 / 0 / 22 / 19

HEX #5DCFA1

RGB 93 207 161

HSL 155.79, 0.54%, 0.59%

LAB 75.78, -43.25, 13.2

 

CMYK 42 / 0 / 17 / 25

HEX #6EBE9E

RGB 110 190 158

HSL 156, 0.38%, 0.59%

LAB 71.29, -32.02, 8.54

 

CMYK 27 / 0 / 11 / 32

HEX #7FAD9A

RGB 127 173 154

HSL 155.22, 0.22%, 0.59%

LAB 67.08, -19.44, 4.8

 

CMYK 76 / 0 / 72 / 5

HEX #3BF144

RGB 59 241 68

HSL 122.97, 0.87%, 0.59%

LAB 84.1, -75.48, 66.91

 

CMYK 76 / 0 / 51 / 5

HEX #3BF175

RGB 59 241 117

HSL 139.12, 0.87%, 0.59%

LAB 84.55, -70.07, 46.97

 

CMYK 76 / 0 / 32 / 5

HEX #3BF1A5

RGB 59 241 165

HSL 154.95, 0.87%, 0.59%

LAB 85.28, -61.7, 24.19

 

CMYK 76 / 0 / 11 / 5

HEX #3BF1D6

RGB 59 241 214

HSL 171.1, 0.87%, 0.59%

LAB 86.35, -50.34, 0.25

 

CMYK 76 / 9 / 0 / 5

HEX #3BDCF1

RGB 59 220 241

HSL 186.92, 0.87%, 0.59%

LAB 81, -33.44, -21.99

 

CMYK 93 / 0 / 38 / 20

HEX #0ECC7F

RGB 14 204 127

HSL 155.68, 0.87%, 0.43%

LAB 72.77, -59.7, 26.81

 

CMYK 92 / 0 / 37 / 7

HEX #14EE96

RGB 20 238 150

HSL 155.78, 0.87%, 0.51%

LAB 83.7, -66.77, 29.63

 

CMYK 76 / 0 / 30 / 5

HEX #3BF1A8

RGB 59 241 168

HSL 155.93, 0.87%, 0.59%

LAB 85.34, -61.08, 22.73

 

CMYK 60 / 0 / 24 / 4

HEX #62F4B9

RGB 98 244 185

HSL 155.75, 0.87%, 0.67%

LAB 87.39, -52.66, 16.94

 

CMYK 45 / 0 / 18 / 4

HEX #88F6CA

RGB 136 246 202

HSL 156, 0.86%, 0.75%

LAB 89.58, -41.58, 11.43

 

CMYK 75 / 0 / 30 / 5

HEX #3CF1A8

RGB 60 241 168

HSL 155.8, 0.87%, 0.59%

LAB 85.35, -60.96, 22.75

 

CMYK 76 / 59 / 0 / 5

HEX #3B62F1

RGB 59 98 241

HSL 227.14, 0.87%, 0.59%

LAB 47, 35.69, -75.65

 

CMYK 0 / 62 / 76 / 5

HEX #F15C3B

RGB 241 92 59

HSL 10.88, 0.87%, 0.59%

LAB 58.67, 55.61, 48.12

 

CMYK 75 / 0 / 30 / 5

HEX #3CF1A8

RGB 60 241 168

HSL 155.8, 0.87%, 0.59%

LAB 85.35, -60.96, 22.75

 

CMYK 32 / 76 / 0 / 5

HEX #A53BF1

RGB 165 59 241

HSL 274.95, 0.87%, 0.59%

LAB 48.86, 71.72, -72.23

 

CMYK 0 / 32 / 76 / 5

HEX #F1A53B

RGB 241 165 59

HSL 34.95, 0.87%, 0.59%

LAB 73.5, 19.25, 63.06

 

CMYK 75 / 0 / 30 / 5

HEX #3CF1A8

RGB 60 241 168

HSL 155.8, 0.87%, 0.59%

LAB 85.35, -60.96, 22.75

 

CMYK 76 / 59 / 0 / 5

HEX #3B62F1

RGB 59 98 241

HSL 227.14, 0.87%, 0.59%

LAB 47, 35.69, -75.65

 

CMYK 0 / 76 / 44 / 5

HEX #F13B87

RGB 241 59 135

HSL 334.95, 0.87%, 0.59%

LAB 55.66, 72.59, 0.68

 

CMYK 0 / 17 / 76 / 5

HEX #F1C93B

RGB 241 201 59

HSL 46.81, 0.87%, 0.59%

LAB 82.27, 0.42, 71.41

 

CMYK 75 / 0 / 30 / 5

HEX #3CF1A8

RGB 60 241 168

HSL 155.8, 0.87%, 0.59%

LAB 85.35, -60.96, 22.75

 

CMYK 69 / 76 / 0 / 5

HEX #4A3BF1

RGB 74 59 241

HSL 244.95, 0.87%, 0.59%

LAB 39.47, 59.61, -87.98

 

CMYK 0 / 76 / 44 / 5

HEX #F13B87

RGB 241 59 135

HSL 334.95, 0.87%, 0.59%

LAB 55.66, 72.59, 0.68

 

CMYK 6 / 0 / 76 / 5

HEX #E2F13B

RGB 226 241 59

HSL 64.95, 0.87%, 0.59%

LAB 91.41, -25.64, 79.41

 

Description

Color code: HEX #3CF1A8 | qconv.com Color code: HEX #3CF1A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 241 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 241 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 30% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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